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Emily S. Whitten: TMNT & Ciro Nieli & Greg Cipes

Whitten Art 131022As promised in my New York Comic Con round-up last week, this week I bring to you the awesome chats I had there with executive producer Ciro Nieli and Michelangelo voice actor Greg Cipes of the current Teenage Mutant Ninja Turtles animated series on Nickelodeon (and if you missed it before, I’ve previously interviewed the spectacular Rob Paulsen, voice of Donatello). Ciro and Greg were both absolutely delightful to speak with, and shared some great insights on the show.

If you haven’t given the current TMNT a shot yet (maybe because you were loyal to the original; or you’ve never watched TMNT before; or you’re an adult so why would you be watching a kids’ show…) you are totally missing out. I’m a fan of the original series (having watched from the very first episode at the age of maybe six or seven), and until this series, haven’t really been interested in any of the ones following that, because they just didn’t grab my attention (and, honestly, the live-action versions just plain freaked me out). But when I learned that Rob Paulsen, voice of the original Raphael, was going to be voicing Donatello, I knew I had to give this show a try.

The first couple of minutes of watching were spent getting used to the unique animation style; and then the rest of the time was spent completely falling in love with the new visual style, the storyline and humor, and the new voices and quirks of the characters. The current show is full of humor, warmth, action, and adventure, and pays homage to the original animated and comic book series’ without being in the least bit stale or unoriginal. It’s also grown over the course of the first season along with the Turtles, who have begun exploring the world outside of the sewers and encountering serious problems and responsibilities. By the end of Season 1 and first episode of Season 2, the show has entered some pretty dark and serious territory; but happily, appears to be holding on to the humor and sense of fun that made the show so appealing in the first place. I can’t wait to see where they go with it from here.

So without further ado, let’s see what a couple of the folks involved had to say about that and the show in general! Read on for the interview transcripts, or head on over to YouTube and watch the video interviews there!

•     •     •     •     •

Greg Cipes (voice of Michelangelo)

(YouTube video: Click here.)

Greg, you are known as the voice of Michelangelo on the current Teenage Mutant Ninja Turtles show, which is fantastic.

Yes, I am Mikey.

I know that, like me, you were a fan of the original show, because I’ve heard you talk about it on Rob’s Talkin’ Toons podcast. When you were a kid, what else did you watch?

Only the Turtles. Do you mean now, or back then?

Either one!

Really back then, it was all about the Turtles; and back then I didn’t watch too much TV other than the Turtles because I wanted to go outside and play. I wanted to go outside and skateboard like the Turtles. I wanted to go to karate class and learn martial arts like the Turtles. So it really influenced me a lot.

That’s really cool. How old were you when you first started watching it?

Eight years old.

And was Michelangelo always your favorite?

Yeah, Mikey was always my favorite. Although I probably dressed up as a Turtle for Halloween many, many times; and I’ve probably been all the Turtles.

Have you ever been Splinter?

No, not yet! This Halloween.

Yeah, maybe this Halloween! It’s coming up. So of course you’ve done a lot of voiceover; but as a huge Turtles fan, what was it like getting the role of Michelangelo?

Oh my gosh, when Ciro Nieli told me he was making the new show; I’ve worked with Ciro on Teen Titans, and his show called Super Robot Monkey Team Hyperforce Go! that he created. It’s a great show. So he said, I’m doing Turtles, and I want you to be a Turtle, and I was like, “What?” It just seemed like a dream, right? I was like, “Really?” And of course I had to go through the casting process, which took like, a year. And then when I got the phone call, and the contract, the deal came through, it was really maybe one of the best days of my life.

That’s really cool. Did you call everybody you knew, like, “Guess what??”

Yeah: “I’m a Turtle!!”

And did they all say, “We knew it would happen someday?”

I guess so, yeah. It just made sense. You know, Nickelodeon hired me because they felt like I really am the real life Mikey.

It sounds like it, from your hobbies and everything. Now of course Rob Paulsen was on the original (1987) series, and is on the new one. What’s it like working with someone who was in the original franchise?

Well, it’s cool. I honestly don’t remember what any of the Turtles sound like from the original show at all; nor did I listen to them – so what I brought to Mikey was just me.

Did you do that on purpose, so you could bring your own spin?

Yeah; well I don’t watch much of anything these days, because I’m still very active. I like to be doing things rather than watching TV; unless the Turtles are on! But I didn’t do any kind of research to go back and listen to anything; I just brought myself to it, and what I felt Mikey would be; which is ultimately me; a dimension of myself.

With the new Turtles, what do you think about the direction of the show, and the look of the show, which is so different?

Oh, it’s so cool. So cool. I think it’s the hottest thing on TV right now; better than any live-action show. It’s set a new standard in the animation world, as far as TV animation goes. Every episode’s a stand-alone movie. Like, a feature film quality animated CG thing; but it’s not just CG, it’s this new mix of…Ciro’s notorious for creating new, groundbreaking styles of animation like he did with Teen Titans. It’s got the anime thing mixed with the comic book thing and the CG thing; and there’s all kinds of…

It looks a little bit like a video game sometimes.

Yes, and that too! It’s just got everything going on. It’s like candy for your eyes.

It is! I actually went into it unsure if I’d like it because I really loved the old one; but then I started watching it and I was like, “This is the best thing!” So with the storylines, do you like where that’s going? Do you know anything about what’s in store for Mikey?

I know everything that’s in store, but I can’t tell you anything! I mean, Mikey’s growing up a little bit; he’s got more experience; he’s wiser. But he really hasn’t changed – he’s still very free-spirited. He’s a “now-ist.” He’s just wild; and it’s really fun to play someone like that. He brings that out in me. But he does become more intelligent based on experience, as we all do; so he kind of maybe steps into the leader roll more.

Cool! I enjoy that it started with them not being so sure of themselves and growing. So do you have a favorite episode from the last season?

My favorite episode from Season 1? Oh my gosh, it’s so hard to go back. I really am a now-ist; I don’t think about the future, I don’t think about the past; so once I’ve experienced it, and I’ve done it, I don’t think about it again. So for me to go back is difficult. Also because we’ve done so many episodes; and I do eight other cartoons; all these different worlds mesh together.

That’s fair! I personally loved the one where he had the tPod.

The tPod, of course! It’s always so fun to play Mikey, that every episode’s really cool; very fun. And they always give me fun situations to be in.

Yes. I’ve heard that recording with everybody can be a lot of fun. Do you have any good stories about that?

Actually, you know what, I do have a good story – working with Roseanne Barr. She plays Kraang Prime; and she’s awesome. She’s so funny. And she’s a friend of mine, and before she got the role, they were like, “Who’s going to play Kraang Prime?” And I was like, “It should be Roseanne.” And it was such a so-far-out-there casting choice, but Ciro was into it, and we made it happen. So it was really cool to have her on the show and work with her.

That’s really neat. So as you said, you’re working on eight other shows. Tell me a bit about what else you’re doing now.

Well, I’m on a show called Teen Titans Go!, which is a wild, crazy, funny, goofy show, that keeps getting crazier. I’m on Ultimate Spider-Man; I play Iron Fist, Danny Rand. And I can’t say much, but I’ve been hired on [The Legend of] Korra. I’m on The Middle on ABC; they keep having me back; and recently I just finished a big arc on Anger Management with Charlie Sheen – these are live-action shows. I’ve got a couple of movies coming out; and I’m also producing and directing my own TV stuff now. I have a company that I just started with Rose McGowan; a television/film production company, called RMGC Productions, and we’re creating our own original content and going around and pitching it, and making these things happen ourselves.

That’s awesome. So are you in the pitching process? Has something been picked up?

I can’t say, but we are pitching a lot of original things that we’ve created.

That’s really cool; and do you have a place where people can keep up on some of that?

Yeah, GregCipes.com.

Great. Now talking about live-action versus voice over work, what’s the difference in those experiences? Do you prefer one or the other, or have any insights for people who are aspiring to be one or the other?

Well, everyone’s always asked me, “How can you do all of it?” Because not only am I an actor – I’m a musician, I’m a director, I’m a surfer, I’m a painter; but ultimately where I make money is in the entertainment world in general, and specifically acting. And a lot of it’s from animation. But – just do what you love. I do it all. I do movies, TV shows, animation, music, all of it. Just do it. Because if you love it, that’s all that matters. So you just do it, if you love it, and you’ll get better and better at it – and then people will want to hire you.

Excellent advice. Now with music, I know you play guitar and had a CD out. Are you working on something new with that?

Yeah, I’m putting out a solo album, entitled Cipes. That’s coming out soon, and I’m going to start releasing singles, and funny, wild music videos. And I also put a music video out recently; a side project called Super Space Fighters, which is based on a comic book that I’ve created. And there’s a music video right now called “International Kid Notorious” on YouTube. But really I’m focusing on my solo career now. Oh, and I put an album out in 2007, with my band called Cipes and the People, and that was called “The Conscious Revolution.”

That’s really cool; and thank you so much for the interview, Greg.

•     •     •     •     •

Ciro Nieli (executive producer)

(YouTube video: Click here.)

I know you were a fan of TMNT as a child, as was I. Coming into this project as someone who was a fan of the franchise, what was your experience getting into the new show?

Well, the one thing about Turtles was that I worked on a lot of projects, and Turtles would always be happening, somewhere, somehow, and I would not be a part of it. And I would just watch it go by and be like, “Damn! I missed Turtles again.” And then I would be like, “Eh, whatever. I did something cool instead, and that’s not my Turtles.” So to be able to finally get to do my Turtles? I mean when I went in to pitch it, it was so exciting to be able to just go, “This is my version of it” and for them to say, “Hey, that sounds good. Let’s try it.”

And a lot of it was just love for the original series. The original comic series; that Mirage Volume One.

Right; and the original animated series was also great. I know that there are some references to the original animated series, as well as, of course, the same mythology. I loved when they had Michelangelo with the 1987 Mikey face over his own [the “tattoo of my face…on my face!” bit]. So is that something that you do, or that everyone does together, or how does that work out?

It depends. Back then, it was more me doing it, because the writers were just kind of more focused on the story. Now I have a little bit of a different relationship with my story editor; so we’ll do things now…where it used to be just the board artists were adding things like what you’re talking about, which is way more visual, now it’s a little more tied in. Like we watch the old series sometimes, and we’ll actually re-use lines and stuff like that. We find ways to slip it in that’s not even overt. It just starts to feel like the brand.

So super-fans might notice, but not everybody.

Yeah, I mean, people will call it out. They’ll be like, “Oh my God, that was like, this episode, where Mikey said this,” and you’ll be like, “Wow, that’s so weird, that you remember that.” Because we’ll watch it, and go, “Oh, let’s write that down.” And then we put it up on the wall.

That’s fantastic. Now of course, Teenage Mutant Ninja Turtles was not your first project. Can you tell me a little about your background in all of this?

I started in animation years ago. When I first got to L.A., my first job was on Family Guy. I was a board artist; actually a revisionist storyboard artist. And then I did a bunch of other stuff online; and then eventually I found my way, in terms of bigger jobs, to Warner Bros. Eventually there I became a director on Teen Titans. That’s where I met Cipes for the first time. He was Beast Boy, Garfield Logan; and then after that…I moved around a lot. I went to Disney; I had my own show there, called Super Robot Monkey Team Hyperforce Go! Which Cipes was in as well. He was a boy who found a giant robot that was inhabited by cyborg chimps, and he learned the power of Monkey Fu, and fought demons from hell, basically. It was awesome. We did that in Japan; that was a great period in my life.

Were you actually in Japan, doing that? How long were you there?

Yes. We did that project for about four years. And during that time I was back and forth a lot, sometimes months at a time. I learned some Japanese. After that, I bumped back around to the studios. I did some stuff for Warner Bros., some Batman stuff. I was the showrunner on Avengers: Earth’s Mightiest Heroes for the first season, which was great, getting to do the Marvel thing. And then I think that kind of segued right into Turtles. I didn’t really have any time off in between those gigs, so…Turtles just kept rolling. Like, that’s what you do, you work – while you’re on one project, you try and get the next one going.

Sure! So as I said, I watched the original, and I hadn’t watched any of the ones between that and this, because they just never appealed to me. But I watched this one, in part because Rob [Paulsen] is on it, and I love Rob as a voice actor; and I just love the new show. It’s fantastic. It has a lot of humor and a lot of heart. Was that part of your vision, that you wanted to bring to it?

I mean, the whole thing that we always wanted to do was to make the fighting more accurate; make the funny funny, and then actually have a strong sense of drama. I’m one of those kids – like, the first movie that kind of blew my mind was Empire Strikes Back, and the thing that you could say about Empire is that that’s the show where the heroes get their ass kicked, and lick their wounds a lot. And there’s something about that – to actually have that sense of gravity and loss and stakes means a lot. So to balance that against humor is perfect. And I work with funny guys. I think we genuinely try to be really funny, and scary, all the time.

I heard that the original 1987 cast is coming back. How is that going to work?

Well, not to blow it out of proportion – it’s just a big cameo. But it’s great. Without giving too much away – the Turtles get lost in some dimensional portals, and they kind of look into the Eighties a little bit.

That’s fantastic. I can’t wait to see it, and thank you so much!

•     •     •     •     •

Well, I hope you guys got as big a kick out of these interviews as I did! Thanks again to Ciro and Greg for their time, and the folks at Nickelodeon for setting this up, and until next time, Servo Lectio!

TUESDAY AFTERNOON: Michael Davis

WEDNESDAY MORNING: Mike Gold

 

The Point Radio: CHILDREN’S HOSPITAL Crosses The Line

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This week, CHILDREN’S HOSPITAL winds up it’s 5th season on Adult Swim (Thursday at 12midnight ET), closing a year that saw an Emmy win, bunches of cool guest stars and even more over-the-edge episodes. Co-Creator and star, Rob Corddry talks about how it all came together and just what changes that Emmy brought to the show. Plus Oni Press has another indy sell-out and the most important name in Hollywood now is The DVR.

THE POINT covers it 24/7! Take us ANYWHERE! The Point Radio App is now in the iTunes App store – and it’s FREE! Just search under “pop culture The Point”. The Point Radio  – 24 hours a day of pop culture fun for FREE. GO HERE and LISTEN FREE on any computer or on any other  mobile device with the Tune In Radio app – and follow us on Twitter @ThePointRadio.

Mindy Newell: Not Such A Dark, Glittering Intelligence

Newell Art 131021What Spader’s Reddington demonstrates is a dark, glittering intelligence and that makes him a fascinating character,” wrote my pal and fellow columnist John Ostrander here on ComicMix yesterday, discussing James Spader’s work as the protagonist (antagonist?) on NBC’s The Blacklist (Mondays at 10 PM EDT USA).

I read John’s column after reading A House Divided: Extremism And The Lessons Of History by Sean Wilentz and its accompanying article, Inside The GOP’s Suicide Machine by Tom Dickinson in the National Affairs section of the current Rolling Stone Magazine.

Over the last decade, my imagination has sometimes taken me to sinister places when I have thought about the future of the United States of America. Since George W. Bush became President through the manipulation of the vote in Florida and the engineering of his election to office by the Supreme Court, it has seemed not unbelievable to me that a cabal, a HYDRA-like group, has been working to overthrow our Constitutional government. K-Street, the home of lobbyists and lawyers from which some of the worst decisions affecting this country have emanated, could be the address of the Washington, D.C. branch of Wolfram & Hart; wasn’t one of their clients was a presidential candidate who used the firm to mind-wipe the population into thinking her rival was a pedophile?

“Oh, Mindy,” I can hear the scoffers saying, “that was a TV show about a vampire and featured demons and other monsters. Get real, girl! A magical mind-wipe?”

Oh, yeah? What the hell do you think Fox News and Rush Limbaugh do every day? (As Mr. Wilentz states in his article, “The press has abandoned its responsibility, twisting objectivity into the craven idea of false equivalency, where falsehoods get reported as simply one side of the argument.”)

This past week saw the very real – and truly unbelievable – possibility that the United States would default on its debt obligations. (To quote Mr. Wilentz again, “Until now, no member of Congress has seriously entertained triggering a financial crisis, willfully damaging the economy of the most powerful nation on Earth.”)

Not even the Kingpin or Lex Luthor, malevolent corporatists and power-hungry capitalists – and comicdom’s equivalent of the Koch brothers – could envision, much less embrace, the financial fantasies of a cabal of Congressmen who do appear to be intent on destroying this country before it reaches its 238th birthday this July.

No, the Kingpin and Lex Luthor are smarter than David and Charles Koch. They would never risk their financial empires on a “confederacy of dunces” such as the Tea Party and their pols, men like Rep. Steve King of Iowa, who argues that the Dream Act would allow citizenship to drug mules – speaking about immigrants, he is on record as saying, “For every one who’s a valedictorian, there’s another 100 out there who weigh 130 pounds, and they’ve got calves the size of cantaloupes because they’re hauling 75 pounds of marijuana across the desert.”

Men like Rep. Ted Yoho of Florida, who compares the Republicans who want to defund the Affordable Care Act, “Obamacare,” to Rosa Parks, Lech Walesa, and Martin Luthor King. Said Yoho about the tax on tanning salons, “It’s a racist tax against white people.” Or Rep. Louis Gohmert of Texas, who warns us that Jihadists are sending pregnant women here so that their “terror babies” will be American citizens, and who is against gay marriage because, “you say it’s not a man or woman anymore…why not, you know, somebody who has a love of animals?”

Or Rep. Dr. Paul Broun of Georgia, who sits on the House Science Committee and embraces creationism – “the Earth is 9,000 years old” – and says “all that stuff I was taught about evolution, embryology (again, I stress, this guy went to medical school), the Big Bang theory…is lies, straight from the pits of hell.” Or Rep. Kerry Bentivolio of Michigan, who wants to assign his staff to investigate the theory that government aircraft are seeding the skies with mind-control chemicals and who says that “impeaching Obama would be a dream come true.” Or Rep. John Fleming, who not only believed a story from the satirical website The Onion which said that Planned Parenthood was opening an $8 billion “abortionplex,” but actually said “I don’t think we should run government based on economists’ predictions.” And, not to leave women out, there is Rep. Michelle Bachmann of Minnesota, who believes that ending the minimum wage would end unemployment, that global warming is “voodoo and hokum,” and during last election cycle warned that us off the HPV (Human Papillomavirus) which causes genital warts and has been linked to the development of cervical cancer in women vaccine, saying that “little girls would be forced to have a government injection.” (HPV has been linked as a causative factor in cervical cancer, as well as other, rarer cancers such as cancer of the anus, penis, vagina, vulva, as well as oralpharyngal cancers – as Michael Douglas learned a few years ago.)

And then there is the junior Senator from Texas, Ted Cruz, the biggest dunce of them all.

So maybe I shouldn’t be so worried about real life cabals and evil organizations. Maybe I’ll just stick to my Kingpins and Lex Luthors and Wolfram & Harts and HYDRAS and Dan Brown novels about the Illuminati and hope for the best, let the cards fall where they may, as the saying goes.

Yesterday I was at the beauty parlor when a discussion started about The Blacklist. I have got to start watching this show, especially when as disparate a group as can be found in a “beauty parlor” (senior citizens, hairstylists, manicurists, women and men of varying ages and interests) are “watercoolingering” about it.

Plus, I adore James Spader. I loved him in White Palace (with Susan Sarandon), I loved him in Stargate, I loved him in Sex, Lies, And Videotape, and I loved him in Boston Legal.

So maybe my assignment this week is to catch up on The Blacklist. I’d much rather watch a fictional show about a bad man bringing down still-worse men and women than watch the terrifying reality show that is the Republican/Tea Party.

TUESDAY MORNING: Emily S. Whitten

TUESDAY AFTERNOON: Michael Davis

 

Watch the New Doctor Who Trailer: “The Day Of The Doctor”

Watch the specially-shot trailer for the Doctor Who 50th Anniversary adventure The Day of the Doctor, featuring all of the Doctor’s incarnations (and a selection of his friends and foes!)

[youtube]http://www.youtube.com/watch?v=7hRy2N2CMhQ[/youtube]

The Day of the Doctor, starring Matt Smith and David Tennant, airs worldwide on November 23, 2013 and will also be shown in 3D in select movie theaters.

 

All 4 Indiana Jones Films to be Individually Released on Blu-ray

IJRaiders_BRD_FrontSAN FRANCISCO, Calif. (October 17, 2013) – For the first time ever, the first three films in the Indiana Jones saga will be available individually in high definition when they arrive on Digital HD November 19, 2013 and on Blu-ray with a digital copy available through iTunes December 17, 2013 from Lucasfilm Ltd. and Paramount Home Media Distribution.  Relive all your favorite moments from the greatest adventure of all time—from the deserts of Egypt to the jungles of South America—as everyone’s favorite archaeologist travels the globe thwarting evil villains to retrieve history’s most famous artifacts.

Under the supervision of director Steven Spielberg and sound designer Ben Burtt, Raiders of the Lost Ark was painstakingly restored in 2012 with careful attention to preserving the original look, sound and feel of the iconic film.  Own this meticulously restored version of the cinematic classic that started it all, as well as previously remastered versions of Indiana Jones and the Temple of Doom and Indiana Jones and the Last Crusade, each with pristine picture and sound in sparkling high definition.  2008’s Indiana Jones and the Kingdom of the Crystal Skull will also be available on Digital HD and in a two-disc Blu-ray set with behind-the-scenes special features.

Disc Specifications:

Raiders of the Lost Ark

Raiders of the Lost Ark is presented in 1080p high definition with English 5.1 DTS-HD Master Audio, French 5.1 Dolby Digital, Spanish 5.1 Dolby Digital, Spanish 2.0 Dolby Digital, Portuguese 5.1 Dolby Digital, Portuguese 2.0 Dolby Digital and English, English SDH, French, Spanish and Portuguese subtitles.

The disc includes the following:

  • Teaser Trailer (HD)
  • Theatrical Trailer (HD)
  • Re-Issue Trailer (HD)
  • Digital Copy (available via iTunes)

Indiana Jones and the Temple of Doom

Indiana Jones and the Temple of Doom is presented in 1080p high definition with English 5.1 DTS-HD Master Audio, French 5.1 Dolby Digital, Spanish 5.1 Dolby Digital, Spanish 2.0 Dolby Digital, Portuguese 5.1 Dolby Digital, Portuguese 2.0 Dolby Digital and English, English SDH, French, Spanish and Portuguese subtitles. The disc includes the following:

  • Teaser Trailer (HD)
  • Theatrical Trailer (HD)
  • Digital Copy (available via iTunes)

IJLast_BRD_FrontIndiana Jones and the Last Crusade

Indiana Jones and the Last Crusade is presented in 1080p high definition with English 5.1 DTS-HD Master Audio, French 5.1 Dolby Digital, Spanish 5.1 Dolby Digital, Spanish 2.0 Dolby Digital, Portuguese 5.1 Dolby Digital, Portuguese 2.0 Dolby Digital and English, English SDH, French, Spanish and Portuguese subtitles. The disc includes the following:

  • Teaser Trailer (HD)
  • Theatrical Trailer (HD)
  • Digital Copy (available via iTunes)

Indiana Jones and the Kingdom of the Crystal Skull

Indiana Jones and the Kingdom of the Crystal Skull is presented in 1080p high definition with English 5.1 Dolby TrueHD, French 5.1 Dolby Digital, Spanish 5.1 Dolby Digital,  and English, English SDH, French, Spanish and Portuguese subtitles. The two-disc set includes the following:

  • The Return of a Legend Featurette
  • Pre-Production Featurette
  • Production Diary: Making Kingdom of the Crystal Skull
  • Pre-Visualization Sequences
  • Galleries
  • Theatrical Trailer #2 (HD)
  • Theatrical Trailer #3 (HD)

John Ostrander: A Dark Glittering Intelligence

Ostrander Art 131020My favorite new show of the TV season is not Marvel’s Agents of S.H.I.E.L.D. as I thought it would be (although I like that show well enough). It’s The Blacklist… which is on opposite Castle. I loves me some Castle so I have to record one and watch the other live; so far, Castle is winning out but sometimes it’s a near thing.

The Blacklist is about Raymond “Red” Reddington, a master criminal who the FBI has been unsuccessfully hunting for some time. One day he surrenders and offers to help them take down other monsters on his blacklist but he’ll only work with FBI profiler Elizabeth Keen, whom he insists on calling “Lizzie”. She doesn’t know him and neither she nor anyone else at the FBI knows why Reddington has offered his help but they must admit he’s very effective – especially with criminals and terrorists they didn’t even know were out there.

The series is derivative and there’s a Silence of the Lambs Hannibal Lecter/Clarice Starling vibe to it, but the main reason to watch it is James Spader as Reddington. He’s charming, charismatic, dangerous, and scary. He’s playing all sorts of games and what he’s really after is impossible to guess. Spader is obviously having a wonderful time with the part and is amazing in the role. Reddington is a killer but not a serial one; I’ve come to the conclusion that Reddington is less Hannibal Lecter than Professor Moriarity.

What Spader’s Reddington demonstrates is a dark, glittering intelligence and that makes him a fascinating character and, in that, he is like Lecter. Over the ages, this type of character, in different variations, has become a recurring character type. Hearth Ledger’s Joker falls into that category as well. So does Shakespeare’s Richard III. Something in our own atavistic reptilian brain stem gets drawn to them. Well, at least my atavistic reptilian brain stem does.

The trick is getting us to root for them although they’re monsters. Reddington admits to it. Why do we do that? There’s an appeal to our own dark sides. The monsters embody our dark urges on which we would never follow through. They’re our dark fantasies – unbound by social conventions. They appall us as they enthrall us.

We root for the anti-hero as well as the hero – if the anti-hero is done right. That’s the challenge for the creator. I’m guilty of it myself; in Wasteland, I once did a story from the serial killer’s point of view. The goal was to see if I could get the reader to identify with him. That would be where the horror part of the story really came in – when (if) the reader founds themselves identifying with him. Look to the recently completed Dexter or Breaking Bad. The popular success of those series – along with The Sopranos or The Shield – attests to the fact that we are willing to go there – to root for the bad guys. They need to know who/what they are, accept it, and don’t whine. That’s what we want and that’s what we love. If we’re honest, we like Loki more than Thor. Characters like that give us a delicious thrill.

Angels are beautiful, but the devil is sexy.

MONDAY MORNING: Mindy Newell

TUESDAY MORNING: Emily S. Whitten

 

3 New Clips from Thor The Dark World

thor2521cefa964053Disney has released three new clips from Thor: The Dark World, which opens on November 8.

Where were You?

[youtube]http://youtu.be/RQ61yFJOH7s[/youtube]

Malekith Wakes Up

[youtube]http://youtu.be/ADMQRLcmMEI[/youtube]

“I’ve got this Under Control”

[youtube]http://youtu.be/41MsrSgDbyI[/youtube]

fishman-art-150x186-1751555

Marc Alan Fishman: R.I.P. Collect-ability

fishman-art-150x186-1751555A fine friend of mine – a comic shop retailer, convention promoter, and all around great geek – tasked me with a topic for the week: the death of collect-ability. As a collector himself, my friend postulated that “[It seems like] Marvel Comics no longer has any ongoing series, and everything they create now is a limited series.” Interesting thought, no?

For those paying close attention to the racks these days (which I admit I’ve not… but more on that later), they’d note that within the big two, no issue is numbered over the forties. Between Marvel NOW and the New 52, the industry has taken a shine to newness as the gimmick du jour. Gone are the long-running series that toppled in the hundreds before they were relaunched into new volumes. Serious collectors would amass each issue into their glorious bags and boards, stacks, and boxes.

Devotees of the X-Men, Fantastic Four, Action Comics, or Detective Comics would “ride the run” as it were. Through the high times and low, the collector made a simple statement: I want all of this. When the volume ended, a new line in the Overstreet is made and thus, said geek has the ability to opt out and move on. It might also be appropriate to hypothesize that when a volume ended, it did so not at the height of its quality or popularity. As my buddy Triple H might say? It’s always about what’s best for business.

Let us dive into that then, shall we? As a retailer, a #1 is a boon for business. It’s the universal jumping on point for a reader. Sales charts proclaimed that the New 52 was an initial success. As were several gimmicks revolving around funny numbers. Marvel NOW got into the same tactics, albeit under slower pretenses. At the end of the day though, all the ongoing series now sit in their infancy, and it is perhaps leading to an antsy fan base changing titles the way they surf the Internet. Keep producing #1s and you spark the base for a quick jolt of sales each time. The same way TV launches their seasons of new shows. The same way movie studio reboot and relaunch franchises when they want guaranteed money.

I personally am not getting any book with Wolverine in it. I freely admit though that when I see a new Wolverine #1 with a new team I stop and think “maybe I should get in on that kooky Logan business…” Hell, whilst driving home from the New York Comic Con, my Unshaven cohort declared that Matt Fraction was going to write a new Silver Surfer series. Given that I loved the new Defenders mini he did (which I bought, oddly enough, because it was a #1 and I was low on books to buy that week it debuted…), there I sat, hands on the wheel thinking that it’d be worth a try. By the way, I hate the Silver Surfer. He defeated Kyle Rayner in Marvel Vs. DC in the 90’s and I’ve never forgiven him. Yet, the allure of a #1 and a creative team I like is enough to sway my snarky heart. Scary, no?

My unnamed pal noted his sadness that his newer customers would “never get to experience of watching a series / character / creative team grow”, and those words ring true. Ron Marz’s run on Green Lantern anchored my teen years. By watching Rayner grow from a newbie ring-slinger to the true torchbearer of the corps, I built a life-long love of the character. Do I feel the same way about any character I’ve read in the last several years? Hardly.

I love the Superior Spider-Man right now, but I know that love is entirely fleeting. Much as I’d hoped Dick Grayson would hold the cape and cowl of his mentor for more than a hot minute, I knew that the industry I wallow in is one of transitory entertainment. Nothing lasts longer than the sales figures allow them to. When Walt Disney’s petulant corpse and the unseen Brothers Warner loom in the darkness with gluttonous desire, the idea that a paltry four dollar rag be given years to find a voice and mature is as impossible as a mouse actually piloting a steamboat. It’s a small world after all, and it doesn’t run on dreams and candy. It runs on movie and merchandise revenue. Comics these days serve their purpose more for maintaining rights, and collecting otaku for monetary tribute. The business model for doing that simply doesn’t take into account anything more than a bottom line in the black.

One thing I’d be remiss to mention here is how my very own studio has thought of production. Our Samurnauts concept was built to be presented as a maxi-series of mini-series… if that makes any sense. Knowing our audience as we did when we started, it was hard to not want to make everything last only long enough to make it into a trade. Then slap a new #1 on the next mini, and make everyone start back at the beginning. Simply put? When I walk past an indie table, and see a series past even four issues? I’m already walking past for fear of the costly barrier to entry. While the series itself may be absolutely amazing, as a fan, I freely admit that I’m always less likely to buy-in when I know there’s a backload of material to catch up on. Comics aren’t seasons of shows on Hulu or Netflix; they’re commitments of dollars, and as such I’ve ended up becoming a slave to newness.

I open the argument to you, the people of the court. Are Marvel and DC doing you wrong by continued experimentation, relaunching, and ADHD production? Or do you like the idea that you’re never too far away from a jumping on point? Do you find the pulp of today to be too transitive, or do you like to consume your sequential fiction one micro-series at a time?

SUNDAY: John Ostrander

MONDAY: Mindy Newell

 

 

Gaiman’s Neverwhere Nevermore?

cbldfAccording to the Comic Book Legal Defense Fund, the Alamogordo Public Schools banned Neil Gaiman’s Neverwhere last week after one parent filed a complaint over the book, claiming the content was “rated R” and inappropriate for her 15-year-old daughter.

Gaiman’s classic work has been on the school’s reading list for nine years and this is the first complaint that’s been received. Evidently, the parent did not take issue with the entire novel, just the word “fuck” found twice on page 86. It is not known if the same parent took umbrage with J.D. Salinger’s award-winning 1951 novel Catcher In The Rye, which was assigned reading in this writer’s high school back in 1966. It, too, offers the same word.

The CBLDF has taken on the cause of freeing Neverwhere for 15 year-olds in New Mexico, and Gaiman issued the following response:

I’m obviously disappointed that the parent in question didn’t talk to the teacher or accept the teacher’s offer of an alternative book for her daughter, and has instead worked to stop anyone else’s children reading a book that’s been in the school system successfully for almost a decade. On the other hand I’m impressed that this parent has managed to find sex and violence in Neverwhere that everyone else had somehow missed – including the entire city of Chicago, when they made Neverwhere the book that was read by adults and children alike all through the city Spring 2011’s One Book One Chicago program.

But mostly I feel sorry for anyone excited enough by the banning to go to Neverwhere in search of “R-Rated” action. It’s a fine adventure, I think, with some sensible social points, and perhaps some good jokes and characters — but it’s very gentle stuff.

For more information, check out the CBLDF’s website.

The Point Radio: ARROW Evolves

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There is a lot coming at us on this year’s ARROW including introductions of The Black Canary and The Flash, but first the characters have to cope with the ramifications of events from last season. Star Stephen Amell and the cast talk about how it’s all evolving into what may be a different show. Meanwhile, he was hand picked to get a late night slot after CONAN on TBS. Pete Holmes has a show that needs fan attention.

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