The Mix : What are people talking about today?

Mindy Newell: Star Trek’s Commodore Donald? I Can’t Even…

doomsday machine trump

The absolute shit that is coming out of Donald Trump’s mouth is just…

I can’t even.

I’m writing this on Thursday, when I should (finally) be packing, because my daughter is picking me up at 1:30 this afternoon for my flight to Denver and the Comic Con. But this column appears on Monday afternoon and I’ll still be in the Mile High City, so I got up early, made myself a cup of tea, and sat down to talk about how I’m looking forward to the convention, my first in years…

… but I put on Morning Joe (on MSNBC) and I’m sitting here with my mouth open and my political side spinning as I watch Joe and Mika and Willie and their panel and their guest report on and talk about the absolute shit that is coming out of the Republican nominee’s mouth.

This week Trump has:

(1) Said that President Obama has “something else in mind” concerning ISIS and terrorist attack, then saying “I’ll let people just try to figure out what I said” when questioned by the press as to exactly what he meant by that… and retweeting an article from the news organization Breitbart that Obama supports terrorists. In case you didn’t figure it out, Trump has accused the President of treasonous actions.

(2) Banned the Washington Post from covering his campaign because of “inaccurate reporting.” Which news organization is next? He’s already banished BuzzFeed, Politico, The Daily Beast, The Huffington Post, The Des Moines Register, and others.

(3) Tweeting “i told you so!” and “appreciate the congrats” and that he is the only one who can stop “them.” after the Orlando attack. (Yeah, that’s right, it’s all about him.)

(4) Said at a speech in Greensboro, North Carolina that “Iraq, crooked as hell. How about bringing baskets of money? Millions and millions of dollars and handing it out? I want to know, who are the soldiers that had that job because I think they’re living very well right now, whoever they may be.” (Yes, 115 U.S. soldiers were convicted of theft and bribery in Afghanistan and Iraq – but since the U.S. went to war in Afghanistan in 2001 and Iraq in 2003, “2.5 million members of the Army, Navy, Marines, Air Force, Coast Guard and related Reserve and National Guard units have been deployed in the Afghanistan and Iraq wars,” according to Department of Defense data. You do the math. The man is insulting the thousands who were killed and the hundreds of thousands who will carry scars, physical and mental, from those wars for the rest of their lives.)

(5) Told his own Republican party to just “be quiet” if they can’t support it, saying that he’ll “go it alone.” In other words, butt out!

Actually, that’s exactly what a growing number of Republicans are now starting to do. I almost feel sorry for them, as Ryan and McConnell and House Republicans and Senate Republicans find themselves drawn into “The Doomsday Machine,” staring down into its monstrous maw like Commodore Matt Decker as his shuttle is drawn into the beast, like Captain James T. Kirk waiting to be beamed back to the Enterprise as the Constellation gets closer and closer to the beast:

Kirk: (on the Constellation) Beam me aboard.

Spock: (on the bridge of the Enterprise) Energize.

Kyle: (in the Transporter room) Bridge, it’s shorted out again.

Scott: (in the Jefferies tube) Och, what’s wrong with it?

Kirk: Gentlemen, beam me aboard.

Spock: We can’t Captain. Transporter is out again.

Spock: Mister Scott, twenty seconds to detonation.

Spock: Mister Scott?

Spock? Mister Scott…

Spock: Try inverse phasing.

Sulu: (on the bridge of the Enterprise) Sixty kilometers, fifty, forty…

Sulu: (voice heard on Kirk’s communicator) Thirty…

Kirk: Gentlemen, I suggest you beam me aboard.

An absolutely brilliant episode written by award-winning science fiction author Norman Spinrad. Of course Kirk is rescued at the very last second before the man-made Doomsday Machine is “killed.”

Trump is also “man-made,” by a Republican party that put power and control over everything else – including love of country. He is their Frankenstein monster, “The Doomsday Machine” that is now running amok and destroying the very thing that created him. And the Republicans have no script, no award-winning author to write the page on which the brilliant engineer jimmies the Jefferies tube and fixes the transporter to save the heroic captain at the very last second

I can’t even.

Ed Catto: More Valiant Than Ever

Faith Comics

A few weeks ago I wrote about the fantastic experiences I had years ago working with the first iteration of the company that we know today as Valiant. I was in brand management in Nabisco on OREO cookies and was introduced to the company (on a professional basis) through a wonderful guy named Seymour Miles. He was responsible for Ad Sales and Custom Comics. Of course, as a lifelong fan and comics enthusiast, I knew all about Valiant and was enjoying their innovative comic line.

I was also being pitched by Marvel, DC and Malibu comics, but those are stories for future columns.

Fast forward to today. Valiant jumpstarts with the 2.0 version of the company and continues to innovate and provide great storytelling for fans.
The new organization is a “perfect storm” creatively driven by a fan-turned- entertainment entrepreneur, Dinesh Shamdasani. He has boundless energy, and projects a vision that pulls and impressive team into his orbit.

Dr Mirage ValiantOver coffee, I talked with part of the team, including Publisher Fred Pierce, PR Expert Hunter Gorinson and Gavin Cuneo, Valiant’s Chief Operating Officer & CFO.

Fred is a long-time comics guy, having worked at a myriad of positions over the years, including the previous incarnation of Valiant. Hunter is the type of guy who embraces his professional mission and explains his tasks and goals with the mischievous glint of a dedicated comics fan. Gavin is newer to comics but has great respect and understanding of the industry and for fans.

My first meeting with Gavin was a crazy start to our relationship. It was on a train during my regular commute from New York City to Ridgewood, NJ. It was crowded, as it often is. We were all standing shoulder to shoulder. I couldn’t help looking over my shoulder to see who that the guy was reading a preliminary script for Bloodshot #1.

We struck up a conversation and I explained who I was and my background with Valiant. He introduced himself as Gavin Cuneo, part of the new Valiant team, and then we were surprised to find that we were both Ridgewood residents.

And today, he’s more engaged than ever. “As we approach the fifth anniversary of Valiant’s return to publishing in 2017, we’re accruing more new interest with each passing month,” said Gavin. “First-rate story content has always been at front of mind for Valiant, and that principle continues to resonate across the entire company – from sales to marketing to licensing to social media.”

“To my mind,” he added, “we’ve built the most knowledgeable, passionate, and effective management team in comics. Their dedication to keeping Valiant vital for fans and retailers worldwide continues to make us a formidable presence in the marketplace, even as Valiant expands into other media forms.”

It’s all about the comics

It’s easy to tell that this company is all about comics because the offices are packed with comics. There are boxes and shelves of comic everywhere. And despite the entrepreneurial frothiness of it all, everyone there knows just where each comic is.

Someone will shout out, “Can you get me that last issue of Bloodshot and the hardcover collection of The Valiant?”

And then there’s a rapid response: “Sure – here they are!”’

Valiant and BloodshotWearing Out Shoes at All Those Conventions

Valiant genuinely supports comic conventions. Not just the huge ones like San Diego Comic-Con and New York Comic Con, but a wide range of conventions.

Late last year, at the inaugural New Jersey Comic Expo, you could tell the Valiant booth team loved being there, meeting fans and spreading the word. And just recently at Awesome Con in Washington, DC, Valiant was one of three publishers beating the drum on the convention floor.

Their love for conventions seems so legitimate – it’s not just about packing and unpacking an exhibition booth. You get the sense that this company loves their fans and wants to be at the right places to meet both existing and potential fans.

Retailer Focused

Gavin and Fred take a lot of pride their retailer efforts. Led by Atom! Freeman, Valiant is an organization that takes their sales channel, the comic shops, seriously. They court the stores, sell hard and work to provide retailers with what they need to sell their books.

And these folks don’t just sit in their ivory tower. They put their money where their mouths are.

Atom! Freeman is part of this comics retail team. He’s a guy who knows his stuff and loves the industry. In his former life, he was an Eisner-Award winning retailer. Now he’s leading a team of folks who are all about interfacing with the retail community on behalf of Valiant.

While the bigger publishers cut back on their interaction with comic shops, Valiant seems to be going the extra mile. And I mean that literally as well as figuratively.

Atom! explained to me that they rotate the staff so someone’s always on the road visiting comic shops on Wednesdays (news comics day) and weekends. And more often than not, they’re driving their Valiant-wrapped Chevy.

Archer and ArmstrongThe Real Deal

Russ Brown leads their licensing and partnership efforts. He’s a long-time industry and licensing guy, with a contagious enthusiasm focused on business that makes it seem like he’s fresh out of Wharton.

Russ took me through several of the recent licensing deals that Valiant has struck, and in much the same way a coach of a winning team is proud of each student, he’s excited about each business relationship.

“Each and every month, Valiant is forging new opportunities with an impressive and wide-ranging slate of partners,” said Russ. “We currently have nearly 100 active licensees, which is practically unheard of for a company of our size and relative footprint. At the end of the day, you can credit that to one thing – the strength and diversity of the Valiant library and still-insatiable interest that these characters inspire in fans around the world.”

All the deals are put together with the ultimate goal of pleasing fans, but that doesn’t mean the Valiant folks aren’t very pleased too. And there are a lot of deals. The sheer quantity is very impressive. But they are aimed at building the Valiant brand.

“From longtime icons like X-O Manowar and Bloodshot to relative newcomers like Faith and Divinity, the library is richer and in higher demand than at nearly any other point in Valiant’s 25-year history,” added Russ.

Valiant Times Ahead

Valiant is on a tear with a busy summer of announcements, solid comics and a big hit with the recent comics series Faith.

I enjoy reading the comics. But as I get to know the entrepreneurial vision and stories behind the stories, I respect Valiant as an enterprise all the more.

“From the runaway success of Faith to the massive plans outlined for the 4001 A.D. event this summer, Valiant has never been stronger,” said Publisher Fred Pierce. “2016 has truly shaped into a banner year for our publishing line, as we continue to influence the industry with our innovative ideas and compelling stories. We’re excited for what the future holds as we continue to grow and introduce Valiant’s story-first approach to comics to an even larger audience.”

 

John Ostrander: Going Out of My Head (Over You)

Elmer Fudd

I’m a child of pop culture.

Nowhere is that more obvious to me in the earworms that I get. Earworms are a song or piece of a song that gets stuck in your head and seems to be on an endless replay cycle. I don’t know about you but I get them a lot. A lot. I wish I could say they were songs that I like but often they’re songs I’m pretty “meh” about and sometimes even hate.

They’re almost always pop songs – nothing classical although I am a fan of classical music. Not of all classical music, but of some. The only opera I really like, for example, is Peter Grimes by Benjamin Britten. The closest I get to classical earworms are the orchestral movie soundtracks – I like soundtracks quite a bit. For example, the Star Wars Theme is likely to pop up in rotation pretty often, but that’s okay by me.

Others, not so much.

Sometimes an earworm is triggered by songs I hear on the radio or that’s playing in the muzac at the store but just as often they just come into my head for no damn good reason whatsoever. They come in and take up residence and unless I can find another tune to drown them out, I can’t get rid of them. The problem with fighting an earworm with another earworm is that you can get stuck with the second one.

Here’s some that have bedeviled me lately. If you don’t want them stuck in your head, SPOILER ALERT: bail out now.

Today I’ve had “Have You Ever Been Mellow” by Olivia Newton John. I always been so-so about Ms Newton-John and this particular song is not the one I find most endurable in her repertoire but there it is in my head.

Recently, I’ve been inflicted with Abba’s “Waterloo.” I’m not and never have been a big fan of Abba. I don’t hate them; they just never did much for me. I don’t even know the lyrics to the song. “Waterloo! something something something something. Waterloo! Some something something forevermore.” That’s all I got – over and over again. Gaaaah!

That’s another thing about the earworms. I may only know a portion of the lyrics or discover that I have them wrong but there is no autocorrect in my head. If you’ve read this column before, you may not be surprised to learn that.

I’ve also had the opening theme to The Daily Show running through my brain at times. The Jon Stewart version, not Trevor Noah. I like Noah just fine and always watch the show but it’s Stewart’s version my brain coughs up.

A good song that has gotten in my cranial sound loop is Bruce Springsteen’s “Born in the USA.” Sometimes it’s that iconic opening that has inspired a thousand lesser rock anthems and sometimes it’s the chorus. One problem, however, is that I’ve never been able to understand what Bruce is singing, at least with this song. To me, it sounds like “Baaarm inna Hew Hess Hay! I was baaarm inna Hew Hess Hay! Ima rap scraggle flaggart inna Hew Hess Hay now!” I’m reasonably certain those aren’t the actual lyrics, but that’s what they sound like to me.

I can sometimes chase that earworm by singing the song in my Elmer Fudd voice. I’m reasonably certain that those who have heard me do Elmer Fudd can hear me doing that at this moment. (I’m looking at you, Tim Brown.) In fact, almost any of the earworms can be banished by singing them in my Elmer Fudd voice. Elmer is sort on an earworm exterminator.

“Baaaawm inna Hew Hess Hay! Heh-heh-heh-heh!”

Like I said, I’m a child of pop culture.

Marc Alan Fishman: There Are No More Words

We are tasked here at ComicMix to opine on all that is going around the world of pop culture. Maybe a bit more of a bend towards the comics side of things (it is in the name, right?). But as it stands this week… I don’t care about pop culture. I’ve been catching up on Legends of Tomorrow, but it seems trivial at best. I picked up comics from the shop, a feat I haven’t done on a regular basis in over two years.

I was going to wax poetic on all things Rebirth, but really, why would I? Heck. I could even stretch so far as to discuss my pending excitement of the announcement of Injustice 2, coming out next year on the Playstation and XBOX. I could, but I’m not going to.

I know you arrive at my column each and every week awaiting some poignant snark to set your weekend off to a grand start. Sorry to say that this week the well of said snark is bone dry.

A week ago, a savage man took 49 lives and injured a nation. It doesn’t matter to me his reasons. While I personally loathe guns and gun owners, my opinion carries minuscule weight in comparison to wealthy lobbies and angry gun-toters. This sub-human felt it necessary to end the lives of 49 people. It is assumed had he the time or the wherewithal, he would have taken more.

In the wake of this atrocity, no superheroes emerged. Pundits and politicians create continual chaos in an effort to quell some, and rile others. 24 hour news networks leech ratings over every inconsequential factoid gleaned. It’s sickening that we move so fast when we need to stop what we’re doing and really absorb what occurred.

I am sorry. I cannot do what I’m tasked to do. There are no more words I can use to communicate how I feel. In their place, I leave you with what you truly need to read:

victims-pulse-orlando-shooting

  • Stanley Almodovar III, 23 years old
  • Amanda Alvear, 25 years old
  • Oscar A Aracena-Montero, 26 years old
  • Rodolfo Ayala-Ayala, 33 years old
  • Antonio Davon Brown, 29 years old
  • Darryl Roman Burt II, 29 years old
  • Angel L. Candelario-Padro, 28 years old
  • Juan Chevez-Martinez, 25 years old
  • Luis Daniel Conde, 39 years old
  • Cory James Connell, 21 years old
  • Tevin Eugene Crosby, 25 years old
  • Deonka Deidra Drayton, 32 years old
  • Simon Adrian Carrillo Fernandez, 31 years old
  • Leroy Valentin Fernandez, 25 years old
  • Mercedez Marisol Flores, 26 years old
  • Peter O. Gonzalez-Cruz, 22 years old
  • Juan Ramon Guerrero, 22 years old
  • Paul Terrell Henry, 41 years old
  • Frank Hernandez, 27 years old
  • Miguel Angel Honorato, 30 years old
  • Javier Jorge-Reyes, 40 years old
  • Jason Benjamin Josaphat, 19 years old
  • Eddie Jamoldroy Justice, 30 years old
  • Anthony Luis Laureanodisla, 25 years old
  • Christopher Andrew Leinonen, 32 years old
  • Alejandro Barrios Martinez, 21 years old
  • Brenda Lee Marquez McCool, 49 years old
  • Gilberto Ramon Silva Menendez, 25 years old
  • Kimberly Morris, 37 years old
  • Akyra Monet Murray, 18 years old
  • Luis Omar Ocasio-Capo, 20 years old
  • Geraldo A. Ortiz-Jimenez, 25 years old
  • Eric Ivan Ortiz-Rivera, 36 years old
  • Joel Rayon Paniagua, 32 years old
  • Jean Carlos Mendez Perez, 35 years old
  • Enrique L. Rios, Jr., 25 years old
  • Jean C. Nives Rodriguez, 27 years old
  • Xavier Emmanuel Serrano Rosado, 35 years old
  • Christopher Joseph Sanfeliz, 24 years old
  • Yilmary Rodriguez Solivan, 24 years old
  • Edward Sotomayor Jr., 34 years old
  • Shane Evan Tomlinson, 33 years old
  • Martin Benitez Torres, 33 years old
  • Jonathan Antonio Camuy Vega, 24 years old
  • Juan P. Rivera Velazquez, 37 years old
  • Luis S. Vielma, 22 years old
  • Franky Jimmy Dejesus Velazquez, 50 years old
  • Luis Daniel Wilson-Leon, 37 years old
  • Jerald Arthur Wright, 31 years old

 

The Law Is A Ass

Bob Ingersoll The Law Is A Ass #389

WE ARE ROBIN THE CRADLE

Now I know the answer to the question.

For years people have been asking me, what kind of laws would the Marvel or DC legislatures – federal, state, or local – have passed in light of the super-powered activities in their respective universes?

Now you know the question.

So, what’s the answer? Well, after what happened in the Robin War story that ran through several of the Batman family of books earlier this year, I deduced what the answer to that question must be. A two-thirds supermajority of Congress must have passed an amendment to the Constitution. Then a three-fourths supermajority of the fifty states ratified said amendment and the amendment became part of the Constitution, the supreme law of the land.

What did said amendment say? Again, based on what happened in “Robin War,” it must have said, “Hey, you know that whole Bill of Rights thing? Offer void where prohibited.”

Seriously, there can be no other explanation for what happened in “Robin War.”

Now, if you’re good, you should also know the next question: What happened in “Robin War?” And I’ll get to that. But before I can answer that question, I have to tell a little of what happened in We Are Robin, the comic book off of which “Robin War” spin-off spun.

We Are Robin was a comic book about an African-American teenager named Duke Thomas, who was so inspired by Batman and his succession of Robin sidekicks that he created his own startup comprised of teenage crime fighting vigilantes. Everyone in the group adopted the non du guerre Robin and wore something with an identifiable element of the Robin costume on it. Maybe a red shirt or hoodie or baseball cap. But something that was red and had the Robin insignia on it. The Robins fought crime in Gotham City, and spouted the team’s catchphrase, “I am Robin,” more often than a pod of whales with a dozen extra blowholes.

Which leads us to “Robin War.” In Robin War #1, one of the Robins stopped an armed robbery. The Robin subdued the robber and had taken his gun. That’s when an armed police officer entered the store and, upon seeing two masked people in the store one of whom was holding a gun, made the not unwarranted assumption that both the actual perp and the Robin were robbin’ the store. While the police officer tried to make an unwarranted arrest – well, it was a warranted arrest, the officer just didn’t have a warrant – the Robin didn’t put down the gun as ordered and tried to explain that he was one of the good guys and had apprehended a robber. The robber used the confusion to try to escape. Which created a “shots fired” situation. Unfortunately, shots were fired by the Robin into the officer, accidentally killing him.

That’s when the Gotham City Council, led by Councilwoman Noctua, passed the most sweeping and unconstitutionally overreaching laws I’ve ever seen. Which is why I hypothesize that there must have been a “void where prohibited” amendment added to the Constitution. Otherwise the “Robin Laws,” unlike a real robin, could never have gotten off the ground.

The laws placed City Council “in charge of all police matters related to Robin matters.” They also made possessing or wearing “Robin paraphernalia” illegal. “Anyone seen in a Robin mask, or a Robin ‘R’ or whatever they wear [would be] immediately identifiable as a delinquent and subject to arrest.”

How broad and overreaching were these laws? Well, when Duke Thomas was walking down the street, he was arrested simply for wearing red sneakers. “Red means Robin. And in Gotham, Robin means you’re under arrest.” The shoes in question had no Robin indicia on them. No Robin logo. Not even an R. Duke was arrested simply for wearing red shoes.

In a world where the Constitution hasn’t been declared void, this law would be struck down as unconstitutionally overbroad. You can’t make it illegal for all people to wear red clothing, simply because some kids wore red clothing to play at being Robin. Under the law, people who were wearing red for perfectly legal reasons would be subject to arrest. Ringmasters could be arrested. Revolutionary War reenactors. Hell, firemen could be arrested for wearing their red suspenders.

In the height of the Crips and Bloods wars, did Los Angeles make it illegal to wear black or red? No. If they had Wayne Gretzky would have won the 1993 Stanley Cup playing for the San Quentin team, not the Los Angeles Kings.

Know what else would be unconstitutional? City Council ordering the police department to search every locker in a school “for evidence of any delinquent activity.” So guess what happened in Gotham City schools after the Robin Laws were enacted?

I know in New Jersey v. T.L.O., the Supreme Court of the United States ruled that a school environment does permit some easing of the search and seizure requirements of the Fourth Amendment. But even T.L.O. didn’t authorize the wholesale abandonment of the Fourth Amendment shown in this story. Or the sort of blanket searches committed in this story. Hell, they weren’t even searching for blankets.

The T.L.O. court said a high school search is reasonable if 1) there are reasonable grounds for believing the search will reveal evidence that the student or students whose property is being searched violated the law and 2) the search is related to the objectives of the search and not excessively intrusive. The searches conducted in this story didn’t meet either of the T.L.O. criteria.

Search of every locker in a school to find out whether any of the students might possibly have Robin paraphernalia? Not based on reasonable suspicion. Search every locker even those of students you have no reason to believe might be Robins? Excessively intrusive. Let silly things like the Constitution stop you from doing whatever you want? Naw, constitutions are for wussies.

Then there was the question of what the Robin Laws allowed Gotham City to do with the Robins after most of the Robins were arrested. In Detective Comics v2 #47, we learned the Robins were being kept in supermax jail cells suspended from the ceiling like bird cages. Because, well when you’re dealing with a bunch of kids wearing bird-motif costumes, why be subtle?

Some of these Robins were under the age of 18, so juvenile offenders. Juveniles are treated differently than adults. When a juvenile is arrested in New Jersey, the courts must hold an initial detention hearing by no later than the following day and both the juvenile and the juvenile’s parents or legal guardians must be present. They can’t be held in supermax conditions indefinitely. Moreover, the parents or legal guardians of a juvenile must be notified of the juvenile’s arrest and must be present anytime the juveniles are questioned. The juveniles can’t be held incommunicado.

You know, the Robin Laws in this story were so extreme and sweeping and illegal and unconstitutional, you’d think that Councilwoman Noctua, who spearheaded the laws, had her own secret agenda and was benefitting financially from the chaos the laws created. Turns out –

SPOILER, THAT’S PROBABLY NOT MUCH OF A SPOILER, ALERT!

Noctua was lining her pocketbooks from the chaos created by the Robin Laws and using the laws to earn a place in the Court of Owls.

Of course, that doesn’t explain why the rest of the Gotham City Council agreed to these patently unconstitutional laws. But I only explain why legislatures in comic books can’t do the things they’re shown doing. I don’t try to explain why they do them. That way lies madness.

Martha Thomases: Not Just Another Word

Gay Pride 9“They hate us for our freedom.” George W. Bush

Like my pal Joe Corallo, I find it impossible to think about anything other than the massacre in Orlando. Comic books and other pop culture ephemera seem trivial in the face of such unfettered and violent hatred.

That said, we need our entertainment more than ever. We need joy and pleasure in our lives. That’s what makes us who we are. That’s why life, liberty, and the pursuit of happiness is in the Constitution. As John Oliver said at the opening of his HBO show on Sunday, about why the Pulse nightclub was a target, “Latin night at a gay club in the theme park capital of the world is the ultimate symbol of what is wonderful about America.”

Gay Pride 1It’s too easy to blame the attack on radical Islamic terrorism when so many radical Christians share so many of the same sentiments.

It is my opinion that most of the problems of modern American society come from our Puritanical mistrust of pleasure. We can’t allow anyone to enjoy sex or drugs or food or music or at without some suffering to offer in atonement.

It’s time we denounced these beliefs as un-American.

It’s time we minded our own business.

If a woman wants to wear a burqa or a hijab, or a thong and Spanx, she should go ahead and wear whatever she likes. I’m not going to wear any combination of those things, but any other woman’s choices have no effect on me.

gay pride 3If you want to be vegan or kosher or halal or gluten-free, that’s great. My food choices occasionally fit into some of those categories, too. Mostly, you should eat what makes you feel good in your body and what delights your taste buds. I would only caution you, as the Jewish mother that I am, to pay attention because as you age, you might have to adapt.

If you want to read sexist, racist, transphobic, homophobic, militaristic and/or xenophobic comic books, go right ahead. I might judge you, but I won’t stop you. Perhaps we can have a conversation about why you like them and I don’t, and we might each learn something useful about humanity.

It’s time we celebrate all those things that make consenting adults happy. This includes things that make us feel warm and fuzzy, like community service, but also things that delight the pleasure centers of our brains, like comic books, movies and television programs. And rock’n’roll music, hip hop, dancing and anything else consenting adults choose to enjoy.

Most of our parents and grandparents and great-grandparents and their ancestors came to this country because it offered them the opportunities they couldn’t find in their homelands. They came because the Constitution promised them separation of church and state. Freed slaves and their children were promised the same. It’s true that our governments have sometimes tried to renege on these promises, but that’s because it is a government by the people, and people make mistakes.

What makes us great as Americans is our inclusiveness. We don’t have to agree with each other about everything.

We are only required to pursue happiness.

Tweeks Review Lucky Penny from Oni Press

If Penny Brighton didn’t have bad luck, she’d have no luck at all…well, Maddy & Anya have the BEST LUCK EVER because Oni Press sent us this amazing book.  It’s about a girl named Penny who gets fired because of her tattoo, loses her apartment, and gets hired working for a 12-year old.  But then she meets a guy at the Community Center where she uses the bathroom and….well if you want to know if Penny starts to adult-up, then get the book!  You won’t regret it. This is the kind of graphic novel with the kind of characters (and a cute a cat) that make you want to read and re-read it and tell everyone you know about it.  We won’t gush too much, but just watch the review and then go buy this for every one you know who needs some good luck or loves rom coms or is a quirky girl. We recommend this for ages 10 & up!

Dennis O’Neil: The Cosmic Orphans

Planet X Fantastic FourHere we are, like orphans with our noses flattened against the candy store window, gazing at the tasty wonders just inches from our faces, but destined never, never to taste them.

Poor us!

Astronomers have identified 3,422 exoplanets – planets that orbit stars other than our own. Of these, they estimate that about a thousand might support something that we’d identify as life. That’s what they think. But barring some unforeseeable, game-changing Something, they’ll never know for sure. Because they haven’t really seen these worlds apart, these star-gazers, even through their most impressive telescopes. The doggone things are just too far away!

Planet X GrootSo they see stuff like spots crossing the far-away star and do spectroscopic analyses of light and apply esoteric disciplines that I’ve probably never heard of and then… I don’t know – make a best guess or two?

Frustrating, isn’t it? We have a wired-in appetite for Other and a good thing, too, because that appetite enables us to propagate the species, especially on warm spring nights scented with blossoms and that person over there, basking in the soft moonlight, is breathtakingly lovely… Whoa! We’re not in the smut-peddling game here and anyway, you get the idea. We Want Other.

Planet X DeadpoolAnd generally, we can’t have it. But we have another wired-in trait that can serve as a substitute. Beginning in infancy, we create cause and effect narratives. I cry, I get picked up kinds of things. That narrative-building trait evolves, along with the rest of us, and eventually we’re using it to create poems and jokes and plays and religions and comic books and who-knows-what-all, including extraterrestrials. Imaginary extraterrestrials, to be sure, but we take what we can get.

It’s an old, old trick. As early as 5000 years ago the Sumerians were making figurine of creatures from Planet X, and there may have been earlier mythic aliens that didn’t manage to get written down. The early gods were first cousins to these aliens and they go way back.

Now?

Well. We have Superman and Supergirl and Hawkman and Hawkwoman and ET and J’onn J’onzz, The Martian Manhunter (that J’onn J’onzz) and Yoda and pulpy Bug Eyed Monsters and whole lot of fictional Others and…

Maybe we’re not satisfied. Maybe we look into the night sky and wonder if we’re alone in the universe and if we are, what that might mean.

I’d sure like a taste of that candy. But maybe it should remain behind the glass. Might not be good for me.

Box Office Democracy: The Conjuring 2

There’s a lot of charm in The Conjuring 2, maybe more than it should considering it takes place in a grey house, on a grey street, in a part of London that seemingly thunderstorms every night. For some reason this family felt more natural, more caring than the families one typically sees in these horror movies— everyone is believed, everyone tries their best to maximize each other’s safety. There’s a sing-along number and a dance and that might just be about maximizing the value of paying for an Elvis song but it’s very sweet in a genre that sometimes feels as if it is just trying to maximize the unpleasantness it can dish out. I’m still far too easily scared by horror movies to consider myself a real fan but this was a nice movie, a movie I don’t regret sitting through.

The Conjuring 2 is based on a true story. They very much want you to know that. They tell you before the movie, they tell you again after and then they spend the first section of the credits showing pictures of the real life people and events next to pictures from the movie. The real life incident is widely considered to be a hoax and learning that really diminished the movie for me. (That feels a little strange to say. I know that nothing in most movies has really happened. Crimson Peak is complete hogwash.) Freddy, Jason, and Michael Myers bear no real resemblance to any actual people. The realities of fiction never impede on my enjoyment there, but I think there’s something about being sold very hard on the idea that this is a true story, that this ghost is real that to find out that it’s fairly documented as not real kind of leaves me with a sense of “what did we do all that for then?” that’s pervasive and inescapable.

Between Saw, Insidious, and now The Conjuring, James Wan is responsible for three of the biggest horror franchises of the 21st century, and he’s an undoubted master of his craft. The main demon is a fantastic piece of design work, but what stands out is this stunning sequence early in the film where the demon is a shadow and then manifests through a painting of itself and it sounds kind of basic in text but it’s a series of arresting visuals, the true work of a master. The flip side of this is I am so familiar with Wan’s work at this point that his less ambitious sequences are starting to feel a little paint-by-number. I know that the fire truck is coming back out of the tent. I know that the zoetrope is going to be used to set up a larger scare. I know the ways Wan likes to be scary and when he plays with it it’s amazing, but when he falls back on it it’s starting to feel tired.

I’ve never seen a modern demonic possession movie that I thought had a stand out performance and this is no exception. Madison Wolfe does a good job playing a creepy possessed child, but I’ve seen that so many times that I’m starting to suspect it might be easy. Isn’t every child in the world a little creepy? And the effects seem to be doing a lot of the heavy lifting (heavy levitating?) these days anyway. James Wan horror movies seem to be Patrick Wilson’s entire career at this point, and he’s gotten good at blustery confidence followed by sheer terror in the third act but there’s nothing new in this performance. There’s nothing cringe-y or terrible— it’s just kind of there. The actors feel like they’re just part of the set, the real star is the camera work, the editing, and the sound design.

I’m often unhappy seeing horror movies for work but I didn’t get that this time. We’re probably reaching the end of this phase of James Wan’s career, he wasn’t permanently lured away from horror with Furious 7 but Aquaman is calling… and I have to imagine at some point the prestige of more “mainstream” films will pull him away forever. The Conjuring 2 feels a lot like what I imagine seeing The Rolling Stones is like; they play the hits and while there are probably moments of unexpected delight, what you’re mostly there for is a sense of comfort and familiarity. I feel that nostalgia for Wan’s horror movies at this point and while I didn’t particularly like them, I respect the level of craft and the place in the horror canon. I lost this particular war but I don’t particularly mind the peace.

DC Super Hero Girls get Animated Feature August 23

SHG_HOTY_SD_OSLV_3D_1000598409BURBANK, CA (June 9, 2016) – Where can you find the most powerful and prominent Super Teens in the galaxy? Super Hero High of course! Wonder Woman, Supergirl, Batgirl, Harley Quinn, Bumblebee, Poison Ivy and Katana band together to navigate the twists and turns of high school in DC Super Hero Girls: Hero of the Year. Produced by Warner Bros. Animation and DC Entertainment, the film will be distributed by Warner Bros. Home Entertainment (WBHE) on August 9 on Digital HD and August 23, 2016 on DVD (SRP $19.98).

These young Super Heroes discover unique abilities, develop powers, and combat an abundance of overwhelming, exciting and awkward moments to master the fundamentals of being a hero – one day at a time! The group includes:

  • Wonder Woman was raised on Themyscira, a paradise island overflowing with female leaders. This natural born leader has super strength, the power of flight and a magic lasso that forces anyone to tell the truth.
  • Batgirl is crazy smart – she was accepted to Super Hero High based on her brainpower alone (she wasn’t born with super powers). But this crime-fighting sleuth may be the most influential of all! Her unparalleled intellect, expert martial arts skills, photographic memory and legendary detective skills are a formula for an incredible Super Hero.
  • Supergirl is the most powerful teen on earth, but also incredibly clumsy. She has super strength, super hearing and super speed but will need to be sure she doesn’t trip over her own two feet en route to saving the world.
  • Harley Quinn is the resident class clown who lives for jokes and over-the-top pranks. Nonetheless, this quick-witted gymnast is sneaky and full of surprises.
  • Bumblebee has the ability to shrink, allowing her to sneak around without being spotted. She makes sure her team is never surprised by any villains or enemies up to no good.
  • Poison Ivy, got caught up in a botched lab experiment, and now has the ability to control and summon plants. She’s gradually adapting to her amazing new powers and blossoming into her new life.
  • Katana is an artist with an edge – this fearless martial arts fashionista is up for any crime-fighting test and is never without her sword.


Together, these seven fearless Super Heroes prove that we all have the power to make the world a better place – even while school is in session!

Girls around the world now have their very own Super Hero world to play, watch, read and be inspired! To further bring this all-new universe to life, DC Super Hero Girls animated shorts and TV specials will continue to release over the next year, allowing girls 6-12 to continue reaching their full potential alongside these superstars. Additionally, Warner Bros. Consumer Products and DC Entertainment, in partnership with Mattel, have brought the DC Super Hero Girls to life, beyond the animated shorts and website, with the first-ever line of 12-inch Action Dolls, 6-inch Action Figures, as well as role play and playsets now available exclusively at Target in the U.S., along with other product, including apparel, accessories, publishing and more. The DC Super Hero Girls global merchandise program will hit retail worldwide, beginning in July 2016, offering a wide range of product to fans around the world. Random House and DC Comics are also releasing an exciting array of DC Super Hero Girls books and graphic novels. Fans can discover more at DCSuperHeroGirls.com and through dedicated social media platforms, including YouTube, Facebook and Instagram.

DC Super Hero Girls: Hero of the Year features some of the top voice actors in the industry.  Grey Griffin (Wonder Woman), Anais Fairweather (Supergirl), Mae Whitman (Batgirl/Barbara Gordon), Tara Strong (Harley Quinn/Poison Ivy) Teala Dunn (Bumblebee), and Stephanie Sheh (Katana) join forces to portray some of the newest students to attend Super Hero High.

“Warner Bros. Home Entertainment is thrilled to team with DC Entertainment to release DC Super Hero Girls: Hero of the Year on DVD,” said Mary Ellen Thomas, WBHE Vice President, Family & Animation Marketing. “We’re excited to bring DC Super Hero Girls to life and create an immersive world to help inspire young women like never before. These characters were developed with girls 6-12 in mind and will deliver epic story lines featuring strong females. It truly embraces and celebrates girls as they discover their own unique abilities.”

SPECIAL FEATURES

  • Six Animated Shorts:
    • Hero of the Month: Wonder Woman
    • Fall into Super Hero High
    • Hero of the Month: Bumblebee
    • Hero of the Month: Poison Ivy
    • Clubbing
    • Saving the Day

DIGITAL DISTRIBUTION ELEMENTS

DC Super Hero Girls: Hero of the Year will be available for streaming and download to watch anywhere in high definition and standard definition on their favorite devices from select digital retailers including Amazon, CinemaNow, Flixster, iTunes, PlayStation, Vudu, Xbox and others. Starting August 9, DC Super Hero Girls: Hero of the Year will also be available digitally on Video On Demand services from cable and satellite providers, and on select gaming consoles.

BASICS
Street Date: August 23, 2016
Run Time:  72 minutes (approx.)

DVD Price: $19.98 SRP

DVD Audio – English