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_gali
Used by Google Analytics to determine which links on a page are being clicked
30 seconds
_ga_
ID used to identify users
2 years
_gid
ID used to identify users for 24 hours after last activity
24 hours
_gat
Used to monitor number of Google Analytics server requests when using Google Tag Manager
1 minute
__utmt
Used to monitor number of Google Analytics server requests
10 minutes
__utmb
Used to distinguish new sessions and visits. This cookie is set when the GA.js javascript library is loaded and there is no existing __utmb cookie. The cookie is updated every time data is sent to the Google Analytics server.
30 minutes after last activity
__utmc
Used only with old Urchin versions of Google Analytics and not with GA.js. Was used to distinguish between new sessions and visits at the end of a session.
End of session (browser)
__utmz
Contains information about the traffic source or campaign that directed user to the website. The cookie is set when the GA.js javascript is loaded and updated when data is sent to the Google Anaytics server
6 months after last activity
__utmv
Contains custom information set by the web developer via the _setCustomVar method in Google Analytics. This cookie is updated every time new data is sent to the Google Analytics server.
2 years after last activity
__utmx
Used to determine whether a user is included in an A / B or Multivariate test.
18 months
_ga
ID used to identify users
2 years
_gac_
Contains information related to marketing campaigns of the user. These are shared with Google AdWords / Google Ads when the Google Ads and Google Analytics accounts are linked together.
90 days
__utma
ID used to identify users and sessions
2 years after last activity
You’d think that, what with the Libby verdict and the ongoing Walter Reed scandal and the presidential campaign horse race in full swing a year and a half before the general elections, it wouldn’t be that slow a news day.
It is so nice to see that underground comics are still alive and well. This is fun stuff guys.But I was frustrated that the double page spread was not possible to see as a double page spread. Can that be fixed in the reader so that the pages line up correctly?
Many thanks, Mark. And as to the postmodern undergrounder stuff overall, you ain't seen nothin' yet!That double-truck lapse has to do with my having constructed the original demo version with a curtain-raiser title page that didn't get reproduced with this presentation — its absence sorta throws things off-balance.Bound to be a way to work things out for the better, for Mark Walker's double-pager really wants seeing all at once — captures an essence of righteous mayhem.
There is a button on the reader to view double page spreads. It's in the top left of the reader and has an image of 2 pages on it.
Well – DUH! Actually – the problem is in viewing the pages that were drawn as a double page spread. In this case they fall on the wrong side and don't line up.
Oh right. My mistake.
Yeah – it would be nice if an easy answer could solve the problem. Hey Glen – can't you just change the page numbering for this chapter?
I love the mood and tone this story sets. Looking forward to Chapter 2.
And thank you, Elayne. The setting of that mood is largely the work of Irvin Cobb — the story's present digression into Al Capp Country notwithstanding — and Cobb deserves to be as well remembered as Wm. Faulkner and Mr. Clemens and/or Twain.Some other Cobb tales worth rediscovering are "The Belled Buzzard," a Southern Gothic takeoff on Poe's "The Tell-Tale Heart," and "The Escape of Mr. Trimm," in which a crooked big shot finds himself at large in the wilderness during a flight from justice. These come from a smaller body of work that Cobb called his "grim pieces," as opposed to the bucolic humor of, say, his "Old Judge Priest" stories.