New York, NY— May 26, 2026 — After his long-awaited return in The Mandalorian, Boba Fett went on to headline his own Disney+ series, The Book of Boba Fett. The hit show reintroduced the iconic bounty hunter to fans everywhere as he navigated the galaxy’s underworld and claimed control of Tatooine following Jabba the Hutt’s fall. This August, in the long-standing tradition of Marvel Comics epic Star Wars adaptations, Marvel brings this pivotal Star Wars saga to comic stands in STAR WARS: BOOK OF BOBA FETT, a seven-issue series by Star Wars veterans Rodney Barnes (Han Solo – Hunt for the Falcon, Ahsoka) and Will Sliney (Rise of Kylo Ren). The comic series marks the exciting comic book debut of several key characters, including Garsa Fwip, Dokk Strassi, Mok Shaiz’s majordomo, and more!
BOBA FETT HOLDS COURT AND FACES NEW CHALLENGES ON TATOOINE!
After escaping from the Sarlacc Pit, Boba Fett has taken over Jabba the Hutt’s syndicate—but does he have what it takes to keep Tatooine in order?
“I’ve loved Boba Fett since early childhood!” Barnes shared. “Adapting this series has been a complete joy, and I can’t wait for Star Wars fans to read it!”
STAR WARS: THE BOOK OF BOBA FETT #1 (OF 7)
Written by RODNEY BARNES Art by WIL SLINEY Cover by ALEX MALEEV Variant Covers by RICKIE YAGAWA, E.M. GIST, JERRY ORDWAY, and PETE WOODS On Sale 9/9
New York, NY— May 26, 2026 — The light had its turn.
Following up on the reveal of the all-new, all-terrifying MIDNIGHT UNIVERSE, Marvel is proud to lift the curtain on the first look inside the debut series from writer Jonathan Hickman (House of X, Ultimate Spider-Man) and artist Matteo Della Fonte (Nova: Centurion) along with a movie homage variant cover by Björn Barends.
“We were very keen to have Matteo on this series, and we have not been disappointed. His storytelling is so good, and he is absolutely nailing every aspect of Jonathan’s script,” said Jordan D. White, senior editor of the series. “I could not be more thrilled to be working on shaping the Midnight line. Everyone has been cut loose and is truly firing on all cylinders. I cannot wait for everyone to see these books.”
AN ALL-NEW, ALL-DISTURBING UNIVERSE BEGINS HERE!
The clock strikes midnight and it’s the dark dawn of a new era.The shadows of New York City are stalked by vampires and the mutant empyres. The sword of Damocles hangs over the peace between these two species and the factions within them. An outright war is brewing and the unturned will be caught in the crossfire. Blockbuster comic book writer Jonathan Hickman returns to the X-Men with a hunger for blood as this new world of terror reimagines the heroes of the Marvel Universe!
MIDNIGHT X-MEN #1 Written by JONATHAN HICKMAN Art by MATTEO DELLA FONTE Cover by DIKE RUAN Movie Homage Variant Cover by BJÖRN BARENDS On Sale 8/5
In 2003, Quentin Tarantino hadn’t made a film in six years. After the films Reservoir Dogs and Pulp Fiction, 1997’s Jackie Brown showed the restraint of Tarantino, in the only film he’s ever directed based on existing material, and with a relative quietness that his films haven’t had in quite the same way. But his fourth film would be the polar opposite: an explosion of excess, ambition, and playfulness. It was a film so big that it had to be cut into two parts. Kill Bill Vol. 1 was a wild, blood-soaked martial arts film, while Kill Bill Vol. 2, released six months later, remained a revenge film, yet one that was more focused on the dialogue that Tarantino does so well. Maybe more than any other film, Kill Bill, in both its parts, was Tarantino leaning into the genres he loved and doing his own take on them.
Splitting Kill Bill into two parts allowed more breathing room for Tarantino to add bits and pieces of this story that flesh out this world. Tarantino has said that had it originally been released as one film, Kill Bill wouldn’t have been four hours, and those segments such as the Pai Mei sequence in Vol. 2 and the anime sequence in Vol. 1 would’ve been cut significantly. However, a cut that brings the two entries together, titled Kill Bill: The Whole Bloody Affair, has screened here and there over the years, most frequently at Tarantino’s own L.A. theater, the New Beverly Cinema. Now, The Whole Bloody Affair is receiving a full-blown, 4+ hour cut in all its glory, and it’s a sight to behold — as one would expect. Over 20 years after both volumes were released, The Whole Bloody Affair isn’t just an incredible way to experience Tarantino’s most bombastic film; it’s also a great reminder of just how much QT has grown as a filmmaker over the last two decades.
For those unfamiliar with Tarantino’s fourth film, Kill Bill tells the story of The Bride (Uma Thurman), a former assassin who runs away from her lover and the leader of the Deadly Vipers Assassination Squad. Bill (David Carradine). A while later, at her wedding rehearsal, a now-pregnant Bride is gunned down in church by the Deadly Vipers. Yet it’s not that easy to kill The Bride, formerly known by the codename “Black Mamba,” and four years later, she wakes up from a coma, no longer pregnant, and ready for revenge against those who shot her down.
The Bride makes a kill list and makes her way through the squad. There’s O-Ren Ishii (Lucy Liu), who has become a yakuza leader in Tokyo over the last four years; Vernita Green (Vivica A. Fox), who is now a mother and wife in suburbia; Budd (Michael Madsen), Bill’s drunk brother who lives in a trailer in the desert; and Elle Driver (Daryl Hannah), a one-eyed assassin who hates The Bride more than any of the rest. Once The Bride has taken out her four former squad members, she will set out to finally, as the title implies, kill Bill.
The Whole Bloody Affair’s changes are relatively minor, but they do change the momentum of the story. While Vol. 1 ended with a jarring moment that put the audience on the edge of their seats waiting for Vol. 2 to be released, The Whole Bloody Affair no longer includes this moment, since it’s not needed to bring the audience back to theaters. By getting rid of this scene at the end of Vol. 1, it makes the finale of Vol. 2 even more impactful, a shot in the chest that hadn’t been hinted at two hours prior. It’s not necessarily a game-changing shift; however, for fans of Kill Bill, it is a noticeable shift in how this story is told. Also absent, understandably, is The Bride’s introduction to Vol. 2, catching up the audience on what happened in the first volume.
The Whole Bloody Affair, however, is most compelling as a look at a master filmmaker at the height of his experimentation. Tarantino has grown significantly in the two decades since Kill Bill, yet this film is an example of QT at his most maximalist, as he throws everything into the mix to see what sticks. This is a filmmaker who has made three of the defining films of the ‘’90s, making whatever the hell he wants, and gleefully doing so. Tarantino has always worn his inspirations on his blood-soaked sleeve, but Kill Bill is him completely being taken over by the films he loves, and it’s a joy to watch him play in this sandbox.
Because of this, Kill Bill still feels like Tarantino’s most ambitious project. For example, the fight with The Crazy 88s is almost as if he’s proving to himself he could make a massive samurai action sequence, and not only does he nail it, but you can almost hear him giggling behind the camera as he does it. He throws in an anime origin story, seemingly just because it’s cool as hell. And while the second half shows Tarantino reining in the wildness a bit, his love for Westerns and Japanese cinema is brazen in almost every frame. At this point in his career, Tarantino is a kid in a candy store with what he’s able to do, and Kill Bill is just about the most fun sugar rush one could imagine him making.
In the years since Kill Bill, Tarantino has made five films, and while they all have grandiose moments of absurdity, from killing Hitler in Inglourious Basterds, to Leonardo DiCaprio taking a flamethrower to Mikey Madison in Once Upon a Time… in Hollywood, Tarantino has been more acutely aware of pulling back and allowing for the ridiculousness as almost a bit of catharsis within his films. Looking back at Kill Bill, it can’t help but seem like a filmmaker who has proven himself and is having a blast, and it almost feels as though it’s from a different storyteller than the one Tarantino is now.
After all these years, Kill Bill is still a remarkable piece of work, one that’s essential to who Tarantino would become with his next five films. Naturally, the key to what makes Kill Bill great isn’t just Tarantino, it’s, of course, Uma Thurman. Thurman has never been better than she is here, and it’s an absolute wonder to watch her shift, change, and absolutely nail everything each chapter individually asks of her. In one scene, she might be killing an entire restaurant full of assassins, and in another, she’s asked to make her heart break at realizing everything Bill has truly taken from her. Thurman is tremendous in every scene, and she certainly deserved an Oscar®r nomination for this defining role.
And while Thurman truly kicks ass, sheds blood, and claims other people’s limbs as her own throughout Kill Bill, it’s the moments of true overwhelming emotion that make this performance work so well. The moment when The Bride wakes up and discovers she is no longer carrying her baby is one of the most heartbreaking and emotional scenes Tarantino has ever directed. Even though Kill Bill is packed with great fight scenes, the most impactful of both volumes remains The Bride’s ultimate showdown with Bill, a conversation that covers everything from the nature of their relationship to the secret identities of superheroes. It’s moments like these where Thurman’s acting prowess shines, showing that some of the best moments Tarantino has had in his career are tied more to his incredible dialogue than to any violence or gore.
Kill Bill: The Whole Bloody Affair isn’t necessarily the definitive version of this story — it’s just different and intriguing in its slight shifts and changes. At its core, it’s also just a great reminder of Tarantino at his coolest and most playful, and how far he’s come since making this film originally. And it’s always wonderful to watch Thurman’s The Bride cut down someone with Tarantino’s dialogue as handily as she can with a Hattori Hanzō sword. Kill Bill: The Whole Bloody Affair might not be Tarantino’s masterpiece, but it’s a brilliant example of a filmmaker with a deep-seated love of movies fully embracing his inspirations and passions in grand fashion.
New York, NY— May 20, 2026 — A new power player emerges from the shadows of pain and heartbreak as The Hood debuts in Marvel Rivals! ORIGINS OF THE HOOD: MARVEL RIVALS #1 by Paul Allor and Francesco Archidiacono takes readers into the past to explore the beginnings of Parker Robbins, aka The Hood, and his journey from a hero-worshipping child to an aspiring power-hungry villain. Originally running in the Marvel Rivals Infinity Comic, this new print comic guest-stars Captain America, Kingpin, and more as it further fleshes out the world of the game.
PARKER ROBBINS’ PATH TO POWER!
After watching his family and his dreams fall apart, Parker Robbins decides to take matters into his own hands by attacking Kingpin’s empire head-on – only to land in prison with the childhood hero who once inspired him to keep going. As Parker confronts his hero, he realizes what he needs most…and that he’ll do whatever it takes to get it. Discover the origin of Marvel Rivals’ The Hood here!
Check out the main cover by Paco Diaz, plus a variant by Federico Sabbatini, below, and preorder ORIGINS OF THE HOOD: MARVEL RIVALS #1at your local comic shop today! For more Marvel Rivals comic stories, pick up MARVEL RIVALS: DUEL OF KINGS #1, on sale now, and read new Infinity Comic chapters weekly on Marvel Unlimited.
ORIGINS OF THE HOOD: MARVEL RIVALS #1 Written by PAUL ALLOR Art by FRANCESCO ARCHIDIACONO Cover by PACO DIAZ Variant Covers by FEDERICO SABBATINI and LUCIANO VECCHIO On Sale 8/5
May 19, Mt. Laurel, NJ: Dynamite announces a paperback volume coming this summer featuring the entirety of Gail Simone and Walter Geovani’s revered, history-making run on Red Sonja.
The upcoming release reprints all of Red Sonja #0-18 as well as a batch of extras. Across over 500 pages, fans can dig into this celebrated saga from over a decade ago that brought a whole legion of new fans to the She-Devil With a Sword. In addition to all the stories written by Simone and illustrated primarily by Geovani, a gallery of iconic covers by Jenny Frison, Nicola Scott, Fiona Staples, Amanda Conner, Stephanie Buscema, and more is included.
One of the most acclaimed and influential authors in modern comics, Gail Simone’s career spanning a quarter century now has included treasured tenures on titles including Batgirl, Birds of Prey, Wonder Woman, Deadpool, Secret Six, and more. Currently, she writes one of the all-time chart-toppers in Uncanny X-Men.
Her yarns of the Hyrkanian Heroine include a revamped origin story, a memorable supporting cast and foes, and a near-unanimous reaction from readers and critics.
Following this series, Gail continued with Sonja in Dynamite’s crossover event, Swords of Sorrow, featuring other legendary women of comics and pulp fiction, such as Vampirella, Dejah Thoris, Kato, Jungle Girl, and more. With tie-ins written by other top women in comics, the crossover is also available as a 500-page tome that serves as a perfect companion to this new edition.
New York, NY— May 20, 2026 — The countdown to one of the biggest milestones in comic book history officially begins! This September, Marvel Comics proudly presents the 1000th issue of AMAZING SPIDER-MAN, and is pulling out all the stops to make it one of the grandest comics it’s ever published!
AMAZING SPIDER-MAN #1000 will be led by an epic story by Joe Kelly and Pepe Larraz that serves as both a culmination of their work on the title so far AND a pivotal moment that launches into the next phase of their acclaimed run! Then, the giant-sized spectacular continues with special anniversary stories by an unprecedented lineup of renowned creators from legendary Spider-Man creators and modern superstars to surprise contributors! The talent includes the likes of John Romita Jr., Frank Miller, Peach Momoko, Stuart Immonen, Brian Michael Bendis, Dan Slott, J.M. DeMatteis, Patrick Gleason, Marcos Martin and, making his Marvel Comics debut, screenwriter Noah Hawley (Alien: Earth, Legion)! Further details will be revealed in the weeks ahead, but today fans can check out John Romita Jr.’s main cover, which unites the iconic Spidey artist with acclaimed artist Paolo Rivera for the first time, along with a variant cover by Pepe Larraz that teases the debut of the new supervillain, RAVAGE!
Spider-Man faces his greatest fear and his most frightening new villain in decades. Who is this Ravage? And how will his history-shattering power force Peter to question his very legacy? It’s one of Spider-Man’s most personal battles to date, and one that will shape his path for the next 1,000 issues!
“Writing AMAZING SPIDER-MAN #1000 has stirred up a lot of emotions for me, but gratitude is chief among them,” Kelly shared. “It’s a true honor to have the opportunity to contribute to Spidey’s legacy with a huge milestone like this. And special bonus – we get to introduce a new villain?! Amazing. Ravage is layered and complex and mysterious, and I can’t wait to unleash him on the readers with this monumental issue!”
AMAZING SPIDER-MAN #36 (LGY #1000) Written by JOE KELLY, NOAH HAWLEY, FRANK MILLER, DAN SLOTT, J.M. DEMATTEIS & BRIAN MICHAEL BENDIS, & MORE! Art by PEPE LARRAZ, JOHN ROMITA JR. PATRICK GLEASON, PEACH MOMOKO, MARCOS MARTIN, STUART IMMONEN & MORE! Cover by JOHN ROMITA JR. & PAOLO RIVERA Variant Cover by PEPE LARRAZ On Sale 9/16
May 19, Mt. Laurel, NJ: Dynamite Entertainment is excited to announce a brand new era of stories from the beloved Gargoyles franchise, continuing the acclaimed chronology of franchise creator Greg Weisman, and serving up a perfect jumping-on point this August!
One thousand years ago, superstition and the sword ruled. It was a time of darkness. It was a world of fear. It was the age of GARGOYLES! Stone by day, warriors by night, they were betrayed by the humans they had sworn to protect…frozen in stone by a magic spell for a thousand years. Now, here in Manhattan, the spell is broken, and they live again! They are defenders of the night! They are Gargoyles!
Whether readers picking up the new Gargoyles #1 have watched the whole animated series front to back several times, devoured the back in print classic years of comics, and have had every issue of the Dynamite era on their pull list from day one, or if they’re just looking for a fun comic series full of deep characters, awesome action, and rewarding plotlines, this is the perfect book!
“For me, this is a story thirty years in the making. One I’ve been longing to tell,” said writer Greg Weisman. “So, longtime fans are seriously not going to want to miss this. At the same time, it’s also a great place for new readers who know nothing about Gargoyles to jump aboard. We’re making sure that everything you need to know is right there on the page. Your Gargoyles addiction begins here and now!”
As each season of the original show progressed in relative real time, each comic’s phase picks up from that point and continues on. The Gargoyles saga has reached its pivotal year, 1997. Fans are invited to flash back to the electrifying fun of the 1990s and the brilliant energy that cartoons of that era brought to the table, with Gargoyles, first and foremost, in its class.
The titular Gargoyles only have eggs every 20 years, and the Manhattan Clan at the center of the saga has been keeping care of one playfully nicknamed “Egwardo.” The only problem is — it’s been stolen by arch-enemy Demona! As the Defenders of the Night try desperately to track down the egg, they’re also faced with an awakened ancient, all-powerful evil with a vendetta against the entire world. All that and more can be expected each and every month in this new blockbuster series.
Following an all-star team of incredible illustrators like George Kambadais, Drew Moss, Ciro Cangialosi, Pasquale Qualano, and even peers from the era of the show, Frank Paur and Tad Stones, this new series brings the gregarious Gerardo Gambone to the forefront as Weisman’s latest collaborator. The two are joined by colorist Robby Bevard and letterer Jeff Eckleberry as well.
To match the thrilling tales from Weisman and Gambone inside the book, longtime Gargoyles comics editor Nate Cosby has assembled a squad of superstar artists for jaw-dropping covers featuring everyone’s favorite characters. Meghan Hetrick and Sebastian Piriz are joined by the aforementioned returning franchise artists Drew Moss and Frank Paur.
Editor Nate Cosby added, “Welcome to the first new ONGOING GARGOYLES SERIES in years! It’s a new day (night?) for our heroes. New characters, new stakes, new adventures! If you’ve ever been Gargoyles-curious, THIS is the perfect jumping-on point to be introduced to the Manhattan Clan. And if you’re a Day One fan, Greg Weisman’s got you…he’s beautifully threading centuries of Gargoyles lore through this new tale, and grounding the emotional stakes for Goliath and all of his brethren!”
New York, NY— May 20, 2026 — At the height of the popularity of Indiana Jones in the 1980s, Marvel Comics—and some of the biggest creators of the era—took on the challenge of bringing the iconic hero from the silver screen to the printed page, and the results were every bit as exhilarating as the groundbreaking films! This September, Marvel brings these legendary adventures back to print in two deluxe hardcovers: INDIANA JONES: THE FURTHER ADVENTURES BOOK I and INDIANA JONES: THE FURTHER ADVENTURES BOOK II.
The collections will include the comic adaptations of Raiders of the Lost Ark, Indiana Jones and the Temple of Doom, and Indiana Jones and the Last Crusade, as well as the entire run of The Further Adventures of Indiana Jones, the beloved series that expanded on the Indiana Jones mythology in blockbuster fashion with action-packed new quests. Featuring leatherette binding, debossed cover designs, and ribbon bookmarks, these special volumes are treasures worthy of Indy himself and must-haves for collectors and fans alike.
INDIANA JONES: THE FURTHER ADVENTURES BOOK I HC includes MARVEL SUPER SPECIAL (1977) #18 and #30, adaptations of Raiders of the Lost Ark and Indiana Jones and the Temple of Doom, along with THE FURTHER ADVENTURES OF INDIANA JONES (1983) #1-16. INDIANA JONES: THE FURTHER ADVENTURES BOOK I HC includes INDIANA JONES AND THE LAST CRUSADE (1989) #1-4 and THE FURTHER ADVENTURES OF INDIANA JONES (1983) #17-34. The stories feature work by some of the biggest talents of the 1980s, including David Michelinie, Walt Simonson, John Byrne, John Buscema, and many more!
With clouds of war gathering ominously over Europe and a Great Depression gripping the world, one globe-trotting professor’s appetite for adventure and discovery remains unsated! Join Dr. Henry Jones as he scours the farthest corners of the planet in a constant race to keep priceless artifacts out of the wrong hands!
INDIANA JONES: THE FURTHER ADVENTURES BOOK I HARDCOVER Written by WALTER SIMONSON, DAVID MICHELINIE, JOHN BYRNE, DENNIS O’NEIL & ARCHIE GOODWIN Art by JOHN BUSCEMA, BUTCH GUICE, JOHN BYRNE, RON FRENZ, HOWARD CHAYKIN, KERRY GAMMILL, DAN REED, RICARDO VILLAMONTE, DAVID MAZZUCCHELLI & HERB TRIMPE On Sale 9/30
INDIANA JONES: THE FURTHER ADVENTURES BOOK II HARDCOVER Written by DAVID MICHELINIE, LARRY LIEBER, CHRISTOPHER PRIEST, HERB TRIMPE, LINDA GRANT & RON FORTIER Art by HERB TRIMPSE, LARRY LIEBER, LUKE MCDONNELL, STEVE DITKO, JOE BROZOWSKI, BRET BLEVINS & MORE On Sale 9/30
May 19, Mt. Laurel, NJ: Dynamite announces a Red City special this August!
Fan-favorite writer Dan Abnett depicted both the Daughter of Drakulon and She-Devil With a Sword being recruited by The Project, and then coming face to face across a trio of titles of Red Sonja: The Superpowers, Vampirella: The Dark Powers, and Vampirella vs. Red Sonja. All of which are now available as collected editions.
The multiple-time Eisner and Ringo Awards-winning author Chuck Brown (Bitter Root, Aquaman, Titans, Disney Villains: Scar) teams up with rising illustrator Paulo H. Mel (Transformers: Song of Jupiter, We Wicked Ones) for this return to that mythos and a fascinating new twist.
“The art, plot, and settings of Vampirella vs. Red Sonja take the characters back to their roots in a melting pot of Warriors, Blood, Swords, Magic, and Bikinis,” said writer Chuck Brown.
Vampirella and Red Sonja are trapped in a melting pot of magic, vampires, and barbarians known as the Red City. They’ll have to recruit some of their recent superpowered allies along the way, including the heroic Dyna Might, to work together and escape this city of nightmares to get back home.
Vampirella vs. Red Sonja: Red City features a batch of sweet covers, from Sebastian Piriz, Diego Yapur, as well as a fun trio by model Ivy Cosplay. In two of Ivy’s covers she portrays each heroine separately, then on a third through the magic of editing she appears alongside herself as both!
Collectors have the option to pursue the chase, with a premium mystery blind bag available that includes three limited-edition variants of the issue.
New York, NY— May 15, 2026 — Kylo Ren’s journey in the sequel trilogy made him one of the most compelling—and tragic—figures in the Star Wars mythos. Now, Marvel expands its story with a new comic book series! Following his acclaimed work on Star Wars: Rise of Kylo Ren and Star Wars: Legacy of Vader, writer Charles Soule reunites with Rise of Kylo Ren artist Will Sliney to continue the saga of Ben Solo in STAR WARS: THE FALL OF KYLO REN, a five-issue series launching in August. In Legacy of Vader, Kylo went on a galaxy-spanning quest to uncover the secrets of his grandfather, Darth Vader. In THE FALL OF KYLO REN, he returns to the First Order more powerful and determined than ever before! Witness him shape the galaxy far, far away to his will as Supreme Leader in a saga that leads directly into the events of The Rise of Skywalker. The truth behind Kylo’s motives and the full scope of his destiny are revealed here!
THE LEGACY OF VADER CREATES A NEW EMPIRE OF FEAR!
Kylo Ren returns from devastation, wielding total fury! As Generals Hux and Pryde tear the First Order apart with treacherous ambition, Kylo cuts through their schemes with merciless clarity. His wrath forges unity through fear and unleashes a Supreme Leader neither general can escape…nor survive disappointing. A pivotal turning point for Kylo, Hux, and Pryde and essential reading for every Star Wars fan.
“The story of Kylo Ren (and Ben Solo, of course) always felt huge to me,” Soule shared. “It was clear that a great deal was out there to explore beyond the moments provided by the films, and it’s been such a pleasure—and a challenge—to deliver new tales for one of the most prominent villains in Star Wars. I’m thrilled I get to do it one more time, and even more so that I get to reunite with the incredible Will Sliney, who kicked things off with me on The Rise of Kylo Ren all those years ago. First the Rise, then the Reign, and now the Fall… it just feels right.”
“This is the one book I have been dying to get back on,” Sliney said. “Ever since Charles and I worked on The Rise of Kylo Ren, we knew we were a part of something special. To be honest, I’ve never experienced a fan group so excited for the story when we worked on Rise, and quietly behind the scenes, Charles and I had been talking about The Fall of Kylo Ren for a long, long time.
“The story we got to tell in Rise is such a key part in the story of Ben Solo. Fall is the same. I’m thrilled to be back drawing it, I can’t wait until this gets out into people’s hands.”
STAR WARS: THE FALL OF KYLO REN #1 (OF 5) Written by CHARLES SOULE Art by WILL SLINEY Cover by PHIL NOTO Variant Covers by LUKE ROSS and PHIL NOTO On Sale 8/12
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