Google Analytics is a powerful tool that tracks and analyzes website traffic for informed marketing decisions.
Service URL: policies.google.com (opens in a new window)
_gali
Used by Google Analytics to determine which links on a page are being clicked
30 seconds
_ga_
ID used to identify users
2 years
_gid
ID used to identify users for 24 hours after last activity
24 hours
_gat
Used to monitor number of Google Analytics server requests when using Google Tag Manager
1 minute
__utmx
Used to determine whether a user is included in an A / B or Multivariate test.
18 months
_ga
ID used to identify users
2 years
__utmt
Used to monitor number of Google Analytics server requests
10 minutes
__utmb
Used to distinguish new sessions and visits. This cookie is set when the GA.js javascript library is loaded and there is no existing __utmb cookie. The cookie is updated every time data is sent to the Google Analytics server.
30 minutes after last activity
__utmc
Used only with old Urchin versions of Google Analytics and not with GA.js. Was used to distinguish between new sessions and visits at the end of a session.
End of session (browser)
__utmz
Contains information about the traffic source or campaign that directed user to the website. The cookie is set when the GA.js javascript is loaded and updated when data is sent to the Google Anaytics server
6 months after last activity
__utmv
Contains custom information set by the web developer via the _setCustomVar method in Google Analytics. This cookie is updated every time new data is sent to the Google Analytics server.
2 years after last activity
_gac_
Contains information related to marketing campaigns of the user. These are shared with Google AdWords / Google Ads when the Google Ads and Google Analytics accounts are linked together.
90 days
__utma
ID used to identify users and sessions
2 years after last activity
A nice start. This installment definitely needs to be read in two-page mode due to a few double page spreads/continuations. You might want to suggest that in the week one description.
That went nicely with lunch. ;-)Loved it, but a couple formatting comments.Two-page spreads, while a print staple (pun intended), aren't effective for webviewing on a standard-sized monitor. Probably should be in the Comic Mix design notes.Also wouldn't hurt to slap a "to be continued" on the last page. That I was absorbed enough to slap the space bar and wonder why it wasn't forwarding tells you Grell's still Grell, but it would make it easier on me.
What do you call a "standard-sized" monitor? It looks pretty nice to me on a 17" monitor with a 1280×1024 setting.
I'd shoot for the entry-level 15" monitor. Besides, to read the lettering, most people need to bump it up a couple sizes. You don't see the full-page, top to bottom and you don't see a spread.Remember, most people leave resolution at default settings.
As Neil commented above…. great start! Nice to have Sable back in a big way… and the art and colouring looks sweet.The navigation combined with double-page spreads IS an issue. Perhaps the double-page spreads could be supplied as a single image file? Thereby sidelining any reader viewing problems.As to screen resolution etc… in my experience producing 'Will Eisner's JOHN LAW' for the web, there is no pleasing everybody… not even close. I assume that's why the Comicmix Reader has controls for punters to set the viewing at their own comfort level. There's no way that a webcomics publisher (dealing with a variety of formats like Comicmix will) can have a default setting that will match everyone's monitor and resolution settings, let alone their browser of choice.I've developed a simple artwork grid that allows for monitor proportioned art (say, 800 x 600 pixels or 900 x 650) that can then, with a minimum of cut'n'paste in Photoshop, be re-constructed to print proportions… without affecting story flow. I realise this doesn't help for issues upon issues of comics being published online that were originally drawn for the printed page… but maybe something like this could be a solution for the future with 'new' work?
Wow, I'd forgotten how much I love Mike Grell's gorgeous art – and I second the compliment on Glenn's coloring! The thing is, though — the male characters are all dressed and clearly actors in their own drama, and the lone female character introduced so far is scantily clad, mostly in repose and exists more to be looked at than to be an active player? Seems a bit of a double standard there. I hope it evens out soon.
She's a supermodel. She's supposed to be looked at.Oh, all right, we'll bring out some of her character nuances next installment. But we're putting her in a slinky nightgown, just to show that we're not in complete thrall to the Friends of Lulu wing of the blogosphere.
FoL has a blogospheric ring? Why doesn't anyone tell me about these things?I was kind of hoping you'd go the way of "Okay, we'll make sure Mike shows more shots of Sable nekkid and in repose," to tell you the truth. :)
Nekkid Sable? Installment 6 or 7, I think– but he's somewhat, shall we say, active at the time. Think of it as a Christmas present.
So nice to see that beautiful Grell art again.I do have to echo the concerns about the double-page spreads, though. And the lettering threatens to bog down the movement of the story at several points. Some pages are perfect while a few are a bit too chatty. And check out the girl's first line on page six: The balloon pointer is practically inside her mouth!
Why does that title sound familiar? Did Mike plan to present this story sometime earlier?Anyway. More Sable brightens my life. It was my favorite comic, with Grimjack and Groo, back in the 1980s.Now, if there could be more Starslayer…
Grell announced that Sable would return in Ashes of Eden at the end of Bloodtrail, the recent series published by IDW.
Chapter 1Who is the man in the white suit? He is never named in the enitre chapter. Not a good way to intruduce a character. Also, on page 5, shouldn't he be saying "It doesn't look like much now…" instead of "didn't"?