Monthly Archive: June 2007

DENNIS O’NEIL: A Superman For Our Time

When we’re in a somber mood, which is an easy kind of mood to be in these days, we hope that Jerry Siegel and Joe Shuster were not prophets. Joe and Jerry were, of course, the creators of Superman, and way back in 1938 they told what’s become known as Superman’s origin story.

Surely you’re familiar with it; it’s been retold and edited and redacted and emended and amended and recast in comics, in movies and books and on television, and probably video games, for these past 68 years, and I wouldn’t be surprised if some earnest young writer is, at this moment, reworking it yet again. But in the event your long-term memory is gebollixed for some reason, I’ll give you the trading card version.

Jor-El, a scientist, tells the poobahs of his civilization on the planet Krypton that their entire world is soon to disintegrate. The poobahs refuse to believe him and – oops – the darn world does blow itself to bits. Jor-El does manage to get his son away in a spacecraft before the final blooey. The kid lands on Earth and becomes a mighty champion of justice, etc. etc.

If I were to rewrite this familiar story, I might consider making Jor-El an environmentalist who’s worried about, let’s say, global warming. And maybe, in this version, the poobahs are politicians who take Jor-El’s carefully reasoned and scientifically unimpeachable work, which Mr. El has presented in the form of a document, and had someone with negligible scientific credentials edit Mr. El’s writing so heavily that it’s meaning is altered.

I mean, my suggested revamp isn’t really too far from the original, is it? What’s scary is that it isn’t far at all from some recent real-life history. And that’s why, despite my great respect for Messrs. Siegel and Shuster, I hope they’re lousy prophets. Remember how their story ended? The poobahs insisted they were right and Jor-El was wrong, despite plenty of contrary evidence, and – Blooey!

If we were to redo, once again, what Joe and Jerry began with, we might consider expanding it to allow a look at the poobahs. The trick in doing this kind of thing is to ask, if these fictional characters were real, what kind of people would they be? Not conventionally “evil;” at least, they wouldn’t think of themselves as “evil;” no one does.

But arrogant, certainly: so sure of their own unchallenged superiority that they feel they don’t have to listen to, much less heed, anyone else. And prisoners of their own egos, which would not allow them to admit ever, being wrong. And not only greedy, but able to rationalize their greed, if there were a profit to be made from their acts.

All that would congeal into deep, impenetrable ignorance. Not lack of education, nor stupidity, but ignorance, which, in this context, we might define as a refusal to acknowledge the truth that’s available to them.

I’d like to read that story. In a comic book, not in a newspaper.

RECOMMENDED READING: The Selfish Gene, by Richard Dawkins.

Dennis O’Neil is an award-winning editor and writer of comic books like Batman, The Question, Iron Man, Green Lantern and/or Green Arrow, and The Shadow, as well as all kinds of novels, stories and articles.

Artwork TM and © DC Comics. All Rights Reserved.

Courtney Love Comic Strip Launches

31513180-7418298Beginning July 9th, ToykoPop’s top-selling manga Princess Ai will be headed to many American Sunday newspapers, courtesy of Universal Newspaper Syndicate.

The co-creation of rocker, actress and idol of EMS workers Courtney Love along with Misaho Kujiradou, Yazawa Ai, and others, Princess Ai is reportedly Love’s fantasy alter-ego. Prior to becoming an American idol, Love lived and performed in Japan.

The Princess Ai newspaper strip will run for 26 weeks.

Who’s A Trekkie?

d4847d8a20f94ced9bb6fa5403815398-9823006ShatnerVision reveals the "other side" of his interview on last week’s Henry Rollins Show, as William Shatner turns the camera around and interviews the musician/commentator after the show’s taping. In this video clip, Rollins answers the question "Who’s a Trekkie" with his typical to-the-bone sincerity and discloses the moral underpinnings of his worldview.

Batman sweats

christian_bale_02-5758291The Post Chronicle has an earth-shattering news story today, reporting that Christian Bale is "dreading" the filming of Batman: The Dark Knight because it’s hot in Chicago in the summer and he has to wear the rubber suit.

Bale told the paper, "I’m not really looking forward to wearing a black rubber suit in the summertime in humid Chicago. If you see a pool of sweat through the city, follow it and you will find me."

 

Fantastic Four director looking at The Losers

The Hollywood Reporter, via Reuters, says that Tim Story, director of the new Fantastic Four film opening this weekend, will direct The Losers for Warner Bros. The series, which debuted 37 years ago in Our Fighting Forces, was recently revived for DC’s Vertigo line by Andy Diggle and Jock.

Story said, "I told my agents I didn’t want to do another comic book.  I had been in the world of fantasy and I wanted to do something very edgy, a realist action movie. I wanted to find something like a Bourne Identity or Black Hawk Down."’

You can download the first issue of the Vertigo series at http://www.dccomics.com/graphic_novels/?gn=1687

MIKE GOLD: What Makes America Great

mikegold100-4105627These are the most important words ever written:

Congress shall make no law respecting an establishment of religion, or prohibiting the free exercise thereof; or abridging the freedom of speech, or of the press; or the right of the people peaceably to assemble, and to petition the government for a redress of grievances.

That’s the First Amendment, in its entirety. It’s elegant, isn’t it? But did you notice what word isn’t there? Look again.

The word is “except.” There’s no “except” in the First Amendment.

That’s what makes the United States of America great. It’s where we separate the wheat from the chaff. The democracies from the dictatorships. The good from the evil.

Ask around and some people will tell you that the Supreme Court ruled the First Amendment doesn’t give you the right to shout fire in a crowded theater. If the utterer is smart, that quote will be attributed to Justice Oliver Wendell Holmes. The problem is, it’s bullshit, twice-over.

Number one: in ruling on the case of Schenck v. U.S. in 1919, Justice Oliver Wendell Holmes, Jr., wrote: “The most stringent protection of free speech would not protect a man falsely shouting fire in a theater and causing a panic.” The emphasis here is mine; those critical words are usually left out of the debate. You’ve got to be lying, and you’ve got to actually cause damage. However…

Number two: Schenck v. U.S. was overturned by the Supreme Court in 1969 in the case of Brandenburg v. Ohio, which ruled that speech could only be banned when it was likely to incite imminent lawless action, such as a riot. The majority noted yelling fire outside a building to prevent people from entering is quite different from encouraging people to stampede out.

The Constitution doesn’t say “but in case somebody figures out a way to allow people to get their words heard by a whole lot of other people all at once, a federal agency is going to appoint a brilliant comedian to figure out which seven words can never, ever be uttered, no matter how inadvertently, no matter how pointedly, and no matter how necessary or how puerile they may be – and we’re going to fine the shit out of people who ever use those words.”

Last week, ComicMix’s Glenn Hauman, a First Amendment freedom fighter of the first order and with the street cred to prove it, ran a piece about how a federal appeals court ruled against the FCC in their fining broadcasters for the dissemination of inadvertent obscenity. In his article, Glenn substituted asterisks for the vowels in the dirty words. I know Glenn; that reflects his highly tuned sense of irony. Glenn’s also a very considerate guy: he doesn’t want to get you in trouble if you’re reading ComicMix at work and your boss sees the naughty stuff. I’m not quite as considerate.

It’s Glenn’s prerogative as a writer, so I didn’t fuss with his choice. The fact is, when you see “f*ck” you read “fuck.” When you see “sh*t,” you read “shit.” When somebody indulges in euphemisms, people know exactly and immediately what the bad words are. But you’re not going to get Battlestar Galactica on the air unless you say “frakkin’.” And, no doubt, pay Yosemite Sam his royalty.

It’s ridiculous. It’s hypocritical. Even if these words had any meaning or any shock value any more, there is no reason to be so judgmental. People who think ill of those who use cuss words yet drive while on their cell phone are a much bigger threat than those who are subjected to their self-righteousness.

About 20 years ago, DC Comics’ editorial honcho Dick Giordano assigned me the task of representing the company at the redraft of the much-hated (and now completely impotent) Comics Code. Yep, Dick has a fantastic sense of humor. At the meeting, one of the first things I asked for was a list of the dirty words that can’t be used. Fair is fair, I pointed out. Marvel’s rep, the much-missed Mark Gruenwald, agreed. Since we were Marvel and DC combined, we got to assign the editors from Harvey Comics and Archie Comics the task of coming up with the list. Okay, that was sophomoric, but if you knew either Mark or me, you’d get it and you probably do anyway. A week or two later, Al Harvey and Victor Gorelick came in with a great list.

They passed the list around and we debated the merits and demerits of the words, adding a few that Al and Vic missed – the very few, actually; it was an extensive list. Then we all exploded in laughter at the astonishing bullshitness of the situation. One of the editors – I won’t reveal which – said “What’s the difference? The Code censors are going to ignore all this anyway.” Which is exactly what happened. Immediately.

We censor in the name of the Children. You know, those Children who are raised in nunneries, who, if they were never exposed to television or radio or literature or people like me, would be good, pious and safe. The kids who presently live on Earth-53. We divert everything with which we are uncomfortable into the “oh, no, we’re doing it for the Children” file. That’s a lot of crap. If you raise your kids honestly with good, sound values, if you teach them right from wrong and you show them how to be strong and the ways to stand up for those values, you won’t have anything to worry about. Stop hiding behind the kids.

There’s plenty of stuff going on to worry about. Language doesn’t make the cut.

Mike Gold is editor-in-chief of ComicMix.com. Be afraid, be very afraid…

A June tune to make you swoon

Sooner or later our ComicMix columns will be on automatic front-page accessibility.  Until then, I’ll be here just about every Sunday to round ’em up for you:

And congrats to Mellifluous Mike Raub on reaching his Big ComicMix Broadcast #50 and beyond!:

Now back to my own never-ending catchup…

RIC MEYERS: Dragon Dynasty Mutiny!

ric-meyers-100-1703038Poor Cynthia Rothrock. She’’s the first “gweilo (white devil)” woman to become a major star in the golden age of the Hong Kong kung-fu film, then gets relegated to such sad junk as the China O’’Brien and Lady Dragon series in America. But for anybody who wants to know what the fuss was about, and those, like me, who want to see Cynthia regain her rightful place in the top echelon of action stars, the two newest Dragon Dynasty DVDs are the ones for you.

Dragon Dynasty is the new home for the many martial art movies the Weinstein Company has been hoarding for years. They’’re finally releasing these amazing, literally unmatchable, adventures with enough worthy whistles and beguiling bells to make them worthwhile for even a pioneering kung-fu flick fan such as myself. Still, some of their decisions and missteps are indicative of the seeming disdain they previously displayed for these bogarted milestones.

rightingwrongs-9277592Take, for example, Above the Law, Rothrock’s’ second HK film (following the classic Yes Madam, which also introduced Michelle Yeoh to an awed Chinese audience) and Dragon Dynasty’’s ninth DVD release. What, say you, I don’’t remember Cynthia Rothrock in that fine, first, 1988, Steven Seagal movie!?  That’s because Cynthia was in the 1986 like-named Hong Kong film, which was more generally known as Righting Wrongs, which would have made a much less confusing, more easily ordered, title for this new DVD.

Under any name, this combination of Death Wish and Enter the Dragon adds to its list of firsts, in that it’s the first major action starring vehicle for the impressive Yuen Baio away from his “big brothers,” directors, and co-stars Jackie Chan and Sammo Hung (late of CBS-TV’s Martial Law series). But rather than showcase Baio’’s sweet, lovable, easy-going nature, director Corey Yuen Kwai (who went on to choreograph the action in Jet Li’s’ Kiss of the Dragon, among others) decided to make Righting Wrong a monument to paranoia, fear, brutality and some of the most savage kung-fu ever put on celluloid.

The return of Hong Kong to China’’s rule was more than a decade away at the time, but action directors such as Corey were already reflecting their concerns with films that featured corruption as a murderous way of life. Baio plays a lawyer who moonlights as a vigilante after his beloved mentor is mown down. Rothrock is the Interpol agent sent to arrest him, while everyone around them is unleashing assassins to kill everyone they can get their hands, knives, guns, construction tools, planes, garrotes, and bombs on.

shanghai-6349317The fights Corey crams this movie with are boldly conceived, incredibly played, and well worth watching, even studying, repeatedly, which is a good thing since clips of them are shown repeatedly during the interesting “Special Feature” interviews with Rothrock, Baio, and Canadian kickboxing champ Peter “Sugarfoot” Cunningham (who co-stars as one of the many killers). The packaging copy isn’t through with you at just the confusing title, however. The good news is that the disc also features alternate scenes (although not one Rothrock mentions in her interview) and endings, which aren’’t listed on the box. The bad news is that, while the copy maintains that the film is letterboxed widescreen, it ain’’t.

Which is a shame, because Dragon Dynasty’‘s tenth release, and the next piece of Rothrock proof, is Shanghai Express, which is beautifully restored and letterboxed, capturing every millimeter of the astonishing stunts and scintillating fights director/star Sammo Hung piles on his international cast-of-hundreds. Like Righting Wrongs/Above the Law before it, this DVD features a pandering alternate title for a film that is better known (even on the opening credits) as The Millionaires’’ Express. (more…)

MICHAEL H. PRICE: Spy Smasher Smashes Spies

1942-spy-smasher-serial-8966787In a bygone age of self-defeating fair-play isolationism, comparatively few outposts of the U.S. entertainment industry saw fit to take issue with the congealing Axis powers. Timely Comics’ Captain America books tackled a larger agenda of wish-fulfillment Nazi-busting in 1941 at a time when popular sentiment and much of the mass communications media, stateside, were still holding out for an anti-inflammatory approach. Just two years earlier, the lower-berth Hollywood producers Ben Judell and Sigmund Neufeld had run afoul of their industry’s attempts to repress a film called Hitler – Beast of Berlin, starting with a Production Code Administration complaint that the very title might pose an affront. It is always an awkward choice, even in the realm of heroic fiction, between pre-emptive action and a wait-and-watch attitude.

And between this difficult patch for the Judell–Neufeld movie and the ferocious début of Captain America, the Third Reich began insinuating such self-glorifying motion pictures as Campaign in Poland and Victory in the West into American theaters with impunity if not necessarily articulate English intertitles. Said the show-biz tradepaper Variety, bucking the mollifying influence of the Production Code: “Instead of making Americans frightened of the terrible power of the Reich’s Army, [Victory in the West] inflames them.”

The Captain America stories may have been thusly inflamed, but likelier Joe Simon and Jack Kirby, the talents responsible, were springing from an intuitive sense of developments more appalling than any ostentatious display of aggression. (Superman had tackled fictional-allegory aggressors and, then, squared off against Adolf Hitler and Josef Stalin as early as 1940 – though far outside his own formal continuity, in an isolated gimmick story for Look magazine.)

As emphatic a stand belonged to the comics series known as Spy Smasher, from Fawcett Publications. The property’s retooling as a movie serial began taking shape in 1941 at Republic Pictures – which recently had adapted Fawcett’s Captain Marvel, with a tone markedly grimmer than that of the funnybooks – and a shooting script was completed shortly before the Japanese invasion of Pearl Harbor. It was with a newfound sense of propagandistic ferocity that the Spy Smasher serial went into production on Dec. 22. The attraction began arriving in weekly big-screen installments on April 4, 1942.

The movie version takes some savvy liberties with the source, providing the lead character – Alan Armstrong, alias Spy Smasher – with an entirely civilian twin named Jack, and thus obliging star player Kane Richmond to handle essentially three roles. A recurring villain called the Mask was literally un-masked for the screen, allowing Hans Schumm a richer opportunity for characterization.

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Cousin’ Brucie Comes To ComicMix

The Big ComicMix Broadcast for the weekend is here, complete with the scoop on a Quantum Leap movie and how YOU can help get it made. We also talk with one of the best known radio voices of the past four decades – Cousin Brucie Morrow – and top it off with heaps on news on new anime projects, High School Musical 2 and even a little jaunt to Funky Nasseau!

Come on Cousin – PRESS THE BUTTON!