Monthly Archive: June 2007

Happy 95th Anniversary, Universal

On this day in 1912, Carl Laemmle merged his movie studio, the Independent Moving Picture Company (IMP), with eight others, creating Hollywood’s first major studio, the Universal Film Manufacturing Company — later to become Universal Pictures Company. Universal would unintentionally give gigantic starts to other film companies, like not paying Irving Thalberg enough money to keep him from being lured away to MGM, or by refusing to pay a decent production fee to produce cartoons starring Oswald the Lucky Rabbit to a young up-and-comer named Walt Disney.

But still– any studio that can bring us Frankenstein, Dracula, The Mummy, Abbott and Costello, My Little Chickadee, Harvey, Touch Of Evil, The Sting, American Grafitti, Jaws, Animal House, E.T., Back To The Future, Jurassic Park, Columbo, McCloud, The Rockford Files, Conan, Darkman, They Live, Hulk, Mystery Science Theater 3000: The Movie, and enough Law & Order episodes to choke a horse deserves a round of applause.

We’ll even forgive them for Van Helsing and Howard The Duck.

In that spirit of self-improvement, here’s a little employee video from Universal that you might enjoy.

Books, books, books

The Big ComicMIx Weekend Broadcast comes right out of the 2007 Book Expo in NYC and we share one of the coolest books ever, illustrated by the incredible Jules Feiffer! Plus a ton of news including new limited edition comics, what happens to Apollo after BATTLESTAR ends, and a trip back to when The Jacksons actually had important friends!

Press The Button or we’ll post that picture of you in the red vinyl jacket and the one white glove!

Ms. Tree leaps to prose fiction

cover_big-8501105Once upon a time, mystery writer Max Allan Collins (Road To Perdition, CSI, Dick Tracy) teamed up with his pal Terry Beatty to create one of the longest-running independently-owned hardboiled crime comics, Ms. Tree. It enjoyed a long and healthy life, outlasting several of its publishers.

In the interest of full disclosure, I should point out that I edited the last lengthy run of the character over at DC Comics, where we produced ten novelette-length stories.

Now the indomitable private eye is making her return – not as a comic book, but as a prose novel written by Max Allan Collins and published this December by Hard Case Crime, who handles writers such as Pete Hamill, Stephen King and Ed McBain. I’m happy to report co-creator Terry Beatty is not being left out of the action: as you can see from the above illustration, Terry has contributed the cover painting to Deadly Beloved, "the first ever Ms. Tree Novel." This puts Terry alongside such masters as Robert McGinnis, Arthur Suydam and Bill Nelson.

All I can say is, well, hell, it’s about time.

Artwork copyright Max Allan Collins and Terry Beatty. All Rights Reserved.

MARTHA THOMASES: Last Man Standing

martha100-5988441When I was a teenager, the environment of my hometown became poisonous. To save me, my parents sent me to an alien environment that seemed to be a universe away, filled with people so different from me they might have been a different species altogether. No one knew anything about my home, nor about my people’s civilization and customs. Instead, I had to hide my true self until I understood how I fit in and what I had to offer the strangers with whom I lived.

No, I’m not Supergirl. I understand how you could be confused, because the resemblance is striking. However, I did find myself in a similar situation to Kara Zor-El. Instead of being a Kryptonian from Argo City sent in a rocket ship to Earth, I was a Jew from Ohio sent to an Episcopalian boarding school in Connecticut. Instead of being part of the majority as I was at my public school in Youngstown (there were so few kids in class during the High Holy Days that they could bring comics to school!), I had to go to chapel five times a week while the priest swung incense.

Many of my classmates had never seen a Jew before. Others, more worldly, would say things to me like, “You’re from Ohio? I have a friend in Wyoming. Do you know her?” For the first time in my life, I wasn’t part of the majority culture. I learned what it was like to be a minority.

There’s a lot to be learned from the majority culture.  Not the least of it is learning where you, as a minority, fit in. You learn your place. You learn how to get by. You learn another point of view, that of the majority.  That’s what taught in school. That’s what you see on television and in movies.

If you’re lucky, you take your experience as a minority and use it to understand how other minorities feel. You know what it’s like to be on the outside, looking in. In my case, as a Midwestern Jew, I could imagine how it would feel to be African-American, or gay, or Asian. I could take my own experience as a minority to imagine the experience of people who were other kinds of minorities.

Fiction helps. For example, when I read Amy Tan’s The Joy-Luck Club, I read about a society where, no matter what you did for your parents, it wasn’t enough, and that it was more important in a marriage to find a husband with money than with imagination. I was convinced that being Chinese felt just like being Jewish.

Comics help even more, if only because they are produced more quickly than novels. In The Legion of Super-Heroes, we can see how Chameleon can shape change to fit in – but chooses not to. Princess Projectra tried to hide her snake form at first, but learned to exult in it. The theme of three X-Men movies has been a metaphor for the dangers of the closet, of hiding your true self to pass for straight or, in this case, non-mutant.

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Bye Bye Battlestar

The producers of Battlestar Galactica announced today that the show’s upcoming fourth season would be its last.

Yesterday David Eick and Ronald Moore released a statement noting that BSG "was always meant to have a beginning, a middle and finally, an end. Over the course of the last year, the story and the characters have been moving strongly toward that end and we’ve decided to listen to those internal voices and conclude the show on our own terms."

The recent 20% decline in the show’s ratings are presumably beside the point.

Groth vs Ellison: The Fantagraphics side

At New York’s Book Expo America today, Fantagraphics publisher Gary Groth took time out from a busy schedule with booksellers, rights agents and talent to talk to ComicMix‘s Martha Thomases and Mike Gold briefly about the upcoming arbitration session to settle Harlan Ellison’s lawsuit. We asked why he wasn’t able to go to Los Angeles for the May 29 session, as originally scheduled. "I’m a single father.  My son turns 13 tomorrow," he said.  "I just couldn’t go to Los Angeles then to New York in three days." Fantagraphics is headquartered in Seattle.

Does he hope the arbitration process will work?

"Yes, I obviously have some hope or I wouldn’t spend the money or take the time to fly down."

Is the process binding?

"It’s binding if we agree on an arrangement we can both sign off on. I don’t know what that would look like. It won’t involve any money damages, because there is no money. That was a condition of our agreement to participate.

At the booth, Fantagraphics was distributing postcards urging interested parties to view the court documents at http://www.fantagraphics.com/support-html.

Groth was in New York promoting a wide variety of Fantagraphics projects, including the Pogo series we mentioned previously and their boxed-set tribute to Bill Mauldin’s classic World War II feature, Willie and Joe. The latter is scheduled for February.

Jack Kirby gets his due

61tigqfq5ol-_ss500_-4905996Few people had the privilege of knowing comics legend Jack Kirby the way Mark Evanier did. Therefore, it is only fitting that Mark was the man selected to pen Jack’s definitive biography.

stuntman1-3577896Kirby: King of Comics will be released this October in a 224 page hardcover edition, complete with a pull-out poster designed by Alex Ross, at a price a lot lower than that of any of Kirby’s Masterworks or Archives editions, a mere $40.00 retail. Normally, I’d be writing up the bit about who Jack Kirby was in case you don’t know the way I was taught in journalism school, but I can’t imagine anybody reading something called ComicMix who isn’t familiar with The King of Comics. But in case you want to brush up, Mark did an excellent job on his own website.

Tons of art and inside information and produced with the full cooperation of the Kirby estate, Mark Evanier’s Kirby: King of Comics is going to be an early Christmas for comic fans old and young.

Artwork copyright by their respective holders.

Big Two Head Honchos Together

Snapped this photo yesterday afternoon:

olympus-digital-camera-18

Some interesting faces there, including Tom Brevoort, Mike Carlin, Peter David, Ivan Cohen, Steve Wacker and… wait a second…

olympus-digital-camera-19Why, it’s DC Comics President+Publisher Paul Levitz and Marvel’s EIC Joe Quesada, mere feet away from each other. And they say the recent meetings involving Steve Jobs and Bill Gates are historic! (Yes, DC’s EIC Dan DiDio was there as well, and wound up sitting in the row in front of Quesada, but you’ll have to take my word for that as I don’t have a photo.) What could bring all these comics luminaries together? We’ll have the full report later today.

Anaheim, Kookamonga, and… Allentown!

wackyland-8462856If you’re going to be in or near Allentown Pennsylvania between June 24 and September 16 of this year, you might want to drop by the Allentown Art Museum to enjoy their massive Art of Warner Bros. Cartoons exhibition.

A greatly expanded version of the exhibit that played New York’s prestigious – and extremely expensive – Museum of Modern Art back in the mid-80s, the program consists of over 160 drawings, paintings, cels and sundry objects used by directors Chuck Jones, Tex Avery, Friz Freleng, Bob Clampett and others in the creation of the famous Bugs Bunny, Daffy Duck, and Porky Pig cartoons from the classic period of the 1930s through 1960. Dozens of Looney Tunes and Merrie Melodies will be shown in their entirety as part of the exhibition.

Artwork from Bob Clampett’s Porky in Wackyland copyright Warner Bros. All Rights Reserved.

More on Persepolis’ prize

cannes-thumb-9126334As reported earlier, the Cannes Film Festival awarded the animated film Persepolis (adapted from Marjane Satrapi’s graphic novel of the same name) the Jury Prize, which it shares with Silent Light by Carlos Reygadas.  Here’s a nice photo of all three winners (including Satrapi’s co-director Vincent Paronnaud).

If you’re not Persepolis‘ed out after ComicMix running the trailer twice, here’s a nice interview with Satrapi from the International Herald Tribune.