ComicMix columns declare independence
Between the final episode of this season’s Dr. Who airing on the Beeb last night, and this afternoon’s "live" (read: an hour delayed) VH1 running of the Concert for Diana (sure, I could have seen the actual live stream online, but then I wouldn’t be able to do anything else with my computer), it seems this weekend as though England must have won that war a couple hundred years ago, at least the cultural end of it. Nonetheless, our ComicMix columnists have been doing our all-American best to keep you entertained this past week, and here’s your weekly wrap-up of our latest:
- Mike Gold – Whizzy’s Wazoo #20: Perception
- Dennis O’Neil – The Four-Color Answer? #20: Continued stories continued some more…
- Me – It’s All Good #19: Jesus in the clouds
- John Ostrander – Off in the O-Zone #20: My Karma Ran Over My Dogma
- Michael Davis – Straight, No Chaser #20: Not What You Think
- Martha Thomases – Brilliant Disguise #11: Gotta Serve Somebody
- Michael A. Price – Forgotten Horrors #11: Cartooning Trumps Polite Portraiture
- Ric Meyers – DVD Extra #7: Fantastic Fantastic Clock
Did you catch Mellifluous Mike Raub‘s "Words and Pictures" below? If you want to relisten to the Big ComicMix Broadcasts to which he’s referring, here they are again:
Lastly, we extend a laurel and hardy handshake welcoming Andrew Wheeler to our happy little gang!

Here’s a new picture of Harrison Ford and his on-screen son Shia Labeouf from next May’s unnamed fourth installment of the Indiana Jones franchise (working title: Indiana Jones and the City of the Gods). From the looks of it, the story seems to take place in the late 50s/early 60s and gives us an old and very gray Dr. Henry Jones Jr.
Jane Jewell, Executive Director of the Science Fiction and Fantasy Writers of America, 
IÂ’m spoiled already. Seven weeks into this column, and I yawn when I see a DVD with Âonly one audio commentary. It wasn’Ât even seven weeks when I succumbed to the ÂCriticÂs Disease, judging each new entertainment against the one I had seen the day, week, month, or year before.
So now I feel I could have been a bit more adamant about the editionÂs charms, especially with this siteÂs readers. Maybe I should have mentioned that the extras come in two categories: the film, and the comic book. And it is in this latter category where the glory of this version truly lies. There are new, lovingly created docs Âeach more than an hour long  on the history of the comic from the 1960Âs until today, and on co-creator/artist supreme Jack Kirby.
I thought it would be pretty darn polite if we created a weekly spot here at ComicMix where we could post the links and contacts for some of the things we cover during the week in our trice-weekly Big ComicMix Broadcasts. Let’s jump right on what went down over the last few days:
America’s First Super Patriot. You can see more & even order issues
It was great taking with all three creative partners in 12 Gauge Comics’ Occult Crimes Task Force. The Trade pb of the first series is out in stores now, but you can see a lot more on the 12 Gauge Website
My home-base city of Fort Worth, Texas, has since the 1950s, complicated its countrified essence with a set of class-and-culture bearings that range from the Van Cliburn International Piano Competition – America’s “So, there!” riposte to Khruschev and/or Tchaikowsky, dating from a peak-period of the Cold War – to four heavy-duty art museums of international appeal and influence. The local-boosterism flacks crow about “Cowboys ’n’ Culture!” at every opportunity, with or without provocation. But apart from the self-evident truths that Old Money (oil ’n’ cattle) fuels the high-cultural impulse and that the cow-honker sector finds chronic solace in the Amon Carter and Sid Richardson museums’ arrays of works by Frederic Remington and Charles M. Russell, these communities seldom cross paths with one another.
