Monthly Archive: August 2007

Getting wind of what’s been happening

Once again we’re away from Second City comic book happenings here in the First City, but at least we can all share Chicago nickname puns as well as the Perseid meteor showers this evening from pretty much wherever we live.  That, and the ComicMix columns from this past week:

As you might expect, Mellifluous Mike Raub is in attendance at WizWorld Chicago, meaning more Big ComicMix Broadcasts than usual:

The interesting thing about many vacations is how much you want to do at the beginning and how little you’ve done at the end.  Mine has gone according to plan in terms of reading (see my column linked above) but not writing.  Ah well, maybe next time…

MICHAEL H. PRICE: Can’t Get Enough of B.T.K.

price-brown-100-7714236You just can’t live in Texas if you don’t have a lot of soul, as Doug Sahm would have it. No, and you can’t live in Arizona if you don’t have a sense of Yuma.

But we were talking about Texas, where you also just can’t live without an immersion in the lore of Billy the Kid. Folklore and pop-fiction, that is, as opposed to factual knowledge or even perceived truth. By the time of the post-middle 20th century, such mis-familiarity had so thoroughly outstripped the facts in the case of this most notorious badman that most of the B.T.K. legendry bombarding the youth of America – and not merely the Texas / New Mexico Plains region – came not from Texas, but rather from Texas as filtered through the movies and the comic books.

billy-the-kid-toby-1950-1-2-4677122For years on end, my most vivid images of Billy the Kid came from Toby Press’ Billy the Kid Adventure Magazine (29 issues, spanning 1950 – 1955 and boasting efforts by the likes of Al Williamson, Frank Frazetta, and Harvey Kurtzman) and from the after-school telecasts of an extensive run of low-budget movies starring, by turns, Bob Steele and Buster Crabbe. At a turning-point for such awareness, while visiting Northwest Texas’ Panhandle–Plains Historical Museum with the folks, I noticed a display containing this document:

Tascosa Texas

Thursday Oct 26th

1878

Know all persons by these presents that I do hereby sell and diliver [sic] to Henry F. Hoyt one Sorrel Horse Branded BB on left hip and other indistinct Branded on Shoulders, for the Sum of Seventy five $ dollars, in hand received.

[Signed] W.H. Bonney

Witness

Jos. E. Masters

Geo. J. Howard

“You know who wrote that, don’t you?” asked my Dad. “Your teevee-cowboy hero, Billy the Kid – that’s who. Billy Bonney.

“Except he wasn’t any teevee hero,” Dad continued. “More of a juvenile-delinquent punk, if you ask me.”

“They had juvenile delinquents in 1878?” I asked in reply, missing the point altogether. I was sufficiently flabbergasted by the revelation that Billy the Kid had been a Real Guy – or that the movies and the comic-book series (both loosely conceived and dense with internal contradictions) could claim a basis in fact – to find myself at a loss for words as to this larger issue.

The right words would occur to me later. My father had heard at first hand some harsh accounts of Billy’s dealings, via a Depression-era acquaintance with Elizabeth “Frenchy” McCormick (ca. 1852–1941), last survivor of the long-abandoned frontier settlement known as Tascosa. So Dad and I had plenty to discuss – my Hollywood-and-funnybooks perception, vs. Dad’s owlhoot-punk opinions. (more…)

WW-CHICAGO: Big ComicMix Broadcast for Day 2

magellan-3887627Day Two at Wizard World has presented us with a lot of cool stuff to bring you on the Big ComicMix Broadcast— starting with an adorable lady who is putting her heart and soul into her love of comics and producing her own work completely on her own. Then Battlestar: Galactica‘s Richard Hatch unveils his newest passion project, The Great War of Magellan , and we give you a chance to work with him on the development of the concept!  Then there’s a tip on how you can be your own comic book star – and a trip back to when there was a group on the charts whose front man was doing the pirate things a long time before Johnny Depp!

Ready to work with Richard? Then PRESS THE BUTTON!

 

 

GRAPHIC NOVEL REVIEW: Laika

laika-9571086

This graphic novel is pretty good just on its own terms, but it’s an excellent object lesson. If you know of anyone who thinks that comics are essentially limited in scope to brightly-clad folks punching each other with great vigor, this will help to expand their horizons. It’s the story of Laika, a Russian dog who was the first living creature from Earth deliberately sent outside the Earth’s atmosphere. It’s an impressively-researched story braiding a fictional back-story for Laika (and several other characters I believe are also fictionalized) with the story of the “Chief Designer” of the early Russian space program, Sergei Korolev. And all that is told in comics, and, I suspect, primarily aimed at the grade 6-12 audience.

I’m not familiar with Adadzis’s work, but the note on him in [[[Laika]]] calls him an editorial consultant who “creates words and pictures for a living and loves both equally.” According to his website, muck of his work has been for children, especially recently, though he did something called Millennium Fever (with Duncan Fegredo) for Vertigo in 1995 and [[[Children of the Voyager]]] (with Paul Johnson) for Marvel in 1993.

Laika is a dense book; we start off with a flashback to Korolev’s release from the gulag in 1939, stop briefly at the first successful Sputnik launch in 1957, and then dive back into a long account of the life of a dog. (Who, as we all can guess, eventually becomes Laika.) This graphic novel is about two hundred pages long, and each page has about ten small panels, in shifting grids with occasional snippets of white space. And there’s quite a lot of dialogue along the way, in what I’m tempted to call the Russian manner. It’s not a quick read by any means, and the panels can get quite cramped at times. It’s never difficult to read, but there is an awful lot here. Those who judge books by how much time they take to read should enjoy Laika.

(more…)

MARTHA THOMASES: Hot Fun in the Summertime

Summertime, and the livin’ is easy.  Fish are jumpin, and the cotton is high.  Or so I’m told.  Living in a major metropolitan area in the twenty-first century, I have to take such things on faith.

This summer, the fun times for someone like me are largely political.  The presidential election is over a year away.  The first primaries are six months away.  Nothing is going to be decided any time soon, so I can pretend it will all turn out for the best. 

I spent the summer I was 15 going “clean for Gene,” campaigning for Eugene McCarthy, who was running against Lyndon Johnson for the Democratic nomination on an anti-war platform.  Four years later, I ran as an alternate delegate for George McGovern. Four years ago, I nearly got arrested outside the Republican convention up the street from here.  Presidential campaigns are fun!

Which is not to say they couldn’t be much more fun.  The problem is that presidential candidates tend to be politicians.  They spend all their time hustling campaign funds, writing policy, and meeting the public.  They go on the Sunday morning news shows and show how serious they are.  They go on Oprah or The Daily Show with Jon Stewart to show they’re regular folks who can take a joke.

They don’t save the world from alien invasions.  They don’t even fight crime.

Presidential campaigns would be a lot more fun if, instead of Republicans versus Democrats, it was Marvel versus DC.   For example debates between:

 

Captain America and Superman on immigration reform.

Luke Cage and John (Green Lantern) Stewart on affirmative action.

Thor and Wonder Woman about the separation of Church and State.

Tony Stark and Bruce Wayne on the inheritance tax.

Storm and Aquaman on global warming.

The Punisher and Batman on prison reform.

Professor X and Green Arrow on family values.

The Avengers and the Justice League on national security.

(more…)

WW-CHICAGO: Three to the fourth power!

stampsmarvel250-4325020Today the Big ComicMix Broadcast is at Wizard World Chicago, where the US Post Office kicked off the way by unveiling the Marvel Stamp Collection, plus the debut of the Ultimate Spider-Man Project from the Hero Initiative which was unleashed here as well. DC dropped a few news bombs which we cover and then there’s a new Venom series to talk about from Marvel and so much more.

PRESS THE BUTTON now so we can dish!

 

 

WW-CHICAGO: Paul Jenkins, pool shark

pauljenkinspool-9217772My mama told me never to play pool against someone who brings his own cue. I shudder to think what she’d say about someone who brought his own pool table.

Paul Jenkins (The Sentry, Wolverine, The Darkness) is shooting pool at the Hero Initiative booth (#140) at $30 a game, 8-ball or 9-ball. If you win, you get prizes. That’s if you win. So far, I haven’t seen anybody do that. I suppose it’s possible, I mean, he has missed shots, and I wasn’t there all day, and they do have prizes there, just in case, but…

Well, it’s for a good cause. So if you lose, you can say that you planned to lose, to maximize your donation.

Yeah, right.

WW-CHICAGO: The Big Wiener

Perhaps the coolest event in Chicago at the start of this year’s Wizard World involved costumed characters and big cars, but it wasn’t at the convention center. It was downtown, right in front of the offices of the Chicago Tribune.

Yes, Li’l Oscar got a ticket.

lil-oscar-ticketed-6360817

Illegal parking. $50.00 fine. Damn, how many quarters would it take to feed the meters?

Matt Smith of Chicago’s Streets and Sanitation Department told the Tribune they could have towed the big weiner.  "We have access to tow trucks that could have handled a Polish sausage, not just a hot dog." Ah, but would they tow an Italian Beef sandwich?

Thanks to the Tribune’s Charlie Meyerson for the lead, and thanks to Jamie Brockett for the joke. Photograph copyright 2007 Chicago Tribune, All Rights Reserved. With mustard and onions. The author is about to jump on an airplane and fly to Chicago for one of those fantastic Italian Beef sandwichs, and, oh, some sort of convention.

 

Green Arrow Meets Voltron?

voltron13-3092458Ha! Make you look!

Mark Gordon, the man who’s making the Green Arrow and Masters of the Universe movies, is also hard at work bringing Voltron to the big screen. Gordon’s the exec behind such stuff as Grey’s Anatomy, Saving Private Ryan, and The League of Extraordinary Gentlemen.  Fox’s New Regency hopes to squeeze a new franchise out of the deal. Justin Marks (Fast Forward, The Unbroken) is writing.

Hmmmm. Do you think Transformers‘ success had anything to do with it? Two more Transformers movies are in the works.

D2DVD REVIEW: The Film Crew

 

51yyhys0wyl-_aa240_-9001373Okay, I admit it. I’m still a fan of [[[Mystery Science Theater 3000]]], the long-running teevee series that featured four robots and a loser riffing on a couple hundred B-flicks… if you’re feeling particularly generous about that “B” part. Michael J. Nelson, Bill Corbett and Kevin Murphy were among the show’s writers and producers. They were also performers – Corbett with the eighth season, Murphy with second season. Nelson, who was head writer from the start, played odd parts for the first four seasons and took over the lead when creator Joel Hodgson left the show at the beginning of season five. The show ran from 1988 through 1999 and begat a feature film.

And I miss it a lot. Particularly after a presidential press conference.

So it was with missed emotions that I popped the first D2DVD by The Film Crew, [[[Hollywood After Dark]]], into my machine. This can’t possibly be as cool as Mystery Science Theater 3000, I thought. And I was only barely right. Nelson, Corbett and Murphy did what they do best: use a contrived reason to sit in a darkened theater and make jokes about a really horrible movie… but without the trademarked silhouette.

If the phrase “sexy Rue McClanahan” sounds like an oxymoron, Hollywood After Dark certainly provides the proof. It is perfectly horrible; it was made for Nelson, Corbett and Murphy to eviscerate. They were fully up to the task, and since the three were also the voices of the featured riffers in MST3K’s last three seasons, if you close your eyes it seems a lot like the original. They only have about half the number of writers, so the material isn’t quite as sharp.

The presentation was bisected by one studio bit, and here’s where I’m having a hard time shaking off MST3K. The ‘Bots had wonderfully wacky and occasionally evil personalities; the Film Crew enjoys its work and is perfectly fine with their environs. No tension, at least not in this first offering.

Shout! will be releasing three more Film Crew D2DVDs this year, and I suspect they’re already looking at their orders and deciding if there will be more. I have great confidence in the Film Crew, and Hollywood After Dark was a good if not great first offering. They will settle comfortably in their new roles.

I recommend this to my fellow MSTies. Yeah, there’s no ‘Bots. Deal with it.