Monthly Archive: September 2007

Baltimore comes to the big screen?

baltimorec-7828458Variety reports that New Regency has acquired the film rights to the illustrated novel Baltimore, or, The Steadfast Tin Soldier and the Vampire, drawn by Mike Mignola and written by Christopher Golden.

David Goyer, himself no stranger to the world of graphic storytelling, is slated to direct, and Golden and Mignola will be writing the screenplay.

The graphic novel published by Bantam "tells the story of the awakening of supreme evil on Earth. Lord Henry Baltimore is bitten by a demonic vampire bat on a WWI battlefield. The plague destroys his family, and Baltimore creates a team to hunt and fight the Red King, the embodiment of all evil."

Great to see that movies based on comic book properties are continuing to get greenlit, especially those properties not necessarily oriented towards tights and flights.

Fishhead, Fishhead

fishhead-cover-test-front-6574714Terrors lurk in the American South and they burst through the screen in Fishhead, the new graphic series from artist Mark Evan Walker, writer Michael H. Price and Larry Shell, appearing on ComicMix.com every week starting Monday, October 8th.

Like a combination of All the Kings Men and Saw, Fishhead is adapted from the early work of classic early 20th century horror writer Irwin S. Cobb.  This is the story of a man born with a surprising resemblance to a catfish, and living in the Big Splayfoot Swamp during the Great Depression.  With his freakish appearance, he is the subject of much speculation.  Men fear him and fish seem defend him.  And, one day, he is picked up by a traveling circus and taken for display to the rest of the world. 

Michael H. Price is best known amongst the Gothic-terrors enthusiasts for his Forgotten Horrors series of movie-genre encyclopedias and, with frequent collaborator John Wooley, a chronic-to-acute Forgotten Horrors column in Fangoria magazine. Price’s outcroppings on the comics scene have included The Prowler and Spider series of the 1980s and ’90s, with Timothy Truman’s 4Winds Studios; the Carnival of Souls graphic novel (Midnight Marquee Press; 2006); and appearances in such anthology titles as Heavy Metal and The Big Book of Unexplained Phenomena. A long-running collaborative relationship with Robert Crumb has yielded several stage-play versions of R. Crumb Comix (1985–2006) and two original-cast record albums.   Price is Associate Editor of The Business Press, a board-room journal, founding President of the Fort Worth Film Festival, Inc., L.L.C., and a noted Texas musician.  His latest album is Waiting for Slusgot.  Michael also writes a weekly column for ComicMix.

Postmodern pulp-fiction artist Mark Evan Walker works as a commercial illustrator in the magazine, newspaper, and advertising fields; and as a theatrical set designer, muralist, editorial cartoonist, and storytelling author. A steady contributor to Ellery Queen’s Mystery Magazine, Walker has illustrated more than seventy-five pulp-thriller stories. In the theatrical realm, he has designed and painted more than 400 stage productions and serves as a stage-setting mentor to some of the Southwest’s more prestigious college-preparatory schools. He and Mike Price have recently completed a short-story collection called What You See May Shock You, being prepped at Midnight Marquee Press of Baltimore. Walker and Price first worked together during 1998–99 on the Southern-Fried Homicide series of crime-and-horror comics from Cremo Studios and Larry Shell’s Shel-Tone Publications.

In Fishhhead, Price and Walker combine issues of race, class and economics with zombies and circus freaks. Kidnappings and crime involve slapstick humor, homicidal apes, moonshine and ancient, unspeakable curses, for a series that will have readers laughing through their goosebumps.

Here’s what they have to say about their latest graphic novel project.

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Costume contest in time for Halloween

fightsfightstights2_promo-9222637The thing about superhero costumes is, you can get away with a lot of cheating.  Costumes appear to stay attached by magic (particularly to areas featuring naughty bits), usually contain no wrinkles or folds, pretty much be painted on what would otherwise be nude bodies, because the characters wearing them aren’t real people who actually move and have bodies which feature internal organs and such.

It’s much trickier designing a streamlined, stylish superhero outfit to be worn by a living, breathing human being in motion.

But the folks at the superhero fashion site Project Rooftop have announced their second annual costume contest, entitled Fights, Flights and Tights.  All you have to do, say editors Dean Trippe and Chris Arrant, "is wow us with a cool, original costume that redesigns a classic superhero or villain. Take some photos and send them to us along with your name, age, and website (if any) by October 21st, 2007."  Winning entries will, as always, be featured on the site, with the grand priize being an original sketch of the winning design drawn by Trippe.

Presumably, Trippe and Arrant are counting on entrants not violating the spirit of the contest via photo manipulation programs.

Stumptown here we come!

stumptown-7756048This is the weekend!  The fourth annual Stumptown Comics Fest will be held tomorrow and Sunday at the Lloyd Center Doubletree Hotel in absolutely gorgeous Portland, Oregon!  Portland is a virtual hotbed of cartooning creativity, and the convention attracts lots of out-of-town luminaries as well, most of whom will receive spotlights during the show’s events.  This also marks the first year Stumptown will be holding an awards ceremony, which will recognize achievements in art, writing, design, DIY, small press and debut work.  It looks to be very much the Northwest’s version of SPX or MoCCA or APE, some great workshops and even parties lined up.  We’re totally jealous of you folks in Portland!

 

MICHAEL DAVIS: All My Children…Suck

allmychildrenpic-1497654I know, I know, no fanboy out there in the land of Heroes, Star Wars, Star Trek and the like even watches soaps on daytime television.

Sure you don’t.

Well I do and I have done so for over 20 years. That among other reasons is why I, fanboy, have a lovely Asian goddess in my life while you identify at 30 with the kids from Superbad.

So make fun of me all you want, I don’t have to visit the “Love You Long Time” website to get my kicks. Part of that is because I watch soaps and I am sensitive.

Yes, sensitive.

I know that mostly women watch soaps but I have learned a great deal about women from watching soaps. What have I learned? Well that’s another column which I’m writing (called The Fanboy Guide To Girls) but I will give you one example of what I have learned about women from watching soaps. If you are on the phone they will pick up the extension and listen…guaranteed.

The one and only soap I watch is All My Children. I LOVE THAT SHOW!

Or I did…

What follows is an open letter to the head of ABC Daytime or the Executive Producer of All My Children who ever is responsible for turning the best show on TV into the reason I am thinking about joining a cult. For all you readers who don’t watch the show (sure you don’t) I will try and explain some of the goings on by way of AMC facts*

Dear Sir/Madam or Satan,

I am a black man born and raised in the mean streets and housing projects of New York City. I have seen people shot, been shot at, been beat up, robbed etc. In fact just about any thing your writers can come up with on the show that happened to Jessie (You remember Jessie don’t you? No? Well Jessie was that black street kid that Jackson Montgomery adopted who simply disappeared from the show.) Well, I’m the real life Jessie.

I have been watching All My Children for over 20 years. I have been a fan for that long. I own All My Children trading cards, Erica Kane Barbie dolls, and hard cover books on the series. Let me tell you something, when you are a 6’2” black man with a Erica Kane Barbie on your mantel, that’s a fan. No matter what happened to me during my day on the street I could always look forward to coming home grabbing a Cherry Coke and losing myself in the lives and loves of the citizens of Pine Valley.

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BIG BROADCAST: John Ostrander Goes To The Bar!

insomniac_p1_jpeg-2458027There is no better way to end a week than a little trip to the local bar – and in comics the bar "local" to EVERYwhere happens to be Munden‘s!  For about 70 issues of GrimJack, Munden’s Bar was a fan favorite and now its coming back – and FREE – to ComicMix on Friday, October 5th. The Big ComicMix Broadcast sneaks you in the back door for a peek at the bar’s Grand Reopening as we talk with writer/co-creator John Ostrander and ComicMix rabble-rouser and editor-in-chief Mike Gold, plus offers a wake-up call for 24 Hour Comic Day, tells you how Nancy Drew (!) solves the DS (?), what Paul Dini’s up to, where Death Note is going, and how Daredevil sells out!

Pour us a cold one and PRESS THE BUTTON!

Trick ‘R Treat, DC/Wildstorm!

8216_400x600-1-9230136Yesterday, retailers received the following e-mail from Diamond, DC Comics’ exclusive distributors to comic shops:

TRICK ‘R TREAT MINISERIES TO BE RESOLICITED AT A LATER DATE

TRICK ‘R TREAT, the four-issue weekly shipping mini-series from WildStorm, has been postponed and will be resolicited at a later date.  All orders placed under the item codes AUG070318, AUG070319, AUG070320 and AUG070321 are cancelled.

This begs the question: are they going to change all the evil pumpkins into happy Santas? I can see it now:

DARK RUDOLPH!

WON’T YOU PULL SOME SLAY TONIGHT??

It also makes me wonder what I’m going to give the little kiddies this Halloween. Their parents won’t accept apples…

Geneon Go Bye-Bye

139_geneonbiglogo-6340315According to our friends at ICv2, Geneon Entertainment has cancelled all of their anime releases scheduled to ship after November 6th, citing high costs, declining sales, continued illegal downloading and the collapse of its sales and marketing agreement with ADV. This leaves continuing series such as Hellsing Ultimate, Karin, Kyo Kara Maoh, Shonen Onmyoji, Black Lagoon Second Barrage, Law of Ueki, Story of Saiunkoku, When They Cry, and Rozen Maiden Traumend twisting in the wind.

Geneon was the third-largest anime distributor player in the States, after FUNimation and ADV.

Halo everybody, Halo

A videogame has set the all-time record for most revenue earned in a single day by any entertainment property.  Any property.  Ever.

halo-3-4988771

That game, for anyone hiding under a rock, is Halo 3 by Bungie, a subsidiary of Microsoft.  Who knew there were so many Xboxes out there?

CNet notes that the game "netted $170 million in sales in the U.S. in its first day. If true, that would top previous records set by the motion pictures Spider Man 3 and Harry Potter and the Deathly Hallows."  Although you really have to divide the $170 million by $60 per, rather than by the cost of a movie ticket which, I’m informed, is considerably less.

Also, over a million players have logged on to Xbox Live to play the multiplayer version,  Your news editor is not one of them.

JOHN OSTRANDER: Devil’s Advocate – Iraq

john-ostrander100-2474439I’ve got something nibbling at my mind and perhaps the only way for me to sort it out is to put it into words. It has to do with our adventure in nation-building, a.k.a. the Iraq debacle.

I’ll start by saying that I was for the invasion of Afghanistan. Then and now, it seemed to me the necessary response to 9/11. Al Quaeda appeared responsible; they had their camps in Afghanistan with the full knowledge and support of the Afghan government, the Taliban. You get hit, you hit back at the ones who hit you. Hard. As Al Capone said, “That’s the Chicago way.”

On the other hand, I was not for the invasion of Iraq from the beginning and I said so. I didn’t buy the “imminent danger” from the “weapons of mass destruction,” especially since there were UN weapons inspection teams on the ground inside the country. The fact that the Bush Administration was so stridently insistent made me ask “What else is going on here?” At first I thought it was about the oil (and now Alan Greenspan says it was); I came to believe that it was a NeoCon vision of transforming the MidEast by creating a functioning democracy in the middle of it. Now I think it’s about the oil, about the NeoCon vision, and certain select Bush-friendly companies making a bucket of money there.

I believe that the NeoCons thought that the Iraqis in exile would just step in, set up a new government, we would be hailed as liberators, and it would all be done in six months. I believe it was on the agenda to do before 9/11 happened; that tragedy just enabled the Bushies to push the plan through without thinking it through. The only plan the current administration seems to have for dealing with the mess is to leave it for the next administration to clean up. Instead of nation building, we seem to have created a geographical area of chaos. It’s a constant drain on both our military and our national finances; Iraq seems like an open wound.

My disgust with all of this is long standing. We had no business going into Iraq in the first place. The WMDs were a lie and the Administration knew it or, at very least, should have known it. The Dems were elected to Congress on the promise to end the war and the low low low approval rating of Congress at the moment stems on their failure to even staunch the flow. Since I didn’t believe we should be there in the first place, it stands to reason that I think we should get out at first opportunity.

BUT. . .

Colin Powell is purported to have said to Bush about Iraq before the invasion that “If you break it, you’ve bought it.” And there’s my problem. I think there’s truth to that. Before we invaded, Iraq was a functioning country: it had electricity, people had jobs. Yes, it also had a murderous dictator in charge; lots of places around the globe do and we don’t seem to have bothered ourselves about them.

So now what have we got? Sect fights sect and sects fight internally and they all hate us. It’s chaos and we brought it. We, the People. This country. You, an individual, may have, like me, been against the whole misbegotten enterprise from the start but I’m talking about the collective We. The We that elected not only the President but the members of Congress that sustained him, as well as the Democratic Party that has no spine.

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