Monthly Archive: September 2007

Living on EZ Street

colorpage-10-3-7188095Wednesdays at ComicMix will mean EZ Street, the new graphic story from writer Robert Tinnell and artist (and co-writer_ Mark Wheatley. It’s the story of brothers Scott and Todd Fletcher. They have a dream – they want to tell stories. Fabulous stories about heroes and adventure. They decide to create a comic book because, as young boys growing up on Ezelle Street in Pittsburgh, it’s what they can do. Scott, 14, writes the script and Todd, 12, draws the pictures about an amazing superhero, Lone Justice.

Fast-forward twenty odd years, and the brothers, older and more practical, have jobs. Todd is a graphic designer, and Scott tries to make movies in Hollywood. They want more from their lives. They resurrect their character and find that, by combining the imagination of youth with the skills earned by maturity, they can create magic.

A story about the love of stories, about ambition and dreams and fantasy, EZ Street is an involving look at the creative process, the dynamic of families, the true meaning of friendship and the quest for a really good comic.

Mark Wheatley is an award-winning creator of radically different comic books. Noted for comics with heart and integrity, he’s won the Inkpot, Mucker, Gem and Speakeasy awards and his projects have been nominated for the Harvey award and the Ignatz award. His work has been repeatedly included in the annual Spectrum selection of fantastic art and has appeared in private gallery shows. You can also find some of his original work in the permanent collection of Library of Congress.

His comic book creations include Mars, Breathtaker, Black Hood, Prince Nightmare, Hammer of the Gods, Blood of the Innocent, Radical Dreamer, Frankenstein Mobster, Miles the Monster and Titanic Tales. He’s also worked with established characters such as Tarzan the Warrior, The Adventures of Baron Munchausen, Argus, The Spider, and Jonny Quest; Dr. Strange for Marvel, and The Flash for DC.

Mark established the highly respected Insight Studios in 1978 as a home base for a team of talented comic creators. Insight Studios is the subject of an "insightful" coffee table style art book; IS ART: the Art of Insight Studios. In 2006 Mark was a guest lecturer on Storytelling in the Arts at the Library of Congress.

West Virginia-born Robert Tinnell has worked in the film industry for twenty years as a writer, producer, and director. Starting as a production assistant for legendary filmmaker George Romero, Tinnell used his on-set experience to gain valuable insight into the world of feature filmmaking. Starting at the age of twenty-three, he produced several independent films including South of Reno and the iconic Surf Nazis Must Die. In 1995, Tinnell traveled to Canada where he wrote and directed the ACE-nominated film Kids of the Round Table. A Disney Channel-favorite, Kids led Robert on a six-year-run with Melenny Productions. Over this period Tinnell directed Frankenstein and Me with Burt Reynolds and Louise Fletcher, Airspeed with Joe Mantegna, and Believe starring Ben Gazzara and Elisha Cuthbert)for Lions Gate.

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ANDREW’S LINKS: Pipsqueak Wolverine

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Comics Links

Scripps News talked to Mike Carey about his “real” novels, like The Devil You Know, and his graphic novels, like Re-Gifters.

Comic Book Resources interviews Amy Kim Ganter, who creates American Manga.

ICv2 interviews Marvel publisher Dan Buckley.

The Daily Cross Hatch interviews Paul Karasik, who edited the Fletcher Hanks collection I Shall Destroy All the Civilized Planets, among other things.

Comicon interviews Alex Robinson.

Comics Reviews

Bookgasm reviews the collection of the Alan Moore-plotted, old-British-character-filled Albion miniseries.

Augie De Bliecks, Jr.’s Pipeline column at Comic Book Resources looks at the new Marvel Comics Presents #1, the JLA Wedding Special, and other things.

Comics Reporter digs up Lynn Johnston’s 1992 “For Better or For Worse” collection Things Are Looking Up…

Brad Curran of Comics Should Be Good adores Scott Pilgrim.

From The Savage Critics:

Graeme McMillan cocks a snoot at Booster Gold #2 and other fine comics

and also looks at the first issue of the new Suicide Squad series.

Newsarama presents the usual picks of the week. (more…)

Stitching Daleks

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Do you want to show the world how much Doctor Who has inspired you? Do you need reminders of your favorite show on your mantelpiece? 

This is your lucky day.  The fine folks at Entropy House have a knitting pattern for Daleks.  If you follow their instructions, you’ll be the proud owner of one of these things, pictured at right.

These are made with wool and wool blend yarn.  Personally, I think they’d be especially wonderful in cashmere.

(Martha Thomases is ComicMix‘s Special Knitting Correspondent)

ELAYNE RIGGS: Behind Closed Doors

elayne100-9947208A few months ago, Google’s map section came out with a new feature called Street View, which had a number of people up in arms. "They’re spying on us!" came the cry. "It’s creepy and inappropriate! Our privacy is being violated by having cameras in public streets capturing possibly embarrassing moments for posterity!"

I’d lay odds that many of these advocates are the same people upset about the restrictions on their rights to, say, film or photograph things on public property in some cities. It reminds me of a line Peter Stone wrote for Ben Franklin in 1776: "…rebellion is always legal in the first person — such as ‘our’ rebellion. It is only in the third person — ‘their’ rebellion — that it is illegal." Google Street Views is "their" invasion, filming in NYC is "our" right.

But what can you expect? We live in a society that increasingly blurs the dividing line between the public and the private. My Mom uses a phrase to describe the kinds of romance novel plots she likes to read: "the ones that stop at the bedroom door." I feel the same way about most entertainment I prefer, as well as about most of real life. I’m not one of those people who believes that public displays of affection are somehow ickier if they’re between members of the same sex; I’m one of those people who believes that most overt public displays of affection are equally icky and belong behind a closed bedroom door.

Of course, I’m clearly in the minority here. I recognize that we’re a culture obsessed with having it both ways. We raise up a storm of protest at violations of our privacy by others, especially government authorities — "keep your laws off my body!" — and at the same time reserve the right to self-violate. (more…)

Marvel costume contest

asm262-200-4469756This could be fun: Marvel wants to see you in your costume and they’re handing out prizes to the best-dressed Marvel fans.  All you have to do is head over to www.marvel.com/costumecontest right now to enter Marvel’s First Annual Costume Contest!

 

The deadline for submissions is October 22.  Then, from October 23 through October 29, fans will be able to vote on Marvel.com for their favorite entry. Then, before you go trick-or-treating, check Marvel.com on Halloween day to see if you’re one of the winners of Marvel’s First Annual Costume Contest and Marvel Costume Contest Voter Sweepstakes

 

The Grand Prize Winner will receive a personalized ‘handbook style’ page to appear in a Marvel comic book and be spotlighted in a feature article on Marvel.com along with a signed Captain America Omnibus by Ed Brubaker; plus, one randomly selected voter will win a signed Captain America Omnibus by Ed Brubaker for helping judge the competition.

Now if they’re really serious, they’ll make a cover out of the costume.

Speed Racer’s Return to Comics

pzsispr0001-8143206The deals are taking their positions by the pole, ready to make “Go, Speed Racer, go,” next year’s biggest catch phrase.  Just announced by Speed Racer Enterprises are a series of new licensing deals; the most interesting (to you readers) is IDW landing comic book rights.

In addition to all new comics, they have the rights to collect previous incarnations of the anime series, one of the earliest to be imported from Japan.  There have been eleven different comic series from publishers including Now, Malibu, and DC Comics with the earliest dating back to 1990.

IDW expects to have their first releases out in the first quarter of 2008 to catch the anticipation of the new feature length film from the Wachowskis, due May 9.  Speed racer joins IDW’s growing line of licensed books which already includes Angel, Star Trek, and Transformers.

A new animated series, entitled Speed Racer: The Next Generation, will also debut with twenty-six episodes on Nicktoons.  LionsGate has already announced the first DVD collection of this series will also be available in 2008. The original fifty-two episodes are already available in a multi-volume DVD set.

BIG BROADCAST: Ant-Man + Raid = ???

antman-2814420One before the Big Anniversary Big ComicMix Broadcast – we dive into the BIGGEST pile of new comics & DVDs to be offered in a long time, so you better get a paper route, pal! You will need the cash! Plus good news for Fraggles, bad news for AntMan and a tease about 100 pages of Black Canary and Zatanna in one comic.  And do you remember the time Evil Alice went soft – we do!

Stop thinking about all those fishnets & PRESS THE BUTTON!

GRAPHIC NOVEL REVIEW: Shock! Horror!

Halloween decorations are beginning to show up in stores, and the air had a decided chill today in my neck of the woods – so I guess the time is ripe to look at a couple of horror-tinged graphic novels for the fall.

Angel Skin is an original GN and apparently the first published comics work of its creators, Christian Westerlund and Robert Nazeby Herzig. (By the way, I’m tentatively assuming that the two are writer and artist, respectively, but the book itself doesn’t specify their roles.) It’s a dark afterlife fantasy, beginning with the suicide of our young protagonist, Joshua Barker. He then finds himself in a gloomy city that is, in most respects, identical to the world he lived in before his death.

The story moves on from there in somewhat predictable ways; Joshua is important and special, for some reason unspecified in the book, and is the focus of several people and factions who want to find God, for their own purposes. There’s a bit of melodramatic action, but much more specifying and emoting. The general consensus of the characters is that life is essentially hell. (See Bruce Eric Kaplan’s cartoon book Edmund and Rosemary Go To Hell, which I reviewed on my personal blog a couple of months back for a somewhat more nuanced version of the same general idea.) I’m afraid I’m no longer a teenager, so Angel Skin’s primary appeal passed me by, but it was never embarrassing or puerile. (And that’s saying a lot about a Goth afterlife fantasy; it could very easily have slid into the sophomoric, but it never does.) It’s mostly a story for Goths and other depressive young people, I think, and the ending isn’t quite as uplifting as I think it’s supposed to be, but Angel Skin is a serviceable GN, and quite good for anyone’s first professional work.

The really interesting aspect of Angel Skin, though, is the art. I don’t know which of the creators is responsible, but the style changes greatly from page to page, and even on a single page. Sometimes the figures have an animation-derived flatness, with blocks of solid color of grays filling in black outlines, while other times the figures are painted (or perhaps drawn in colored pencils?) or sketched in pencil lines. The background art style similarly changes, and doesn’t necessarily match the foreground. In fact, characters don’t stay in the same style, and the several styles often uneasily co-exist in one panel. I wasn’t able to work out any coherent reason for the changes – it doesn’t seem to relate to anything thematic in the story, or having to do with location, emotional states, or anything else I could think of – so I have to assume that it was simply done for artistic whim.

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Happy 90th birthday, June Foray!

juneforay-1239257Happy birthday to the voice of, among others (deeeeeep breath) Rocket J. Squirell, Natasha Fatale, Nell Fenwick, Ursula, Granny, Witch Hazel, Miss Prissy, Grandmother Fa, Jokey Smurf, Mrs. Wilson, Broom Hilda, Pogo Possum, Mam’selle Hepzibah, Aunt May Parker, Harriet Beecher Stowe, the lady from the Daughters of the American Revolution and the World War I Historical Society, Jane Kangaroo and Cindy Lou Who – who still, all these years, remains no more than two.

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ANDREW’S LINKS: Super Hanger!

 

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Now you have no excuse not to hang up your super-suit…

Comics Links

Eddie Campbell writes about speech balloons (including his differences of opinion with Bryan Talbot).

Yann Martel, author of the Booker Prize-winning novel The Life of Pi, has been sending a book and cover letter to Canadian Prime Minister Stephen Harper every week for the past three months. This week, the book he sent and wrote about was Art Spiegelman’s Maus.

Viper Comics, not content with making comics I’ve never heard of, is branching out into clothes I won’t wear.

Comic Book Resources talks to Andy Smith, artist of Stormwatch PHD.

Fantagraphics Books has a regular Shoot-Out party, in which they run out into the woods, dump a pile of old monitors, lawn mowers, and TVs, and then blow them to pieces with assorted firearms. Apparently, this is not precisely legal. Wow, if you’d told me there was a comics publisher that shot up electronics regularly, Fantagraphics would not be the one I guessed…

Comics Worth Reading isn’t sure if there’s any market for comics mini-series any more.

Associated Content interviews Desert Peach creator Donna Barr.

Comic Snob pulls together various bestseller charts to make a grand unified field theory of popular manga.

Dick Hates Your Blog tries to work up some hate for Fantagraphics and Drawn & Quarterly.

Living Between Wednesdays likes that new magazine Comics Foundry.

Comics Reviews

Inside Pulse reviews the usual stack of comics, starting with Daredevil #100.

Sequential Tart reviews the newest Minx books, Clubbing and Good As Lily.

Comics Reporter reviews Will Eisner’s Life, in Pictures.

The Axis reviews Confessions of a Blabbermouth.

Warren Peace Sings the Blues reviews the Groo 25th Anniversary Special.

From The Savage Critics:

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