Monthly Archive: March 2008

ComicMix Columns for the Week Ending March 30, 2008

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  • March 30, 2008

Wow, March seemed to fly by even faster than February, didn’t it?  But opening day is finally upon us, allergy season is already in full swing and ComicMix columnists are nipping things in the bud as usual:

Congrats to Martha and Michael on their columns reaching the Big Five-Oh!  Presumably Dennis O’Neill is on spring break, and we look forward to his return.

Trailer For ‘Incredible Hulk’ Videogame Debuts

  • News
  • March 30, 2008

Sega has released the first trailer for the videogame based on the upcoming Incredible Hulk film. The footage gives us a good indication of what we can expect.

The Hulk jumping great distances? Check. Hulk wrecking New York City? Check. The army and robots, Hulk’s favorite fodder, getting smashed? Check and check.

Also the "Coming Soon" message on the game’s official website has been replaced with all-new info, images and what may be the music from the movie. The Incredible Hulk game will be released in June 2008 for the Nintendo DS, PlayStation 3, Wii, Xbox 360 and Windows PCs.

 

Happy Birthday: Hawkman III

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  • March 30, 2008

Katar Hol was born on the planet Thanagar, the child of a wealthy family. Katar joined the Wingman police force but rebelled against his world’s ruthless conquest. He became addicted to drugs and was then manipulated into publicly killing his own father.

As a result, Katar was exiled to the Isle of Chance, where he purged his body of the drugs, atoned for his crime, and made peace with himself. After his sentence was up, Katar uncovered and defeated Byth, the corrupt police captain who had manipulated him, and was reinstated as a Wingman. When Byth escaped to Earth, Katar and his new partner Shayera Thal were sent there as well. After defeating Byth, Shayera returned home but Katar remained on Earth and became the third Hawkman. Katar then encountered the previous Hawkman, Carter Hall, and discovered that he was half-human himself–his mother was a Native American medicine woman and still alive. Katar was reunited with his mother and learned more about her ways and her people.

Unfortunately, Katar later became the avatar of the Hawk-God, which drove him mad, and to save others he had Arion the mage transport him to the Realm of the Hawkgod and leave him there.

 

A Time Warrior to India, by Ric Meyers

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  • March 30, 2008

passage-to-india-1963980I like it when the DVDs I review here are similar, but I also really like it when they’re very different. And other than being made by British talents, the DVDs in this edition are about as different as they can get. First, there’s the cultural classic that is A Passage to India. Columbia Pictures decided that marking the 100th anniversary of director David Lean’s birth (March 25, 1908) was a great excuse to remaster three of his films as “2-Disc Collector’s Edition Columbia Classics.” First out of the box is Lean’s final film, a two-hour and forty-four minute “intimate epic” based on E.M. Forster’s lauded novel of the same name.

Lean came at the challenge with a lot to prove. Despite being one of the world’s most respected filmmakers, with an unprecedented run of sweeping successes behind him, the critical thrashing his turgid, half-badly miscast, penultimate film, Ryan’s Daughter, suffered, had sent him reeling into a fourteen year self-imposed exile. He returned to tackle a cerebral, controversial story that many felt was effectively unfilmable, including, according to the DVD’s extras, the author and several actors in the production.

The reaction at the time of its 1984 release ranged from grudging to delirious, though a majority seemed to feel it still wasn’t quite up to his undisputed classics, Bridge on the River Kwai and Lawrence of Arabia (the other two films set to be part of this 100th birthday DVD celebration). The passage of time, however, has been great to this particular film, and this new release could do much to elevate its standing, since it’s fascinating, intriguing, beautiful, and in this artificial age of cgi additives, all natural.

The special features are involving, if not as exceptional as the film. They are, at their best, reserved and civilized like the subjects of their interviews. If the producers and actors had been American, there might have been lots of superlatives and hyperbole, but the likes of producer Richard Goodwin, Lean’s young assistant directors, and actors Nigel Havers and James Fox are polite to a fault.

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ComicMix Review: ‘Superhero Movie’

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  • March 30, 2008

[Editor’s Note: While ComicMix columnist Michael H. Price devoted a recent column to reviewing the superhero parody film Superhero Movie, regular ComicMix film reviewer Matt Raub braved hordes of pre-teen Drake & Josh fans this weekend to provide some addiitonal insight on the film. With ticket prices as they are these days, we figured ComicMix readers would appreciate the extra review before they parted with their money. -RM]

superhero_poster_preview22-4113094To begin with, this movie isn’t terrible. But before we get into that, a brief history lesson:

Scary Movie is a horror-spoof franchise that began in 2000 and was helmed by six writers that included the Wayans brothers and their team from previous projects. Also included were writers Jason Friedberg and Aaron Seltzer. This team’s only previous credit was the 1996 spy spoof Spy Hard, starring Leslie Nielson. As a whole, this was the creative team responsible for the first two Scary Movie films, but they opted out of a third film, and the franchise continued with Airplane and Naked Gun creator David Zucker at the helm. Zucker brought along Pat Proft, who he had previously worked with, and a new guy named Craig Mazin, who worked on a quirky superhero comedy from 2000 called The Specials.

Still with me here? Good, because we’re almost to the point, I promise. Upon leaving the franchise after Scary Movie 2, two of the six writers decided they weren’t quite done with the “spoofing genres” game and went on to write and direct Date Movie. (The original trailer for Date Movie even tagged the film as “from two of the six writers of Scary Movie.”) They also went on to do Epic Movie and, finally, winter’s kick-in-the-face: Meet the Spartans. At this point, if you’re not bleeding from the ears, you may be asking yourself, “Why did I need to know any of this?” Well, because those hating on this film based purely on its existence need to know that [[[Superhero Movie]]] was not the brainchild of any of the people attached to the three terrible spin-off-genre-spoofing-machines, be they [[[Date]]], [[[Epic]]], or [[[Spartan]]]. Instead, it is that of Craig Mazin, who created 2000’s superhero comedy [[[The Specials]]], starring Thomas Hayden Church and Rob Lowe (pick it up on DVD, it’s pretty good).

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Supermoney: The Superman Trial and Jerry Siegel’s Estate

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  • March 30, 2008

supermoney-1584927For those who came in late… As has been widely reported, the Federal District Court ruled somewhat in favor of the estate of Jerry Siegel in its lawsuit to have all publishing rights to the Superman story in Action Comics #1 be taken from Time Warner’s DC Comics subsidiary and given to Jerry’s heirs. The decision runs 72 pages, but at heart is the judge’s ruling that because the property existed before Action#1, “work for hire” stipulations do not apply.

The New York Times did a good job covering the story; Mark Evanier, as would be expected, did a better job. For one thing, Mark got co-creator Joe Shuster’s first name right. The New York Times did not.

Whereas there is much cause for celebration, before we start dancing in the streets we should look at what’s at stake here.

Only the original concepts – only Superman, Clark Kent, the costume as portrayed in that initial story, and the abilities unique to Superman in that story – are in play. Perry White, the Daily Planet, Lex Luthor, the Legion of Super-Heroes, Bizarro, kryptonite, Jimmy Olsen and the rest are not on the table. Only the domestic rights are in play, and even then the estate would be in something of a co-ownership position with DC Comics. So don’t look forward to that Eros Comics Superman series quite yet.

Sadly for the Siegel family, this does not bring to an end a fight started by Superman creators Jerry Siegel and Joe Shuster 60 years ago. Actually, it’s just warming up.

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“Prowling” – Juggling the Blues with the Comics, by Michael H. Price

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  • March 30, 2008

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“Ya gotta be a juggler to woik in dis racket,” a senior-staff powerhouse named Frosty Sloane informed me after I had landed my first job in a competitive marketplace, back around 1965.

“I thought we were selling shoes,” I answered him. Which of course we were. I had a fleeting mental picture of some Ed Sullivan Show juggling act involving wingtip clodhoppers and stiletto heels. Took a while for Frosty’s metaphor to sink in – but once I had experienced my first stampede of customers and watched Sloane accommodate ten or fifteen prospective buyers while I attempted to deal with one or two of ’em, I caught his drift, all right.

Frosty Sloane was so effective at the craft, with consistently high sales tallies to show for it, that he could afford to be overconfident. He would juggle products while juggling customers: If a shopper should ask to see one style of shoe, Sloane would bring out half-a-dozen selections and wind up selling two or three of those. And he was such a wisenheimer that I wondered how he could get away with some of his sales-floor stunts.

“Y’see, half o’ th’ customers who come in here durin’ a slower stretch – they don’t even know they’re customers, yet,” Frosty counseled me, as if dispensing the Wisdom of the Ages. “They’re jus’ sleepwalkin’, browsin’ away like as if they knew what they were doin’. An’ ya gotta figger out how t’ get their attention.” No sooner had he spoken, than a woman wandered into the department, browsin’ away – just like the man said.

“Watch dis,” Frosty said, “an’ I’ll show ya what I mean by ‘sleepwalkin.’” He strolled toward the browser, nodded in her direction, and then spoke: “Tickle your ass with a feather, ma’am?” He paced the question just rapidly enough to blur its words.

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Review: ‘Batman: The Killing Joke’ Deluxe Edition

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As I picked up a copy of the new Batman: The Killing Joke 20th anniversary hardcover, I flicked open the first page and sliced my finger on its edge. The paper cut seemed fitting, a physical manifestation of the violence contained within the book.

What I always forget about this story in the few-year intervals between readings is just how short it is, at 46 pages. And so each time I’m amazed all over again at how Alan Moore and Brian Bolland teamed to pack such intensity, ferocity and (surprise, surprise) humanity into those pages.

The Killing Joke is without question one of the greatest encounters between Batman and his nemesis, and the real reason is that the story serves both as a zenith for the Joker’s depravity and for his pathos. Even if this origin story isn’t true (as Bolland writes in his afterword), Moore shows a trace of a person behind the maniacal grin. It makes a Joker that’s more real, and more terrifying.

This new edition ($17.99) is of note for the top-notch packaging as well as Bolland’s re-coloring (see the differences between new and old right here). I’m sure there are those who hate the changes simply because it’s different, but the new colors really do improve the book, giving it a subtlety and grimness not present in the original.

The only additional features are a few of Bolland’s sketches and a new short story from him about wanting to murder Batman. It’s not bad, per se, but doesn’t add to the main story and comes across like padding. I suppose it’s a necessary inclusion, though. I mean, 46 pages!

Happy Birthday: Marc Silvestri

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Born in 1958 in Palm Beach, Florida, artist Marc Silvestri joined Marvel Comics in the late 1980s, and became the penciller on Uncanny X-Men from 1987 to 1990.

In 1992 he and six other artists broke away to form Image Comics. Each artist had his own imprint, and Silvestri’s was Top Cow, which is best known for its major hits Witchblade, The Darkness, and Fathom. Top Cow has continued to be a major portion of Image, although Silvestri has spent less time doing his own art and more time publishing.

He has returned to Marvel a few times to work on various X titles.

 

ComicMix Radio: Battlestar Galactica Takes Off For The Final Season

After this week’s marathon broadcast on the Sci-Fi Channel, Battlestar Galactica begins its final voyage — but where is it headed? Executive Producer Mark Verheiden fills us in on all he can dish here on ComicMix Radio and in an exclusive interview you’ll find on ComicMix later this week, plus:

— An historic court decision may change Superman as we know him

— Calling All Robots begins production

— The Lone Ranger back in the movies – Hi Ho!

—  And an  exclusive Graham Crackers Comics variant could be in the mail to you — if you win by e-mailing us at: podcast [at] comicmix.com

So live a little… and just  Press The Button!

 

 

And remember, you can always subscribe to ComicMix Radio podcasts via badgeitunes61x15dark-1158272 or RSS!

 

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