Monthly Archive: March 2008

New ‘Wolverine’ Set Photos Appear Online

Another day, another photo (or 10) from the upcoming X-Men Origins: Wolverine movie. Previously, there’s been the first official photo from the movie, a few set photos and a cool Wolverine pic for you to enjoy. Now, thanks to celeb photographer Just Jared, there’s a lot more behind-the-scene from the film photos to bring you today.

Over at the site you can see some of the fist pics of a bulked-up Liev Schreiber as Sabretooth and, of course, some more shots of Hugh Jackman as Wolverine — all taken during what appears to be a break in filming at the Sydney, Australia set of the movie. There’s also a few pics showing the make-up department touching-up Schreiber’s Sabretooth claws and a close-up of the claws as well.

Seeing these latest pics had me asking some of the same questions as a few of the commentors at the site. For example, how will the movie explain the size difference between Schreiber as Sabretooth in this film and Tyler Mane in X-Men? Also, what’s up with Schreiber’s hair? Isn’t Sabretooth a blonde?

I’m sure these questions will all get answered once the film hits theaters May 1, 2009.

 

EZ Street: Time For a Change?

Is there anything in the universe scarier than a blank page?  Danny doesn’t think so.  

In today’s brand-new episode of EZ Street, by Mark Wheatley and Robert Tinnell.  Scott and Danny have to change a tire.  Do they have to change anything else? 

Credits: Mark Wheatley (Artist), Mark Wheatley (Colorist), Mark Wheatley (Letterer), Mark Wheatley (Writer), Mike Gold (Editor), Robert Tinnell (Writer)

More: EZ Street

 

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‘Dark Oz’ Headed to Theaters

Another day, another comic book series being adapted into a movie. Variety is reporting that Pras Michael, best known as the guy who’s not Wyclef Jean in the Fugees, picked up film and TV rights to the ’90s comic book series Dark Oz.

The series, which was first published by Caliber Comics under the title Oz and then a five-issue miniseries titled Dark Oz from Arrow Comics Group, featured an older Dorothy returning to Oz and having further adventures, though of a much more dark variety. Hence the title.

Interestingly, the comics are long out of print. But you can still read them in digital form. Caliber and Arrow Comics have a deal with DriveThruComics to sell the issues online in downloadable form.

Production on the film is slated to begin late this year. The script was adapted from the original stories of Dark Oz creators Aaron Denenberg, Ralph Griffith and Stuart Kerr, Variety reported. It’s planned as a live-action film, with designs on making it into a trilogy.

Pras is also a producer of the upcoming film The Mutant Chronicles, which surprisingly enough is not a comic book adaptation.

On This Day: Pat Dugan

One of those rare heroes whose career has spanned not only two eras but two names and superhero motifs, Patrick “Pat” Dugan (born March 5 sometime in the late-1910s) was already an adult and working as an auto mechanic on July 4, 1941, when he met young Sylvester Pemberton III.

The two became the Star-Spangled Kid and Stripesy to stop Nazi spies and later joined the All-Star Squadron and then the Seven Soldiers of Victory. Lost in time during the late ’40s, they were rescued years later by the Justice League of America and returned to the present day, where Dugan married and raised a son. Dugan later worked with Infinity, Inc.

After his first marriage failed, Dugan remarried and moved to Blue Valley, Nebraska. When his stepdaughter Courtney Whitmore became the second Star-Spangled Kid, Dugan developed a robotic suit of power armor and became S.T.R.I.P.E. so he could keep an eye on her.

‘Justice League: The New Frontier’ Tops Xbox LIVE Videos

Justice League: The New Frontier, DC Comics and Warner Bros. Animation’s direct-to-DVD adaptation of Darwyn Cooke’s critically praised miniseries, was the top movie rental last week on Xbox LIVE’s Video Marketplace. The film, which imagines the DC superteam in the midst of the Cold War, took the top spot on most days since its release on on February 26.

Scott Nocas, a Marketing Manager for LIVE’s Video Store said, "With the great success of Superman: Doomsday on Xbox LIVE just after last year’s Comic-Con, Warner Bros. and Xbox were excited to bring another DC Universe animated movie to our consumers. We continue to see great engagement with the movie, and other DC Comics content on Xbox Marketplace."

Currently available at no charge on the service is a bonus feature that includes interviews with comic luminaries Jim Krueger, Mark Waid, Marv Wolfman, Rich Fogel and Darwyn Cooke himself.

Retail sales numbers for New Frontier have not been released yet but the film is expected to have done well. In fact, some retailers are actually having a difficult time keeping the film in stock, making the Xbox LIVE film an even more attractive option.

Wombat, a gamer from the popular CAGcast podcast, recently recounted his own experience trying to buy the Blu-Ray version of the film at a Circuit City in Union Square, NYC. "Naw, man. I bought the last one yesterday, sucka," an employee told him.

Owch.

If you’re still waiting on your copy, feel free to spend some time reading the ComicMix review of Justice League: New Frontier, checking out photos of the Series 2 line of "New Frontier" toys, or just watching the trailer for the film posted after the jump: (more…)

The Lost Art of Longhand, by Elayne Riggs

elayne-riggs-100-30724648:30 AM, Bx7 bus southbound to subway: It’s favored by Luddites and techies alike. Early adopter Neil Gaiman, for instance, writes all his first drafts this way, using various fancy pens. (Me, I use my Uniball blue roller ’cause it’s what I carry in my pocketbook.) It’s physically draining, at least if you’re not used to it. It requires both concentration to keep your hand steady, and a heightened awareness of your surroundings, particularly on moving vehicles. It certainly isn’t for everyone; I’d rarely recommend it for myself. But a pad of paper is a lot lighter and more flexible than my laptop, and not having the distractions of checking email and blogs and playing online games forces me to focus on the here-and-now of completing this week’s column. Besides, I need the practice in transcribing relatively illegible handwriting.

My Dad had beautiful longhand. Which amazed me, because he was naturally left-handed which was a no-no in hyper-superstitious Romania in the ’30s. His schoolteachers beat that left-handedness out of him — not entirely, I think he still shaved and did a few other things lefty, but he became right-handed for purposes of writing. I inherited his "sinister" gene, but by 1960s secular America children were allowed to retain such peculiar proclivities.

8:55 AM, "1" train southbound into Manhattan: Unfortunately, I never inherited Dad’s longhand flair. I can add a few flourishes here and there, but only if I slow down and write very carefully and deliberately, and that starts my hand aching again. I figure I’m okay as long as I’m just legible enough to make out a check (I’m mired enough in the 20th century to still use checks on occasion). Damn, I have to put this away now, someone just sat down next to me and I can no longer comfortably use my right arm to prop this up… (more…)

Video: Matt Kindt on How to Make a Comic Book

 

It stands to reason that if you’re interested in comic books and are here reading this site, you may have some interest in actually making a comic book yourself. If so, Matt Kindt, creator of various comics and graphic novels including Superspy, 2 Sisters and Pistolwhip, has made a video just for you.

The video shows Matt and the various steps he goes through to create a page of his Superspy comic. From the rough sketches, to pencils, to inking and then coloring in Photoshop you can see the transformation from a somewhat indimidating blank white page to a fully-formed comic book page. Who knows, this video might just be the inspiration you need to start creating your own comic.

If it is, be sure to let him know.

 

Film Review: Vantage Point

Not many trailers made in the past 10 years misrepresent the film they are promoting. Sadly, Vantage Point breaks that rule. By allowing me the room to figure out the entire movie through footage oversaturation, I didn’t have a huge urge to run to the theaters, hence the late review. But alas, seven days after the film’s release, I was able to go into the theater without a hint of outside ruination, no real mention of the big twists, nor who was evil and why. So to keep the film pure, and leave any future audience members unscathed, I’ll try to keep the dignity of the film intact and not give much away in the review.

With that in mind: This movie wasn’t very good. Albeit the concept isn’t exactly original (See Rashomon), the filmmakers here had a perfect opportunity to bring something as innovative and provocative as Rashomon to Hollywood and thus, to a Hollywood audience. Instead, the concept was left half-assed and basically unfinished, leaving holes in continuity that you could drive a Mack Truck through and backstory for only one character, reduced to a single line of exposition.

For those of you not entirely familiar with the concept of the movie, Vantage Point was adevrtised as featuring eight different perspectives (in truth, it’s only five) of the assassination of the President of the United States. Each gives a little more insight to the overall story, while leaving you at the edge of your seat each and every time you see a part of the story. At the end of the film, you’ll feel fairly manipulated, but that won’t compare to the complete lack of compassion you have for any of the characters. (more…)

Birthday Requests

If anybody’s stumped on what to get me for a birthday present, there’s a copy of Marvel Comics #1 up for auction. Only $25k or so.

C’mon. It’s not even in mint condition.

It’s not like I’m asking for uranium or a tank or anything.

[EDITOR’S NOTE: Please do not send gifts of uranium ore to ComicMix HQ. Thank you. -RM]

 

Review: Teen Titans Year One

teentitansy1-6915716The other day I was talking to James Kochalka, creator of Superf*ckers and the upcoming Johnny Boo children’s books, and he mentioned how difficult it is to find superhero books for his kids. Such offerings are mostly limited to comic book adaptations of cartoon series that were adapted from comics, he said, and “they’ve been pretty bad.”

For DC, the lifeline to younger readers has long been the Teen Titans, most recently through the TV spinoff Teen Titans Go! and Tiny Titans, which is almost too innocent for its own good. Now we also have Teen Titans Year One (issue #3 is out tomorrow), the “origin” story from writer Amy Wolfram.

The book succeeds on a number of levels, primarily in how it manages to be appropriate for kids without dumbing down. There are serious threats and the group faces violence and danger and interpersonal hangups. The art also perfectly fits the tone.

While I’ve enjoyed the series thus far, I doubt it’ll serve as a jumping-on point for any kid looking to get into comics. Another thing Kochalka complained about was how the youth-oriented Marvel and DC comics rely on readers coming into the book to have a firm understanding of the mythos, and that’s certainly the case with [[[Teen Titans Year One]]]. New comics readers will be fairly lost, if not out and out discouraged by the lack of exposition.

The Year One tag also only hampers the series, forcing it into a ridiculously incongruous existence amid decades-old comics. For instance, these Titans use cell phones and instant messaging, devices that weren’t around when the Teen Titans debuted. That’s nit-picking, to be sure, but when an editor’s note tells me this storyline happened right after [[[The Brave and the Bold]]] #54, I can’t help but be yanked out of the plot.


Van Jensen is a former crime reporter turned comic book journalist. Every Wednesday, he braves Atlanta traffic to visit Oxford Comics, where he reads a whole mess of books for his weekly reviews. Van’s blog can be found at graphicfiction.wordpress.com.

Publishers who would like their books to be reviewed at ComicMix should contact ComicMix through the usual channels or email Van Jensen directly at van (dot) jensen (at) gmail (dot) com.