Monthly Archive: April 2008

Archaia Studios Press Unveils Upcoming Books

  • Uncategorized
  • April 14, 2008

god_machine_cover-8629086Archaia Studios Press, the New Jersey-based publisher best known for its ongoing Mouse Guard series, just announced a hefty slate of new titles. The company is also putting out a Mouse Guard role-playing game, which was designed in large part by series creator David Petersen.

It’s a diverse bunch, and a sign of ASP’s growth after the success of Mouse Guard and English translation reprints of The Killer. One of the new titles is The God Machine (cover at right), which follows a young man as he tries to save the soul of his recently deceased girlfriend.

In a press release, ASP publisher Mark Smylie said:

Co-publisher Aki Liao, [editor] Joe Illidge, [art director] Pauline Benney, and I have pored over some amazing submissions. And the crop of creators and titles we’ve selected we think not only fit the company’s focus and direction and mission, but will be greatly enjoyed by fans of ASP’s current titles and new readers who we’re sure will jump at these new books we’re so extremely proud to publish.

A complete list of books after the jump…

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Interview: Josh Blaylock on ‘Voltron: A Legend Forged’

  • News
  • April 14, 2008

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For the record, I’m a child of the giant robot generation. I grew up pondering the life lessons of 1980s cartoon series such as Robotech and Transformers, and formulated complex theories regarding the place of Go Bots and Tranzor Z in the hierarchy of the universe’s massive mechas. Looking back on it now, I’m fairly certain I had the makings of a fairly impressive thesis on the subject of giant robots completed before I was 10 years old.

However, there was always one wildcard in my studies: Voltron.

The 1984 series Voltron: Defender of the Universe featured a giant mecha composed of five smaller lion-shaped robots. Each lion controlled by a young pilot. Voltron and the "Lion Force" pilots defended the universe against a host of threats that often took the form of monsters launched into battle via coffin-shaped shuttles. The forces at play in the series were equal parts magic and science, and the title character’s ever-changing list of powers and abilities called upon during the series’ long run caused me endless frustration in my attempts to rank Voltron alongside his peers.

In 2003, I found myself thinking about Voltron (and humming <a href=”

series’ theme song) once again when Devil’s Due Publishing began producing comics based on the Voltron series. Despite its highly praised development of the characters and mythos of the Voltron universe (including contributions from noted creators such as Mark Waid, Kaare Andrews and Dan Jolley), the series was cancelled in 2005 without concluding its final storyline.

Nostalgia for the character has endured, however, and it now appears as if 2008 will be another big year for Voltron and the Lion Force. Earlier this year, DDP released the Voltron Omnibus, a collection of the entire DDP run that includes the previously unpublished final issue of the 2003-2005 series. The Devil’s Due crew also announced the July release of Voltron: A Legend Forged, a five-issue miniseries that promises to take readers on "a spectacular quest, 1200 years into the past." The series will be written by DDP President Josh Blaylock, and feature interior art by G.I. Joe: America’s Elite artist Mike Bear.

I spoke with Blaylock about the new Voltron series and its place in the character’s complicated history, and picked his brain about the character’s role in the world of giant robots.  DDP also provided ComicMix with new art from the series, including both an inked and full-color version of the first issue’s Tim Seeley cover, as well as an E.J. Su variant cover featuring Voltron in its popular "Lion Force" form. Full-size versions of each cover are posted at the end of the interview.

COMICMIX: First, let me get the most general pair of questions out of the way: Why Voltron and why now?

JOSH BLAYLOCK: It’s been a while since we played with Voltron, but lately there seems to be something in the air. The DVDs are selling like crazy, the Reeboks shoes, the streetwear. All that, combined with the movie buzz, and it seems like a great time to kickstart a new Voltron miniseries, and who knows, maybe more. (more…)

‘Star Wars: The Clone Wars’ Trailer Leaked Online

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  • April 14, 2008

april14clone-8600393Need a Star Wars fix but tired of reading tie-in novels, playing mediocre video games and re-watching the films? Why not whet your appetite with footage from some new adventures in a galaxy far, far away?

Film School Rejects has gotten ahold of the trailer for the upcoming Star Wars: The Clone Wars film, set for release on August 15, 2008. The movie will kick off an animated series on Cartoon Network this fall.

Check out the trailer soon, before the powerful Sith lords of Lucasfilm’s legal department use their dark powers to remove it.

Battlestar Galactica Interview: Mark Verheiden on Cylon Humanity and Boomer’s Motives

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  • April 14, 2008

Welcome to the latest installment of Battlestar Galactica Weekly, our recurring Q&A with Mark Verheiden, co-executive producer of the hit Sci-Fi Channel series Battlestar Galactica. Each week, we’ll interview Verheiden about the events of that week’s episode, what those events might mean for both the season and the series, and hopefully unearth some clues about what to expect as the final season of Battlestar Galactic nears its conclusion.

Along with posing our own questions to Verheiden, we’re also taking questions from fans — so be sure to send your questions to me, your official BSG Weekly interviewer (chris [at] comicmix.com) after each episode airs. New episodes of Battlestar Galactica can be seen every Friday at 10 PM EST on Sci-Fi Channel. Previous interviews are available via the links at the end of this article.

This week, Verheiden answers questions about the second episode of Season Four, "Six of One," which aired April 11, 2008.

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COMICMIX (from reader Mike): Is Sci-Fi hiring documentary filmmakers during the production of Battlestar? We’ve seen the short humorous videos for the video blog, but I mean longer Lord of the Rings-esque documentaries on the extended DVDs.

MARK VERHEIDEN: I don’t think there have been documentary teams roaming around, at least that I’ve seen, but I think Ron Moore plans to release more podcasts at some point, including ruminations from all the writer/producers on what the show has meant to them, fave episodes, etc. 

CMix (from reader Jeff):  Kara spoke of a yellow moon, yellow sun, and ringed gas giant while at Earth, but she also mentioned a comet and three blinking stars. This seems to foreshadow the Jesus legend. If the modified Greek mythology is what has shaped the human culture then the story must end with an Earth that has or can give rise to these gods, correct? After all if time is a closed loop, the end is the beginning.
 
MV: Unfortunately again, any answer I might give — from "yes" to "no" to "maybe" — takes us into spoiler territory, so I’ll just say "keep watching."

CMix (from reader Katie): Was the scene between Kara and Roslin at the beginning of the episode meant to mirror the scene in "Home" when Sharon aims a gun at Adama and then turns it over to him to prove that she has free will?  If so, the very different way this showdown turned out, with Roslin firing on Kara, shows just how much has changed since Kobol.
 
MV: I don’t think it was meant to mirror that earlier scene, but the second part of your comment is certainly correct, in that much as changed for our characters emotionally since Kobol.  And you haven’t seen anything yet… (more…)

DC’s Killing Fields, by Mike Gold

  • News
  • April 14, 2008

chp-9129134How many times can you run a stunt into the ground in one month before you just look like you’re totally bereft of originality? DC Comics’ June, 2008 solicitations, as published in Diamond Distributing’s Previews catalog, offers no less than six phony death and/or resurrection stunts.

Gotham Underground #9 asks the musical question “Will Penguin pay the ultimate price?” Well, who cares? If he’s dead, he’ll get better. Death has no sting in the DC universe.

Batman #678 is the third part of their “Batman R.I.P.” arc. “Is it truly the end for one of the world’s finest heroes?” the solicitation asks.  Forgive me, but how many times have the sundry world’s finest heroes R’ed in P? Hell, I’ll bet if you ask them they would have wanted to stay dead at least a bit longer in order to get some rest in peace. I should add Robin #165 to this list as it ties in to Batman #678 and has Robin holding a dead-looking Batman on the cover. Maybe – probably – the old buzzard isn’t dead. The fact is, it doesn’t matter.

Booster Gold #10: “Someone from his past must live and someone must die!” My wife informs me (happily) that Ted (Blue Beetle the Second) has already been resurrected. The death – if it actually happens – well, again, who cares? If it was somebody important, he/she/it wouldn’t be killed off in Booster Gold. Unless the stunt has grown so lame that DC is willing to bury it in a title such as this.

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Joe Staton Honored With Exhibit

  • News
  • April 13, 2008

joe3dicktracy-7749746Legendary comics ace Joe Staton will be honored with an art exhibit at at the Storefront Artist Project in Pittsfield, Massachusetts from August 2nd through the 31st.

Best known for his work on (please hold your applause until the end) Batman, E-Man, Femme Noir, Green Lantern, Guy Gardner, The Huntress, Jonny Quest, The Justice Society of America, Michael Mauser, Munden’s Bar, Power Girl, Rugrats, Scooby Doo, Superman, the Wild Thornberrys and about twelve thousand other creations, Joe’s most recent effort is the “new-look” Jughead four-parter that debuted in Jughead’s Double Digest #139 last week.

Joe’s online collaboration with writer Christopher Mills, Femme Noir, will be debuting as a pamphlet-form mini-series in June.

A long-time supporter of Manhattan’s Museum of Comic and Cartoon Art, The Art of Joe Staton is being produced by the Storefront Artist Project in cooperation with the Museum. A series of related free workshops and programs is also part of the deal.

In association with the exhibit, Joe will also be conducting a free day-long workshop on August 3 which includes a drawing demonstration, sketch-a-thon, and discussion. For more information contact the Storefront Artist Project at 413-442-7201 or go to their website.

It’s very, very hard to imagine a guy who deserves this more than Joe Staton. Congratulations, ol’ timer!

 

 

 

ComicMix Columns for the Week Ending April 14, 2008

  • News
  • April 13, 2008

I’ve printed out the NYCC panel schedule but I don’t feel nearly ready for this coming weekend.  Stay tuned to these pages to find out where you can locate your favorite ComicMix people, including the ones who wrote these columns this past week:

So, it’s going to be a weekend of questions like "why did they schedule the Black Panel opposite Bryan Hitch’s spotlight and the Jenna Jameson ‘kick ass’ fiasco," isn’t it?

Happy Birthday: Chuck Dixon

  • News
  • April 13, 2008

Born in 1954 in Philadelphia, Charles “Chuck” Dixon grew up reading comic books. He did his first comic book writing, on Evangeline for Comico, in 1984—his wife (since divorced) Judith Hunt drew the book.

A year later, Marvel editor Larry Hama hired Dixon to write back-up stories for The Savage Sword of Conan. In 1986 Dixon added Eclipse to his list of employers, writing for their Tales of Terror anthology and then for Airboy. The following year he started Alien Legion for Marvel’s Epic line.

In 1990, Dixon caught the eye of DC editor Denny O’Neil, who invited him to write a Robin mini-series. That led to more work within the Batman group, and Dixon wrote Detective Comics #644-738, including several major Batman story arcs.

To this day Dixon is considered one of the most prolific Batman writers in the character’s history.

Skipalong Rosenbloom, by Michael H. Price

  • News
  • April 13, 2008

skipalong-rosenbloom-1s-6655858“In the days before the cultural faucets of radio and television had become standard equipment in each home,” wrote the social critic Gunther Anders in 1956, “the [American public] used to throng the motion-picture theaters where they collectively consumed the stereotyped mass products manufactured for them…

“[The] motion-picture industry … continues the tradition of the theater,” added Anders, “… a spectacle designed for simultaneous consumption by a large number of spectators. Such a situation is obsolete.”

Anders’ influential gadfly manifesto, The Phantom World of TV, came fairly late in the initial outcropping of a Cold War between movies and teevee. Earlier during the 1950s, the movie industry had begun arraying such competitive big-screen ripostes to television as widescreen cinematography, three-dimensional projection – and such passive-aggressive lampoons of television as Arch Oboler’s The Twonky and Sam Newfield’s Skipalong Rosenbloom.

Anders’ perception of obsolescence for moviegoing has proved no such thing over the long stretch, of course – despite many movie theaters’ best efforts during the past generation to render the experience overpriced, inconvenient and unsanitary with cheapened operational standards and automated film-handling procedures. And yet film exhibitors as a class continue to raise the question, “Is moviegoing dead?” This, as if the post-WWII threat of mass-market television had never gone away despite a sustained détente between the big auditorium screen and the smaller home-viewing screen.

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ComicMix Radio: Look Closely and Get A Clue!

DC is warming up to jump from Countdown to Final Crisis with a "filler" called DC Universe #0. The clues are in the cover, so grab your eyedrops and we will explore it together (we’ve also posted a larger version of the cover after the jump), plus:

— Iron Man toys invade 7-11

— More Spider-Man on the WB plus another look at a legen-(wait for it)-dary Spidey series

— The rarest Harry Potter book – you might get a peek!

— Start the argument now – what were the "Top 5 Happiest Songs of the ’80s!"

—  Of course,  another  exclusive Graham Crackers Comics variant that could be in the mail to you – if you win by e-mailing us at: podcast [at] comicmix.com

We did the work – you just press the button!

 

 

And remember, you can always subscribe to ComicMix Radio podcasts via badgeitunes61x15dark-9871082 or RSS!

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