Monthly Archive: May 2008

In the Pink, by Elayne Riggs

I visited my mom’s house for Mother’s Day, which always seems to include watching baseball, as Mom and I are both fans of the game. No, honest, this isn’t another column about sports! It’s about pink.

You see, every year on Mother’s Day, Major League Baseball provides its teams with pink bats, pink ribbons and so forth. It’s all Komen-driven, of course.  The Susan G. Komen Foundation has become the country’s largest breast cancer charity due largely to its habit of painting things pink.

And so we watched not only pink bats, but pink-ringed bases and pink home plates and pink wrist bands and pink caps in the crowd and Jose Reyes even had pink shoelaces for the occasion. It was, as always, very cool.  It would have been even nicer if the Mets announcers had actually noted the real reason for the pink; instead, the disappointingly misogynist Keith Hernandez said it was for Mother’s Day. ‘Cause, uh, Moms like pink, I guess, Keith? Seriously, do you know the difference between "for" Mother’s Day and "on" Mother’s Day at all?

I was surprised to find out that Komen isn’t the only charity focused on pink. Apparently a number of other less reputable places engage in "pink washing," where it’s not as clear where your breast cancer charity money’s actually going. In fact, Breast Cancer Action has a website called Think Before You Pink which reminds folks that "breast cancer is about women’s lives, not a marketing opportunity," and that there are a lot of places riding the bandwagon just to make a profit. (more…)

M.O.D.O.K. and Genocide = M.O.D.O.G.?

Marvel.com, which recently cleaned up in the Eagle Awards as “Favorite Comics Related Website,” has posted some new art today featuring one of my favorite characters in the Marvel Universe: M.O.D.O.K.

Or, more accurately, M.O.D.O.G.

Yes, everyone’s favorite Mental Organism Designed Only for Killing seems to have found himself a new hobby, as well as a new home, in Invincible Iron Man. The new version of the big-headed bugger has taken a shine to genocide instead of just garden-variety killing, according to information released about the villain’s upcoming appearance in the second issue of the Matt Fraction/Salvador Larroca series.

Marvel.com has posted samples of Larroca’s new M.O.D.O.G. art, including this great image of Iron Man dragging the ever-creepy creature around by his hair.

The thing is, I’m not sure if the decision to shift his focus from “Killing” to “Genocide” makes him more or less dangerous. With a M.O.D.O.G., at least you have a good idea of who’s on his hit list, right? But a M.O.D.O.K. – that’s a different story. He wants to kill everybody.

Unless, of course, he’s discovered the sweet serenity of regular meditation.

‘DC Universe Online’ Needs Senior Artist

Comic book and videogame fans’ cyberspace dreams were crushed when Microsoft confirmed that the Marvel Universe Online videogame was canceled last year. The superhero-themed massively multiplayer online game, playable between computers and Xbox 360 consoles, could’ve been a serious contender to World of Warcraft. However, the developer is carrying on with that effort, sans Marvel license.

But don’t give up hope yet, fanboys. Evidence shows that Sony is still going forward with their planned DC Comics Universe Online MMO. This week, Rich Johnston noticed in his Lying in the Gutters column a Craigslist ad from Sony Online Entertainment looking for Senior Levels Artists to work on the game. Before you start assembling your resume so that you can work with game consultant Jim Lee, be aware that the position has some steep requirements:

EDUCATION/EXPERIENCE
• Bachelor’s degree or equivalent development experience.
• 5+ years experience in game development using Maya and the Unreal Engine.
• Must have shipped at least two titles with heavy 3D content as a senior Artist with management responsibilities.

DC Comics Universe Online has been long in development with very few details released. It was announced for computers and the PlayStation 3 but it’s unknown if cross-platform play will be allowed. It’s not likely to come out any time soon, either, since no mention of the game was made at Sony’s recent 2008 media event in London last week.

Review: ‘Too Cool To Be Forgotten’ by Alex Robinson

cool1-8284965We’ve all occasionally wanted to go back in time — to fix something we screwed up the first time, to relive some particular time in our lives, or just to do something differently. But would we be able to do better the second time around? Alex Robinson’s new graphic novel — coming up in July from Top Shelf — asks exactly those questions.

Too Cool To Be Forgotten
By Alex Robinson
Top Shelf, July 2008, $14,95

In 2010, Andy Wicks is coming up on his fortieth birthday — he’s married with two daughters and working as a computer technician. And, to finally stop smoking, he agrees to his wife’s suggestion to get himself hypnotized.

He closes his eyes, listens to the doctor…and wakes up in his 15-year-old body, back in 1985. He soon decides that some kind of hypnotic construct — though he never internalizes that thought, or really acts as if it’s true — and that the whole scenario is designed to make him decide not to have his first cigarette, and thus stop smoking back up in his own time.

Now, I am a former science fiction editor, so I probably think about this stuff more than most people, but Andy never seems to really think through his situation, or quite decide how old he is. He never really thinks of himself as a 15-year-old; his self-image stays solidly middle-aged. But he also doesn’t think through the consequences of that — he thinks of other high-school students, who are exactly the same age he is, as “kids.”

(more…)

ComicMix Radio: Controversy in The Comic Shops

Everyone at the racks this week is probably in agreement that Iron Man rocks and Speed Racer, well… doesn’t. But the opinions are much more divided on the topic of DC’s decision to apparently return Barry Allen to the land of the living. There are more clues to what they have planned in this week’s batch of new comics, which we cover, plus:

— Boom Studios plans a benefit project

— Eric Stoltz lands on Caprica

Eli Stone is coming back

And then there’s Jim Bowie. No, really! Press the Button and we’ll show you…

 

 

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Happy Birthday: Marv Wolfman

homeland-1397145Born in Brooklyn, New York in 1946, Marvin A. “Marv” Wolfman got his start in comic book fandom before joining DC in 1968. In 1972, he moved to Marvel Comics under editor Roy Thomas.

After Thomas left, Wolfman’s friend Len Wein became editor-in-chief, but  a year later he passed the position on to Wolfman. Wolfman missed writing, however, and chose to step down as editor-in-chief a few years later so he could return to creating the comics himself.

While at Marvel, Wolfman wrote for Amazing Spider-Man, Fantastic Four, and Doctor Strange, but he is possibly best known for his work on Tomb of Dracula, including the creation of the vampire-hunter Blade.

In 1980, Wolfman returned to DC and created The New Teen Titans. He worked on Superman and Night Force, revived Dial H for Hero, and then launched the pivotal Crisis on Infinite Earths.

During the ’90s, Wolfman focused more on animation and television, and in the 2000s he has written a novel based on Crisis on Infinite Earths, the novelization of Superman Returns, and an animated movie, Condor, for Stan Lee’s Pow Entertainment. Wolfman recently took over the writing for DC’s Nightwing series.

In 2007, he wrote a nonfiction book, Homeland: The Illustrated History of the State of Israel, which won the National Jewish Book Award and the Moonbeam Children’s Book Award, among other honors.

‘The Incredible Hulk’ Smashes Other Movie Standees

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Theater lobbies littered with cardboard standees promoting Indiana Jones, Dark Knight, Hellboy II and other movies may be a familiar sight these days, but to paraphrase the Hulk, they’re just "puny banners!"

Selected theaters across the country recently received life-size maquettes to promote the release of The Incredible Hulk on June 13. And when we say "life-size," we mean it! 

Measuring over 8-feet tall and as wide as a truck, simply standing next to one of the maquettes is enough to understand why that anonymous soldier in the classic Stan Lee/Jack Kirby origin issue called him a "hulking monster."

You have to wonder which movie theater employee gets to take this home.

Interview: Dan Jurgens on Booster Gold and the Tangent Universe

booster-gold-9-200-6198545It’s pretty safe to say that creator Dan Jurgens is responsible for some of the most popular characters and events in the last 20 years of DC Comics.

After striking gold in the mid-‘80s with his work on the original Booster Gold series, featuring the solo adventures of a character he created, Jurgens continued his streak through the ‘90s with his seminal work on the "Death Of Superman" story. It was in this project that he created two of Superman’s most popular villains, Doomsday and Cyborg Superman. No stranger to major, universe-spanning events, Jurgens penciled both Armageddon 2001 and Zero Hour, the latter of which he also wrote. In the late ‘90s he created the Tangent Universe for DC and currently writes the ongoing DC series Tangent Comics: Superman’s Reign.

Last year, Jurgens returned to the character he created, continuing as artist on DC’s ongoing Booster Gold series, but stepping aside as writer. The new series teamed him with superstar scribes Geoff Johns and movie executive Jeff Katz. Issue #9 hits stores this week, and continues the current “Blue & Gold” story arc. This arc recently saw the return of fan-favorite character Ted Kord, The Blue Beetle. And if Jurgens’ cover to this week’s issue is any indication, fans of the Keith Giffen/J.M. DeMatteis series Justice League International won’t be disappointed.

I spoke to Jurgens about his work on Booster Gold, Tangent Comics: Superman’s Reign and his career at DC comics.

COMICMIX: To start with, let’s talk about Booster Gold. What’s it like working with writers Geoff Johns and Jeff Katz on a character that you created so many years ago?

DAN JURGENS: There are times I just sit back and look at it and kind of have one of those “wow” moments. Just because it’s something that I probably didn’t anticipate doing.

CMix: Did you ever imagine when you were creating the character that he would last this long?

DJ: No. If you go back to those days, I hadn’t been in the business for that long. So any concept of what I might be doing, if anything 20-some years later, well it just was not anything that you stopped to consider. Whether it was Booster Gold, Superman or Spider-Man, or anything else. It just isn’t part of your thought process. At least it wasn’t part of mine.

CMix: How has the character changed since you first created him?

DJ: I don’t know that the character has changed a lot. If you go back to Booster’s first appearance, he was always supposed to be a fun, a joking sort of character, and he’ s still essentially that. I think his character’s become better defined. I think that his relationship with Blue Beetle is a really important element of who he is now, and of course that didn’t exist at the beginning. Like I said, I don’t know if his character has changed – and I think that’s part of the success. I think his character has been added to, amended and flushed out some but I think part of the reason we are succeeding is because his character has not changed.

CMix: How much are you involved in creating the story? Do they run ideas by you or are you completely surprised when you read a script for the first time?

DJ: Well, they write the script, send it and I take it from there. But we do talk reasonably often. We talk about ideas that we’d like to do and what we’d not like to do. So we certainly have, I think, a bit of give and take about the book and who Booster is. But that’s not to take anything away from them at all. The stories that are happening right now, certainly Booster’s journey through time, is absolutely due to Mr. Katz and Mr. Johns. (more…)

Paladin

The Real Hero, by Dennis O’Neil

Deju vu all over again? Why, sure.

About 19 years ago, I was being pulled into the summer movie/blockbuster season anticipating two of the myriad entertainments soon to be playing at a theater near me. One was Tim Burton’s second Batman flick, with Michelle Pfeiffer as Catwoman and Danny Devito as a particularly nasty Penguin. Oh, and Michael Keaton in his final appearance as the Caped Crusader. (Back then, although he was not a barrel of laughs, he may have been just an eensy-bitsy too cheerful to qualify as a Dark Knight.) Batman was soaking up most of my professional life – I was editing the comic books – and I was writing a comics version of the screenplay, and so I had a distant, tenuous but real interest in the movie. And anyone who’s ever been involved with a Major Motion Picture knows that there is an excitement to such projects that ripples outward to touch even us at their distant edges. (Which may be why working in movies seems to be, for many, so addictive.) In sum: yeah, I was awaiting the Batman flick with more than idle curiosity.

But what I was really waiting for was Indiana Jones and the Last Crusade. Batman was my job; Indy was my hero. I may have been associating him with an earlier hero, Mr. Paladin, who was the central character in a once-popular, 30-minute TV western called Have Gun, Will Travel. What No-First-Name Paladin and Indiana Jones had in common, besides impressive looks and charisma, and the ability to look good riding a horse, a powerful sense of right and wrong, and great prowess in combat with either fists or weapons, was this: They were smart. More – they were readers! And more – they were even intellectuals!

(more…)

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