Monthly Archive: May 2008

‘LitGraphic: The World of the Graphic Novel’ Exhibit Report

This weekend I had the pleasure of heading up to Stockbridge, MA, for the Comic Arts Festival and "LitGraphic: The Art of the Graphic Novel" exhibit at the Norman Rockwell Museum.

It was my first trip to the museum, and as I mentioned in my previous tease for the event, I’ve been kicking myself for not making the trip years ago, when I lived a much shorter distance from Stockbridge. The area surrounding the museum is a beautiful, rural landscape that was a breath of fresh air (literally) from the New York City madness.

The "LitGraphic" exhibit consisted of several rooms filled with various pieces of art from both well-known creators and some who I’ll admit I had never heard of prior to seeing their work on display in Stockbridge. On the day we attended, the museum was also playing host to some of the creators whose work was featured in the exhibit, and had scheduled several signings and other events as part of a "Comic Arts Festival."

One of the first pieces of art I encountered was a series of Niko Henrichon’s original, inked pages from Pride of Baghdad, including the impressive two-page "Baghdad Cityscape" spread. My less comics-savvy partner, who accompanied me on the trip, was amazed at the linework on the pages, and on several occasions when I wandered off to view other elements of the exhibit I returned to find her admiring this piece again.

Several pages of Terry Moore’s Strangers in Paradise also found their way into the exhibit, with one piece in particular catching my eye. Titled "The Point Is, She Found Me," the inked two-page spread included a sequence of progressively smaller square frames within a larger scene. The frames directed the reader’s eyes to a figure hidden in the bushes — something that might have been overlooked entirely without the frames zeroing in on the small face in the scenery. It was a nice, unconventional layout that added to the story instead of distracting from it.

In a corner of the exhibit were also some sketchbooks from artist Barron Storey, showcasing his jumbled, mixed-media style of work that appeared in Neil Gaiman’s Sandman: Endless Nights anthology. The display also featured a variety of dog-eared pages from his sketchbooks, including among other things, a set of small, incredibly detailed drawings of Saddam Hussein and Yassir Arafat on opposing pages. The former sketch was captioned with a single sentence: "Hussein, looking a bit like Stalin." (more…)

‘Final Crisis’ Preview Debuts

No matter how many times I hear about DC’s upcoming event-to-end-all-events Final Crisis, I can’t help saying its name to the tune of "<a href=”

Final Countdown." Is there something wrong with me?

Moving on…

DC just sent word that EW.com has posted a five-page preview of… Wait for it…

IT’S THE FIN-AL CRI-SIS…

While that’s all well and good, they’ve also posted a nice little drop-down Grant Morrison script for each of the pages. I dig it immensely — especially since I didn’t realize that a character was actually supposed to be looking over the shoulder of another character (and not at him) until I read it in the script.

I wonder how much stuff like that I miss every week. sigh

New ‘Watchmen’ Set Video – Costumes

Zack Snyder and the Watchmen movie crew recently delivered another video from the set of the film, providing a bigger peek at the "look" of the upcoming adaptation of Alan Moore and Dave Gibbons’ groundbreaking graphic novel.

This time around, costume designer Michael Wilkinson takes you on a tour of the clothing that makes the men — and women — of Watchmen.

UPDATE: Looks like the code JoBlo provided to embed the video wasn’t playing nice with our system here, but I think I’ve wrangled it into shape now. Apologies for the delay. – RM

 

 

 

 

(via Cinematical and JoBlo)

 

Happy Birthday: Freddy Freeman

  • Uncategorized
  • May 7, 2008

captain-marvel-jr-01-9856322Frederic Christopher “Freddy” Freeman was born and raised in a small New England fishing village. His parents drowned in a storm, however, and Freddy was sent to live with his maternal grandfather Jacob in Fawcett City in the American Midwest. Freddy was smart, friendly and a natural athlete, and by high school he was not only a star student but also a top-notch athlete.

Then disaster struck. While fishing in Fawcett Bay, Freddy and his grandfather saw a man fall from the sky. They rescued the man, discovering too late that it was Captain Nazi, propelled into the water by one of Captain Marvel’s mighty blows. Coming to, the Nazi supervillain attacked his saviors. Captain Marvel intervened, drove Captain Nazi away, and rushed the two civilians to the hospital, but the damage was done—Jacob died and Freddy was in critical condition.

Desperate to make amends, Captain Marvel brought the injured Freddy to the wizard Shazam, who revealed that Captain Marvel could pass some of his own power along to the boy. Thus Freddy became Captain Marvel, Jr. and part of the Marvel Family.

In his mortal form, however, Freddy had a limp, a permanent reminder of what had happened to him.
More recently the wizard Shazam died and the laws of magic were rewritten. Billy Batson became Marvel, the new keeper of magic, and Freddy underwent a series of trials before becoming Shazam, the new champion of magic.

EZ Street: Opportunity Knocks

Is there a difference between being supportive and being co-dependent? Can a woman in a relationship with an artist get any respect? These are just a few of the questions raised in today’s brand-new episode of EZ Street, by Mark Wheatley and Robert Tinnell.

Credits: Mark Wheatley (Artist), Mark Wheatley (Colorist), Mark Wheatley (Letterer), Mark Wheatley (Writer), Mike Gold (Editor), Robert Tinnell (Writer)

More: EZ Street

 

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And the MTV Movie Award for Comic Books Goes To…

The annual MTV Movie Awards are pretty much the exact opposite of the Academy Awards. They’re funny and irreverant, the music’s decent and the voters are the public instead of an exclusive club of insiders. The categories change from year to year, and most importantly, comic book films actually manage to win on occasion.

So, when MTV announced the nominees for this year, I scanned the list for our four-color friends and called them out here. Some of the entries, though, were a bit surprising. After reading the nominees, be sure to go to the official site and cast your vote.

BEST FIGHT:

Alien vs Predator (Alien vs Predator: Requiem). Comic fans can claim this one since the two characters first crossed over in comics. I was impressed with Predator’s stirring emotional performance but it felt like Alien was playing it for the Academy.

Tobey Maguire vs James Franco (Spider-Man 3).  I was so rooting for the Peter Parker vs. Mary Jane dance-off getting nominated, but Parker’s fight with Harry Osborn/New Goblin was pretty cool, too.

BEST SUMMER MOVIE SO FAR:

Iron Man. This is an interesting category since most of the entries haven’t come out yet. But if we’re going to be true to the "so far" part, then yes, Iron Man wins. It’s a no-brainer at this point, really.

BEST VILLAIN:

Topher Grace (Spider-Man 3). This just makes me sad that the movie didn’t feature Spider-Man nemesis Venom a bit more instead of forcing him to share the spotlight with Sandman, a bad guy whose big exit involved crying and floating away.

The ‘Iron Man’ Merch: Where’s the Rum Gone?

There’s no denying that the Merry Marvel Marketing Machine went all out for Iron Man — to the tune of $75 million, in fact. From games and toys to Slurpee mugs, in the run-up to last week’s record-breaking release, it was difficult to go anywhere without being exposed to some sort of hype for Ol’ Shellhead.

Nevertheless, I’ll confess feeling a little old-school joy when I see some of the new movie merch making the rounds. Over at Cinematical, the movie blog’s crew posted a detailed look at one of the promotional Iron Man action figures they received a little while back, while EW’s PopWatch blog generated a bit of envy here at ComicMix with their treasure trove of Iron Man swag. Oh, and for the Iron Man completist, IGN posted a fairly comprehensive guide to the licensed Iron Man merchandise you can expect to see on shelves — at least until the collectors get their hands on them, that is.

As is often the case, however, my favorite piece of geekery fell a bit outside the range of mainstream Iron Man swag popping up around the InterWebs. In fact, it was something resembling love at first sight when I came across the Custom "Repulsive Iron Man" Marvel Legends Movie Figure seen here:

It’s a beauty, right? Not only is the figure packaged with a miniature bottle of Bacardi and a set of beer cans, but it also comes with a piece of original artwork by Shortpacked creator David Willis. It’s the perfect combination of comic in-joke and webcomic fun.

Check out the product pitch:

Decked out in sickly green metallics, inebriated shading, and vomitous brown highlights, Iron Man is loaded with disgusting detail. Load him up with the various miniature beer cans or his trusty bottle of Bacardi and he’s ready to battle the bad guys, just as long as you point him in the right direction first!

So, yeah… It’s too bad the auction ended last week. That would have been $152.51 well spent.

Review: ‘Mome’ Vol. 11

The image at right isn’t the cover of the latest MOME ($14.99), Fantagraphics’ collection of vignettes from various cartoonists. That’s because the actual cover features full male nudity and a body gushing blood.

As much as that might create a challenge for the volume’s shelf presence, it sets a fitting tone for the stories within, all beautifully illustrated pieces that are in turn harsh, ugly, violent, depressing and hilarious.

The best of the lot is "Einmal Ist Keinmal," a wordless story from French cartoonist Killoffer (that’s his work at right, though not a page from MOME). His two-tone work, reminiscent of Jaime Hernandez’s art, elegantly portrays the life of a woman living in a world where all men literally look the same, featuring the grim, Cro Magnon-ish visage that Killoffer uses to represent himself. It’s a story that begs for repeated readings to decipher the author’s thoughts on the ugly side of masculinity.

The 20 other pieces are an assortment of new chapters in continuing stories, standalone pieces and a lengthy Gary Groth interview with Ray Fenwick (a must read for those interested in typography). Tom Kaczynski crafts a mournful diatribe against new age businesses and Nate Neal weaves a bizarre tapestry of cartoon oddity, among other highlights.

This is one of the more cohesive and consistent volumes of MOME, with a handful of great pieces and no weak links. Recommended reading, at least for those who like their comics with a nasty edge.

What I Can’t Write About, by Elayne Riggs

So last week my column was criticized for not being primarily about comics, the same day that my fellow columnist John Ostrander got over a dozen comments writing about politics, not one of which queried the appropriateness of his subject matter. Obviously people who have written and drawn comics for a living (Denny, Michael, etc.) can get a little more slack than someone who’s only ever written four comic book stories and had them all published. Not that I’m bitter! Oh no, indeedy; I’m actually grateful those critiques have given me fodder for this week’s column!

As I mentioned in my reply to this criticism, I understand some readers’ frustration with me not writing about comics more often. Even my mom asks me why I don’t focus on comics more often, and she doesn’t even read the stuff! But after all, ComicMix is a pop-culture site dominated by people heavily invested in the artform. Heck, that’s what CM 2.0 is all about, giving our readers original comics content. And we haven’t yet introduced a separate tab for our columns to distinguish them from our regular pop-culture news, so it’s probably reasonable to expect that we columnists will focus on comics as much as our news reporters do. And I love reading comics, but… but…

But nowadays, when I talk about my favorite reading material and hobby and community, I can usually only discuss what’s happened recently, not what’s going to happen in the near future or even Right This Very Week. As many of you know, this wasn’t always the case. About 10-15 years ago I did weekly comic book reviews on Usenet and CompuServe under the header "Pen-Elayne For Your Thoughts." I’d get the books on a Wednesday and most of the reviews would be up by Friday. My job at the time allowed me to do this, I was being somewhat under-used (technology and outsourcing would eliminate that position in ’97) and I had plenty of energy when I got home. Then I got a new job which proceeded to harness a lot of that energy, so the reviews had to go, I just couldn’t keep them up any more.

When I married Robin, I stopped buying most DC books the week they hit the stores, because as a regular freelancer for DC he receives a comp box each month of all the "pamphlets" they put out. For a time the comps were usually current to within a couple weeks of what was in the stores, so I could still keep up as plot discussions moved from Usenet to message boards. But by the time blogs became big, the synching had fallen a bit behind. (The new comp box arrived at our house on Monday, and I now have all the Countdown issues up until "04," when of course the current big discussion is about the final issue.

I also now have the first issue of Tangent: Superman’s Reign so I can finally read issue #2 which Robin inked and which came out in stores the Wednesday prior to the NY Comic Con. Just to give you an idea of the lag time here.) Four years ago, when my boss moved the office out to Westchester, my weekly visits to Midtown Comics to view the new books and collect my non-DC haul became an every other (or every third) week mail order. And because I no longer had the new comics when most of the active online discussions took place, I could no longer participate. By the time I acquire and read the book featuring the return of Barry Allen, or the mostly-Spanish issue of Blue Beetle that has this xenophobe’s drawers in a bunch, it will be well into June and everyone will have long since moved on. (more…)

Review: ‘Willie & Joe: The War Years’ by Bill Mauldin

  • Uncategorized
  • May 6, 2008

In the new massive two-volume set Willie & Joe: The War Years, Bill Mauldin’s World War II cartoons are given a deluxe treatment, from the Army-green canvas covers to the oversized printing of Mauldin’s voluminous output.

The only thing publisher Fantagraphics couldn’t overcome in producing the book was the rough condition of much of Mauldin’s cartoons depicting the life of soldiers. As much as that might seem a drawback, editor Todd DePastino turns it into one more thing to appreciate about Mauldin: His cartoons often suffered because the young soldier/illustrator created them on the front lines.

It’s a truly beautiful collection, and one befitting the legacy of Mauldin, who died in 2003 (I reviewed DePastino’s biography of Mauldin right here). The first volume picks up with Mauldin’s first cartoons in a school paper (DePastino faced the tough challenge of tracking down all of Mauldin’s published work), then transitions to his time in the Army, first in Oklahoma and then overseas.

Through the cartoons (and DePastino’s well researched notes), we can see Mauldin grow as an artist, a person and a soldier. His first cartoons offered harsh stereotypes of Native Americans, but after Mauldin served with a largely Cherokee unit, his lasting desire for equality began to come to the fore.

(more…)

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