Monthly Archive: June 2008

Happy Birthday: Carter Hall

flash-comics-091-6295107Carter Hall was an American archaeologist with a particular interest in Egyptian history and relics. He was on a dig in 1940 when he discovered an ancient knife that the priest Hath-Set had used to murder Prince Khufu and his royal consort Chay-ara. Upon touching the knife Hall gained the memories of Khufu, discovering that he was the ancient prince reincarnated. Hall used the rare Nth metal to create a belt that allowed him to fly, and then crafted a winged costume so that he could confront Hath-Set’s reincarnation, Anton Hastor, as Hawkman.

Hall also encountered a woman named Shiera Saunders and recognized her as his reincarnated love Chay-ara. Hall became a member of the Justice Society of America and later its chairman. Shiera joined the team as well, using an Nth metal belt and wings of her own and adopting the guise of Hawkgirl. They put away their costumes for much of the 1950s after refusing to divulge their true identities to the Join Congressional Un-American Activities Committee, but returned in the early 1960s and restore the JSA to active duty. Hall and Saunders married and had a son, Hector Hall, who would become a hero in his own right years later. Ultimately Hall’s soul and consciousness merged with that of Shiera, his successor Katar Hol, and the hawk god, but the merge caused Hall to lose his sanity and his friends were forced to banish him to limbo. Years later he was restored to life by Thanagarian priests, and eventually returned to Earth and to the JSA.

ComicMix Columns for the Week Ending June 1, 2008

As readers doubtless have noticed, we’ve been adding a lot of regular features to ComicMix in addition to our columnists.  So it’s time to add Van’s Weekly Haul comic reviews to our rotation!  Here’s what we’ve done for you this past week:

In addition, here’s the listing of all the ComicMix Six fun we’ve come up with so far:

  1. April 2: Alan KistlerWorst Moments in Skrull ‘Invasion’ History
  2. April 9: Alan KistlerWhy Marvel’s ‘Secret Wars’ Was Better Than ‘Civil War’
  3. April 17: Martha ThomasesTop Political Campaigns in Comics
  4. April 24: Alan KistlerThe Worst Superhero Names in Comics
  5. May 6: Chris UllrichThe Worst Movies Adapted from Comic Books
  6. May 14: Alan KistlerThe Worst Supervillain Names in Comics
  7. May 21: Chris UllrichThe Best Movies Adapted from Comic Books
  8. May 28: Martha ThomasesBiggest Tease in Comics (Male)

And with that, we bid our numbering goodbye!  Next week we’ll start adding in our Doctor Who and Battlestar Galactica reviews (from Rick Marshall and Chris Ullrich respectively) to the roundup…

The Simpsons Meet Dragonball?

To be filed under "I Don’t Know Where It Came From But I Like It," this image of characters from the popular Dragonball anime and manga series (and upcoming live-action film) drawn up a la The Simpsons recently popped up on the InterWebs.

While it’s safe to assume Simpsons creator Matt Groenig had no hand in the creation of this piece, it’s nice to see that the "Simpsonizing" thing is still going strong.

I’ve posted a larger version of the image after the jump.

Oh, and read our past coverage of the Dragonball live-action film here. (more…)

EZ Street: The Soundtrack

Comics pro Mark Wheatley is already known for his work on series like Breathtaker, Frankenstein Mobster and his current ongoing series EZ Street here on ComicMix, but many readers might not be as familiar with Wheatley’s other creative outlet: music.

The talented writer/artist recently directed me to a batch of songs he’s written (and in most cases, performed all by his lonesome), including the theme song to his Insight Studios series Radical Dreamer and both a theme song and songlist for several episodes of EZ Street.

According to Wheatley, the theme song for EZ Street recently climbed as high as #25 in the Top 100 (of more than 13,000) Progressive Rock songs on SoundClick, the musician site hosting the tracks.

You can listen to EZ Street by pressing the "Play" button on the widget below:

 

 

You can also view the rest of Wheatley’s songs on SoundClick by clicking here, and if you’re interested in pairing the music with a few episodes of the series that inspired them, visit our EZ Street archive found here.

For those interested in the lyrics to the EZ Street theme song, Wheatley has provided them after the jump: (more…)

An Unprecedented Perspective on Edgar G. Ulmer, by Michael H. Price

detour-lobby-card-6176778I had mentioned Edgar G. Ulmer, the Grey Eminence of Old Hollywood’s Poverty Row sector, in last week’s column, attempting to draw a thematic similarity between Ulmer’s most vivid example of low-budget film noir, 1945’s Detour, and a newly opening picture called Stuck, from the dramatist-turned-filmmaker Stuart Gordon. The cause-and-effect response here was an urge to take a fresh look at Detour. Right about that time, the mail brought a copy of Gary D. Rhodes’ new book, Edgar G. Ulmer: Detour on Poverty Row (Lexington Books; $85).

Gary Rhodes is a colleague of long standing, a filmmaker, educator and journalist whose work has intersected with mine on several fronts. Such Rhodes volumes as White Zombie: Anatomy of a Horror Film and Horror at the Drive-In relate strategically to the Forgotten Horrors books that George E. Turner and I originated during the 1970s, and Gary and I have long acknowledged a shared interest in Ulmer (1904-1972) as a talent essential to any understanding of maverick moviemaking.

With Edgar G. Ulmer: Detour on Poverty Row, Rhodes takes that interest to an unprecedented extent. Editor Rhodes and a well-chosen crew of contributing writers consider Ulmer in light of not only his breakthrough film, 1934’s The Black Cat at big-time Universal Pictures, or such finery-on-a-budget exercises as Bluebeard (1944) and Detour (1945), but also Ulmer’s tangled path through such arenas as sex-hygiene exploitation films (1933’s Damaged Lives), Yiddish-language pieces (1937’s Green Fields), well-financed symphonic soap opera (1947’s Carnegie Hall), and ostensible schlock for the drive-in theatres (1957’s Daughter of Dr. Jekyll).

(more…)