2008 Hugo Award winners
The 2008 Hugo Awards were given out last night at Denvention, this year’s World Science Fiction Convention, a.k.a. WorldCon. The Master of Ceremony was Wil McCarthy. The winners are (cue the drum roll) …
The 2008 Hugo Awards were given out last night at Denvention, this year’s World Science Fiction Convention, a.k.a. WorldCon. The Master of Ceremony was Wil McCarthy. The winners are (cue the drum roll) …
Since the birth of Tim Burton’s movie Batman in 1989, there has been a video game tie-in with every incarnation of the Batman film franchise. So why is it that we haven’t seen one for one of the most popular (and profitable) films for the character, if not for comic book films in general? It’s not as if there wasn’t a plan for a digitized Batman during the film’s production. Game publisher Electronic Arts had the rights to make a game for the Dark Knight film, according to an unnamed developer for the EA-owned Pandemic Studios. Speculation says that the lack of a game caused up to $100 million in missing sales, and would be the first time that the caped crusader didn’t have a game.
Pretty soon, this is going to turn into a review of Dark Horse’s [[[Creepy Archives Volume 1]]]. Hang in there; I’ll get to it, I promise.
I miss Archie Goodwin, particularly this time of year. He died 10 years ago from cancer at the ridiculously young age of 60. He was one of the best writers this medium has ever seen. In a field that sports the talents of Harvey Kurtzman, Will Eisner, Jules Feiffer, and Dennis O’Neil, Archie was of that highest caliber. If Archie ghosted bible tracks for Jack Chick, I would have read them. He was that good.
As a human being, he was even better. A life-long EC Comics fan (you could see it in his work, as well as in those with whom he chose to associate), for a couple years Archie and I had adjoining offices at DC Comics. We used to go out to lunch and talk about, oh, [[[Tales From The Crypt]]] and Ronald Reagan. Did I mention Archie was very politically aware? Read his [[[Blazing Combat]]] stories. Anyway, sometimes our conversations scared the Manhattan businessmen who sat near us.
Archie enjoyed that. I enjoyed those conversations immensely; I wish I could relive them.
So why do miss Archie “particularly this time of year”? This is convention season. No matter where we were, we would run into each other a couple times each year at various airport gates. He could be leaving from New York and I from Chicago and we’d run into each other on connecting flights in Denver. We could both be at a show in, oh, his native Kansas City and we could be flying to two different places, but we’d still share the first leg of our respective flights. At first it was uncanny; quickly, it became another fact of life.
I haven’t met all 6,500,000,000 people on this planet, but based upon my unscientific sampling I can state with complete confidence that there are few people with greater wit, charm, and intelligence. So there.
This brings us to Dark Horse’s Creepy Archives Volume 1. Archie started writing for Jim Warren’s Creepy with the first issue; by issue two he was story editor and issue four he was the sole credited editor. He wrote most of the stories and, therefore, did a lot to define the 1960s horror story while working with a lot of EC greats like Reed Crandall, Jack Davis, Al Williamson, Alex Toth, George Evans, Joe Orlando, Wally Wood and Frank Frazetta. As time progressed, he added younger talent like Gray Morrow, Neal Adams, and Steve Ditko.
Our exclusive talk with the creative minds at BBC Television continues with Julie Gardner, executive producer of all things Doctor Who as she talks about her next career move and the reasoning behind next years shortened season for Torchwood, plus:
And for another Torchwood scoop, check out this earlier article. Meanwhile, there is lots to cover here so buckle up and Press the Button!
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The perfect trifecta of living comic book legends – Neal Adams, Joe Kubert, and Stan Lee – have come to the aid of Nazi concentration camp survivor and animator Dina Gottlieboa Babbit in her fight to retrieve her long stolen artwork from a Polish museum.
According to today’s New York Times, Ms. Babbit survived two years at the infamous Auschwitz Polish concentration camp by painting watercolor portraits for the notorious butcher of Aushwitz, Dr. Josef Mengele. Many of these paintings are in the possession of the Aushwitz-Birkenau Memorial and Museum; as her work, Ms. Babbit claims ownership and has long demanded its return. The Museum has refused, and Neal, Joe and Stan have taken up the effort.
To help raise awareness, Neal teamed up with Rafael Medoff, the director of the David S. Wyman Institute for Holocaust Studies, to produce a six page comics story detailing the situation. The story was inked – in part – by Joe and sports an introduction from Stan.
They are presently looking for a publisher.
Since her liberation, Ms. Babbit had worked as an animator for Jay Ward Productions, Warner Bros. Animation, and MGM.
If you’ve grown tired of watching that bootleg copy of Iron Man that you’ve crammed onto your iPod/iPhone, then you will be happy to know that details of the Iron Man DVD release are now available for you to drool over.
Torchwood will be retuning to the airwaves next month in a somewhat unique fashion, according to the good folks at Outpost Gallifrey.
BBC Radio 4 will be broadcasting an original 45 minute full-cast radio drama, Lost Souls, on Wednesday September 10 at 9:15 Eastern Daylight Time. The story is set right after Exit Wounds, the season two finale, and deals with the events of that traumatic episode. Therefore, you might not want to hear the show until you’ve seen the second season.
Torchwood regulars John Barrowman, Eve Myles and Gareth David-Lloyd will be starring in the broadcast along with Doctor Who regular (and Torchwood guest star) Freema Agyman. The show was written by Joseph Lidster.
BBC Radio 4 can be accessed online right here. There’s no word yet on its availability through BBC Radio as part of their podcast programming.
Ugly Hill‘s Paul Southworth kicked off his comic-within-a-comic SasqWatch 2813 this week, and as Gary Tyrrell points out over at Fleen, this sort of storyline/plot point has spawned a successful spin-off or two in the past. Now’s your chance to read it before it got too big for its own good.
Owch! Just in case you missed it, Jeffrey Rowland (Overcompensating, Wigu) appears seems to have some fond memories of Connecticon — specifically, the Ctrl+Alt+Del crew.
For this week’s webcomic creator interview, I spoke with Moresukine‘s Dirk Schwieger about Japanese biker gangs, swordsmithing and invisible people in Iceland. Now that is a pitch!
If you’re hanging around the Beverly Hills area this weekend (and really, who isn’t doing that these days), Sheldon creator Dave Kellett will be holding court at a local lounge in honor of the release of his latest print collection, Pugs: God’s Little Weirdos. The book will feature a collection of pug-themed strips from Kellett’s popular webcomic, and the event kicks off at 7 PM on August 10. But wait, there’s more!
I’ll be putting free, personalized sketches in pug books all night long…and handin’ out high-fives at near rock-bottom prices. This is the night for such things, my friends.
And because this book is so specifically themed around pugs, we’re giving 10% of all the night’s sales to the LA Society for the Prevention of Cruelty to Animals. They’ll be on-hand that night, so feel free to give them a high-five as well — they deserve it.
The month of July was a veritable traveling sideshow for me. Between professional obligations and family emergencies, I barely saw my husband … and my kitty even less. I’ve had to seek out new, ever more tantalizing kinds of cat food for her to tolerate my continued presence in our home.
All of this makes me think of Superman.
When John Byrne relaunched the series, there was a lot of talk about Superman being not just the Last Son of Krypton, but the last Kryptonian. That didn’t last very long, and today we have remnants of the old continuity, with Supergirl and the Phantom Zone and the Bottled City of Kandor.
I like that Superman, but he’s not the character with whom I grew up. My Superman is the pre-Crisis version, the one published from the late 1950s up to the Byrne reboot. Sent to Earth shortly after his birth, his memories of Krypton are vivid but brief. He was already a toddler when the Kents found him in that field in Kansas.
Maybe it was because the character had been around for such a long time, and the creative teams were having trouble coming up with new ideas for stories, but there is a certain melancholy about the Man of Steel in that era. Kal-El had huge responsibilities, and no one close to him. His parents died with his planet; his foster-parents died before he left for Metropolis. He was afraid to commit to the women he loved, not because of anything as terrestrial as a fear of close relationships, but because he was afraid he’d put them in danger. Even his own cousin, who could have been a close confidante, was kept at arm’s length so he could train her to protect their adopted home.
This is the Superman who needed a Fortress of Solitude, where he could escape, at least for a while, the cries for help that flooded his every waking moment. Amid the cold from the top of world, he could conduct experiments, write to his intergalactic pen-pals, and build enormous monuments to his dead parents. (more…)
The collection of posts that may not warrant a full entry of their own. Excelsio — er, onward and upward:
Billionaire financier Ronald O. Perelman has agreed pay $80 million to settle a lawsuit accusing him of helping to divert $553.5 million in notes when he controlled Marvel. I’ll do a better run-down of the financials after I have a chance to slog through them. Ironically, Perelman had always wanted to turn Marvel into an intellectual property powerhouse in the mold of Disney, but it only happened after he drove Marvel into bankruptcy and bolted.
And speaking of legal matters, Gordon vs. Gordon. It’s a shame when things go bad. I wonder what will happen at the custody hearings.
And speaking of Gotham City going-ons (what a segue!) somebody else has built a working Tumbler. No word on what else he keeps in his basement or his belfry.
Don Heck’s Lovecraft work to finally see the light of day. Ai! Ai! P’tagh i’dw ryall!
Tom Brevoort is attempting to take over DC Comics. Watch out, Paul…
And just because some of you might want to know how to give yourself pointed ears… well, here you are. We’re not responsible for any pon farr, though.