Monthly Archive: October 2008

Ridley Scott Goes to ‘War’

Variety reports that director Ridley Scott will helm The Forever War, based on Joe Haldeman’s 1974 novel of the same name. The film will be Scott’s first foray into science fiction since Alien and Blade Runner.

Scott admits that he intended to film The Forever War nearly, well, forever ago.

"I first pursued Forever War 25 years ago, and the book has only grown more timely and relevant since," said Scott.

"It’s a science-fiction epic," he continued, "a bit of The Odyssey by way of Blade Runner, built upon a brilliant, disorienting premise."

The novel’s plot centers on "a soldier who battles an enemy in deep space for only a few months, only to return home to a planet he doesn’t recognize some 20 years later." Forever Free and Forever Peace were two other novels set in the the same reality in addition to the novella A Separate War. The novel has also been adapted into a three-volume graphic novel by the Belgian comics creator Marvano which saw an English edition years ago.

The Forever War has been in development for, you guessed it, forever. Shortly after the novel’s publication, Richard Edlund picked up the rights to the film with the intention of making it his directorial debut. When the film never entered production, the Sci Fi Channel attempted a miniseries that also hit a stalemate. Scott eventually secured the rights, and the film will now be produced by Scott Free with executive producers Vince Gerardis and Ralph Vicinanza, whose company Created By represents Haldeman.

Ridley Scott himself has a project slate that extends from now until, that’s right, forever. The director is set to helm Nottingham starring Russell Crowe as both Robin Hood and the Sheriff of Nottingham. He also was recently attached to an adaptation of Aldous Huxley’s Brave New World, which would have marked his first science fiction film in over three decades had The Forever War fallen through. Scott is also circling Child 44 and Gucci. His latest film, Body of Lies, debuted last Friday to unexpectedly poor box office numbers.

On a side note, check out the cover to The Forever War. Doesn’t that look exactly like Benicio Del Toro? While it’s too early to talk about casting, who wouldn’t want to see good ol’ BDT in a space odyssey?

Review: ‘Dexter’ Episode #303

Note: Click here for last week’s victim!

The Crime Scene: "The Lion Sleeps Tonight"
From Showtime: "While grocery shopping with Rita and the kids, Dexter comes across a fellow predator. But this one is a pedophile. After the pedophile is seen talking with Astor, Dexter must decide if he fits The Code. Meanwhile, Debra has a new homicide to solve, a mysteriously skinned Jane Doe that they like Freebo for. But Dexter knows that Freebo is not the culprit, so he must find a way to help Debra identify their murder victim, thus proving that Freebo didn’t do the crime. While doing this, Dexter learns that Miguel Prado wants Dexter to be his friend. But just how smart is it for Dexter, a serial killer, to befriend an Assistant District Attorney?"

Blood Spatter Analysis
In the season’s third installment, "The Lion Sleeps Tonight," Dexter continues to explore his impending role as a father while dealing with the ramifications of murdering Freebo, the man Miguel Prado believes to have killed his younger brother. Miguel, who doesn’t know that Dexter is the true culprit, witnessed the aftermath of our hero’s killing of Freebo in the previous episode, and was shockingly happy about Dexter’s actions. Complications continue as Miguel pushes his way deeper into Dexter’s life, swearing that the killing of Freebo is a favor that will "never be forgotten." (more…)

Seven Doctors, No Waiting

We mentioned a rumor that the annual BBC charity special for Children in Need this year might feature a reunion of previous doctors along with the current Doctor, David Tennant.  Now London’s Telegraph is report that the seven surviving actors who have played the Doctor will be reunited for the special, to air November 14.

An insider at the BBC told the paper, "It’s a pretty ambitious idea and it’s still being finalized. Everything is being kept under wraps but Doctor Who fans are in for a big treat."

The Doctor has been seen on the special for the last several years and the producers have carefully woven his short escapade into the current dramatic series continuity.  Last year, for example, saw Peter Davison meet Tennant.

Reportedly joining those two will be Tom Baker, Colin Baker, Sylvester McCoy, Paul McGann and Tennant’s predecessor in the current revival, Christopher Eccleston.

The first trio of performers to essay the role — William Hartnell, Patrick Troughton, and Jon Pertwee – have all passed away.

Davison’s daughter, Georgia Moffett, has been seen on the current series and is currently dating Tennant.

In related news, Tennant and his most recent companion, played by Donna Tate, have been nominated for the National Television Awards’ Outstanding Drama Performance. Tennant has won twice before and will go head-to-head with Tate who played Donna Nobel.  There’ll be no Doctor Donna winner in this, the first time male and female stars will compete in the same category. The Doctor Who stars face competition from Ashes to Ashes’ Philip Glenister and The Bill’s Alex Walkinshaw.
 

New ‘Punisher: War Zone’ Clip Premieres Online

An exclusive clip has premiered over at the newly launched official Web site for Punisher: War Zone. The video, which launches automatically on the site’s homepage, begins with an introduction from the film’s director, Lexi Alexander.

Shot at the editing bay for War Zone, Alexander states in the video that she’s "very excited about [the film], and I wanted to personally thank you for your positive reinforcement and your commitment to Frank Castle and his mythology."

"I’m happy to report that we have a great movie coming December 5th," she concludes.

This marks Alexander’s first appearance affiliated with Punisher: War Zone since the reportedly ugly departure between the director and Lionsgate, the studio behind the film. It’s unclear from the video whether Alexander and the studio have put aside their differences or if this introduction was filmed prior to the rift announced in July.

The clip itself does a good job of showing why War Zone earned an R rating, though there are no heads exploding like so much watermelon in this exclusive footage. In the clip, Frank Castle surgically removes several armed threats in an unspecified building, dispatching his enemies as only the Punisher can.

Punisher: War Zone focuses on vigilante Frank Castle’s one-man war on crime and his eventual showdown with the immeasurably maniacal Jigsaw. The film stars Ray Stevenson, Dominic West, Julie Benz and Wayne Knight. Lexi Alexander directs the feature.

Spinner Rack Blues, by Mike Gold

“Ah, you kids today, you’ve got it easy.”

I’m sure over the past several million years that line started more lectures than all the speed freak professors at all the Ivy League schools combined. It also inspired more than a few comedy routines, too, including a classic from Monty Python. But when it comes to comics, you kids today, you’ve got it easy – if you’re lucky enough to live within travelling distance of a friendly neighborhood comic book store.

For the first 40 years of this medium’s history (much longer for Archie Comics), comic book sales were dependent upon spinner racks like the one pictured above. They appeared at local candy stores, drug stores, toy stores, newsstands, train and bus stations, and even some grocery stores. They were low-profit, high-labor efforts that gave parents some place to park the kiddies while they were buying cigarettes and Sal Hepatica.

As comics fans, we rarely had any idea when new issues would appear and we hardly ever knew when brand-new titles would pop up.  A handful would be advertised within the comics themselves, but the on sale date wasn’t necessarily accurate. Distributors received the books two to three weeks prior to release date, and sometimes would pass some of them along early if there was space on the truck. Or if there wasn’t, sometimes not at all. Some stores never received books from certain publishers: Harvey and Charlton were particularly difficult to find in my neighborhood.

But for the dedicated comic book collector, it was a way of life. Every Tuesday and Thursday, I’d be at the drug store across from my grammar school with my lunch money in hand. Every weekend, my friends and I would walk one mile down Chicago’s Devon Avenue from Kedzie to Western, stopping at seven different stores that carried comics. Oh we did a lot of other, more annoying stuff as well, but we never passed a spinner rack up. (more…)

Juan Antonio Bayona Turns into ‘Hater’

One film Guillermo del Toro will not be directing for Universal is the adaptation of Hater, the film he will produce with Mark Johnson. Instead, Variety reports that Juan Antonio Bayona has been signed to direct the movie based on David Moody’s thriller and adapted to the screen b Glen Mazzara (The Shield).

Bayona is best known for The Orphanage, which del Toro also produced, and this will be his English-language debut.

"I like the idea of a movie that talks about the state of fear we live in nowadays," Bayona told  Variety.

The novel and screenplay tells of people suddenly committing random acts of violence with no provocation. “What I loved about Hater is it recognizes the reality that we live in, where it is incredibly easy to polarize, to hate for gender, race, age,” del Toro told the trade over the summer.

ComicMix Columns and Features for the Week Ending October 12, 2008

It’s been a frustrating week for those of us with Bloglines, as new ComicMix items haven’t shown up since last Tuesday.   Our news and comic alert feeds are two of the 50+ subscriptions not being updated on my reader at present.  While this may make getting through unread blogs easier, it also necessitates lots of click-throughs, so our thanks to the folks who’ve been doing that and others who’ve caught us via other RSS feeds!  In case you missed anything, here’s what our regular columnists have provided you this past week:

Welcome to new columnist and all-around great guy Dave Gallaher!  Now come on, Bloglines, get that plumber fixing your wonky feeds!

Pink Panther, Collected and Reimagined

Pink Panther & Pals will be a new 26-episode animated series for the Cartoon Network, airing in fall 2009.  The deal between Turner Broadcasting and MGM Worldwide Television sees production in Los Angeles and Amman, Jordan, jointly produced by MGM and Jordan-based Rubicon according to The Hollywood Reporter.

The new half-hour series will depict a teenage Pink Panther as he and his peers get into all sorts of trouble. Ant and Aardvark will be back in addition to new characters. The Henry Mancini musical score and comedy themes will be reprised since after all, that’s what we all love best about the property.

"The character is drawn a little younger to depict the Pink Panther as a teenager, although he will be instantly recognizable with his signature walk and devil-may-care attitude," executive producer David Corbett told the paper.

Meantime, TV on DVD is reporting that The Pink Panther and Friends Classic Cartoon Collection will be out January 27, 2009. All nine volumes of Pink Panther shorts, totaling 190, will be collected for the first time for a retail price of $69.98.  For live action fans, MGM will be releasing The Pink Panther Ultimate Collection on November 25. The box set will contain the live action Inspector Clouseau films (including 2006’s Steve Martin rendition), in addition to the nine volumes animated theatrical shorts.

The animated volumes not only include The Pink Panther series of shorts, but also The Ant and the Aardvark, The Inspector, and Roland and Ratfink. The collection also includes Jerry Beck’s Pink Panther, The Ultimate Guide to the Coolest Cat in Town! The collection will retail for $199.98.
 

Review: ‘Beauty and the Beast’ The Complete Series

batb-s1-3-dvd-front-3128808In 1987, television was evolving.  Thanks to [[[Hill Street Blues]]], the way dramatic stories were presented became more complex, the storytelling more diverse and the stories more compressed. The subject matter was also starting to broaden, moving beyond cops, lawyers and doctors.  It was just before the SF wave kicked off with [[[Star Trek: The Next Generation]]] but that didn’t stop CBS from trying something a little different.

On a Friday night, September 25, 1987, audiences were treated to a different look at the classic [[[Beauty and the Beast]]] tale.  The series starred Ron Perlman as Vincent, the beast, a mutant of some sort, who comes to the rescue of Linda Hamilton’s Catherine, a rich girl turned assistant district attorney.  Their connection became the stuff of fairy tale and from that pilot episode, their fates became inextricable.

It had all the lush romance of a Harlequin book and the action to keep spouses by their side.  The series had its ups and downs, making a star out of Hamilton who left the series after just two seasons, derailing the eternal romance. Jo Anderson was brought in for the third season but that, coupled with CBS’s insistence on increased action for the males, hurt and the series came to an end in January 1990 (although the final two were run that summer).  Its 56 episodes remain a testament to the creative vision of creator Ron Koslow and fantasist George R.R. Martin who wound up penning 13 of the episodes.

Paramount Home Video has released a 16-disc box set of the complete series and it shows its age.  Beauty and the Beast has the look and feel of the 1980s without fully embracing the changing storytelling in television. The storytelling is slow, almost plodding at times, and each week they seemed to focus on some new social ill without really offering long-term solutions.  The threats were fairly standard stuff for the most part, intertwined with the poetry between the characters.  Complete with lush music, long, lingering gazes into character’s eyes, it was truly a romance novel brought to the screen.

(more…)

Alan Ball Talks ‘True Blood’

trueblood-3179885Director Alan Ball spoke with Moviehole about the reaction to his adaptation of True Blood, now about halfway through its first season on HBO.

He was drawn to the book series because it “seems like such an original mix. There’s so much in there that I really enjoyed. There’s a gothic-romance element, and I probably wouldn’t have enjoyed it if that’s all it had been about, but there was also sex, violence and this serial murderer, all set in this crazy world where vampires are struggling for equal rights. And then there’s this cliffhanger old Saturday-afternoon matinee feel. It’s just really, really fun to work on.”

The show, recently picked up for a second season, stars Anna Paquin as a telepath in a small southern town who develops a relationship with a vampire who recently moved in nearby.

“She’s good casting,” he said. “Thank god she wanted to do TV! When the casting director said ‘Are you interested in Anna Paquin?’ I shot back ‘Well, yeah, but is she interested in this?’ She says ‘Yeah, she is’. Anna pursued this role, and thank god she did because… she really gives the show heart… soul. It’s a great cast, lets not discount anyone else in the cast, but playing someone whose been hearing someone else’s thoughts their entire life isn’t easy – and she makes it look easy.”

His adaptation of Towelhead is currently in theaters, having received largely negative reviews and he’s now at work on the second season. “I’m working with the writers on Monday. And I have two screenplays that I’ve written over the years, both original, that I may do. I think I’d like to direct one and I think I’d like to produce one. I’m playing with the idea of becoming a production company. But there’s nothing definite on the horizon besides True Blood.”

He added that actors he’s worked with elsewhere will be found on the series including Towelhead’s Lena Collins and Six Feet Under’s Chris Messina. “I tend to do that – work with actors again, especially if I feel they’re really good and are a pleasure to work with. If something is right for them, I’ll look them up.”

As for the future, he said, “I’ve found that after Six Feet Under, and now Towelhead, that the things I’m not drawn to seem to be genre – which was never the case for me before. I certainly have ideas for films that seem to be more science-fiction – that’s the label that best describes them – even though these two new scripts I’ve written both take place in the real world, one being a period piece. In terms of what I’m reading, and are interested in though, I sort of feel like I’ve had my fill of angst.”