Monthly Archive: October 2008

Snyder & Gibbons Show off ‘Watchmen’

Warner Bros. is doing a tremendous amount of early publicity for March 6’s Watchmen release.  They have dispatcheddirector Zack Snyder on tour, showing clips to the press and other parties first in London then last week in Los Angeles and last night in Manhattan.  He and the clips will continue their tour to Europe and Asia in the coming weeks.

DC Comics President and Publisher Paul Levitz kicked off the festivities by reminiscing about the days when pages for the comic would arrive from England.  “It was an amazing book. We’d be waiting expectantly for the next batch of pages.”

He noted it was the first time in the company history a film option had been sold before the final issue had seen print. The series has continued to perform miraculous feats with Levitz going on to say that the company has sold more copies of the trade paperback since the trailer was unveiled on July 18 than in the last seven years even though it has topped the graphic novel sales lists for each of those years.

He then introduced Snyder who, dressed in sweater and jeans, chatted up the rapt audience before screening the first 12 minutes of the film, complete with titles. “I’ve always been a fan,” he admitted.  “But I came from the Heavy Metal side.  My Mom, I had a strange Mom, who bought me a subscription.  She thought it was a cool looking magazine.”  When he looked at comic books of the time in comparison, he was disinterested because no one was “fucking or dying, why am I looking at this?”

The Watchmen, which he admitted had a little of each, changed that for him as a reader.  He never thought of it was a film until he was nearing the end of work on 300 and it was offered to him. Snyder then recounted his evolution with Warner Bros., which inherited the project from Paramount Pictures.  They saw it as a modern day take on terrorism and while he considered it, the more he looked at the David Hayter script and the original graphic novel, the more he thought it needed to remain faithful.  Slowly, he brought the studio around to his way of thinking while acknowledging the smash success of 300 by the time did not hurt his credibility.

After the opening sequence, he introduced the origin of Dr. Manhattan (Billy Crudup).  After the applause died down, he showed the final sequence which was Nite-Owl and Silk Spectre breaking Rorschach out of prison followed by some more quick clips, largely taken from the trailer. (more…)

Patrick Stewart May Make it So

patrick-2520stewart-1757524What was first discounted as a rumor has gained heft and may actually be a reality.  Actor Patrick Stewart may well be beaming aboard the TARDIS for the next season of Doctor Who.

According to a report in the UK’s Daily Star, Stewart has reportedly been offered the role of the Meddling Monk, a Time Lord once featured on the series. Apparently the BBC has offered him the role and are willing to wait for Stewart’s schedule to clear so it may happen for one of the 2009 specials or the new season beginning in 2010.

British fans have been treated to David Tennant, the current Doctor, and Stewart, formerly known as Captain Jean-Luc Picard, performing Hamlet together.  The two have become fast friends and Stewart is an avowed fan of the series.
   
The Monk was introduced as someone who encountered the first Doctor, back in the early 1960s.  As portrayed by Peter Butterworth, he was a comical fellow and appeared in two stories, “The Time Meddler” and “The Daleks’ Master”.  The character disappeared from screen but has been used in other media through the years.
 

Review: ‘Terminator: The Sarah Connor Chronicles’ Episode #205

Note: Click here to relive the past episode!

This Week’s Operation: “Goodbye To All That”

Mission Briefing
From Fox: John and Derek infiltrate a military academy in order to protect an integral member of the future resistance. Meanwhile, Weaver’s first assignment for Ellison takes an interesting turn of events when he discovers a specter from his own past.

Damage Analysis
“Goodbye To All That” marks the third episode in a row that has taken a cue from [[[Lost]]] with an emphasis on a character-centric rather than plot-driven episode. Not to say that this episode was poor necessarily, but once again, the driving story of Season Two is at a bit of a loss. There are some threads being tied together to weave some semblance of an underlying threat, such as Ellison’s building momentum and the bloody writing on the basement wall in Casa de Connor.

It’s the latter of those two that informs the main plot of this episode. A Terminator comes to town looking for Martin Bedell, a man who will grow up to become a key resistance fighter and personal ally of John’s. There are two potential targets, and the Connors divide themselves on gender lines. John and Derek pursue the Bedell currently at a military academy, which they learn of by deciphering one of the bloody messages on the wall. They then infiltrate the military school, posing as a student and as an instructor respectively. Right off the bat, there’s something inherently off about John and Derek being able to join the military school’s ranks so readily. You’d like to think that their application process for accepting students is a bit more rigorous than “Well, he’s a good kid, let’s give him a free three week trial,” but that’s what happens for John. And in Derek’s case, not much more than a “Hey, you look tough, we got an open instructor slot for a week and it’s all yours!” Kind of ridiculous.

The episode’s character-centric stuff stems from Derek, giving Brian Austin Green his first real moments to shine as an actor this season. He gets a lot of stuff to play with this round as certain sights and moments trigger memories of his from the future. There’s one particular moment that was very touching: Derek pauses in the woods while scoping out the military academy, and locks eyes with a deer. It was nice to think for a bit that the writers cared about this character enough to give this future man a moment where he’s out in nature, realizing just how much he’s lost in the war yet to come. Of course, the writers couldn’t maintain something that subtle, and later bring up that exact deer moment to say that Derek and his brother Kyle killed a deer once. Alas, such is [[[The Sarah Connor Chronicles]]].
 

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Woody Harrelson Defends us Against Zombies

So, Woody Harrelson has discovered genre filmmaking.  In addition to his super-hero film, Defendor, he is now making Zombieland, described as a horror/comedy by Columbia Pictures.  

Actor Jesse Eisenberg (The Squid and the Whale) is said to be negotiating to appear opposite the actor. According to The Hollywood Reporter,they would play “a mismatched pair of survivors who find friendship and redemption in a world overrun by zombies.”

 

Eisneberg’s character would be Flagstaff, described as “a terrified shut-in whose cowardice makes him an expert at surviving the zombies but who is forced out of his shell to join the band of survivors.

The movie is scheduled to be directed by Ruben Fleischer (Gumball 3000: Six Days in May) from a script by the Rhett Reese and Paul Wernick (The Joe Schmo Show)

Harrelson will first appear in Defendor, where he will be a normal guy who thinks he’s a super-hero complete with secret identity.  Kat Dennings (Nick & Norah’s Infinite Playlist) just joined the cast last week, playing a street kid Harrelson’s Arthur befriends.  Sandra Oh (Grey’s Anatomy) plays Arthur’s psychiatrist. The movie is written and helmed by Peter Stebbings (Across the River to Motor City) in his directorial debut.

Smoke Gets In Your Brain, by Dennis O’Neil

 

Smoke, smoke, smoke that cigarette / Puff, puff, puff until you smoke yourself to death. / Tell St. Peter at the Golden Gate / That you hate to make him wait, / but you just gotta have another cigarette. – Merle Travis 

I was getting ready to leave the office and walk over to NBC, where I planned to tape a reply to someone who had accused Batman of being in league with the Big Tobacco. It seems that in one panel Batman is standing on a roof, and in the background, on another roof, there was a billboard with a fragment of what might have been a cigarette ad visible. Our accuser said that putting Batman proximate to a cigarette image amounted to Batman – and his creators – endorsing tobacco products and advocating their use to children.

Well, no. Had I kept my rendezvous with the microphones and cameras, I would have probably observed that we agreed that smoking was bad and none of our characters ever actually smoked – Bruce Wayne abandoned his pipe early in his career – and, in fact, we had just done a pro bono anti-smoking ad for the American Heart Association. I might have taken my screed just a bit further and argued that we had always presented Batman’s turf as a realistic American city and – sorry! – urban areas are full of cigarette ads.

I didn’t have to do any of that. At the last moment, cooler heads prevailed and said that if I went on the air, our accuser would answer my answer and prolong the story’s life, whereas if we simply ignored it, the story would not survive into the next news cycle, which is exactly what happened.

One might ask why I allowed the billboard to appear in the first place. For the sake of realism? Or did I just miss it when I edited the artwork? Or did I see it and decide it wasn’t worth the hassle of a change? Humbling answer to all of the above: I don’t remember.

But this pretty inconsequential incident does raise another question: Where do the obligations of good citizenship and moral behavior end and the obligations to storytelling begin? Some kinds of people smoke and drink and take drugs and they’re not all hideous monsters, and some kids are influenced by what they experience through the media. I’ve heard recovering alcoholics say that the movie images of glamorous, witty sophisticates swilling booze prompted them to emulate the swillers and led, eventually, to badly damaged lives. But people do drink, and in a fictional world that mirrors the real one, shouldn’t drinkers – and smokers and druggies – be presented? Or does the potential harm of these behaviors outweigh aesthetic and narrative considerations?

I don’t know.

Sometimes, the coexistence of storytelling and responsible citizenship is painfully troubled, and sometimes I’m glad I no longer sit in an editor’s chair.

RECOMMENDED READING: The Courtier and the Heretic: Leibniz, Spinoza, and the Fate of God in the Modern World, By Matthew Stewart. 

Dennis O’Neil is an award-winning editor and writer of Batman, The Question, Iron Man, Green Lantern, Green Arrow, and The Shadow– among others – as well as many novels, stories and articles. The Question: Epitaph For A Hero, reprinting the third six issues of his classic series with artists Denys Cowan and Rick Magyar, will be on sale any minute now, and his novelization of the movie The Dark Knight is on sale right now. He’ll be taking another shot at the ol’ Bat in an upcoming story-arc, too.  

Artwork by Kim Roberson, from Underworld. 

McClammy Directing ‘Boldly Going Nowhere’

The director of almost softcore porn viral videos I’m F–king Matt Damon and I’m F–king Ben Affleck is set to tackle an all-new frontier: space.

According to The Hollywood Reporter, Wayne McClammy will direct Fox’s single-camera comedy pilot Boldly Going Nowhere. The series is a "high-concept comedy is about what happens day-to-day on an intergalactic spaceship helmed by a rogue captain." Sounds something like The Office in space.

Boldly Going Nowhere comes from It’s Always Sunny in Philadelphia masterminds Rob McElhenney, Charlie Day and Glenn Howerton. McElhenney acknowledges McClammy’s relative inexperience with studio projects, but still has full confidence in the director.

"He might not have a ton of experience, but he had a creative and specific vision for the look, the feel and the tone of the show and how he wants to shoot it," McElhenney said. "And he makes you laugh with what he’s does."

To frame it in contemporary political terms, one might say that McClammy is a Hollywood outsider; a maverick, if you will. Aside from the aforementioned viral videos, McClammy has directed episodes of The Sarah Silverman Program and some segments of The Jimmy Kimmel Show. Though the resume may be short, there’s no denying that McClammy can direct high profile actors, as seen in his star-studded work with Damon and Affleck, the former of which he recently earned an Emmy for.

Just don’t expect Boldly Going Nowhere to be a science fiction show — that’s not how the creators see it.

"What we’re really interested in is a different take, a new twist on the workplace comedy," says McElhenney. "We wanted to make sure it is relatable, it just happens to be set couple hundred years into the future."

Yep, definitely sounds like Dunder-Mifflin in space. Get Stephen Colbert on board as ship captain Tek Jansen and we’ll be completely sold.

Boldly Going Nowhere is based on an idea from Adam Stein. Rob McElhenney, Charlie Day, Glenn Howerton, Jonathan Goldstein, Michael Rotenberg and Nick Frenkel will serve as executive producers.

Marvin Media Adapts Paul Kanter

Another animation company has been formed as Marvin Gleicher, co-founder and former CEO of Worldwide Operations for Manga Entertainment, has opened Marvin Media. His first effort will be adapting Paul Kanter’s Floating Moon as a feature-length animated film.  It will be directed by Keiichi Sato (Wolf’s Rain) from Manabu Ishikawa’s screen adaptation. The movie can be expected in 2010. Kanter, founder of the Jefferson Airplane, wrote the ecological tale.

Marvin Media is also producing High Def, a comedy from Island Def Jam Music Group, which will be 26 half-hour episodes expected in late 2009.

Gleicher co-founded Manga Entertainment in 1994 and is behind the domestic success of Ghost in the Shell.
 

James Marsters Reads ‘The Dresden Files’

James Marsters has quite the fan following as an actor but also an equally loyal following as a reader of audio books.  The latter fans will be delighted to know that he has signed on to read the remaining six Harry Dresden novels by Jim Butcher.  These titles include Death Masks, Blood Rites, Dead Beat, Proven Guilty, White Night, and Turn Coat (to be released simultaneously with the hardcover due out in April 2009).

Death Masks will be released when Roc re-releases the book as a hardcover in November 2009. Blood Rites and Dead Beat can be expected when the hardcover reissue of Blood Rites is released in July 2010.

Butcher’s series about Dresden,  freelance wizrd/private investigator has been running for a decade or so now and was adapted as a one season Sci Fi Channel series.  The Dabel Brothers are also producing Dresden comic books and graphic novels, the firstof which will be reviewed here on Wednesday.

As a performer, he will next be seen in 2009’s Dragonball, the adaptation of the anime Dragonball Z.

Bryan Fuller Plans ‘Pushing Daisies’/’Wonderfalls’ Crossover

pushing-daisies-1497815Bryan Fuller knows well how regarded his quirky Wonderfalls series was.  The short-lived drama failed on Fox but he hasn’t forgotten his characters and told if Magazine that several will be back on ABC’s Pushing Daisies. The two are connected in his mind since the cancellation of the former allowed him to go on to the latter.

“Very bittersweet,” Fuller admitted, “because I loved [Wonderfalls] and the cast. So much so, that I had to do a Wonderfalls crossover in this season of Pushing Daisies. That happens in episode eight of the second season and I’m really excited about it.”

Fuller admitted the truncated first season, caused by the Writer’s Strike, actually allowed him to stop and rethink the series and is trajectory. “In a lot of respects it was a benefit and we were able to tell the stories in the first season and now we have a lot more game changing events than we did in the first season as the show is established and now we can take it to another level. And the second season is about jerking the wheel and taking a different road,” he said.

The charming romance between Ned and Chuck, unable to touch but smitten with one another, will grow during the second season. “Actually it is much more fun to write this romance than another type of romance where they don’t have restrictions,” he admitted. “‘I love you’ is so easy to write. There is no kind of craft there and feels almost cheap. On our show, we try to make the expression of love and the physical parameters much more a challenge and so much more satisfying than just a normal romance.”
 

Del Toro Talks ‘The Hobbit’

Peter Jackson is returning to Middle Earth, but he’s not doing it alone. As previously announced, Pan’s Labyrinth and Hellboy II: The Golden Army filmmaker Guillermo Del Toro will direct The Hobbit and an untitled sequel that leads into the Lord of the Rings trilogy. Jackson will serve as executive producer.

As part of The New Yorker Festival series of talks, Guillermo Del Toro spoke at the Director’s Guild of America regarding his foray into the Tolkien universe. For the director, finding Middle Earth isn’t as easy as a walking into a magical wardrobe. He describes his method:

"I find you have to discipline yourself to write in the morning, and then watch and read in the afternoons stuff that seems relevant, even in a tangential way. For example, reading or watching World War I documentaries or books that I think inform The Hobbit, strangely enough, because I believe it is a book born out of Tolkien’s generation’s experience with World War I and the disappointment of being in that field and seeing all those values kind of collapse. I think it’s a turning point that you need to familiarize yourself with. I’m starting. Peter Jackson is such a fan of that historical moment and obsessive collector of World War I memorabilia, and he owns several genuine, life-size working reproductions of planes, tanks, cannons, ships! He has the perfect obsessive reproductions of uniforms of that time for armies of about 120 soldiers… each. I asked him which books he recommended… because I wouldn’t be watching Krull or The Dark Crystal, I need to find my own way into the story. That’s the same way I did Pan’s Labyrinth or Devil’s Backbone, by watching stuff you wouldn’t think about."

The star of The Hobbit, for Del Toro, is going to be the nefarious dragon Smaug. Literally "The Magnificent," Smaug embodies "greed [and] pride" to Del Toro, who has been interested in dragon lore his entire life. He speaks about Smaug passionately, citing the villain with "some of the most beautiful dialogue" in the film. As for the character’s design, Del Toro is "pretty sure that will be the last design we will sign off on, and the first design we have attempted."

Del Toro is itching to talk more about the project, but insisted that he couldn’t due to something a little less subtle than a gag order.

"Warner Brothers has a sniper right here in the theater," he jokingly warned.

"Listen," he later said, taking a more serious note, "If we were having a drink two years from now I would spill the beans, because I’m a pretty easy guy about spilling the beans, but I can’t in this instance. I can’t because it’s three years from now."

Three years is probably generous, given that Del Toro has a large slate of films on the horizon. Variety reported earlier this year that Del Toro is booked solid through 2017, with films such as Slaughterhouse-Five, Dr. Jekyll and Mr. Hyde, At the Mountains of Madness and Frankenstein. He spoke briefly about Frankenstein, saying that his vision would be something entirely original.

"I’m not doing Mary Shelly’s Frankenstein. I’m doing an adventure story that involves the creature. I cannot say much, but it’s not the central creation story, I’m not worried about that. The fact is I’ve been dreaming of doing a Frankenstein movie since I was a child."

He then promised that "compared to Kenneth Branagh [director and star of Mary Shelly’s Frankenstein], I will not appear shirtless in the movie!"