Yearly Archive: 2008

Willis Proposes via Comic

  • News
  • September 22, 2008

David Willis, author of Shortpacked! and Joyce and Walky proposed to Maggie Weidner, his girlfriend of four years, using not just a single strip, but a week-long storyline of Shortpacked! Weidner, also an artist accepted in comic form, which was promptly posted to the Shortpacked! news section.

Willis is a long-time webcomic artist, having started Roomies! in 1997, continued with the sequel strip It’s Walky from 1999 to 2005, and continued that with the pay-per-month subscription strip Joyce and Walky. Shortpacked!, a less drama-heavy strip premiered in 2005 and chronicles the misadventures of the employees of a toy store.

Willis isn’t the first webcomic artist to propose in his comic. Mike Krahulik (“Gabe”) of Penny Arcade started the trend in 1999. Greg Dean of Real Life Comics did it in 2005, though he had actually proposed the week before, and the comic follows the (often embellished) events of his life. Eric Burns, also known as the webcomic pundit Websnark gathered a collection of 17 webcomic artists to create his proposal comic for co-blogger Wednesday White. And this past June, Three Panel Soul artist Ian McConville programmed a video game to propose to his girlfriend with.

Congratulations to Willis and Weidner, we wish you many happy returns. That, and we’re thankful you didn’t propose via LOLCat.

I’ve Done Paul McCartney Wrong, by Mike Gold

  • News
  • September 22, 2008

Back in my DC Comics days, I was sitting in my office pretending to work when Mark Waid stuck his head in. “Hey, do you know when Paul McCartney wrote ‘Silly Love Songs?’” he asked.

“Pretty much his whole damn life,” I replied without looking up.

That about summed up my feelings about Paul McCartney. I was a John Lennon guy, although I’ve come around to really appreciating George Harrison’s stuff even more. He spoke softly but carried a big stick. “Taxman,” “Piggies…” great stuff.

I’ve had cause to reflect recently, and I think I’ve done Mr. McCartney wrong. He did this great song called “Give Ireland Back To The Irish,” which took a stand on the England / Ireland situation that one might expect from a guy named Mc-anything. And the BBC, owned by the British government, promptly banned it. So did Radio Luxembourg and ITV, effectively removing it from all venues of British broadcasting. His record label, EMI, said they wouldn’t release it. They wanted safe little silly love songs that said nothing and inspired no one but the vapid.

McCartney followed “Give Ireland Back To The Irish” with a reggae version of “Mary Had A Little Lamb.” It got lots of airplay.

So it is with this community. Comics creators used to work out of their need to earn a living. The pulps were dying, they couldn’t get work as illustrators (particularly if their last name sounded Jewish), newspapers started their half-century of death throes by slowly dropping continuity comic strips, the type that bring the readers back the next day to find out what happened. Writers and artists like to eat, sleep and reproduce, and therefore must earn a living. It was tough, particularly during the 50s when their efforts were equated with those of child molesters. Not to say that their heart wasn’t in their work; often it was, with some of the creators.

Today, creators have greater luxury. They have more options; they have a wider range of creative opportunities. They can work from the heart and pay the rent at the same time. Few will get rich, but, hey, that’s show business.

So when I fall across what, at first, might seem like a truly stupid idea for a comic book story, these days I think about all those silly love songs I so callously dismissed. We have a wide range of creative fare out in the comics medium these days, greater than we’ve ever seen in America. We don’t have to look at movies or television for legitimacy. We can look to the reviews in major publications, we can appreciate the fact that works in this medium are receiving serious, contemplated analysis and acceptance by the world at large.

We can make a statement when we want to, we can tell a rip-roaring story when we feel like it. And as readers we can enjoy a work that says something directly, indirectly, or just indulges in pure escapist fare. As Jules Feiffer said in his play Little Murders, that’s all right.

This is the golden age of comics, folks, where our choices can range from a reggae version of Mary Had A Little Lamb to something as bold and – to some – as offensive as Give Ireland Back To The Irish.

And don’t forget to support your favorite rabble-rouser.

Mike Gold is editor-in-chief of ComicMix.

Brian M. Thomsen dies

  • News
  • September 22, 2008

It is with great sadness that we have to report of the passing of Brian M. Thomsen, science fiction author and editor, perhaps best known to comics fans as the co-author of Julius Schwartz’s autobiography, Man of Two Worlds: My Life in Science Fiction and Comics.

Brian was an editor at Warner Books during the days of their SF imprint Questar, then an editor at TSR Books, and most recently at Tor Books. He wrote, edited, and contributed to dozens of books. He loved getting down into the pulp origins of the business, and also loved working with history, both straight and alternate.

He will be missed. We’ll post more details as we get them.

Fingeroth to Speak About Graphic Novels

  • News
  • September 22, 2008

rough-guide-to-gns-2255567Danny Fingeroth, best known today as editor of Write Now!, will be speaking on the topic of graphic novels at the Court street Barnes & Noble in Brooklyn on Tuesday evening at 7 p.m.

Known for his superhero work, Fingeroth may seem like an unorthodox choice to write a guide to non-superhero, "literary" graphic novels such as Maus, Fun Home, etc. But that, he says, is the point. The world of the literary GN is unknown territory to many followers of superheroes. As  a result he wrote the Rough Guide to Graphic Novels, published recently by PenguinPutnam.

This is far from Fingeroth’s first boo, having previously authored Superman on the Couch and Disguised as Clark Kent.  Fingeroth was also previously Spider-Man Group Editor and a Marvel Comics writer.

In his Barnes & Noble presentation, Fingeroth will discuss the world of graphic novels and present his sure-to-be controversial favorites. Q & A and signing will follow, and perhaps a surprise or two will be in store.
 

ComicMix Columns & Features for the Week Ending September 21, 2008

  • Uncategorized
  • September 21, 2008

Well, tomorrow’s equinox marks the actual onset of autumn, but tonight’s the Emmy Awards marking the official changing of the TV season. More or less. With staggered season openers depending on which network you’re talking about, how you watch your shows (webisodes? DVR pile-up?), the idea of a TV season is in flux, but you can always count on ComicMix to feature geek-oriented show reviews as well as our usual columns and features. Here’s what we’ve had for you this past week::

Speaking of politics, so far my favorite new program this season is The Rachel Maddow Show, and I must confess that, between Rachel, her companion pundit hour, baseball wrapping up its 2008 season and all the stuff I’m trying to clear from my DVR, I haven’t been paying much attention to TV premieres…

‘Pushing Daisies’ Creator Wants A New Star Trek on TV

  • News
  • September 21, 2008

Trek castAny fan of the ABC series Pushing Daisies is probably aware that creator Bryan Fuller was also the creative mind behind both critically acclaimed, yet short-lived series Wonderfalls and Dead Like Me, but it is not as well known that Fuller is also a full-on Star Trek fan, and in fact has even written 21 episodes for the lore: 2 for Deep Space Nine and 19 for Voyager. Fuller recently sounded off on J.J. Abrams’ new Trek film and his interest on taking the helm for a modern interpretation of the 1960’s hit.

I would love to do another Star Trek series, one where you could go back to the spirit and color of the original Star Trek, because somehow, it got cold over the years. I love Next Generation, but it’s a little cooler and calmer than the ones from the ‘60s, which were so dynamic and passionate. Star Trek has to recreate itself. Otherwise, all the characters start to feel the same. You always have a captain, a doctor, a security officer, and you have the same arguments based on those perspectives. It starts to feel too familiar. So all those paradigms where it takes place on a starship have to be shaken up.

After leaving Voyager, fuller went on to create the aforementioned shows, and also writing for a little show called Heroes. You can check out the full interview over here and fans of Fuller may have to wait to see how the film treats it’s legion of Trekkies before we see a televised revamp.

But until then, you can still enjoy his pie-making necromancer in Pushing Daisies returning to ABC on October 1st.
 

Why Write Games?

  • News
  • September 21, 2008

gamemastering-secrets-2nd-edition-5112406I’m a writer. It’s what I do. More than that, though, it’s who I am. I can’t not write—I actually get something similar to withdrawal symptoms if I go too long without writing. Writing is an essential part of my nature.

So what do I write? Almost anything, really. I’ve written over a dozen novels in the past seven years. I’ve written over a dozen educational books as well. I’ve written articles, essays, reviews, and children’s books. But the thing I’ve written the most? The one area I’ve been writing—and publishing—in continuously since 1992?

Roleplaying games.

“Why?” is what most people ask when they hear that. “Why roleplaying games?” Okay, except for other gamers, whose response is usually, “Cool!” But that’s only because they already understand.

So why do I write roleplaying games?

Is it because they pay so incredibly well? Hardly! Sadly, the RPG industry is tiny when compared to almost any other form of entertainment media, and it pays accordingly. Most RPG writers could make more money working entry-level jobs. Most also have other jobs in order to make ends meet. I was lucky enough to support myself for several years with my RPG writing, but that’s because I was writing A LOT and writing all the time.

Okay, so it’s not the vast fortune, then. Perhaps it’s the fame and the glory?
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Frank Miller Quits Comics Forever! Really?

  • News
  • September 21, 2008

Frank Miller was recently out in Rome promoting this winter’s upcoming travesty/movie The Spirit with a few clips and a Q&A (in Italian!). Most of the clips shown seemed boring and confusing, much like the trailer (all except a gratuitous Eva Mendes butt-shot), but the more interesting part is how Miller explained to the press that he has no intention on going back to comics and that he is very close to starting production on Sin City 2. You can read a part of the interview below (poorly translated for our benefit) or check out the complete piece over here.

I can’t talk about my projects, because I don’t believe a movie is real until I see the title on the screen. There are many things that can go wrong. But I can tell you that I’m very close to begin Sin City 2 with Robert Rodriguez. We have to arrange a few things and we’ll be back in action.

The Spirit hits screens this Christmas and if you weren’t already planning on going, the aforementioned trailer below should help give you the boost you need.

 

 

 

Interview: D.J. Coffman on Politics and Webcomics

  • Uncategorized
  • September 21, 2008

djcoffman-8448252On D. J. Coffman’s blog website George Washington stares at me from behind a "star-spangled" bandana, almost daring me to challenge him. Below is a quote from another founding father John Adams "An honest man will never have any other." Our founding fathers were real hell raisers that defied the British Empire, the legal government at the time, and we should all respect these hooligans for giving birth to our nation.

The 32-year old Coffman has come a long way since 1998 when he first self-published Yirmumah, with his own brand of slapstick humor to kick his sometime collaborator Bob in the nuts and our funny bone.

In June, Coffman allied himself with the Flobots while at the same time publically estranged himself from Platinum Studios over non-payment for his Hero by Night webcomic. He suddenly became a highly public figure in the struggle between creators and the company.

Today Coffman also shows a very serious side of himself; a sequential artist, a thinker to be reckoned with, and a dreamer with a lot of fans. I caught up with Coffman recently:

flobots-vote2-9824914CMix: How did you hook up with the politically active Flobots musical group?

DJ: Fate I suppose, and it all started with a sign. I don’t consider myself in anyone’s party per se, but I found myself agreeing with [Barack] Obama’s ideas of change. His quote "We are the ones we’ve been waiting for" made me think about hard work, and if you want something done you have to do it yourself. Back in April I created my own yard sign encouraging people to VOTE. I had seen a lot of pickups go by with rebel flags, and some even shouting out racial slurs. The ignorance I was surrounded with, and that my kids might witness, made me sick. I felt like I was the only one that was thinking about the future. Before they took off, I downloaded the Flobots’ Fight with Tools album, which I listened to continuously on the trip to and from the New York Comic-Con. While I was away that sign was stolen and my yard was trashed, right before the Pennsylvania primary. I painted another sign, and I would have continued just to exercise my freedom of speech, and not to have it silenced by any "Hillbillies." The album’s politically charged lyrics stuck a chord inside me, so I emailed the band to inquire about making a webcomic or graphic novel based on their positive lyrics. I quickly received an email reply from Stephen "Brer Rabbit" Brackett, who had heard of my work, and conversations grew from there. I told him about my sign and he replied, "It’s time to paint those signs!"
 

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Review: Spain Rodriguez’ ‘Che: A Graphic Biography’

  • Uncategorized
  • September 21, 2008

spain-che-4855693

“Spain” Rodriquez and “Che” Guevara. Manuel and Ernesto. Two legends, one living, the other, well, not so much.

Spain has been a cartoonist for more than 40 years, one of the first and most visible and influential storytellers of the underground comix movement. While others were preoccupied (often brilliantly) with their X-rated tributes to Harvey Kurtzman, Max Fleischer and other visionaries of their childhood, Spain was telling adventure stories of urban America, often featuring his character Trashman. His works have a strong left-wing tilt. He continues to be active, contributing to [[[American Splendor]]], Blab! and [[[Tikkun]]], and he produced the highly acclaimed graphic novel [[[Nightmare Alley]]] for Fantagraphics. He’s been fairly active in recent years on the comics convention circuit, often appearing with S. Clay Wilson.

Che was a handsome medical doctor (specializing in leprosy) and revolutionary, part of the insurgency force that overthrew the Cuban puppet dictator Fulgencio Batista and his American mobster masters, Lucky Luciano and Meyer Lansky. When, in 1967, he was killed as he was organizing in Bolivia, Che became more than a mere martyr: he became an icon. Today, his likeness (inspired by Jim Fitzpartick’s classic illustration) is well-merchandised by capitalist clothing manufacturers in America. He even had floor space at the New York Licensing Show a couple years ago.

It was only a matter of time before Spain turned his professional attentions to Che. Actually, I’m surprised it took this long.

If you’re one of those people who reduce Dr. Guevara’s work down to that of an evil godless Commie, then this graphic novel is the exact right thing for you, as long as your life insurance is paid up. If you think the left might have had legitimate cause for their actions, you’ll like this as well. If you’re open-minded and curious about the events immediately to America’s south during the 1950s and 1960s that had such an overwhelming impact on our society and our political system, then this book is essential.

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