Yearly Archive: 2008

Disney Adapts ‘Monster Attack Network’

monsterattack-6235096When a graphic novel is billed as a cross between Men in Black and Jurassic Park, it’s no surprise to see a studio come running, dollar signs in their eyes.

Such is Disney with Monster Attack Network, according to a story in the Hollywood Reporter.

The book is published by AIT/Planet Lar and originally came out in 2007.

The adventure tale, written by Marc Bernardin and Adam Freeman with art by Nima Sorat, is set on the picture-perfect Pacific island of Lapuatu, which is populated by giant monsters. There, a team of adventurers deal with rampages and related crises and clean up messes afterwards. The team faces its biggest challenge when a shady industrialist shows up.

Dabel Bros. to Publish “Dark-Hunter” Manga

Dabel Bros. Publishing recently announced plans to adapt bestselling author Sherrilyn Kenyon’s Dark-Hunter novels as manga-style comics, targeting a 2009 release for the adaptations of the first two books in the series, Night Pleasures and Night Embrace.

Joshua Hale Fialkov (Elk’s Run, Cyblade) will script the adaptations, with Claudia Campos providing the art.

From the Sherrilyn Kenyon’s official website:

In the world of the Dark-Hunters nothing is ever as it seems. Life and death both take on a whole knew meaning as this immortal cadre of warriors fight to protect mankind from those creatures and demons who would prey on us.

(via ICv2)

Jeffrey Brown Does ‘Warhammer’ Benefit

Earlier this year, retailer David Pirkola was seriously injured during a robbery of his comic shop in Kentwood, Mich. He’s still recovering, and now Boom! Studios and Jeffrey Brown are launching a benefit auction.

Brown is a customer and friend of Pirkola, and he partnered with Boom and iFanboy.com to do a tribute page of the Warhammer 40,000 comic, which you can see at right.

The auction is now running, and you can find it right here.

Brown is best known for his book The Incredible Change-Bots. Here’s his thoughts from a press release:

"I became a father a year and a half ago, so it’s been a while since I’ve had the time to field my Ultramarines force or let my epic scale ork gargants rampage across the battlefield," said Brown. "I keep up with the comics, novels, and White Dwarf magazine, but spend more time playing with buses and trucks now. It was a great experience to work on this page and get back to the game that I love, and it was even better knowing I could help David by doing it."

A Billion Dollars Worth Of Respect, by Dennis O’Neil

You saw the story, posted here on our own beloved website a couple of days ago: comic book movies have earned over a billion United States dollars this summer, despite an iffy economy that may or may not have something to do with those loveable funsters who frolick near the Potomac.

(I’m writing this Sunday evening. A hundred and sixty nine days. Tickticktick… And please excuse the digression.)

So the aspirations of those folk we mentioned last week – to be respectable and accepted and part of the mainstream – has been realized, though only a few of them are still around to enjoy whatever perks this brings.

Check it out. A billion-with-a-B-dollars! Oh sure, we comics guys have not had to hide our shame for quite a while now. There are the postage stamps and gigs at places like the Library of Congress and the Smithsonian and classes taught at major universities and whole sections of bookstores devoted to comics material and if you donate the graphic novels you won’t read again to your local library, they’ll probably be accepted, maybe even with a smile. But in our world, and in most others that I know about, material goods are the emblems of what the citizenry considers success. And that bil will buy a lot of material goods.

Someone – I have no idea who – observed that one of the ways to discern a society’s values is to look at its architecture: in the middle ages, in Europe, the cathedral was the biggest building in the burg. Now? Well, about a mile from where I’m sitting is the biggest, and some would say ugliest, structure in Rockland County and it ain’t a church, amigos, it’s a shopping mall.

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Doctor Who in Review: Season Four, Episode #13 – “Journey’s End”

The hit BBC series Doctor Who is now in its fourth season on the Sci-Fi Channel, and since we’re all big fans here at ComicMix, we’ve decided to kick off an episode-by-episode analysis of the reinvigorated science-fiction classic.

Every week, I’ll do my best to go through the most recent episode with a fine-tooth comb (or whatever the “sonic screwdriver” equivalent might be) and call out the highlights, low points, continuity checks and storyline hints I can find to keep in mind for future episodes. I’ll post the review each Monday, so you have ample time to check out the episode once it airs each Friday at 9 PM EST on Sci-Fi Channel before I spoil anything.

Missed a week? Check out the “Doctor Who in Review” archive or check out any of the past editions of this column via the links at the end of this article.

Keep in mind, I’m going to assume readers have already watched the episode when I put fingers to keyboard and come up with the roundup of important plot points. In other words, SPOILER ALERT!

Let’s begin now, shall we?

Season Four, Episode #13: “Journey’s End”

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Triumph the Insult Comic Dog at San Diego Comic-Con 2008

One of the most popular bootleg videos at comic book conventions before the YouTube era was of Triumph the Insult Comic Dog making fun of geeks waiting in line for Star Wars.

Our favorite foul mouthed puppet set his sites on nerds once again when The Late Show with Conan O’Brien sent him to this year’s San Diego Comic-Con. And this time you don’t have to buy burned copies from a weird guy at a booth with Micronaut figures. I kid. I kid. (Oh, and consider this your official "Not Safe For Work" warning.)
 

 

 

[EDITOR’S NOTE: That’s PvP webcomic creator Scott Kurtz getting the Triumph treatment around three minutes into the video. Owch! -RM]

Brett Ratner Makes “Harbinger” Adaptation a Priority

In a Variety article discussing director Brett Ratner’s recent move to Paramount Pictures, the man who helmed X-Men: The Last Stand name-checked an adaptation of Valiant comics’ Harbinger series as one of his first priorities with the new studio. We previously reported on the series being optioned by Paramount back in March.

As producers, Ratner and Stern are teamed with producer Alexandra Milchan on "Harbinger," an adaptation of the Jim Shooter-created comic series published by Valiant Comics.

Ratner said after directing "X-Men: The Last Stand," he was eager to build a superhero franchise from the ground up. The studio will set a writer shortly.

Ratner described Harbinger and his planned Beverly Hills Cop 4 project as "mainstream tentpoles" for the studio.

“The Stand” Trailer Premieres on Marvel.com

Marvel.com recently posted a new video "trailer" for their upcoming five-issue series based on Stephen King’s The Stand. While I’m not sure how I feel about the whole movie-style "trailer" as a promotional tool for comics, the video does show some previously unseen art from the series. I was really impressed with the way the two previous King stories were handled by the Marvel crew (Dark Tower: The Gunslinger Born and Dark Tower: The Long Road Home), so I have high hopes for this project.

The Stand: Captain Trips #1, written by Roberto Aguirre-Sacasa with art by Mike Perkins, goes on sale September 10.

You can also read an interview with Aguirre-Sacasa about the project on Marvel, as well as a video interview with Perkins. Both are fairly standard promotional material, but worth the time for anyone interested in the publisher’s latest collaboration with Stephen King.

Hammer of the Gods 2: Tea Time

In today’s brand-new episode of Hammer of the Gods: Back from the Dead, by Michael Oeming and Mark Wheatley, Modi and his crew seek Odin in the mountains of China.  They can feel the power of a god in the very air, but which god is it?  And can anyone understand the words that are coming out of their mouths?

 

Credits: Mike Oeming (Artist), Mike Oeming (Writer), Mark Wheatley (Colorist), Mark Wheatley (Letterer), Mark Wheatley (Writer), John Staton (Colorist)

 

 

Alison Bechdel on ‘State by State’

Alison Bechdel, who’s probably best known for her memoir Fun Home, has an essay and art in the upcoming State by State: A Panoramic Portrait of America.

She has a note about the project on her blog, and then there’s a new review of it in Publishers Weekly.

From the (pretty brief) review:

Alison Bechdel’s illustrated story about her life after moving to Vermont brilliantly combines personal history with historical fact, as does Charles Bock’s essay on growing up and working in his parent’s Las Vegas pawnshop.