Yearly Archive: 2008

Fae Desmond Saves The World, by Michael Davis

galactus-and-fae2-5851719Europe was gone.

England put up a gallant fight but was no match for his power. France did not put up much of a fight. The closest they came to a confrontation was a giant banner that said “Please Don’t Eat Us.” The Middle East was a wasteland. Most of the United States was destroyed but still fighting.

Fighting…Galactus! Galactus the world eater!

July 23, 2008, all the superheroes were dead or dying. Marvel’s best, DC’s finest and the greatest of Dark Horse and Image. All dead. When Galactus first appeared decades ago Reed Richards, Mr. Fantastic of the famed Fantastic Four, had figured out a way to stop Galactus from destroying Earth. It was the first time Galactus had ever been stopped.

When Richards first heard Galactus’ ship was over Europe before the rampage, he and the Fantastic Four flew the Fantasticar out to confront him. Mr. Fantastic would calmly approach him secure in the knowledge that Galactus would keep his word not to destroy the earth. Reed Richards was so sure of that word that when they had first met he had handed over the only weapon that could destroy Galactus, The Ultimate Nullifier.

He handed it over to… Galactus. Reed Richards, Mr. Fantastic, one of the smartest men in the world… freakin’ idiot.

The Human Torch flew beside the jet vehicle as always making wisecracks the entire way. The entire trip was filled with laughter and in fact the foursome had decided to take a few days in Europe after they saw what Galactus was up to.

“Most likely he just wants me to find him a world to eat that tastes like chicken.” Richards joked.

When they approached Galactus Richards said “Why are you here, old friend?” Galactus standing over 200 feet tall stared down at Richards in the hovering Fantasticar. “I am not your friend,” The booming voice of Galactus responded.

“Why are you upset with me?” Richards said, now starting to worry.

“Look, Richards this is the deal, I’m here to eat your world.”

The Invisible Woman turned to The Thing, “That does not sound like Galactus!” “You’re right, Susie!” The Thing said and then yelled at Galactus. “Hey big man, why are you going back on your word?”

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Interview: Greg Weisman Talks ‘Gargoyles’

gargoyles-t-shirt-2166293When I was younger, there was a Disney cartoon that my friends and I loved and which impressed our parents with its maturity and layered story-telling. The series was called Gargoyles, and it told the story of a clan of warrior creatures from 10th Century Scotland who are brought to modern-day New York City via magical manipulation. Led by the noble gargoyle Goliath, the creatures find themselves to be strangers in a strange land, forced to hide while trying to find their new place in the 20th century. Soon enough, they wind up becoming superheroes, protecting the same humans who either fear them or don’t believe they exist.

Although the series lasted only two seasons (followed by the short-lived Goliath Chronicles series, which is considered apocryphal), its fan base remains extremely loyal — so much so, in fact, that a convention for Gargoyles fans, called the Gathering of the Gargoyles, has been held each year for more than a decade now. In recent years, we’ve seen much of the television series finally released on DVD, and Slave Labor Graphics has begun publishing an ongoing Gargoyles comic book series and spin-off miniseries, Bad Guys, headed up by series creator Greg Weisman and picking up where season 2 left off.

I spoke with Weisman (who also serves as story editor for the new Spectacular Spider-Man animated series) during the most recent Gathering of the Gargoyles event, and we chatted about the clan of winged Scottish warriors that he created so long ago and what the future holds for them. 

COMICMIX: So, we’re at the 12th annual Gathering of the Gargoyles convention. You have the new comic book series from SLG and the Bad Guys spin-off coming out now. You’re even talking about future spin-offs. All of this says there’s a decent fan base. So what’s happening that we still only have the first 26 episodes of season 2 on DVD?

GREG WEISMAN: Well, there’s a lot of turnover at Buena Vista Home Entertainment. You’ll have people there who are interested in the project and then you’ll have new people come in who aren’t so much. The ugly truth of it is that Season One sold very well, and the Season Two, Vol. 1 DVD did not sell so well. Even if, ultimately, it sold as well as the first season, we sort of lost Disney’s attention. So we need to get their attention all over again, and the best way to do that is by making sure that we continue to sell the DVDs that exist, show them that the comics are selling well. Gargoyles is SLG’s best-selling comic. (more…)

Review: New ‘Fables’ & ‘Jack of Fables’ Volumes

[[[Fables]]] is one of the big successes of the current version of the Vertigo line, where every book has a Hollywood-style high concept: all males on Earth are killed – except one!; New York’s mayor can talk to machines!; Refugee fairytales live in the modern world! And, in another Hollywood-esque twist, Fables even has a spin-off of its own, like Diff’rent Strokes begat The Facts of Life.

Last month, both the parent and spin-off series had new collections, with titles that implied a connection. So let’s look at the two of those books together:

Fables, Vol. 10: The Good Prince
By Bill Willingham, Mark Buckingham, and others
DC Comics, June 2008, $17.99

Fables, as you might know, is a series in which all of the folkloric and fairy-tale characters that you’ve ever heard of are real, and originally lived in an array of alternate worlds. But “the Adversary” – whose identity was revealed a few volumes ago – led huge goblin armies to conquer nearly all of those worlds, sending a few (but mostly very well-known) Fables to our world, to live in secrecy in an enclave in New York City.

More recently, the cold war with the Adversary is beginning to heat up, with Fabletown’s leadership striking alliances with the “Cloud Kingdoms” (you know, where the beanstalk led?) and with the as-yet-unconquered world of the [[[Arabian Knights]]]. (There’s also an unsubtle parallel between Fabletown and Israel that Willingham is a bit too fond of.) As we hit this tenth volume, we know that the Adversary is building for a major attack three years from now, and the characters of Fables learn that quickly as well.

The last storyline, [[[Sons of Empire]]], served to ratchet up tension, but [[[The Good Prince]]] goes the other way; Flycatcher – Prince Ambrose, the Frog Prince – has finally regained his memory, and is grieving over the loss of his family centuries before. But Red Riding Hood goads him out of his misery, and he rushes off to get fighting lessons from Boy Blue.

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Watchmen Movie Trailer Image Gallery

When the Watchmen movie trailer hit the ‘Tubes today, word traveled pretty quickly. Of course, so did the orders to take it down on various sites, making it difficult for some fans to find out what all the fuss was about. To that end, here’s a collection of screenshots from various scenes that appeared during the trailer, so you can talk amongst yourselves about this first glimpse at the much-anticipated adaptation of Alan Moore and Dave Gibbons’ graphic novel.

Here are a few images to whet your appetite, presented in order of their appearance in the trailer, but be sure to view the full gallery after the jump:

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‘New Frontier’ Earns Emmy Nomination

newfrontier-1710396The Emmy nominations are here, and the Justice League: The New Frontier animated movie is among the contenders.

The direct-to-DVD adaptation of Darwyn Cooke’s retro comics series is nominated as an animated program at least an hour long.

Competition is all surprisingly nerd-friendly fare: South Park and Family Guy.

‘Watchmen’ Trailer Debuts

The headline pretty much says it all, as the trailer for the much-anticipated adaptation of Alan Moore and David Gibbons’ groundbreaking graphic novel Watchmen was released on Empire Online today. The Empire Online video is down, but the trailer has found its way to YouTube, of course. (As various verisons get posted and taken down, I’ll try to keep this thread updated with any that are still available. Be sure to check out our Watchmen trailer image gallery, too!)

 


 

(via a tip from UglyHill)

 

UPDATE: Well, you knew that was bound to happen. The YouTube video has been taken down, and the Empire Online page remains in a state of 404 Error. Here’s hoping you were able to catch the trailer while it was floating around — it was impressive, to say the least.

UPDATE: Thanks to another astute ComicMix fan, we’ve tracked down the trailer elsewhere on the ‘Tubes and embedded it after the jump. (Thanks, RJ, Jr.!) (more…)

ComicMix Radio: Dark Knight Breaks Box Office Records

And there hasn’t even been a showing yet. We’ve got some interesting facts and figures in how the next Batman film is poised to make movie history over the next 72 hours, plus:

  • Lost and The Justice League both get Emmy nominations
  • You might be Spider-Man on Broadway
  • Girls + Monsters =  IDW’s The Claws Come Out

Our warmup act for San Diego continues with a few new surprises – just Press the Button!

 

 

And remember, you can always subscribe to ComicMix Radio podcasts via badgeitunes61x15dark-8241169 or RSS!

 

Review: This Week in ‘Trinity’ #7

This issue is titled "A third symbol now…" but a more accurate one would be "OK, so here’s exactly what’s going on."

For six issues, Trinity was a fairly opaque book, with several seemingly disparate storylines and a completely mysterious large threat — the one screaming "Let me out!" in issue one.

What do we know now?

All the "disturbances" from issue two are an unknown form of primal energy. "Creation energies." The heroes quickly put two and two together and check on Krona, that Oan who tried to manipulate the beginning of the universe and accidentally created the multiverse (check out Crisis on Infinite Earths or Infinite Crisis for more on this).

Later in the book, it’s revealed that Krona is in fact the mysterious shouter of "Let me out!" that the trinity has been hearing. And, it’s a bit hard to decipher, but it appears that he’s getting close to escaping from the cosmic egg, if he hasn’t already.

The heroes are gathered to talk about all the goings on. They figure out the rash of museum robberies has all been to obtain wands, swords, pentacles and cups, which happen to be the four suits of the Tarot. Which leads them to Tarot, the girl who was kidnapped last issue by Morgaine Le Fey’s monsters.

They also have a third symbol appearing on Wonder Woman’s scar. The three are ancient Egyptian symbols: Strength, the high priestess and the world. Three symbols tied to our three heroes.

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Interview: Jeph Jacques on ‘Questionable Content’

questionablecontent1-00x-3293550Now approaching its fifth year on the World Wide Internets, Questionable Content has gone through quite a few changes since its beginnings as an indie-rock webcomic that chronicled the life, loves and culture criticisms of "music nerds" Marten, Faye and a surrounding cast of characters (which also included Marten’s troublemaking, sentient "AnthroPC," Pintsize).

These days, the cast has expanded singificantly to include fan-favorite characters such as Marten’s obsessive-compulsive neighbor, Hannelore, and the relationships between major and minor characters have been explored, dismissed, or in the case of Marten and the "Coffee of Doom" owner Dora, bloomed into long-term (by webcomic standards, at least) plot points. While drama has managed to carve a niche for itself in the world of QC, Jacques has similarly carved out a name for himself among the top-tier creators in the webcomic scene.

After wandering through the QC archives a bit, I was struck by the differences in those first strips posted back in August 2003 and today’s QC. Both the art and the focus of the series have shifted dramatically in the last few years — much moreso than many of the strips on my radar. With that in mind, I recently took the opportunity to pick Jacques’ brain about the origins and development of the series and the nature of "indie cred."

COMICMIX: I’m familiar with the area QC is based on, so I think it would be interesting to hear your take on the setting for the series and how it compares to its real-world counterpart…

JEPH JACQUES: For those not In The Know™, QC is set in Northampton, Massachusetts, a smallish town in the western end of the state, home to Smith College. Northampton is a Very Fancy Town that likes to pretend it is actually a chunk of Manhattan that somehow got carried two hours due north (possibly via Hipster Albatross).

The QC version of Northampton corresponds roughly, at best, with its real-world counterpart. Many of the streets are the same (almost all the outdoor backgrounds are taken from real-life photographs) but there are differences. Coffee of Doom, for instance, exists on some bizarre meta-street that does not actually exist in the real world. The exact location of Marten’s apartment building is similarly a mystery. Basically, I use the actual town layout when it’s convenient, but break the rules whenever it suits me.

As for the cultural setting, from what I can tell Northampton is primarily young, liberal, Caucasian, and college-educated, and the cast of QC essentially reflects that. (more…)

The Weekly Haul: Comics Reviews for July 17, 2008

A couple disappointments and a near no-show from DC aside, this was a pretty good week in comics, especially outside of the mainstream superheroes.

Still, this week more than anything is just a little whisper, as all eyes are on San Diego for next week’s Comic-Con. All the same, books came out, so on to the reviews…

Book of the Week: Mice Templar #5 — This series started out as a fairly typical fantasy story, albeit told with mice and featuring a violent edge.

Last issue, it started becoming clear that writer Bryan J.L. Glass was veering away from the expected route of the young protagonist realizing his great destiny and triumphing over evil.

This issue, any and all signs of the archetypal fantasy narrative have been thrown clear out the door. Paradigms change in a big way for Karic, and to write anything about it would be to spoil the fun.

Mike Oeming is once again top-notch on art, and really the only question left is how many times the creative team can keep raising the bar.

Runners Up:

Captain America #40 and Ghost Rider #25 — Marvel had two superhero winners this week, with very different very good issues. Ghost Rider starts out slow, continuing the retrospective storyline of Johnny Blaze in jail. Zadkiel’s manipulations continue, and things build to a hellacious conclusion, highlighted by Blaze literally using the Bible as a weapon. Only Jason Aaron could make that work.

Cap sees the big fight between Bucky and the new impostor (the old Nomad), but the real bout to watch is that between Sharon and the Red Skull’s daughter. Ed Brubaker uses his skil with pacing to tell both stories at once, using each to heighten the drama of the other. And the ending? An out-and-out punch in the stomach moment.

Omega the Unknown #10 — The weirdest Marvel series in a good, long while finally ends, with Jonathan Lethem and Farel Dalrymple taking a bow with a nearless wordless denouement that comes straight out of David Lynch’s oddball mind. It’s a fitting conclusion to the series, which was enigmatic for the whole trip.

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