A general release has been too long in coming for Stuck
, Stuart Gordon’s mordant and mournful film about a traffic accident and its criminal aftermath. I began picking up on the raves shortly after a film-critic comrade, Joe Leydon, caught the picture at 2007’s Toronto Film Festival and published a favorable review in the show-biz tradepaper Variety. Joe suggested a “carefully calibrated theatrical rollout” but added: “… difficult to tell whether [the] sardonically edgy pic will reach many mainstream auds before fast-forwarding to homevid.”
Now comes word of a Dallas opening, June 6, for Stuck – three months after a well-received showing at the American Film Institute/Dallas Festival. ThinkFilm, the distributor, keeps hedging about an opening in nearby Fort Worth. I have pressed for a film-fest slot or a commercial engagement in Fort Worth because that is where my newspaper’s core readership dwells. And because Stuck owes its dire inspiration to a real-world ordeal that took place in Fort Worth.
“Why, we couldn’t show a movie like that in Fort Worth’s very own film festival,” one leading light of the FW-based Lone Star Film Society told me last fall after I had recommended Stuck as a centerpiece for a November 2007 event. “We’re here ‘To Preserve and Present the Art of the Moving Image’ – just as our Mission Statement declares – not to dredge up any horrible memories.”
“Yeah, well,” I answered – once that “yeah, well” injunction kicks in, any such exchange is doomed to deteriorate – “an occasional reminder might do us all some sobering good. And besides, the film uses the local case only as a springboard. Changes the locale and fictionalizes a lot. More an inspiration than an explicit reflection.”
“I’d be careful how I used that term, ‘inspiration,’ if I were you,” came the reply. “Anyone who would find inspiration in such a ghastly occurrence has no business being allowed to make movies.” (Guardians of the Culture, take note.)
(more…)