Yearly Archive: 2008

Thomas Sangster to Star in ‘Tintin’

The role of the titular character in the upcoming Tintin films has been filled.

The adventure-seeking reporter will be played by 17-year-old Thomas Sangster, a London born actor who appeared in Love Actually and Nanny McPhee.Sangster joins Andy Serkis on the film, who has already been cast as Captain Haddock.

Directors Steven Spielberg and Peter Jackson are collaborating on the upcoming Tintin trilogy, which will employ motion capture technology. Spielberg is scheduled to direct the first film in the series, which begins principle photography in September 2008.

 

(via Daily Mail)

 

The Guest Strip Project Recruits Fill-Ins For Charity

The fill-in artist is a staple of comics and webcomics alike, but Michael Rouse-Deane is making a year-long event out of the practice — and for a good cause.

April 1 is the scheduled start of The Guest Strip Project, in which a different webcomic creator will provide a strip each week, with proceeds from the advertising, store and donations headed to the Make-A-Wish Foundation. The project is described as follows:

One artist can only do one guest strip, they won’t be asked back, once their page is completed it’ll go into the archives and they can never return. This means its much more complicated but also allows other talented people out there to have a chance of making an impact.

At the side of each page are banners and also donation buttons where people can donate money to the Make-A-Wish Foundation. There’s also the store which will every so often have exclusive merchandise as well as spin-off books, posters, t-shirts and artwork up for grabs all donating to the Make-A-Wish Foundation.

Keep in mind that the project will be presented in the standard, no-charge webcomic format, so it will be interesting to see how successful a unique campaign like this, which relies upon advertising, merchandise sales and donations, will end up. Although the roster of creators currently expected to provide strips hasn’t been posted at this point, the "Links" page could provide some indication of the talent tapped for the kick-off.

 

(via Fleen)

30 Days of Wakeful Nights, by Ric Meyers

wakeful-nights-7911205Any regular reader will no doubt have noticed something by now. I think I may have mentioned it once before, early on, but there should be no harm in repeating it: this column isn’t really for the big-time releases any DVD fan already know exist. Naturally, by all rights, I, like everyone else, should review I Am Legend and maybe even The Mist, but hey, you’re going to watch, or not watch, those without any input from me – no matter how good or bad the special features are.

Instead, I most like to consider the DVDs that may have slipped under your radar, like Wakeful Nights, which is really an amazing movie for several reasons. Japan in general, and Tokyo specifically, is two different places. It’s an amazingly exciting, beautiful, cultured, exotic place for people who don’t speak or understand Japanese, and it’s an incredibly perverted, sex-soaked, practically demented place for those who do. Wakeful Nights is a DVD that both reveals the lusty fun just under the well-designed, well-dressed surface, as well as revels in the classic art of filmmaking and the ancient delights of Rakugo (Traditional Comic Storytelling).

Director Masahiko Makino was inspired by his grandfather, who was credited with initiating a “100 Years of Japanese Filmmaking” celebration, so he brought together generations of actors, writers, and singers to create a lewd, crude, but loving tale of a family gathering for a master comic storyteller’s funeral. Deciding to release this iconoclastic comedy in America, the good folk at AnimEigo had their translating and subtitling work cut out for them. But, for the most part, little is lost in translation … which is really saying something, considering the content and subject matter of the romp. Much of the time they have to put everything in context for American eyes, while still maintaining the momentum of the warped, culturally-punny jokes.

That’s where the extras help. They include some deleted scenes that contain some of the least effective diversions, but the real fun is to be had with the additional songs and their karaoke companions.  First you get to watch two characters have a “Geisha Idol” contest to see who best can deliver the jolly performance and raunchy lyrics of classic sexy songs usually performed by pretty hostesses at mens-only parties, then you get to try your luck at the same songs, with the help of phonetic lyric subtitles, and the occasional actor pop-up. It’s fun to watch and hilarious to try.

Then comes AnimEigo’s vaunted program notes, which are exhaustive to a fault, and much welcome in this multi-layered anniversary effort. Despite their attempt to answer every query the film might elicit, they are also a great starting point for further research – a fact the company seems well aware of, because the final program note is a long list of websites where more material can be found. By the last frame, I felt indoctrinated into a special place in Japanese entertainment, rarely experienced by any outsider. But even if you don’t share that feeling, it’s hard not to appreciate a DVD that comes with the warning: “Contains adult situations and language, disgusting puns, sick jokes, filthy karaoke, and a traumatized Manta Ray.” (more…)

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On This Day: The Trickster!

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Giovanni Giuseppe was a con artist and circus acrobat before he decided to turn to a life of crime. He changed his name to James Jesse and created several clever but dangerous gag devices and a pair of shoes that let him walk on air.

Calling himself the Trickster, James embarked upon his new career, only to encounter and be defeated by the Flash. The two clashed frequently throughout the years.

For a brief period, the Trickster reformed and worked with the FBI, but he later reverted to his criminal ways.

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Recolored ‘Killing Joke’ Compared to Original

 

Brother J at PopCultureShock recently posted a comparison of interior art from the original Alan Moore/Brian Bolland one-shot Batman: The Killing Joke and DC’s new, recolored "Anniversary Edition" of the story.

The $17.99 hardcover edition was recolored by Bolland himself, and the result is a very different atmosphere for the classic tale:

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The post also contains another page-to-page comparison that’s certainly worth checking out.

 

‘Superhero Movie’ Review by Michael H. Price

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The superhero, and I don’t mean sandwich, has been a staple of the popular culture since well before the Depression-into-wartime beginnings of Superman and Batman. Those characters’ nascent comic-book adventures of 1938-1939 served primarily to focus a popular fascination with superhuman struggles against extravagant menaces – but similarly conceived protagonists had existed all along in ancient mythology and mass-market popular fiction. And how better to explain the superior heroic intellect of Conan Doyle’s Sherlock Holmes and Seabury Quinn’s phantom-fighting Jules de Grandin, or the beyond-normal escapades of Robin Hood and the Scarlet Pimpernel?

People need heroes, he said – if I may adapt a thought from Mike Gold’s recent Hope Versus Fear commentary at ComicMix. Such characters spur the imagination to assume hope in the face of fearful real-world circumstances, even if their activities and abilities (and allegorical antagonists) seem patently outside the realm of possibility. And the spiritual generosity of superheroism is such that people are willing to fork over either hard-earned cash or Daddy’s Money to experience the fantasy: Hence the proliferation of super-hero comic books in the immediate backdraft and long-term vapor-trails of Superman and Batman, and hence those characters’ fairly prompt leap into motion pictures during the 1940s.

Many people regard the superhero movie phenomenon as a fairly recent development, traceable as “far back” as Sam Raimi’s Spider-Man breakthrough of 2002, or maybe to the perceived “antiquity” of Richard Donner’s Superman pictures of 1978-1980. Not by a long shot.

Nor are the inevitable superhero parodies – as seen in David Zucker’s collaborative production of Superhero Movie, due March 28 – any particular innovation. Just as there is something awe-inspiring about some guy in long-john tights, hurdling buildings or piercing the veil with a blast of X-ray vision, there also is something innately ridiculous about such a spectacle. Even some of the earlier superhero films, such as Columbia Pictures’ Batman serials of the 1940s, emerged as unwitting parodies despite (or because of) their more earnest aims.

The formal parodies are a rarer breed. Zucker had proved himself a capable spoofer with 1980’s Airplane! – a well-received lampoon of the large-ensemble disaster-movie genre – much as Mel Brooks had parodied such genres as the Western epic and the Gothic horror film (1974’s Blazing Saddles and Young Frankenstein) to pleasing effect. Both artists were springing from the influence of Harvey Kurtzman’s Mad magazine of the mid-century, with its recurring demonstration that a parody must harbor an affectionate understanding of the story it intends to spoof.

(more…)

2008 Glyph Award Nominees Announced

sentences01_c_small-7267079The finalists for the Glyph Comics Awards have just been named, with a not overly surprising lot of contenders. There are, however, quite a few great comics and creators who make the list.

For a complete rundown of nominees, a full slate is available at Pop Culture Shock. Here are the “story of the year” contenders:

Hunter’s Moon, James L. White, writer, Dalibor Talajic and Sebastian Cardoso, artists
Nat Turner: Revolution, Kyle Baker, writer and artist
Satchel Paige: Striking Out Jim Crow, James Sturm, writer, Rich Tommaso, artist
Sentences: The Life of MF Grimm, Percy Carey, writer, Ronald Wimberly, artist
Welcome to Tranquility, Gail Simone, writer, Neil Googe, artist

I haven’t read Satchel Paige yet, but my pick without much trepidation would be Sentences. It’s the best, most honest book about the dark side of hip-hop that’s ever been written. I interviewed Carey when the book first came out, and that’s available right here.

The only big surprise to me was that Agent 355 from Y: The Last Man didn’t make the cut for best female character.

‘Tintin’ Publisher Raymond Leblanc Dies at 92

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Raymond Leblanc, who helped create a worldwide phenomenon from the comic book series Tintin, died on Friday, according to an article in the Economic Times. He was 92.

The Belgian publisher helped create the Tintin Journal, which ended up bringing the characters of cartoonist Herge to audiences in several continents. From the article:

A resistance fighter during the Second World War, Leblanc convinced Tintin’s artistic creator Georges Remi to launch a periodical for the young. Herge had encountered difficulty publishing his work during the war.

The iconic boy reporter character had first appeared in 1929, with 12 books already under Herge’s name, but the association with Leblanc saw Tintin become the hero of a fortnightly magazine born in 1946 to immediate success.

Leblanc’s simultaneous creation of the Lombard publishing house, aimed at readers "from seven to 77," met rapid growth as Tintin’s success expanded.

A translated interview with Leblanc given not long ago is available at Forbidden Planet, and gives an incredible insight into Leblanc and his career in comics. Here’s a small sample, detailing the beginnings of the Tintin legacy:

“Why not publish an illustrated magazine for young people?”, one of my partners asked at a certain point. We thought this was an interesting idea, and started looking for a name. We ended up eventually with Tintin, after Hergé’s comic book hero. Literally everyone knew that character at that moment. The question however was, where was Hergé? Nobody knew where he was. During the war he had worked for Le Soir, a paper that was controlled by the Germans, and so he had been branded a collaborator. My associate André Sinave went to look for him, and was able to find him.

Now we only had to find enough money to start up the magazine. Our plan was a bold one, especially since Hergé was being prosecuted at that point. His first reaction was “This is impossible”. Nevertheless, we presented him a five year contract. “And we as resistance men will do everything within our powers to return your civil rights to you.” You have to remember that Hergé wasn’t even allowed to ride a bicycle at that time. Hergé hesitated for a long time and consulted with his good friend Edgar Pierre Jacobs. In the end he agreed. I think because he had liked us from the moment we met. I had thought before that Hergé was quite an old man, since I had read the adventures of Tintin since 1929. He turned out to be only a few years older than myself.

On This Day: Princess Diana/Wonder Woman

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The Amazons of Paradise Island lived in peace for hundreds of years, safe from men and their cruelty. But their queen Hippolyta was not completely happy. She longed for a child of her own.

Shaping clay from the island into the statue of a little girl, Hippolyta begged the gods to grant her request and bring the statue to life. The gods took pity upon their beloved servant and the statue became a little girl who leaped into the arms of her “mother.” Hippolyta was overjoyed.

She named the girl Diana and raised her as her daughter and heir. Years later, when Captain Steve Trevor crashed on Paradise Island, Diana fell in love with him and saved his life. Trevor informed the Amazons of the war going on in the world beyond, and the goddess Aphrodite decreed that an Amazon should go forth and battle the Nazis on Paradise Island’s behalf. Hippolyta held a contest to select their champion and Diana secretly entered and won.

She journeyed to the outside world and became known as Wonder Woman. Since then Princess Diana has been a force for good throughout the world.

ComicMix Radio: Catchin’ Up With Darwyn Cooke

Basking in his well-deserved glory for Justice League: New Frontier, Darwyn Cooke teases us a bit on his next turn at DC’s core heroes, plus:

Transformers’ bad guys get a turn

Jericho peters out

— Comic Fans take center stage next season on the SciFi Channel

—  We solve one trivia question and toss out another that is worth an  exclusive Graham Crackers Comics variant — and you win by e-mailing us at: podcast [at] comicmix.com

Spring is here, so relax and Press The Button!

 

 

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