Yearly Archive: 2008

Hooray For Ray Harryhausen, by Ric Meyers

What a relief! Fellow audio-blogging ComicMixer Mike Raub put it in perspective for me as soon the credits ended on Cloverfield: “What ever happened to science?” he asked. “Remember the good old days when movie characters would actually think about why something was happening rather than immediately whip out the heavy artillery?”

Well, Mike, my friend, I do, I really do, because this week I got two new, colorized, long-delayed, two-disc special editions from the “Ray Harryhausen Presents” line: It Came From Beneath the Sea and, especially, Earth Vs. the Flying Saucers. In the latter film, particularly, smart people do courageous things to foil an attack from the stars, and the literate, logical, talk – so absent in Cloverfield – would do Mr. Spock proud.

But first things first. It Came from Beneath the Sea arrived first, in 1955, with a Godzilla-esque tale of a nuclear-radiated giant octosquid attacking San Francisco. The following year saw the release of Earth Vs. the Flying Saucers, which was succinct and accurate in its title. Both are being re-released on DVD now because Ray supervised their colorization, and Sony has done a nice job of presenting them in both their original B&W as well as colorized forms, with a “ChromaChoice” toggle so you can go from one to the other with ease.

Only one problem with Ray supervising the coloring: the monsters look great … but the people often also look like they’re made of clay … or used a scoonch too much liquid tanner. All in all, however, it’s one of the more successful colorization jobs, and rarely too distracting. Besides, what with Ray’s Dynamationalized characters, the whole thing has a nice sheen of artificiality anyway, which the colorization folds nicely into.

 

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The Death of Tarzan

Today in 1984 came the end to an iconic career: Johnny Weissmuller, better known as Tarzan, passed away.  He starred in several of MGM’s Tarzan movies, beginning with Tarzan the Ape Man in 1932. However, Weismuller was more than a pretty Hollywood face. He came ready to play the jungle man by having won five, count’em, five gold medals in the 1924 and 1928 Olympics in swimming. Although he never starred in the 1966 TV show version of Tarzan, Weissmuller’s yodelling howl is still synonymous with the ape man he made famous.

Oh yeah, today is also Bill Maher’s birthday. Holla!

 

Roger Price Retires From Mid-Ohio Con

The man who founded the Mid-Ohio-Con, one of the best run and most entertaining of the hundreds of comic book conventions held each year, is retiring after 27 years.

Roger A. Price issued an announcement today that essentially said it was time for a change. Having helped run a large convention (the Chicago Comicon) for merely 10 years, I can certainly sympathize. The man is leaving while on top.

He is entertaining offers from those who might be interested in taking over this classic show. Roger can be contacted at info@midohiocon.com, or at R.A.P. Promotions at P.O. Box 3831, Mansfield Ohio 44907.

Speaking for both my family and for ComicMix, Roger, thanks for all the great fun. We wish you well.

Keith Giffen on DC/Wildstorm: Dreamwar

dcvsws-cv2_r1_solicit-6794036Good news for fans of Keith Giffen’s run on Legion of Superheroes: He’ll have another chance to play with the team this April, when DC/Wildstorm: Dreamwar hits shelves. The six-issue miniseries will pair Giffen with artist Lee Garbett (Midnighter).

Newsarama has an interview with Giffen about the series, the inevitability of a brawl whenever heroes meet and the relevance of the miniseries in the greater DC and Wildstorm Universes.

Legion of Super-Heroes is a concept that always exerts this weird type of siren song to me. I swear, I’m walking around, going "I’ve got to touch them again." And I wind up back toying around with them. This is something I thought would be interesting to play around with. I haven’t dealt with the characters for awhile. This is an opportunity to go in and remind people of my take on the characters without violating anything that’s gone on since I was on the book. And that’s fun. It’s fun to play around with those characters again. I’ve got a fondness for the concept.

Joe Palooka as a Weird-Menace Vehicle, by Michael H. Price

 

One connection leads to another and then another, whether via the proverbial Six Degrees of Separation or by means of random-chance Free Association. Which explains how the moviemaking Coen Bros., Joel and Ethan, and Ham Fisher’s strange trailblazer of a comic strip, Joe Palooka, come to be mentioned in a single sentence.
 
The Coen Bros.’ current motion picture, No Country for Old Men, took Best Picture honors the other day in a vote amongst members of my regional (Texas) society of film critix. A re-screening seemed in order, particularly because the film – an unnerving combination of crime melodrama with Existential Quandary – contains a bizarre murder gimmick that had triggered a vague memory of some other movie from ’Way Back When. I figured that a fresh look might complete the connection between the lethal device in No Country for Old Men and whatever other picture I was recalling.
 
And sure enough: The compressed-air cattle-slaughtering implement that Javier Bardem wields in No Country proves akin in that respect to Charles Lamont’s A Shot in the Dark – a fairly conventional whodunit from 1935, rendered weird by the use of industrial machinery in lieu of conventional weaponry. George E. Turner and I had devoted a chapter to A Shot in the Dark in our first volume of the Forgotten Horrors movie-history library, figuring that although murder per se might or might not render a film horrific, murder by unconventional means is a strong qualifier.
 
That slight recollection, in turn, pointed toward a batch of other weird-gizmo murder pictures, leading at length to 1947’s Joe Palooka in the Knockout, part of a series of movies spun off the Fischer strip. When odder random associations are made, the Forgotten Horrors franchise will make ’em.
 

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The First Presidential News Conference On TV!

After having been tracking it for some time, we are pleased to announce we have finally found the beginning of the end. Ladies and gentlemen, today in 1955, the very first presidential news conference was filmed for television and newsreels. All that business with the media skewing coverage for political gain these days really couldn’t have started without the help of Dwight Eisenhower, his 33 minute conference, and the cameras of NBC, CBS, ABC and the Dumont Network (the 50’s version of UPN or WB before the CW merge).

Ah, remembering a time when the news was served straight, and remembering it with the bitter knowledge of posterity and its cold corporate hand fondling Wolf Blitzer’s – ahem – I mean, CNN gives really honest and objective coverage. And so does Fox. And for whoever else is reading, I love my country and I wear red white and blue every day under my regular clothes. La, la, la, nothing to read here…

Mercury x2

Think of it as Battle of the Planets, round one.

Warren Ellis is preparing to launch Anna Mercury from Avatar Press sometime soon. However, Archaia Studios Press has got The Many Adventures of Miranda Mercury scheduled for February of this year.

One is a kid’s book. The other isn’t. Guess which is which.

JLA Bites The Dust

In comics, as in most facets of entertainment, it’s all about the concept. What fits together better than a girl, pirates and a nice, juicy curse. Aracania Studios’ Cursed Pirate Girl begins in March and we’ve got your preview here on ComicMix Radio.
 
Plus:
• That’s it for the JLA movie
Green Lantern scores a sell out and Boom! has one, too
• Millar and Hitch extend their stay on Fantastic Four
 
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Crash Course on Marvel’s Next-Gen Heroes

Over at Marvel.com, the second-tier heroes are getting a first-class treatment with "The Future Is Now," a five-week series aimed at reacquainting readers with superteams like The Runaways and The Initiative. The first part of the series, posted Thursday, focused on the Joss Whedon-penned Runaways, and featured some interior art by Michael Ryan.

Although the on-the-run cast of teens usually remains below the radar, series writer/co-creator Brian K. Vaughan dropped a startling reveal in the "True Believers" arc that kicked off the second volume of RUNAWAYS: roughly 20 years into the future, team member Gertrude Yorkes will lead the Avengers!

 

Doug Jones on Hellboy 2: The Golden Army

IFMagazine has an interview with Doug Jones, who played Abe Sapien in the first Hellboy feature film and returns in several roles (including Abe) in the sequel, Hellboy 2: The Golden Army. According to Jones, Abe will have a much more prominent role in The Golden Army, including a larger share of the action scenes.

You’re going to see [Abe] with a gun in his hand firing at things. No sword, but you’ll also see him with no weapon in his hands doing a certain fighting style that Guillermo called ‘the way of the water’ and would be most reminiscent of Capeoira, that Brazilian dancing fighting style that everyone seems at least somewhat familiar with.

Jones goes on to discuss the addition of a love interest for his character, the possibility of a "Director’s Cut," and the influence of Hellboy creator Mike Mignola on the film.