Yearly Archive: 2008

ABC Reshuffles Schedule at Expense of Quality

When the writer’s strike crippled audiences getting to know and love many freshman series last season, NBC and ABC decided that five would be held back for reintroduction this fall.  The shows — Chuck, Life, Pushing Daisies, Private Practice and Dirty Sexy Money.  On Friday, the verdict came down that the plan didn’t work as anticipated.

ABC has chosen not to renew Pushing and Dirty Sexy Money beyond their first thirteen episodes for the season. Private Practice will be slotted behind Grey’s Anatomy to try and salvage the creatively disjointed series. Life and Chuck seem to be faring better and the network is supporting them.

Also being canceled is Eli Stone which was a midseason replacement last spring.

"It’s all true," Daisies creator Bryan Fuller told Entertainment Weekly. "I’m so very proud of this show and grateful for everyone’s hard work in bringing it to life.

Replacing the shows will be the eighth and possibly final season of Scrubs, which moves to ABC after seven years on NBC. It debuts on January 6 at 9 p.m. with two weeks of a full hour of new episodes followed by the series settling in on January 20 at 9:30.
  (more…)

The Latest ‘Star Trek’ News

uhura1-1-6402221First Showing is reporting that Star Trek will not only beam into multiplexes around the nation, but can also be found on IMAX.

Other IMAX releases are scheduled to include Night at the Museum 2: Battle of the Smithsonian, Transformers: Revenge of the Fallen, and Harry Potter and the Half-Blood Prince.

In other Star Trek news, Paramount released two more teaser posters featuring Uhura (Zoe Saldana) and the villain Nero (Eric Bana) as seen here.

IDW released the cover to the first issue of Star Trek: Countdown #1, the prequel miniseries coming in January.

The story is plotted by Trek screenwriters Roberto Orci and Alex Kurtzman and scripted by Mike Johnson (Superman/Batman) and Tim Jones, with  art by David Messina (Star Trek: Mirror Images). Messina also provides covers for the series.

“There was a lot of back and forth about doing this project, how to do it, what it would be about, but what all parties agreed on was that we needed the right story and that it needed to matter. It had to count both on its own merits and when read in conjunction with the new movie,” said series editor Andy Schmidt in a release. “I couldn’t be happier with the project and what it means to the overall Star Trek franchise!”

"Star Trek: Countdown lays the groundwork for what happens in the movie," said Roberto Orci. "It’s our way of passing the baton from the Next Generation characters and their movies to the new film." 

 

Review: ‘Bourbon Island 1730’ by Appollo & Lewis Trondheim

bourbon-island-1730-1874196

Bourbon Island 1730
By Appollo and Lewis Trondheim; Art by Lewis Trondheim
First Second, October 2008, $17.95

Bourbon Island is a small but real place – it’s called Réunion these days, but it’s there, hanging near the east coast of Madagascar – and several of the characters in this graphic novel either carry the names of real people or are very similar to real people. But [[[Bourbon Island 1730]]] is a work of fiction – it’s primarily about people who never were real and about events that never happened.

It’s a looser and less tightly defined story than the reader expects at first: it begins with young Raphael Pommery, the assistant to ornithologist Dr. Despentes, traveling with his boss to Bourbon, hoping to find one last dodo. But Raphael is more interested in stories of pirates than in birds, living or possibly extinct. Raphael looks like our protagonist – young and more than a little romantic, just ripe for learning about the real world.

But Raphael doesn’t stay at the center of this story: in fact, no one that we see is really the protagonist. Bourbon Island instead centers on a character who never appears: the pirate Buzzard, the last great captain of a now-vanished age, imprisoned and facing a death sentence in Bourbon’s governor’s jail. Many of the settlers on Bourbon are reformed pirates, men who took an amnesty and laid down their arms – and it’s quite possible that a few or a lot of them may take up arms to free Buzzard.

(more…)

William Messner-Loebs Appreciates his Industry’s Support

Michigan-based William Messner-Loebs has had a very difficult life since birth but he remains undaunted as he continues to write and draw comics.  This year, he seemed to have hit rock bottom and the industry rallied to his support.  Additionally, IDW republished his classic independent title, Journey, and he has found work after too many fallow years.

Michigan’s MLive blog recently provided an update on Messner-Loebs who clearly recognizes the generosity of his peers. Brad Meltzer and Geoff Johns led the current wave of industry support following previous waves of support, headed by Mark Waid and Tom Peyer.

"It’s so heartwarming. When this sort of thing happens you feel utterly alone and forgotten. To have people give us the help they have, and the really touching letters and e-mails that enabled us to go on, was a blessing," the 59 year old creator said.

Both Messner-Loebs and his wife Nadine have suffered numerous ailments requiring surgery and hospitalization that left them teetering on the brink of bankruptcy. They wound up living in homeless shelters as Messner-Loebs attempt to find temp work but felt he was never chosen given his status as a one-armed man.

When Waid became editor-in-chief at BOOM! Studios, he was in a position to do more than just send money or rally support.  He gave the man work. "That’s less an indication of the kind of person I am and far more a measure of the kind of guy Bill is — a loyal and good man who has a way about him that everyone adores," said Waid. "In the quarter-century I’ve known Bill, I’ve never heard anyone express anything but affection for him. Never once."

His work at BOOM! can be found in Zombie Tales while he has also drawn " for Boom! Chicken Wings for the Beer Drinker’s Soul for Novi-based Com Publishing. Messner-Loebs also illustrates a monthly cartoon for the Livingston Parent Journal which will be  turned into a line of greeting cards and a calendar.

"Humor is a subversive reflex. I’m not sure I could abandon it, even if I wanted to. Besides, the day we officially lost the house was Sept. 10, 2001. I had exactly 24 hours to feel like the unluckiest person on the planet. Then I grew up," he said.

"So many people have invested in me getting back on my feet; it’d be a betrayal of them if I didn’t keep going."

In 2006, the couple had been given enough cash to allow them to buy and live in a mobile home in Green Oak Township.

While working here and there, he continues to plan for a new volume in the adventures of Wolverine McAllister, the pioneer star of Journey. "I had been reading about the mountain men of the 1830s. Well, these were legendary guys and underused in a way that western gunslingers weren’t. The scruffiness and casualness of the ambiance was appealing to me. As I started (the) stories, I realized I’d be investing a huge amount of time just to figure out the basic topography, flora and fauna of California. If I moved the scene 20 years earlier those same trappers and pioneers would be in Michigan. I could do research by just looking out the window."

‘Shazam!’ Moves from New Line to Warner Bros.

Warner Bros. has signaled its intent to corral all their DC heroes in one place but internally shifting Shazam! from their New Line division to Warner proper. The news came when the studio announced that Peter Segal has been given a three year first-look deal according to Variety.

The director and producer Michael Ewing formed Callahan Film works to produce projects together after first meeting on the set of Naked Gun 33 1/3. The deal now has the duo prepping not only Shazam, still to be written by John August, but also a sequel to Get Smart and Liam McBain: International Tennis Star and Proper English Geezer. The latter is an original story that “follows the rise, fall and ultimate redemption of a fictional British tennis star of the 80s.”

August last wrote in the late winter that he was finishing a draft of the delayed Shazam! film but nothing has been stated about the project since. August replaced William Goldman who wrote several drafts before leaving the project.  No casting has been announced although most expect Dwayne Johnson to sign on to portray Black Adam, the antagonist. 

‘Twilight’ Annoys Critics, Delights Fans, Thrills Summit

Twilight exceeded studio expectations by raking in $70,553,000 over the three day weekend, with 75% coming from female ticket buyers.  The Summit Entertainment film was expected to do well but the smash hit easily beat the analysts by $5 million. This also made director Catherine Hardwicke the top female director in terms of box office pull,

The franchise has been compared with the Harry Potter series in terms of writing, audience and magic pull it has had on the public consciousness.  The movie opened to tepid reviews that faulted it for hewing too closely to the novel, just as the first Potter film did.  Author Stephenie Meyer seems to have run roughshod over Hardwicke resulting in a film designed to appease the girls who have memorized the novel.  Reviews also faulted the dialogue and lack of chemistry between the leads and yet it will be among the best performing films of the year and rake in bug bucks when the DVD releases next year.  Meantime,  Summit has already green lit the second film, New Moon, as if there was any doubt.

Unfortunately, Disney miscalculated by not moving Bolt out of Twilight’s way and the film underperformed by $10 million, taking in only $27 million, since most of the audience was seeing the vampire romance instead. It should do better this coming weekend as families spend time during the four-day weekend. As a result, it opened in third place.

As for James Bond,Quantum of Solace dipped a steep 59.4% from last week’s mammoth opening and took in $27.4 million, pushing its two week total to $109,483,000, good for second place based on estimates from Box Office Mojo.

Fourth place went to Madagascar: Escape 2 Africa which caged another $16 million and continues to entertain.  The fifth spot went to teen comedy Role Models which took in just $7,229,000.

Audiences seem not yet ready for the serious dramas that normally roll out at this time of year, mostly to gain Oscar buzz and nominations. As a result, many big budget films have sputtered since opening, beginning with Warner’s bomb Body of Lies.  Currently, Universal’s Changeling is struggling to find audiences and has just $31,613,000 after five weeks despite good reviews and a solid pedigree. Fox’s The Secret Life of Bees is also hurting with a mere $35,649,000 after six weeks.

Comedies, romantic and otherwise, have also found the going rough with Kevin Smith’s Zack and Miri Make a Porno grabbing just $1.7 million this weekend and Soul Men taking in under a million. 

On the other hand, Slumdog Millionaire has been showing strength in limited release with a 176.1% increase as it has expanded to 32 screens, averaging a healthy $31,063 per screen.

Genre films have done all right with horror fests Saw V and The Haunting of Molly Hartley doing as expected with the former grabbing $56,405,000 I five weeks and a sixth installment already on the boards for 2009. Max Payne, though, did not do well and is seen as a disappointment for Fox with just $40.3 million after six weeks. Igor, though, was a CGI dud for MGM and likely will end its run with about $20 million.

Review: ‘Sabrina’

As a Humphrey Bogart fan, I was exposed to the delight that is [[[Sabrina]]] back in high school and fell in love with the romantic comedy.  It has held up to repeated viewings through the years and makes you wonder why Paramount ever bothered to remake it.  If you forget, it starred Harrison Ford and was atrocious.

Instead, if you’re unfamiliar with the story hie thee to the store and buy the Centennial Collection edition, which is number three in a new series from Paramount Home Video. The two disc set is a treat.

First, you get the story set in East Egg, I mean Great Neck, when it was where the high society lived in the first half of the 20th century.  They were tended to by a full staff, many of who, lived on premises including the chauffeur’s daughter, Sabrina, played with wide-eyed charm by Audrey Hepburn.  Her father tends to drive Linus Larrabee (Bogart) to the New York offices of the family business. Linus works all day and worries about the company all night, never seeming to have fun.  His opposite is his younger brother David, played by William Holden.  He’s all carefree and never thinks about the business, just spending its profits.

Sabrina has just returned from cooking school in Paris and the time away has done her a world of good.  She looks older, more mature, and a different girl entirely so the Larrabees all have trouble recognizing her. She, though, continues to have only eyes for David, who is presently engaged, not that that stops him from encouraging a flirtation with “the chauffeur’s daughter”.  To keep David focused on the impending wedding; Linus begins spending time with Sabrina.  The rest, as they say, is magic.

Interestingly, depending upon which featurette you watch, Bogart either did or did not want to be in the film but certainly was beloved for taking on the part. The extras celebrate a social world that is long gone in Sabrina’s World then a long look at the wonderful supporting cast that enriched this and so many others films of the 1940s and 1950s.

The [[[Audrey Hepburn: Fashion]]] Icon feature looks at how the film turned Hepburn into a fashion icon and spotlighted Hubert de Givenchy’s designs. Although Edith Head got all the credit for the film, Hepburn’s lifelong devotion to Givenchy paid dividends.

Holden gets the full bio treatment in a 24 minute mini-documentary and the [[[Behind the Gates]]] feature this time looks at the camera. Paramount in the ‘50s makes it third appearance in the series and the disc is rounded out with stills and trailers.

These first three films in the series celebrate all that was right with Hollywood i the 1950s when movies could be smart, looked good, and were well acted.  And in every case, they were about something while providing entertainment.

Umbrella Academy: The Movie

the-umbrella-academy-cover-issue-1-1810927Deadline Hollywood Daily reports that Universal Studios and Dark Horse Comics, the folks who brought us Hellboy II: The Golden Army, are continuing their long-standing relationship and fast-tracking a movie version of The Umbrella Academy. The Eisner-winning series was written by Gerard Way, former intern at DC Comics who later went on to international fame as the frontman for My Chemical Romance.

This proves what I’ve suspected for a long time: if you’re going to do anything big in the world– rock star, movie mogul, Eisner winner– you have to stop being an intern at DC.

Verbinksi and Bond to Remake ‘The Host’

Pirates of the Caribbean director Gore Verbinski will remake the Korean thriller The Host for Universal Studios.  Verbinski will produce while commercials director Fredrik Bond will debut behind the camera. Mark Poirier (Smart People) will adapt the 2006 Bong Joon-ho-directed thriller according to Variety.

The film did record breaking business when it open in South Korea and the story “follows a town terrorized by a giant mutant squidlike creature hatched by toxins that flow into a nearby river from a military base. When the creature grabs a little girl, her dysfunctional family must band together to rescue her.”

Verbinski is at work on adapting the video game Bioshock while toying with the notion of Pirates 4. He and Bond knew each other and had been seeking something they could work on together. Previously, Bond’s commercial campaigns included the Nike, Adidas and Levi’s brands.

"It processes a few genres together, and visually it feels close to the stuff I’ve made over the last few years in commercials, the tonality of humor and the scale," Bond said.
 

Animated ‘Nutty Professor’ Coming Tuesday

Just the other day we were talking about Universal seeking ideas for a third Nutty Professor film.  Now, Genius Products has announced the release of animated The Nutty Professor on DVD next Tuesday.

The once-buried secret potion to being cool is rediscovered when The Nutty Professor debuts on DVD November 25 from Genius Products, Rainmaker Entertainment and The Weinstein Company. Featuring the voice talents of the original Nutty Professor, comedic icon Jerry Lewis as Julius Kelp and three-time Kids’ Choice Award* Winner Drake Bell (Superhero Movie,) as his grandson Harold, The Nutty Professor is the modern animated sequel to the beloved 1963 classic and one of the great family franchises in movie history. When Harold gets his hands on the recipe for his grandfather’s secret elixir, he creates a potion that drastically transforms his personality to be more confident and suave. Unfortunately his alter ego is also obnoxious and destructive. Much like his grandfather before him, Harold must face his insecurities and fears while learning to believe in himself without the help of any special concoctions. A heart-warming comedy to be enjoyed by the whole family, The Nutty Professor DVD will be
available for the suggested retail price of $19.97.

Synopsis:

Years after the original nutty professor has hidden away the formula for his secret potion, his boy genius grandson, Harold, rediscovers the recipe and the adventure begins anew. Along the way, Harold learns to face his fears and the power of just being himself.

Bonus Features:

• The Science of Animating The Nutty Professor
• Character Storyboard Gallery

Basics:

Price: $19.97
Street Date: November 25, 2008
Run Time: 76 minutes
MPAA Rating: G
Languages: English Dolby 5.1
Subtitles: English and Spanish
Closed Captioned