Yearly Archive: 2008

‘Chuck’ gets 3-D, Super Bowl Boost

We love NBC’s Chuck. It’s a fresh take on spies and nerds that is appealingly cast and produced. The show has a great ensemble headed by Zachary Levi, Yvonne Strahovski, and Adam Baldwin.  That it continues to perform well in a television season that most call tepid is a good thing.

NBC agrees and continues to support the series.  Most recently it has announced an episode would be shot in 3-D but now creator Josh Schwartz tells Comic Book Resources the show will also receive a push via the Super Bowl, Sunday February 1.

 “It was NBC,” Schwartz, said, crediting the network. “They were doing this big promotion inside of the Super Bowl and handing out 150 million 3-D glasses, so we are the beneficiaries of that. Initially their plan was to have a bunch of shows do it, but it was logistically complicated, so Chuck seemed like the best fit for that type of thing.

“We are shooting the 3-D episode with Dominic Monahan and he’s loving it and loving his leather pants. Zach is the biggest Lost fan, so they talk Lord of the Rings and Lost and it’s huge for him.”

Among the promised three-dimensional images will be Nerd Herder “Jeff eating a urinal cake in 3-D.”

Schwartz says the support from the peacock network has been nothing short of incredible. “NBC has been an incredible partner for the show. I don’t want to sound like a corporate suck-up, but it’s true. They have believed in the show from the get-go. They supported the show by putting us on Mondays at 8:00 p.m. so we would have the Heroes connection and a better shot. They picked us up for the second season knowing the Strike was coming but still believing in us. Obviously, picking up the show for 22 episodes before it even airs is an incredible show of faith. They’ve also given us this 3-D episode that is going to air the night after the Super Bowl, so they’ve been as supportive as I could hope.

“We’ve been recovering from this post-Strike hangover,” Schwartz admitted. “We were doing pretty well before the Strike: every week was building and the numbers were pretty good. It was very encouraging, and then we went off the air for eight months and are in an incredibly competitive timeslot. Forget Gossip Girl or Dancing With the Stars, you’ve still got the CBS comedies and Monday Night Football, which is huge, and also Terminator: The Sarah Connor Chronicles. (Fox moves Sarah Connor to Fridays in mid-February.)
 

White Replaces Story on ‘Losers’

Sylvain White (Stomp the Yard) replaces Tim Story (Fantastic Four) as director on the Warner Bros. adaptation of Vertigo’s Losers.

He inherits a script from James Vanderbilt (Zodiac) as production responsibilities move from a Warner Bros./Legendary Pictures co-production to one managed by Joel Silver’s Dark Castle Entertainment. Production is expected to begin in early 2009 according to Variety.  No casting or release date have been announced.

The Losers
lasted 32 issues from 2003-2006 and was written by Andy Diggle and illustrated by Jock.  The story told of “band of black ops commandos who are set up to be killed by their own government. They barely survive and set out to get even.” The title derives from a feature that ran in Our Fighting Forces from 1970-1985, mostly handled by writer Robert Kanigher and artists Russ Heath and John Severin although a memorable run was done by Jack Kirby.

White is also attached to the film version of Frank Miller’s first creator-owned property, Ronin, which DC Comics published in the early 1980s, and Castlevania, a live-action version of the popular video game. Vanderbilt also wrote an early draft of Spider-Man 4 before being replaced.
 

Superman, Batman producer Jon Peters charged with parole violation

The New York Post (I know, I know) reports that Jon Peters, the producer of Superman Returns and the Michael Keaton Batman films, has been charged with multiple violations of his parole stemming from a drunk-driving plea. Peters pleaded no contest to DUI after dozing off on the 101 Freeway in Ventura on Feb. 11, 2006. The Ventura County district attorney’s office told Page Six Peters is due in court on Jan. 16 to answer charges he failed to complete an alcohol-education program, or report to his probation officer, or complete community service.

What’s more, rumor has it a document submitted by the four-times-divorced filmmaker is being examined for alleged forgery, as it shows he did a required 40 hours of community service when he had finished only four. A Hollywood producer fudging numbers? Shocking.

Jon Peters, you may recall, is the bozo who wanted Kevin Smith to write a Superman script where Superman would never fly or appear in costume, and put the Sandman movie into development hell. And of course, the mechanical spiders. Here’s Smith’s take on the guy…

Fox Dumps ‘Dollhouse’ on Fridays

Fox announced a dramatically restructured midseason lineup, radically different than the schedule they outlined over the summer. They have revived the Friday night science fiction dumping ground, placing Terminator: The Sarah Connor Chronicles and Joss Whedon’s Dollhouse on that evening, beginning February 13, the beginning of a three-day weekend when viewership tends to drop anyway.

Other shifts sees House slip to Mondays, allowing the return of the American Idol juggernaut on Tuesdays, which makes for a marvelous lead-in to Fringe. Bones shifts from Wednesdays to Thursday pitting the series against Ugly Betty and Smallville.

The Friday night curse began with the genre-related The Adventures of Brisco County Jr. in 1993 and was following in subsequent years by MANTIS (1994), Strange Luck (1995), VR.5 (1995), Sliders (1996), Millennium (1996), The Visitor (1997), Harsh Realm (1999), Freakylinks (2000), Dark Angel (2000), The Lone Gunmen (2001), John Doe (2003), and Firefly (2003). (more…)

CW Drops Plans for ‘Graysons’

flying-graysons-3630334Fans can breathe easier now.

The CW has dropped its plans for The Graysons, which would have dramatically altered the character of Dick Grayson in stories set before he became Robin the Boy Wonder.  According to Variety, Warner Bros. Pictures president Jeff Robinov rethought the premise and decided it didn’t fit in the company’s overall plans for its DC Comics super-heroes.

With Smallville likely in its eighth and final season, the CW network was seeking a replacement series and settled on Dick Grayson.  The reimagined premise, announced on October 1, saw him growing to his mid-teens and still performing with his parents, the renowned trapeze act, the Flying Graysons. Rather than call him Dick, he was also renamed “DJ”, all of which set off alarms throughout comic book fandom.

"Warner Bros. TV never had 100% clearance," one executive told the trade.

Robinov had told The Wall Street Journal back in August that the studio wanted to create a more cohesive plan for the DCU, largely after it faltered to keep up with Marvel which this year introduced connected elements between its Iron Man and Incredible Hulk films. Among those decisions was halting the Justice League film and possibly rebooting Superman, going with a darker approach.

Christopher Nolan, talking about directions he might go with a third film in his Batman franchise, dismissed adding Robin at any time but word had it that he never gave his blessing to the CW series. The idea that having Batman in theaters and Robin on television was considered by some executives to be a mistake.  They also thought Smallville might have had something to do with Superman Returns’ poor box office.  Clearly, none of them saw the film.

The Graysons,
as a result, did not fit with the plan at all.

"The studio has opted not to go forward with the development of The Graysons at this time as the concept doesn’t fit the current strategy for the Batman franchise," the studio said in a statement. "Warner Bros. Television is currently working on several replacement options for the CW."
 

Manga Friday: High School Hijinks

I warned you that we’d be back to high school before we knew it, but did you listen to me? (OK, maybe you did. I don’t really know, to be honest.) It’s that time again: to cavort with sword-swinging, vampire-snogging, dog-spirit-cavorting high school students! To see lots of stylized tears, food-gobbling binges, and unexpected nudity! To dive completely into fantasy worlds in between soul-crushing exams of our own! (The last may only apply to actual Japanese high school students.)

Inukami!, Vol. 1
Art by Mari Matsuzawa; Story by Mamizu Arisawa
Tor/Seven Seas, November 2008, $9.99

Take one boy, the surly, horny, self-important scion of a family that has been training Inukami dog-spirits, and using them to protect the world from evil spirits, for a long, long time. Add a spunky young Inukami, almost completely innocent about the outside world but utterly unwilling to follow that boy’s orders in anything. Mix together with gratuitous near-nudity and plenty of unresolved sexual tension (but surprisingly few panty shots). Warm to room temperature, and serve on a shelf with dozens of very similar works.

He’s Keita. She’s Yoko. Together they…well, they don’t really fight crime, and they don’t even do much battling of demons. What they mostly do is squabble with each other. Keita demands that she obey him, totally and completely, and Yoko refuses. Actually, she doesn’t so much refuse as utterly ignore his every order, and push him around herself, with judicious uses of her power to teleport other items around. (Such as Keita’s clothes away from him, as happens several times.) She also gets him to wait on her hand and foot, even though he’s sure it’s supposed to be the other way around. (more…)

Inside Fangoria Graphix

The announcement that Fangoria was returning to comic books came as a bit of a surprise so we decided to go right to the source.  Associate Editor Troy Brownfield chatted with us this week on the whys and wherefores.

ComicMix: Hey Troy, welcome to ComicMix.
 
Troy Brownfield:  Thanks, Bob.  It’s great of you to have us.
 
CMix: Fangoria Graphix failed last year and Scott blamed the lack of support from the magazine and website.  Since it was all owned by Tom DeFeo, how’d that happen?
 
TB: Love the easy questions first, Bob.  Let me first clarify a few things for everyone.  Fangoria Comics never failed; Fangoria Comics was ended.  How is that different?  Well, Fangoria Comics was performing at a sustainable level in the Direct Market, at a terrific level in mass market bookstore chains, and very well at conventions.  However, as anyone in comics knows, there is a certain cost associated with paying talent, printing, producing books, etc.  While we would have been doing fine as our own entity, by the end of summer 2007, it was apparent to all that the larger Fangoria Entertaiment was in financial trouble.

Tom DeFeo, who was merely a co-owner at the time (via Creative Group), tried his best to keep us going.  In fact, it was Tom, with our Executive Editor Scott Licina, who put together the comics line in the first place.  It essentially came down to a vote, and Fangoria Comics, along with other facets of the group’s operations, was simply shut down.  By March 2008, the entire conglomerate of interests (Creative Group, etc.) entered bankruptcy proceedings.  What came from that is that Tom DeFeo’s new company, The Brooklyn Company, emerged as the sole owner of Fangoria Entertainment.  Creative Group is no longer involved.

One of Tom’s first orders of business was to call Scott and get things back on track.  Since we’ll be doing more than just straight comics, it was decided to rename the segment Fangoria Graphix.

As to Scott’s remarks citing lack of support, that goes back to things that existed in the previous configuration.  The important thing now is that there is direct, daily communication between Scott, Tom, and Fangoria Magazine’s Editor-in-Chief Tony Timpone.  Managing Editor Mike Gingold, myself, and James Zahn from our New Media Development segment are involved with things as needed.  Scott, James and I talk frequently about what needs to be done with the comics, etc., and we’re all working on various ends of that. (more…)

John Boorman to Direct CGI ‘Oz’

After visiting Camelot, director John Boorman (Excalibur)  has decided to take a trip to see the Wizard.  He has signed to direct a CGI-animated adaptation of L. Frank Baum’s The Wonderful Wizard of Oz.

The film is budgeted at $25 million, according to Variety, and marks Boorman’s first animated project. The script will be a collaboration between Boorman, Rom Mita and Jim McClain. The project is already in development and they anticipate inviting audiences along for the ride during the summer of 2010.

Adaptations of the children’s book series have been around since the first motion pictures, best known for the 1939 musical starring Judy Garland. The adventures of Dorothy Gale and her companions have been continued in countless novels, comic books, movies, and television.  The most recent incarnation was Sci Fi’s celebrated Tinman miniseries last December.

A new comic book adaptation is coming in December from Marvel, written by Eric Shanower, who has previously adapted the material, and illustrated by Skottie Young.
 

‘Die Bad’ to be Remade in English

die-bad-korean-5723252The suddenly in demand Brad Ingelsby is scripting Die Bad, the English-language remake of a Korean action film with Marc Foster (Quantum of Solace) negotiating with Universal to direct.

The 2000 original production was written and directed by Seung-wan Ryoo and, according to Variety, was comprised of “four short films that told the story of the rise and fall of a gangster.” The remake will turn this into a single seamless tale set in New York.

Ingelsby has quickly become the Go To screenwriter after selling his spec script, The Low Dweller, to Relativity Media and gained attention as director Ridley Scott and star Leonardo DiCaprio decided to work on the film. Since selling the script in March, he has been hired to write Buried for Paramount and adapt WildStorm’s Sleeper for Warner Bros.

Neil Gaiman NYC reading 11/8 to benefit CBLDF

So I was waiting for a subway yesterday after visiting my local comics store, and I heard a voice behind me say "Glenn!"

I turned around and didn’t see anybody. Then I looked down. Lo and behold, there was Jill Friedman, fundraising director for the Comic Book Legal Defense Fund.

"Glenn, let me ask you, as a member of the press, how come you aren’t covering the Neil Gaiman benefit in town this weekend?" I kinda answered a bit non-commitally. Jill got that determined/slightly crazed look in her eye that suggested that if I didn’t write up a piece about cousin Neil, I would be beaten around the head with a stapler.

So here you are, Jill. Please don’t hurt me…

Sandman_Reading_11_08_08.gif

Veteran voice actor Tom Wayland and others, will read from some of the most politically charged excerpts of THE SANDMAN written by New York Times best-selling author Neil Gaiman, in honor of the 20th Anniversary of THE SANDMAN.

Presented by the CBLDF and Vertigo, Neil Gaiman will be on hand to host this dramatic reading which will be held at the Helen Mills Theater in New York City on Saturday, November 8 at 7:30 pm. Tickets are available for a $50 donation to the CBLDF. Only 100 tickets are available to this special reading event. Reserve your tickets now!

THE SANDMAN is a series that is often hailed as one of the finest achievements in graphic storytelling and which Norman Mailer famously praised as, "a comic strip for intellectuals." This very special evening will bring two of the series most beloved stories to life with a multimedia presentation that marries comics and live theater.

About the stories being performed:

Three Septembers & A January, originally published in THE SANDMAN #31 / Trade #6

The story of Joshua Abraham Norton the first, last and only Emperor of the United States of America that incorporates an explanation for his strange career centering on a challenge between Morpheus and Despair.

The Golden Boy, originally published in THE SANDMAN #51-56 / Trade #8

A revival of a 1970s DC character named Prez, it’s the story of the US’s first teenage president that considers how we view our leaders—while they’re in office… and once they’re gone.