Yearly Archive: 2008

McG reports on the Terminator Salvation blog that principal photography has wrapped and the crew has now moved on to Post-Production as they work toward their May 9, 2009 release date.

"We wrapped principal photography. Now we’re heavy into post. I’ve already shown early cuts to Christian [Bale] and Sam [Worthington]. They seem pleased with where the film is headed. Our focus is on story and character, but its fun diving into the world of visual effects.

“Charlie Gibson is aware of his responsibility as the VFX supervisor and second unit director of this film. He works with ILM and Asylum every day and makes revisions to the finest detail. We want the patina of the machines to be dirty and heavy and perfectly realistic – that’s why we built so much practically with Stan Winston.

“But at some point the effects kick in and like any Terminator fan, Charlie wants his mind blown. There’s one sequence in particular where we’re trying to achieve something that’s never been done before. I don’t want to talk about it because we haven’t been successful yet…But we’re working on it.

“Christian and Sam bring power to the rolls of John Connor and Marcus Wright. This is a story of two destinies colliding. Connor is part of a resistance comprised of the ethnicities that make up the globe. This film is so much more that just Los Angeles. It reflects the global crisis of man, all of man versus machine."

No word yet when we’ll see a full trailer for the feature but you can bet we’ll be seeing exclusive scenes on Fox’s Terminator: The Sarah Connor Chronicles now that the series has a full season order.
 

Interestingly, 20th-Century Fox is seeking a fresh face to play Greg Heffley, the star of Jeff Kinney’s Diary of a Wimpy Kid book series.  The casting agent is seeking Males 11-14 only.  Boys coming to the open call need to be able to handle dialog and ironic comedy, and should bring a current photo and snapshot and a parent/guardian.  The casting call will be held this Saturday, October 25 11 a.m.-4 p.m. at the Debbie Reynolds Studio 6514 Lankershim Blvd., North Hollywood, California.

We recently interviewed Kinney about his books and a movie adaptation sounds like a swell idea.

Slash Film has unearthed a largely overlooked cache of concept artwork from this past summer’s Iron Man movie. Artist Phil Saunders was commissioned to create official designs of for three separate armors originally slated to appear in the film.

According to Saunders, the designs were "three images I did at the very end of production as alternate suit designs that would have been in a Hall of Armor coda at the end of the film."

Of the War Machine armor pictured right, Saunders says: "I spent a lot of time on developing this suit, which was of course cut from the script about half way through pre-production. Originally it was going to be called the MK IV armor and would have been weaponized swap-out parts that would be worn over the original MK III armor. Earlier versions were red and gold, and would have ben worn by Tony Stark in the final battle sequence."

Saunders is quick to note that if War Machine appears in Iron Man 2, "it’s unlikely to be this one." As many fans are now aware, the man who would wear the War Machine armor is also different than the man in Iron Man. Terrence Howard, who portrayed Jim Rhodes in the first film, will be replaced by Don Cheadle in the sequel.

In addition to the War Machine armor, Saunders presents two other armors: an aquatic suit and a stealth suit. The stealth suit design attempts at "suggesting ‘stealth’ technology in the surface treatment of the suit, [and was] ultimately abandoned as not being classic enough." The aquatic armor design represents an underwater suit requested by Avi Arad for licensing and merchandising purposes.

"Needless to say," says Saunders, "the underwater suit never saw the light of days, but in homage to Avi, I drew this one up as a possible addition to [Tony’s] hall of armor."

Head over to Slash Film to check out the unused stealth and aquatic armor designs.