Paramount Pictures has tweaked its release plans for Star Trek, allowing theaters to show the first screening on Thursday, May 7, beginning at 7 p.m. According to Coming Soon, this improves on the normal midnight screening used to create an event.
The Los Angeles Times is reporting that High School Musical star Zac Efron has been signed to play Jonny Quest in a live-action feature film. The movie, written by Dan Mazeau, is said to be a terrific young Indiana Jones style adventure. Mazeau was recently named one of the 10 screenwriters to watch by Variety.
Also looking to join the cast as a brawny Race Bannon is Dwayne Johnson.
The 21 year old Efron is about a decade too old for the character, based on the Hanna Barbera series form the ‘60s. He’s taking on the title part to distance himself from teen musical roles and establish himself as a leading player so for him it s a canny move.
“I’m more dismayed by news that folks at Warner Bros. are thinking of jettisoning the name Jonny Quest altogether,” Geoff Boucher wrote. “Why? I hear the thinking is that the vintage animation roots of Quest will somehow pair it in the public mind with Speed Racer, which was a major Warners pile-up as blockbuster films go, considering the investment, expectations and critical reception. I’m not surprised because, well, unnuanced thinking in Hollywood is commonplace, and instead of spending the time needed to judge individual properties by their own merits, lots of decision-makers act like my grandmother at the racetrack.”
Scarlett Johansson writes in the Huffington Post about the work involved in preparing for Iron Man 2, but in a healthy way, because she "would be absolutely mortified to discover that some 15-year-old girl in Kansas City read one of these "articles" and decided she wasn’t going to eat for a couple of weeks so she too could "crash diet" and look like Scarlett Johansson."
Since dedicating myself to getting into "superhero shape," several articles regarding my weight have been brought to my attention. Claims have been made that I’ve been on a strict workout routine regulated by co-stars, whipped into shape by trainers I’ve never met, eating sprouted grains I can’t pronounce and ultimately losing 14 pounds off my 5’3" frame. Losing 14 pounds out of necessity in order to live a healthier life is a huge victory. I’m a petite person to begin with, so the idea of my losing this amount of weight is utter lunacy. If I were to lose 14 pounds, I’d have to part with both arms. And a foot. I’m frustrated with the irresponsibility of tabloid media who sell the public ideas about what we should look like and how we should get there.
I’m someone who has always publicly advocated for a healthy body image and the idea that the media would maintain that I have lost an impossible amount of weight by some sort of "crash diet" or miracle workout is ludicrous. I believe it’s reckless and dangerous for these publications to sell the story that these are acceptable ways to looking like a "movie star." It’s great to get tips on how to lead a healthier lifestyle, but I don’t want some imaginary account of "How She Did It!" I get into and stay in shape by eating a proper diet and maintaining a healthy amount of exercise. The press should be held accountable for the false ideals they sell to their readers regarding body image — that’s the real weight of the issue.
She also notes, "There is no magic wand to wave over oneself to look good in a latex catsuit." Unless, of course, you’re drawing it.
Arcade of Cruelty
By Joseph Patrick Larkin
Also-Ran, 2008, $18
Joseph Patrick Larkin is a self-obsessed, creepy, sexist shut-in with voyeuristic tendencies. And those are his good points.
I only know this because I’ve just read his self-published book [[[The Arcade of Cruelty]]] – but, let me back up immediately, because “self-published” will give you a certain image, and this book doesn’t fit that at all. It’s immaculately well-designed, looking for all the world like the catalog of some very, very unlikely traveling museum exhibit. It has a real ISBN, the unlikely and wildly inaccurate category of “Queer Studies/Occult” on the back, and a little log on the front proclaiming it the new selection of “Joseph’s Book Club” (with a circular logo that looks not at all unlike that of a different book club, one run by a TV host hose name begins with O). In the middle of all that, on the otherwise classy cover, is that serviceable drawing by Larkin of a zombie tearing out someone’s (his?) throat.
Larkin’s art is all at about that level: he’s not a great artist by any stretch of the imagination, but he’s reasonably good at crude depictions of appalling things – and, besides, the writing is carrying most of the weight here, anyway.
The Dabel Brothers adapted the Paramount Pictures gang film The Warriors and now they have announced plans for an original sequel. Jailbreak will be a four-part event, beginning this July. According to a release, the series picks up shortly after the end of the 1979 film, when the Warriors plan to break one of their members out of jail.
The adaptation of Walter Hill’s stylish movie, based on Sol Yurick’s novel, saw its debut in February and wraps up in June so the sequel follows immediately. Written by Erik Henriksen, penciled by Todd Herman and Herb Apon, inked by Nick Nix, and colored by Jeremy Treece, the first issue will feature a cover by Tom Feister.
As described by Paramount Home Video, which has the ultimate director’s cut on sale, the film is about: “A battle of gigantic proportions is looming in the neon underground of New York City. The armies of the night number 100,000; they outnumber the police 5 to 1; and tonight they’re after the Warriors – a street gang blamed unfairly for a rival gang leader’s death. This contemporary action-adventure story takes place at night, underground, in the sub-culture of gang warfare that rages from Coney Island to Manhattan to the Bronx. Members of the Warriors fight for their lives, seek to survive in the urban jungle and learn the meaning of loyalty. This intense and stylized film is a dazzling achievement for cinematographer Andrew Laszlo.”
William Hurt, seen here as General "Thunderbolt" Ross from last year’s Incredible Hulk movie, has been added to the cast of Ridley Scott’s untitled Robin Hood, formerly known as Nottingham. According to The Hollywood Reporter, he will appear as William Marshall, the Earl of Pembroke, a historical figure who was one of the most powerful men in Europe. Marshall was a servant to the Plantagenet kings and one of the best jousters of the era.
The feature, due May 14, 2010, stars Russell Crowe in a “retelling of the origins of the legend’s key characters.” Production began on the film recently and the cast includes Cate Blanchett as Lady Marion, Vanessa Redgrave as Queen Eleanor, Mark Strong as Sir Godfrey, Oscar Issac as King John, Léa Seydoux as French Princess Isabella, and the Merry Men: Scott Grimes as Will Scarlet, Kevin Durand as Little John, Alan Doyle as Allan Adayle.
Scott Pilgrim Vs. the World has been shooting for a little while now and director Edgar Wright has begun video blogging about the experience. Take a look at his welcome to fans.
Blog One – Introduction – Scott Pilgrim Vs. The World from Scott Pilgrim The Movie on Vimeo.
One minute they are playing D&D and the next they are saving the world – they are THE ACCIDENTAL HEROES now showing on the web, plus Mike Gold plays Who’s Who, Angelina might visit SIN CITY and some nasty internet guy broke WOLVERINE’S heart.
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IDW Publishing, home to Star Trek, 30 Days of Night, Transformers, Doctor Who, G.I. Joe, Fallen Angel, Locke and Key, and ComicMix’s upcoming line of print graphic novels and comics, today announced the 10 year old company hit the #3 spot in the monthly Diamond sales figures. That places them ahead of Image Comics and Dark Horse Comics, a remarkable achievement for a "back-of-the-catalog" publisher.
"This is a huge milestone for us, and the culmination of a decade of hard work by the many different people to have contributed to IDW over the years," IDW CEO Ted Adams stated. "This is clearly a great beginning to our second decade."
Last week, the company received no less than five Eisner nominations, and is just coming out with their 10th anniversary history. It’s been a hell of a week for the San Diego based publisher, and to celebrate the staff went to the Los Angeles Dodgers / San Diego Padres baseball game.
"IDW has always focused on producing quality comics and books, and it’s gratifying to see fans enjoying our books so much," IDW publisher and editor-in-chief Chris Ryall noted. "There is definitely a lot more great things to come for the company and our readers," no doubt referring to the upcoming release of GrimJack: The Manx Cat, Jon Sable Freelance: Ashes of Eden, and Demons of Sherwood.
Among other ComicMix projects, of course!
From 1941 through 1942, Max and Dave Fleischer rewrote the rules for animation and people have been trying to match those results ever since. When no one had previously tried adventure in animated form, the Fleischers took their lessons from [[[Popeye]]] and applied them to [[[Superman]]] with astounding results.
The seventeen shorts, released by Paramount Pictures, were the closet anyone would come to bringing Superman to a live action feature film until Richard Donner achieved that goal in 1977 (and people have been trying to match that goal ever since).
Warner Home Video has previously included the cartoons as part of their mammoth tin can set of Superman features but now there’s a two-disc set, Max Fleischer’s Superman: 1941-1942
The fluid action and rousing Sammy Timberg music remain indelibly etched in my mind from first experiencing these in the 1970s. The plots are very simple, given the standards of the day, so there’s a threat, Lois gets in trouble, and Clark becomes Superman to save the day. Repeat seventeen times. Given their short running time, there was no attempt at anything more than the most surface of characterization and the comics offered little in the way of recurring villains at the time (yes, including Lex Luthor). What they could have borrowed from the radio series, along with voice actor Bud Collyer, was kryptonite but chose not to do so.
Interestingly, there’s a warning on the box reading that the DVD set “is intended for the Adult Collector and Is Not Suitable for Children”. Hogwash. This is over-reacting to the mindset that children are fragile and the sight of Superman battling a dinosaur or a gang of robots would ruin their psyche. If anything, this is a perfect vehicle for introducing smart heroic adventures to children as they seek outlets for such fare.
The extras are culled from elsewhere but are worth watching if they’re new to you. First, there’s The Man, The Myth, Superman which does a nice job surveying heroes prior to the Man of Steel’s arrival in [[[Action Comics #1]]]. Second is First Flight: The Fleischer Superman Series which clearly establishes how the brothers went from Koko the Clown to Superman and easily surpassed other animation studios. Trailers for other animated offerings and the [[[Green Lantern]]] featurette round out the set.
Bottom line: if you do not own these in any other manner, buy this set. If you already have all seventeen episodes, there’s little reason to buy them again.
Columns / Glenn Hauman / News
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