Monthly Archive: August 2009

Happy 80th birthday, Marie Severin!

Rather than rehash all the excellent work Michael Pinto at Fanboy.com has done chronicling her amazing life, we’re just going to point you to his article:

At the end of the silver age of comic books (which was sometime the early 70s) there was a well known cigarette ad campaign which would proudly proclaim to the ladies “You’ve come a long way, baby.”
But sadly while the wider world of publishing started to open up to
women, the comic book biz was — and still today largely a boys club.
Now I can already hear the indignation from my fellow fanboys, but
here’s the evidence:

Tomorrow is the 80th birthday of a living legend in the field of comics — yet sadly in my humble opinion not enough people today know the name Marie Severin.
Yet like a Stan Lee or a Jack Kirby by all rights Severin should be one
of a handful of names that every fanboy (and fangurl too) knows.

Request For Comments from the Groupmind: What blogs should we be following?

Due to, as near as we can tell, Martians deleting folders in my RSS reader, I’ve lost every single one of the links to various comics and pop culture blogs. And we’re going to be spending the weekend rebuilding it, more or less from memory.

So I want to ask you. What news sources should be in our reading mix? What are we missing? Who should we be following? Stuff like that.

Please put your recommendations in the comments, and yes, feel free to hype your own blogs as well. Assume that if I don’t see it here, I may not remember it in the midst of debris.

This RSS image, BTW, is by lifted straight from Matt Forsythe. You should read his comic, Ojingogo, here.

The Point Radio: Another Yellow Submarine?

We’ve got more on USA Network’s PSYCH including series stars James Roady and Duke Hill on how they get into their characters. Plus SHAZAM gets another movie treatment, this time from Geoff Johns, do we really want a new version of YELLOW SUBMARINE and CBS promotes their Monday night line-up in ENTERTAINMENT WEEKLY with a way you’ve never seen before!

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Powerpoint advice from the Incredible Hulk

This is the week for angry business stuff here, isn’t it? Yesterday, we had Evil Inc. and Fox Business News, and today we have advice on preparing your business presentations from the Incredible Hulk:

  • Showcase hidden strengths
  • Find something to care about
  • Don’t overdo it
  • And for heaven’s sake, stay calm:

Whether you are the unfortunate victim of a gamma radiation overdose
or just a guy trying to pull off a great presentation, the rule is the
same: Chill out! Things are going to go wrong. Outlets aren’t going to
work. You will forget your extra batteries on the day when your
batteries finally die. Yes. Your fonts are beautiful – and unfathomably
tiny. Here’s an idea: live, learn and laugh. You can’t prepare for
every factor that will mess with your perfect presentation. That’s why
should always be preparing to present the imperfect one. Trust me, throwing the lectern through the wall will solve nothing.

Personally, I always use Jedi skills when giving business presentations. They always work well on the weak-minded.

It was inevitable: ‘Evil Inc.’ on Fox Business Channel

Some days, the headlines just write themselves.

Brad Guigar’s Evil Inc. comic strip was bound to be noticed by the people at Fox Business News sooner or later, it’s their kind of company. So yesterday, Brad was interviewed by the standard Fox News panel of a blond guy, a brunette guy, and a blonde woman on their show Happy Hour yesterday. Since Fox won’t let you embed video– I guess they really need the traffic– you can watch it on Brad’s site.

Now if you want scary, I suspect there are more people reading Brad’s strip daily than are watching Fox Business News

Tintin Banned In Brooklyn!

The Brooklyn (New York) Public Library has removed Tintin au Congo from its shelves. If you want to read the graphic novel, you’ve got to ask for it and risk that “what are you, a bigot?” glower from the librarian.

In an act of insane political correctness, somebody looked at the tome and bitched about how Africans are portrayed as monkeys. So instead of actually reading the damn thing, the librarians protected their professional butts and pulled the book. If you want it, you’ve got to make an appointment to see it. 

This isn’t the first time such a fate fell on Hergé’s popular munchkin. Borders, the always-on-the-verge-of-bankruptcy mega-bookstore chain, moved Tintin au Congo from the graphic novel section to their adult section. Hey, that’s where I go for my racist children’s fiction.

Stevie Spielberg, the well-known racist director of Amistad and Schindler’s List, remains on track to release his Tintin movie in 2011. Co-written by Doctor Who show-runner Steven Moffit, the movie stars the obviously insensitive Daniel Craig, Simon Pegg, Cary Elves, and Andy Serkis.

No word on whether the Brooklyn Public Library and Borders are going to hide the works of Mark Twain.

Review: ‘I Sell the Dead’

Are you looking to round out your Summer with a campy “horror” movie? Look no further than [[[I Sell the Dead]]]. This amusing film, written and directed by Glenn McQuaid, follows the recollections of a young grave robber named Arthur Blake (Dominic Monaghan) on the eve of his execution.

Set in 18th century England (some of our group thought Ireland), the general campy tone of the movie is hinted to early on when Father Duffy (Ron Perlman) is on his way to hear Blake’s confessions and passes what appears to be the skeletal remains of a chihuahua in the dungeon. In recounting how he became a grave robber, we are treated to humorous flashbacks of how Blake became a grave robber and, later, a “ghoul” – one who acquired and sells the undead. We soon discover that Blake and his grave robbing partner, Willie Grimes (Larry Fessenden) are up against a rival gang of brutal ghouls who are happy to use any means necessary to get their hands on the undead.

The film is chock-full of vibrant (and often drunk) characters. It is also well-stocked with monsters and over-abundant artificial fog somewhat reminiscent of classic campy horror films. I Sell the Dead does not fail to deliver the laughs they seem to be aiming for. The film also uses a very stylized method for changing scenes, wherein the end of a scene goes still and is then inked over to have the look of a scene from an old pulp comic. If you are looking for a modern, action-packed horror movie with a lot of shock and gore, this is not the film for you. Fans of Dominic Monaghan will enjoy getting to see him on screen again, and his comic timing is excellent as always. Those who prefer classic horror films or who want a break from the ordinary will find I Sell the Dead clever and amusing. If you are planning to see a fun and different flick with a group of friends, check this one out!

Review: ‘Likewise’

likewise-lg-8171227Likewise: The High School Comic Chronicles of Ariel Schrag

By Ariel Schrag
Touchstone, April 2009, $16

One of the nice things about reviewing for ComicMix is that people send you things that I would otherwise not consider reading or watching. Such is the case with [[[Likewise]]], an autobiographical graphic novel by Ariel Schrag. She began illustrating tales of her life while a ninth grader and had previous published [[[Awkward and Definition]]] and [[[Potential]]], the latter having been nominated for an Eisner Award, and is currently being developed into a major motion picture with Schrag herself handling the screenplay. Her writing about her growing up an active lesbian also led her to be a writer on the third and fourth seasons of Showtime’s [[[The L Word]]].

Likewise, a 360-page work is dedicated entirely to her turbulent senior year in high school. It definitely felt like I was coming in on the middle with the players already established but as the pages turned, everyone came into sharper focus. Ariel was already publishing her comics through Slave Labor Graphics and applying to college while trying to manage life without Sally, her girl friend who is now a college freshman. Her parents have divorced and her mother is apparently enjoying a second childhood, much to Ariel and her sister’s displeasure.

From the start of the term through graduation, Ariel recounts the highs and lows, the anxiety that comes with being a lesbian, a girl, a high schooler and a child of divorce. In graphic detail, we see that she is quite sexually active, seeking love and affection, reaffirmation from others while pining away for Sally, who seems to have discovered sex with men. Sally’s relationship with Ariel forms the spine for the year whether Sally is physically present or not.

Schrag’s simple style is also a detailed one, altering the amount of texture to reflect her state of mind. We go from a few scratchy lines to incredibly vivid panels that put her bedroom and classroom on display.

Given the page count, Schrag invites us into her mind, which is turbulent and very much her own. The teens talk like teens, the adults clearly differentiated without the stereotype that all adults are clueless jerks. In fact, at least one teacher comes through as genuinely helpful and sympathetic. The concerns of October are entirely gone, replaced with new ones by Christmas. There are incredibly embarrassing moments such as the night Mom invites the girls to share a joint with her and other joyous times such as the outing to buy her first dildo.

The book suffers a bit from being a bit too stream-of-consciousness and you lose track of time or decisions she has made, especially the important ones like college. Her lettering reflects the artwork’s mood so can go from typeset to an illegible scrawl and could have paid more attention to clarity. Still, these are minor nits in an overall fascinating examination on one of today’s teens. They all have their own stories, but Schrag chose to document and share her own tale, which proves to be compelling reading.

Happy 88th birthday, Gene Roddenberry!

On this day in 1921 the Great Bird Of The Galaxy, Eugene Wesley Roddenberry, was born in El Paso, Texas. Gene was known as a writer for Dragnet, Naked City, Have Gun, Will Travel, The Lieutenant, The Questor Tapes, Genesis II, Planet Earth, and Strange New World.

Oh, all right, Star Trek, Earth: Final Conflict, and Andromeda. And even a few comics series– don’t tell me you don’t remember Gene Roddenberry’s Lost Universe from Tekno Comics?

He died in 1991 and his ashes are in orbit now, so when we say the Great Bird Of The Galaxy watches over us, we aren’t kidding. Thanks again for letting us all play in your world.

Review: Famous Players by Rick Geary

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Famous Players: The Mysterious Death of William Desmond Taylor
By Rick Geary
NBM, August 2009, $15.95

No one does murder like Rick Geary. For more than a
decade he’s been regularly creating slim books in this loose series, each depicting
a separate, horribly violent crime of passion in his inimitable crisp and
detailed style, each with enough Geary detachment and subdued whimsy to keep
the blood from being too much. This is the tenth – not including an earlier,
larger-format [[[Treasury of Victorian Murder, Vol. 1]]],
which had shorter stories and served as a dry run for the later books – and Geary
is still at it. As usual, he’s digging into once-scandalous events from about a
century ago; the series was explicitly “Victorian” until last year’s [[[Lindbergh Child]]], and this book examines a murder case in the early
days of Hollywood.

After a few pages of scene-setting – and no
one does scene-setting better than Geary, one of the very few cartoonists who
routinely incorporates maps and schematics into his comics pages, and makes
them fit perfectly – Geary focuses his story on 1922, when the star director of
the highbrow but very successful Famous Players studio was William Desmond
Taylor, a man of middle years who – as it turned out – was not really named William Desmond Taylor, and who had a
complicated hidden past. That all came out after the morning of February 2nd,
when his cook/valet found him dead on the floor of his apartment. Police
science was not advanced at that point, and the power of the studios was, so the crime scene was tampered with by various
people – both random sightseers, hangers-on, and reporters as well as possibly
culpable parties such as Famous Players’ “troubleshooter” and two of Taylor’s
colleagues, whom Geary shows moving, concealing, and removing evidence. (What
that evidence was – and whether it had anything to do with Taylor’s death – is of
course impossible to know now.)

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