Monthly Archive: September 2009

Two Bleak Futures: David Ratte’s ‘Toxic Planet’ and ‘Ball Peen Hammer’ by Adam Rapp and George O’Connor

Everything is going to hell. Everything is always going to hell, and always has been, of course, but
it’s going to hell even more now than it ever has been, and quicker, too. And
so we get ever more stories about those hells – like these two very different
books that I have to talk about today. They even both have people with gas
masks on the cover!

Toxic Planet

David Ratte

Yen Press, August 2009, $12.99

Sometime in the future, the world is so crowded and polluted
that everyone wears gas masks all of the time, and the natural world is
essentially forgotten. Toxic Planet is a
satire – and a broad, obvious one at that – so there’s no point to asking what
kind of food these people eat; it’s not designed to show how this world
actually works, but to make obvious points about our own world.

Our hero is a factory worker named Sam; his blonde wife and
aged grandmother are never named, but that’s OK; they’re all such broad
characters that real names are superfluous anyway. Other characters include an
unnamed owner of the plant and his young son, the President of the United
Global States, who is an odd combination of Bush and Sarkozy, and the union rep
Tran, who gets to be the voice of reason (reason here being very much a
relative concept). Later on, Sam’s long-lost parents – they’re ecologists,
which is about as popular and mainstream in this society as a combination of
Muslim, Communist, and child molester would be in darkest Alabama – return from
the countryside (yes, the world is completely polluted everywhere, and yet
there’s still an unspoiled “countryside,” but don’t ask), with his younger
sister Orchidea, and they get to be the even more obvious voices of reason.

Toxic Planet is funny
here and there, and dull and axe-grinding equally as often. And it’s really
much, much too long for the message – yes, we all agree that polluting the
entire planet, declaring war on defenseless countries, and similar things are
Really Bad, but we don’t need to keep seeing heavy-handed double-reverse
sermons on the subject over and over for more than a hundred pages. Ratte’s
world isn’t clever or interesting; he just wants to make it dirty and
unpleasant, and he succeeds. The one interesting part of watching the axes
grind are the times when Ratte’s French ideas of what’s obvious and true – so much
so that he doesn’t have to say them, just have his characters parroting whatever
he considers the opposite – aren’t at all clear to a North American audience,
and so the reader can’t quite tell what he’s so worked up about.

Ratte’s art almost makes up for that, even
laboring under the constraints his writing has given it – no faces, only gas
masks, and characters who have to be differentiated mostly by hairstyle and typical
clothing – with an appealing lightness and energy. But Toxic Planet is the kind of book that can make a reader want to
drive a SUV to McDonald’s for lunch and then go prospect for oil in a
wilderness, just out of spite. (more…)

‘Surrogates’ underdeliver, Shuster and Ignatz Awards, and other ComicMix Quick Picks

ignatz-9895322Quick Picks for a slow Sunday:

What’d we miss? Tell us in the comments.

Review: ‘X-Men Origins: Wolverine’ on Blu-ray

wolverine-blu-ray-2243133X-Men Origins: Wolverine kicked off the summer season and much of the film review that follows originally appeared on my blog. This past week, 20th Century Fox Home Entertainment released the movie on DVD and Blu-ray, both containing a digital copy as has become standard these days. Since his introduction in 1974 through 2000, people were fascinated by Wolverine. He was a feral, edgy character at a time few other costumed crime fighters were. There was a tragic element to him since he could not recall his past. Through the years, writers teased us with bits and pieces about him, letting us know he was long-lived and had gotten around. But, just where did this Canadian come from?

After the success of [[[X-Men]]] in 2000, it became apparent there would be other mutant movies and the issue of Logan’s origin was no doubt going to be addressed. In 2001, Bill Jemas said the time had come to tell the origin. Better Marvel control the origin elements rather than some unfamiliar screenwriter so in many ways, his miniseries, [[[Origin]]], was a pre-emptive strike. And maybe it was just time.

The Paul Jenkins version beat out several others and became the one Andy Kubert drew in his gorgeous style. This is now the origin, like it or not, that every licensee is obligated to follow. All of this sets the stage for X-Men Origins: Wolverine, a solo project that invited movie audiences to see where Logan came from and how he had his skeleton covered in adamantium.

Good thing there was a roadmap to follow because the changes from the comic showed that in other hands, telling his origin could be disastrous. Far too little is spent setting up James Howlett’s life in Canada before his claws first popped out. The family dynamic is given such short shrift that it felt sketched rather than written. I was particularly bothered by the decision to make Howlett and Victor Creed brothers, an unnecessary and overused Hollywood trope.  Yes, Sabretooth is Wolverine’s great comic book nemesis but he had nothing to do with the origins and shoe-horning him here doesn’t fit.

We know they’re both mutants, both feral in nature, something not well explored by the script. The title sequence successfully shows us how they stayed together, reached adulthood and seemingly stopped aging, but continued to sate their natures by going from war to war. Why they left Canada for America is unexplained nor are we properly shown how they began drifting apart and why Victor relished fighting while James had more of a conscience.  Had the movie taken the opening montage and really delved into his origin, we would have had a more dramatic character-driven origin rather than this testosterone-fueled film overstuffed with extraneous mutants.

James and Victor wound up as part of mutant military brigade under the command of William Stryker. We get to see some mostly familiar mutants including Wade Wilson, whose jabbering was perfect. Anyway, James reached his limit with the squad’s brutality and walked on them, and his brother. In the intervening six years, he found a quiet job as a lumberjack along with the love of a good woman, Kayla Silverfox, until his past came back to haunt him.

Stryker has manipulated James so he agrees to undergo the transformation into a living weapon. A military reason for the Weapon X program as opposed to the evil scientific cabal is another Hollywood cliché that was irritating and Stryker as the mastermind never seemed smart enough or motivated enough to be a real threat.

Bonded to adamantium, James Howlett has now rejected his past, adopting the name Logan and the codename Wolverine (the animal name came from that other Hollywood touch, a story told by his lover in the scene before she is killed). Now seeking Creed, who killed Kayla under Stryker’s command, the second half of the film becomes a revenge tale. (more…)

High school cosplay, ‘Venom’ movie, and the rest of the ComicMix Quick Picks

smallville-8-8709019They’re quick, they’re…picked, they’re the stuff we didn’t get to today:

As always, this is an open thread. What did we miss?

ComicMix Quick Picks for September 26, 2009

mark-sheppard-2620162Freshly picked from only the finest and most pedigreed blog bushes, here’s the stuff we didn’t get to yesterday:

What’d we miss? Consider this an open thread.

The Point Radio: SMALLVILLE Season 9 Blasts Off

SMALLVILLE Season 9 premieres tonight on The CW and before you tune in, hear just where the year will take us direct from writer/producers Kelly Souders and Brain Peterson and Erica Durance shares her plans for Lois and how she got the “seal of approval” from a former Ms Lane. Plus there are details on DC’s direct to DVD plans and the real “secret origin” of the quintessential Batman, Kevin Conroy.

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Venezuela to fine networks that air ‘Family Guy’

Just in from the AP:

CARACAS, Venezuela – Venezuelan authorities plan to impose fines on cable television companies that refuse to stop airing the animated television series “Family Guy.”

Justice Minister Tareck El Aissami says the program should be pulled from the airwaves because it promotes the use of marijuana.

He said Thursday that cable networks that broadcast “Family Guy” would be fined by Venezuela’s telecommunications regulator if they refuse to dump the program.

And you all know what the folks at Family Guy think about that sort of thing, right?

You don’t? Maestro, take it away…

If you haven’t seen it, here’s the episode in question.

Paul Kirk, Manhunter– er, Senator?

Jesse Ventura was elected governor, so why couldn’t a costumed mystery man serve in the U.S. Senate?

Paul Kirk, the late Senator Ted Kennedy’s temporary replacement, shares a name but (probably) not the predilection for vigilante crime-fighting, with Manhunter, a DC character with an interesting history. 

In the comics, Paul Kirk used decides to become a crimefighter when his friend, Empire City
police inspector Donovan, was murdered by the supervillain known as the
Buzzard. He wore a superhero-like red costume with a blue mask. While
he had no superpowers, he was an above average athlete and possessed
superior tracking skills. Later, he went off to become a big-game hunter, but was killed by an elephant, then brought back to life by a secret society intent on ruling the world (insert obligatory Obama/ACORN reference here) and set up to lead an army of clones of him, but he rebelled and brought down the Council in a story chronicled by Archie Goodwin and Walt Simonson.

That doesn’t seem to describe the real-world Paul Kirk, but who knows? He could be a man of hidden talents.

Or it could be yet another one of those Paul Kirk clones running around…

ComicMix Quick Picks (in Six) for September 24, 2009

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There was a lot going on today, so let’s see if we can get these Quick Picks done in ComicMix Six words or less.

What was missed? Comments are open.