Monthly Archive: September 2009

Review: ‘Rose’

Rose
Jeff Smith & Charles Vess
Graphix, 140 pages, $10.99

Earlier this year, Scholastic’s Graphix imprint completed releasing the nine volumes comprising Jeff Smith’s delightful [[[Bone]]. The full-color books are ideal entry points into graphic novels or even fantasy literature. Now, the prequel, [[[Rose]]], is finally joining the library in a softcover color edition.

Rose is, of course, Gran’ma Ben, the strong, cow-racing elder figure introduced early in Smith’s saga. Her sister, Briar, is The Hooded One, an evil crone, but as we’re about to learn, they were once young and far more carefree.

Illustrated by Charles Vess, the story is very, very different from Bone, much more a cautionary tale and almost devoid of the humor that kept Bone such a great read. Instead, the book focuses on Rose and Briar, both in training to become leaders of Atheia. Rose is exceptionally strong but not at all focused, prone to distractions while Briar is disdainful of her more popular sister, insisting Rose will be the chosen one. When they journey to Old Man’s Cave for the final testing, the young women are drawn into the Lord of the Locusts’ attempt to achieve freedom from its stone prison.

Smith’s story works on many levels, starting with the relationship between the sisters, which rings true. The responsibilities that comes with being princesses weighs heavily on both and where Briar accepts them with solemnity, Rose struggles to follow her muse. Accompanied by her favorite dogs, with whom only she can converse, she seeks adventure wherever she goes. That includes the cave and the final testing, which turns out to be a struggle between Rose and a freed River Dragon, which now threatens the residents in the Northern Valley.

Rose has to make a promise early on and then live with the consequences of that obligation at story’s end and how it shapes her personality, which sets up the more familiar Grandma figure.

Vess, a highly celebrated fantasy illustrator, adapts his lush style to Smith’s world so the Red Dragon is a visual link to the Bone series. His color work is subtle and helps establish this as a related work.

There’s a reason Neil Gaiman said, “A magnificent prequel to Jeff Smith’s Bone, but it’s more than that – – it’s a beautifully painted meditation on magic, on the mistakes of youth and the little personal tragedies that grow to decide the fate of nations and to engulf the world.”

Unlike Bone, Rose is a bit more graphic in its violence and is probably not for the youngest of readers but is highly recommended to everyone else.

ComicMix Quick Picks – September 24, 2009

If you need further proof that we here at ComicMix love you and want you to be happy, check out these, our Quick Picks of stuff we didn’t get to yesterday.

What else did we miss? Consider this an open thread.

Review: ‘Asterios Polyp’ by David Mazzucchelli

Asterios Polyp
David Mazzucchelli
Pantheon, July 2009, $29.95

Comics are an essentially mongrel art, bred out of the
scraps of two prior art-forms in the great kennel of popular culture. That’s no
bad thing, despite what the mandarins might say – mongrels typically have the
strengths of both parents, without the fussiness and decadent weakness
characteristic of arts that only breed incestuously. Of course comics then are
called bastards, which is both a slander and absolute truth. The slander only stings
if one thinks being a bastard is a bad thing.

Asterios Polyp, for example, is a bastard, and the graphic
novel that bears his name is – and this is only one of the things it is, but we’ll start there – the story
of how he finally, much too late in his life, learns how not to be quite so
much of a bastard as he was before. We see Asterios in appropriately classical
form: both before and after his downfall, as if he’s both at once. More
importantly, though, [[[
Asterios Polyp]]]
is the story of comics themselves, as it dramatizes the interplay of the
elements that come together to make up comics. Asterios is a renowned teaching architect:
serious, linear, dogmatic, didactic, Apollonian, a maker of dichotomies. And he
comes up against the Dionysian side of the world again and again, symbolically
ramming his axe-shaped head into the places where the world doesn’t fit his
categories, willing it into the forms he’s decided are right for it.

(more…)

Old-School Comics Art Gets A Lot Older

Remember Howard Chaykin’s American Flagg? Roy Crane’s Buz
Sawyer
and Captain Easy? Alex
Toth? How about much of that beautiful black and white art in Warren’s
magazines Creepy, Eerie and Blazing Combat?

The one thing they all had in common – along with a hell
of a lot of other great art – is the fact that they were drawn on Duoshade
boards. That’s a certain rather expensive type of paper that allowed an artist
to brush a developer solution over an inked drawing creating different types of
horizontal lines for shading. Originally, they boards replaced the painstaking
task of cutting and pasting the effect onto the original art. It allowed certain
types of dramatic shading and feathering techniques (that’s a line that
consists of teensy tiny lines, giving a softer edge to that line).

Note my use of the past tense.

Now Graphix, the company that makes Duoshade boards (as
well as the Unishade boards, which is a similar type of stuff) has discontinued
production because production has grown more difficult and costly to produce
and demand as declined over the years. Younger artists use their computers –
not necessarily a complete substitute – and many are unaware of the existence
of the product.

Sadly, this comes at a time when the reproduction of comic
art in America has never been better. In the past, some of these types of
effects would close up or turn to mud. With better printing and better paper,
Duoshade – when properly used – gave us some beautiful artwork.

ComicMix Quick Picks – September 23, 2009

Presented for your approval are these, the stories we didn’t get to yesterday.

What else did we miss? Consider this an open thread.

Mark Millar To Rescue Superman After All?

It’s no secret that top comics writer Mark Millar wants to write the next Superman movie. He’s given lots of interviews, and ComicMix has run a whole bunch of news items about this going back over two years. The story stalled when it appeared such a move was not going to happen.

Now, maybe, yes.

It turns out Mark was misunderstood when it was reported Warner Bros. could not afford him. That seems logical for two reasons: 1) Warner Bros. can afford damn near anything, and 2) with the clock ticking loudly on their Superman movie rights and their miserable track record with this movie franchise, meeting the Wanted co-creator’s financial demands just might inure to everybody’s benefit.

Might. It’s Hollywood. No guarantees. According to Mark’s
board: “I don’t think I said they couldn’t afford me now. If I did I was joking
because writing Superman would be a massive payday so if I said that I was
obviously laughing at the time. It’s possible though as I like being glib.”

Mark had also stated “a very well-known American action director heard about my love of Superman, approached me and asked me to team-up with he (sic) and his producer to make a pitch.” Hmmm… I’m sure Warner Bros. appreciates the consideration.

Of course, there’s no word either way as to Warners’ feeling about the matter. We should know soon. In the Siegel estate fight, the courts mandated Warner Bros. produce a new Superman movie by 2011 or lose their rights to one of their brightest corporate jewels.

Stay tuned.

Review: ‘Castle’ Season One on DVD

castleseasononedvd1-5287663When the three-disc DVD set of [[[Castle]]] season one arrived, I was thinking about the series. I was immediately thought that this series would have been a perfect fit for NBC’s old [[[Sunday Mystery Movie]]], the rotating series that gave us memorable characters from Columbo to McMillan and Wife. The mysteries were usually background to the more interesting characters and the 90 minute timeslot left plenty of room for witty banter amidst the lightweight procedural process. When I heard series creator Andrew Marlowe identify McMillan and Wife as one of the inspirations during [[[Whodunit: The Genesis of Castle]]], I knew he got it right.

The series debuted in the winter and was warmly received with so-so ratings, keeping it on the renewal bubble right up until the May announcements. I was pleased to see ABC keep the series, which debuted its second season in style last night. And on sale today is the DVD set from Buena Vista Home Video. All ten episodes are here along with four featurettes and some episodic commentary.

A series about a best-selling mystery novelist and the NYPD detective he’s allowed to shadow is engaging and entertaining. Nathan Fillion makes every role he plays look easy and he has a gentle way about him, finding the humor in everything. When necessary, though, he knows when to drop the act and take things seriously. Grounded the show in the horrors of the crimes being investigated in Stana Katic, a lovely Canadian actress we’ve seen in countless genre guest spots ([[[Heroes]]],[[[Alias]]]) but this is her first series role and she’s making a terrific impression.

While their evolving relationship has the usual Will They or Won’t They element we’ve come to expect, they each have nice support systems that rounds out the cast and brings the show its unique feel. For Kate Beckett, there are her fellow detectives (Jon Huertas and Seamus Dever) at the precinct and the sole female pal, ME Lanie Parish (Tamala Jones). For Castle, who had been spiraling down to a dark place at the outset of the series, there’s his mother, a former theatrical star (Susan Sullivan) hoping for a comeback and his fifteen year old daughter Alexis (Molly Quinn) who is delighted she can stop mothering her father and go back to being a teenager. The scenes between Castle and Alexis are, to me, the best parts of the show because they depict a caring father/daughter relationship built on respect and trust.

As with all modern day series, there’s a larger mystery in the background and this show is no different. Beckett became a cop after her mother was murdered and the case grew cold. It’s a sore spot for her and she refuses to let Castle reopen the case, which of course he does. This will play itself out this season and one hopes it’s resolved and they move on.

The featurettes are as light, breezy and entertaining as the series itself. [[[Whodunit]]] is a nice look at the show’s origins and the building of the cast. Better is Castle’s Godfather, which is a look at the influence Stephen J. Cannell, the TV producer turned best-selling author had one Marlowe. Cannell and Fillion next star in Write-Along with Nathan Fillion, which is a satire on the actor learning to be a writer from a pro. While played with tongue-firmly-in-cheek, you do learn a few things about how Cannell works and works out. The Misdemeanors are a short collection of outtakes that are mildly amusing.

The show is highly recommended and if you missed out, now you can catch up in rapid fashion thanks to this nicely packaged collection.

ComicMix Quick Picks – September 22, 2009

crayon-shin-chan-8581558Here are some of the things we didn’t get to on Monday, bullet-pointed for your reading pleasure:

Anything else we missed? Consider this an open thread.

Even more calls for medical fundraising: Jeanne Robinson, Bob Beerbohm

harlan-2-5442327Hugo and Nebula winner Jeanne Robinson is undergoing treatment for a rare and virulent form of biliary cancer. Various auctions are going up to raise money for her treatment, including a one-of-a-kind dinner with Harlan Ellison at his home in Los Angeles. Bidding ends tonight and is already over $1100. However, he probably still won’t read your script.


Bob Beerbohm is also in a pretty bad way. Quoting from Gary Groth:

Bob could be a poster child for our pathologically
dysfunctional and systemically cruel and capricious health care system.
He was in a serious car accident while leaving the 1973 Houston Comicon
and, as a result, he’s worn all the cartilage from his hip joints,
which means that when he walks, his hips are grinding bone on bone.
Naturally, his health insurance company dropped him as soon as he
complained about this because, they said, it constituted a “previously
undisclosed condition,” and they wouldn’t cover the operation he now
desperately needs. So, the bottom line is that he’s in continuous pain,
can barely get around on crutches, can no longer do all the physical
labor that his business requires (like lifting and carrying boxes of
comics), is broke, and needs you to buy some comics from him so he can
afford the $18,000 it’ll cost him in cold hard cash for this operation.
If we lived in a better world, America’s generous socialistic health
care would give him the operation he needs, or, at the very least, some
rich patron would come forward and write him a check. We do not live in
that world, and he needs all the help he can get.

If you have the time and money, please consider purchasing something from Beerbohm, either via his site or his ebay store.

The Point Radio: SUPERMAN/BATMAN Public Enemies

Days from now, DC’s next direct-to-DVD feature premieres in stores and On Demand Cable. SUPERMAN/BATMAN:PUBLIC ENEMIES brings to life the acclaimed Jeph Loeb and Ed McGuinness story arc plus it reuintes familar voice talents Kevin Conroy (BATMAN), Clancy Brown (LEX LUTHOR) and Tim Daly (SUPERMAN). We begin our exclusive look at the release today as Clancy, Kevin and prodicer Bruce Timm talk about getting the”band back together” again. Plus news on the Kirby Heirs quest to grab some Major Marvel Copyrights.

 


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