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In a statement released this morning on DC’s The Source Blog, DC Comics is continuing to clean house and as they put it… “Build a company for the future.” Let’s take a second to see where exactly the axe is falling, and what that future may look like.
The first major change Lee and DiDio mention is the increase of production over at MAD Magazine, which now publishes on a bimonthly schedule. In addition to the increase there, obviously they are branching the brand out with the aforementioned new cartoon show.
Past this bit of news though, it seems DC is ending an era or three within its offices and engaging in some heavy corporate streamlining.
First, everything non-comics will be making the move to the left
coast. The folks at ComicsBeat covered it well, but the basic gist is simple: many folks may be looking for new work come the new year as anything related to the development and production of feature films, television,
digital media, video games and consumer products (all of DC Direct, for example) as well as the
company’s administrative functions moves to a Warner Bros.-managed
property in Burbank, where they can consolidate all the overlap of those departments with WB Consumer Products and the like. It’s not clear yet whether this will include comics sales and marketing.
Next, Wildstorm is closing down and being absorbed into DC. As they said:
After taking the comics scene by storm nearly 20 years ago, the
WildStorm Universe titles will end this December. In this soft
marketplace, these characters need a break to regroup and redefine what
made them once unique and cutting edge. While these will be the final
issues published under the WildStorm imprint, it will not be the last we
will see of many of these heroes. We, along with Geoff Johns, have a
lot of exciting plans for these amazing characters, so stay tuned. Going
forward, WildStorm’s licensed titles and kids comics will now be
published under the DC banner.
Essentially this means that the Wildstorm Universe will simply be known as “Earth 238” or whatever number Grant Morrison assigns it. DC will allow time for readers to forget about Grifter, Maul, Spartan, Fairchild, and the other lost boys and girls in the Wildstorm Universe… and come back with a few Brand New Amazing Mini Series with hope that those feeling nostalgic for big biceps, bigger guns, and really big boobs will revive the now dying universe of characters.
Also, let’s not forget the other imprints of Wildstorm, including Homage Comics (Astro City), and the Alan Moore founded America’s Best Comics (Tom Strong, Promethea)… all of which is currently up in the air. Astro City creator Kurt Busiek was quoted as saying: “They haven’t said anything yet about creator-owned Wildstorm books.
Presumably they want to talk to us first. And right now, they’re busy
absorbing what this means for them. So I doubt I’ll know anything for a
day or two.”
Bleeding Cool has the best take I’ve seen on Wildstorm’s death of a thousand cancellations.
Note also that with this move, the editorial staff at Wildstorm will be undergoing a “restructuring” as well. It will be “folded into the overall DC Comics Digital team, based in Burbank…” While we don’t know specifically what restructuring will occur, obviously, it seems the team will shrink in its cross country move from Manhattan to L.A. Makes us wonder if DC was promised a shot at The Tonight Show as well.
Next to fall? To no one’s surprise, ZUDA. The webcomic imprint, which had its site shut down back in July, will cease to be after this week. As they said:
After this week, we will cease to publish new material under the ZUDA
banner. The material that was to have been published as part of ZUDA
this year will now be published under the DC banner. The official
closing of ZUDA ends one chapter of DC’s digital history, but we will
continue to find new ways to innovate with digital, incorporating much
of the experience and knowledge that ZUDA brought into DC.
ZUDA, which had very little going for it by way of mainstream popularity or attention, doesn’t come as a shock to anyone. With webcomic giants like Scott Kurtz and the boys at Penny Arcade doing just fine, the ZUDA project never really found its legs, past the success of one of it’s initial offerings, Bayou, by Jeremy Love.
The DCU Source Blog in question ends with a long blurb about the future of the company, and it’s increased focus on the “digital initiative”. They even go on to note their happiness at the success of their current digital offerings, which bring in “…anecdotal stories of lapsed readers returning to the art form and
of brick and mortar stores gaining new customers who sampled digital
comics.” We here at ComicMix would love to talk to some of those folks and hear said stories, because we’ve not been privy to any “I gave up paper comics with the Death of Superman, read Action Comics #701 on ComiXology, and rushed back to my local brick and mortar store that stayed in business during those 18 or so years, to start buying comics again!” stories.
As more turns up on this, we here at ComicMix will let you know. Stay tuned…
[[[
Glee]]] is frothy, delightful television that is as prone to being over-the-top as it is to be emotionally powerful. That it can successfully veer from one extreme to the other is one of the more impressive aspects of the Fox series, created by Ryan Murphy, Brad Falchuk and Ian Brennan. The show burst into the public consciousness with the clever airing of the pilot in the waning days of the 2008-2009 season and got people excited with something fresh and seemingly original (at least for prime time; no doubt Fox saw its potential after Disney’s success with [[[High School Musical]]].
When the show arrived last fall, it proved it was able to blend soap opera, music, and dance with an oddball assortment of characters with several vying for breakout status before Jane Lynch’s Sue Sylvester captured pop culture’s heart. The plight of the misfits that find themselves forming a glee club at Ohio’s William McKinley High School is the overarching theme as the team grows from a sextet to a full squad and prepares for sectionals and then regionals. As a result, we see them working on numerous pieces and with the show’s ratings climb, they stuffed in even more musical numbers which has neatly resulted in several soundtrack CDs already available.
When the show took an extended hiatus, Fox Home Entertainment released Glee, Volume One: Road to Sectionals to tide fans over. Now, in time for the premiere of season two this evening, Glee; The Complete First Season is out in both standard DVD and Blu-ray sets.
The show revels in its absurdity and doesn’t once try to make us think any of these characters are real or that the high school is really a place for learning. After all, we never see the kids in any academic class nor is homework ever a factor. Apparently, few of them need jobs or when they do can take them without breaking a sweat. We know there’s a faculty because we see them in the lounge where some of the more embarrassing adult shenanigans get discussed.
Where the series fell down was properly making us care for the dilemma Will Schuester (Matthew Morrison) faced with his ditzy, desperate, deceptive wife Terri (Jessalyn Gilsig). Her fake pregnancy sub-plot was totally wasting time for other stories and her expulsion from the marriage seemed pre-ordained and yet, she remains attached to the show like a barnacle that won’t go away.
Since science has cured all disease, and we’re living in a world with jet packs and super-candy (which never causes tooth decay, don’cha know), a symposium was called to finally figure out why teenagers are so influenced by the art and media with which they surround themselves. Led by Maria Nikolajeva, the conference was held in England just a few weeks ago. Nikolajeva, a Cambridge University professor of literature, brought together “people from different disciplines to share what we know about this turbulent period we call adolescence.” Why, you ask? We’re guessing that Nikolajeva (we love typing that name) has a teenage daughter who recently started wearing black, talking back to her, and becoming infatuated with pale boys who drive their own ’96 Honda Accords. We’re just guessing, though.
Thanks in part to an in-depth article on MSNBC, there’s plenty to glean from this recent conference. Some facts we learned? According to Karen Coats, a professor of English at Illinois State Univeristy, “the teenage brain processes information differently than a more mature brain.” We’re blown away. Really? Coats (again, an English professor…) goes on to add that the teenage prefrontal cortex goes through a growth spurt before puberty, followed by a period of organizing and pruning of the neural pathways. We asked Doctor Gregory House of Princeton Plainsboro Teaching Hospital about this fact, and he was quick to add “Duh! It turns out right before and even during puberty, kids’ noggins get bigger. And as boys grow hair in weird places, and girls grow sweater puppies…their bodies are flushed with hormones and other science-type stuff that makes them act out in odd and strange new ways.”
20th Century Fox
Produced by Trevor Albert and Don Murphy
Directed by Stephen Norrington
Screenplay by James Robinson
Based on the graphic novel by Alan Moore and Kevin O’Neill
The concept of THE LEAGUE OF EXTRAORDINARY GENTLEMEN is so simple that I’m honestly surprised nobody before Alan Moore thought of it. Here it is in a nutshell: From time to time many of the great fictional heroes (and sometimes villains) of the past and present have found it necessary to come together to form an alliance against evil so overwhelming that it threatens to conquer or destroy the world. They do so under the authority of a special Branch of The British Secret Service, under the direction of a mysterious figure known only as M. This alliance is known as The League of Extraordinary Gentlemen. It is rumored that members of Leagues past and present have included Dr. Syn, Sherlock Holmes, Captain Blood, Lemuel Gulliver, Robin Hood, Tarzan, Doc Savage, The Shadow, James Bond, and many, many others. But for the purposes of this review we’re going to look at a particularly unique grouping of The League, one led by the world famous adventurer Allan Quatermain (Sean Connery)
2003
20th Century Fox
Produced by Trevor Albert and Don Murphy
Directed by Stephen Norrington
Screenplay by James Robinson
Based on the graphic novel by Alan Moore and Kevin O’Neill
The concept of THE LEAGUE OF EXTRAORDINARY GENTLEMEN is so simple that I’m honestly surprised nobody before Alan Moore thought of it. Here it is in a nutshell: From time to time many of the great fictional heroes (and sometimes villains) of the past and present have found it necessary to come together to form an alliance against evil so overwhelming that it threatens to conquer or destroy the world. They do so under the authority of a special Branch of The British Secret Service, under the direction of a mysterious figure known only as M. This alliance is known as The League of Extraordinary Gentlemen. It is rumored that members of Leagues past and present have included Dr. Syn, Sherlock Holmes, Captain Blood, Lemuel Gulliver, Robin Hood, Tarzan, Doc Savage, The Shadow, James Bond, and many, many others. But for the purposes of this review we’re going to look at a particularly unique grouping of The League, one led by the world famous adventurer Allan Quatermain (Sean Connery)
Allan Quatermain is an old man, living in Africa, drinking his days away and only wanting to be left alone. However, events in the rest of the world bring him back into action. A mysterious man known only as The Phantom is threatening the governments of the world into a global confrontation and there is seemingly no way to stop him since he has advanced weapons such as automatic weapons, body armor and tanks. Quatermain is brought to London where he is introduced to M (Richard Roxburg), The current head of the British Secret Service who informs Quatermain that he has been chosen to lead the newest incarnation of The League Of Extraordinary Gentlemen whose membership includes Captain Nemo (Naseeruddin Shah), The Invisible Man (Tony Curran) and Mina Harker (Peta Wilson) who has the benefit of vampiric powers due to he relationship with an infamous Transylvanian count. Quatermain and his team quickly acquire the grown up Tom Sawyer (Shane West) who is now an agent of The United States Secret Service. Dr. Henry Jekyll (Jason Flemyng) and his monstrous alter ego Mr. Hyde as well as the immortal Dorian Gray (Stuart Townsend) also join up and they’re all off an adventure that takes them all over the world from London to Paris to Venice to a final confrontation at the top of the world in the frozen Artic where the secrets of The Phantom are revealed and the destiny of a new century will be decided as The League Of Extraordinary Gentlemen make their final stand.
You’re going to have a lot of comic book fans that will tell you not to see THE LEAGUE OF EXTRAORDINARY GENTLEMEN as they feel that the movie bastardized Alan Moore’s concept. I’ve given the trade paperback of the comic to several people whose opinions I trust and they have told me that while they like the comic and appreciate it for what it is they wouldn’t have gone to see a movie that was strictly based on the comic book. However, those people have also said that the greatly enjoyed the movie version and I think that’s because the movie version does exactly what it’s supposed to do: provide us with two hours of thrills, adventure and excitement. Yeah, yeah, yeah, it’s not the comic books but it is a great piece of outsized, overblown, pulp action/adventure taken to the extreme and part of the reason I had so much fun watching the movie was that I could see the directors, actors and special effects guys just saying “the hell with it” and allowing themselves the room to have fun with the concept and just working with the material they were given and making sure they delivered. THE LEAGUE OF EXTRAORDINARY GENTLEMEN is a movie I loan out to friends and family often when they ask me what’s a good Saturday night movie.
First off, you’ve got Sean Connery who’s simply great. When he made this movie he was 75 years old and he’s the only 75-year-old actor in the world who can get away with beating the snot out of actors half his age and look totally convincing doing it. Other actors look embarrassingly silly in their older years trying to do action scenes but somehow Connery can still pull it off and look convincing. There’s a bunch of great scenes he has with Shane West’s Tom Sawyer where the characters obviously build a father/son type of relationship, especially in the scenes where Allan Quatermain and Tom Sawyer are chasing down Mr. Hyde across the rooftops of Paris and a later scene aboard Captain Nemo’s Nautilus where Quatermain teaches Tom how to shoot.
Peta Wilson is terrific as Mina Harker who shows a delightfully dark side to her character and I really liked how Naseeruddin Shah played Captain Nemo. As far as I know this the first time the character of Captain Nemo has been played racially correct in a movie and he supplies the team with their technological/transport support. And his fight scenes are among the best in the movie as he gives Captain Nemo a distinctive martial arts style. He plays Captain Nemo in a way unlike any other actor that’s ever played before and I think he’s probably the only actor who might have read the graphic novel the movie was based on. There’s a certain way he carries himself and the way he says his lines that make you sit up straighter and pay attention and his fight scenes are among the best in the movie. Listen to how he says: “Behold Nautilus…The Sword of The Ocean” and tell me that ain’t downright cool.
That’s not to say that the movie is without its flaws. I really didn’t like how the CGI guys went nuts on the effects. Especially when it came to Mr. Hyde and The Nautilus. In this movie, Dr. Jekyll and Mr. Hyde are more like the Marvel Comics version of Dr. Bruce Banner and The Hulk than the Robert Louis Stevenson original. And Captain Nemo’s Nautilus is huger, bigger and more technologically advanced than any modern day aircraft carrier. And the scenes in Venice make absolutely no sense whatsoever. There’s a whole lot of yelling and chasing around and fighting and shooting but when it’s all over you’re wondering: “What was that all about?” Not to mention that there’s absolutely no mollyfoggin’ way something as big as The Nautilus could navigate the canals.
But there are a lot of little nice touches. The obvious one is where Quatermain is receiving his assignment to assemble The League from M. And if you don’t appreciate the humor of Sean Connery once again getting orders from M then you really need to go back to Basic Film School. And pay attention to the scene between M and Quatermain because in the background are huge portraits of former Leagues. I also liked how Captain Nemo’s First Mate has a running joke in the movie where he has to keep introducing himself: “Call me Ishmael”
There’s some incredible fight sequences and plot twists that I honestly didn’t see coming and even though I felt the final fight between Mr. Hyde and The Phantom’s main big bad who has ingested a near lethal dose of the Hyde formula was yet another reason for the CGI boys to go wild I liked the relationship between Mr. Hyde and Captain Nemo as they struggled to find a way to defeat their foe as well as the ending scenes between Allan Quatermain and Tom Sawyer.
So should you see THE LEAGUE OF EXTRAORDINARY GENTLEMEN? I see no reason why you shouldn’t. Don’t listen to your comic book reading friends who’ll tell you that it’s nothing like the comic book. Of course it isn’t like the comic book. It’s a movie and a pretty damn good entertaining one. Go ahead and watch it and have fun for what it is: it’s purely pulp action/adventure designed to get you interested in reading the source materials and characters it’s based on. No more and no less. But that doesn’t mean you can’t have a good time watching THE LEAGUE OF EXTRAORDINARY GENTLEMEN before you read the material it’s based on.
110 minutes
Rated PG-13
KING KONG
2005
The performances are stellar. I’ve never been much of a Jack Black fan (I still don’t see what the fuss over “School Of Rock” was all about) but I really enjoyed him in this movie. He has nowhere near the energy of the original Carl Denham, (the late great Robert Armstrong) but he has a strange look in his eye that I think develops into full-blown madness during the movie’s most frightening scene where Denham, Jack Driscoll and several crewmen are at the bottom of a deep crevice and have to desperately battle for their lives against giant insects. The choice of Jack Black and Adrian Brody as the movie’s leading men is a good one since both of them look like….well, like regular guys. They’re not impossibly handsome or pretty (I’m looking at you, Orlando Bloom) and that goes a long way with me to lending realism to their characters. As Ann Darrow, Naomi Watts has to carry a lot of the movie on her shoulders since she interacts with Kong more than any other character in the movie and she pulls it off superbly. There’s a terrific scene where she goes into her vaudeville act to amuse Kong and amazingly, the big ape enjoys the show. And for me the most spectacular action sequence in the movie is the ultimate giant monster smack down where Kong proves exactly why he’s King when he takes on not one, not two, but three Tyrannosaurus Rexes in a truly epic showdown of colossal proportions. 
The Avengers: Earth’s Mightiest Heroes!, an all-new animated series featuring the best of the best in the Marvel Universe, premieres Wednesday, October 20 (8:30 p.m., ET/PT) on Disney XD. Produced by Marvel Animation, the series stars the world’s greatest heroes — Iron Man, Thor, Captain America, The Hulk, Ant-Man/Giant Man and Wasp — who form the Avengers, a team assembled when the powers of a single hero are not enough to save the world. Thsi essentially mirrors the line up as seen in the first 15 issues of the comic, written by Stan Lee and illustrated by Jack Kirby and Don Heck.
Beginning Wednesday, Disney XD, DisneyXD.com/Avengers, Marvel.com, MarvelKids.com and Disney XD Mobile will roll out 20 micro-episodes introducing the team’s core members. Each five-and-half-minute episode focuses on the back story, allies and nemeses of the heroes before the Avengers were formed.
In the two-part series premiere, “The Breakout,” Iron Man, Hulk, Thor, Ant-Man and Wasp have defeated some of the most dangerous super-villains on the planet. But when the super-villain prison system mysteriously shuts down, chaos is unleashed on the world. Earth’s Mightiest Heroes must now band together as the Avengers to protect the planet from the threats that no single super-hero could face alone. Their first task is to try and stop Graviton, a being whose power dwarfs anything ever seen. He’s after Nick Fury, but will destroy the world to get to him. Individually the heroes have no chance, but together they can make a difference.
The complete multiplatform rollout is:
Wednesday, September 22
Disney XD will air a special sneak peek of the first micro-series episode, “Iron Man is Born!,” at 8:30 p.m., ET/PT directly following premiere of the network’s newest series, “Pair of Kings.”
DisneyXD.com/Avengers, Marvel.com, MarvelKids.com and Disney XD Mobile will unveil a new micro-episode every day, for 20 days, leading up to the micro-episodes’ premiere on Disney XD. DisneyXD.com/Avengers will also feature a gallery of each of the Avengers and offer inside information about Kang, Loki and the rest of the “most wanted” Marvel Super Villains.
Tuesday, October 5
Select micro-episodes will be made available as a free preview on iTunes.
Monday, October 11
Disney XD will roll out all 20 micro-episodes during “Avengers Week” from Monday, October 11 to Friday, October 15, with four micro-episodes stacked each night at 8:30 p.m., ET/PT.
The complete micro-series becomes available on Disney XD on Demand on AT&T, Verizon, Charter and Cox.
Wednesday, October 20
The highly anticipated series premiere of The Avengers: Earth’s Mightiest Heroes! airs with two back-to-back episodes from 8:30 p.m. – 9:30 p.m., ET/PT. The series also launches on DisneyXD.com/Avengers, Marvel.com and Marvelkids.com.
Thursday, October 21
Full episodes launch on iTunes, Xbox Live, Sony Playstation and Disney XD Mobile VOD.
Monday, October 25
The series becomes available on Disney XD on Demand on AT&T, Verizon, Charter and Cox.
NOW AVAILABLE! The strangest action, the greatest heroes, the best high octane tales anywhere in the pulp world, PRO SE PRESENTS PECULIAR ADVENTURES #2, now in a new format, over 140 pages of pilots, monsters, girls lost between worlds, men lost to themselves, and so much more for only TEN DOLLARS! What, you don’t believe us, then check out the table of contents below with selected excerpts from some of the tales told-
THE DIVINE WRAITH Robert Butt
One of the robed men thunders, “REAVERS, ATTACK!” He and his partners surround the Divine Wraith, demons circling overhead.
“If this must be,” the Wraith says defiantly, “Let it be now!”
THE CEREBUS CLAN: THE TOLL Ken Janssens
Joe tried not to think of these things. For now, he had a purpose, a legacy… maybe even a destiny. It might be scary but it was time to head into the Gateway—into the dark cave. There were things he needed to understand.
THE ADVENTURE OF THE BEASTLY CONCUBINES Joshua Reynolds
Sternberg crashed into the concubine, first slapping the gun aside, then his big hands were scrabbling for her throat. She howled and fell back, and Sternberg went flying out the door.
PERRY LELL: A DAY IN THE DEATH OF A GIRL Megan Smith
Feet. Pounding the pavement.
Sweat. Wetting the brow.
Adrenaline. Pulsing blood through the ears.
WYLDE WORLD: IN THE BEGINNING Lee Houston, Jr.
The beast was clearly angry, evidenced by its fiery red eyes and the loud snarl coming from a mouth full of sharp teeth. The large head swiveled and glared down at us, the eyes glowing as it drooled at the sight of two potential kills side by side.
“I guess it’s not happy that we aren’t tied up and helpless,” I said uneasily.
MR. BRASS AND THE SPAWN OF FRANKENSTEIN * Joshua Reynolds
 |
| FROM ‘THE TOLL’ |
Her name had been Marietta Conklin. A forgettable, plain woman who spent five years of her life practicing to be that way. She was a Pinkerton, an agent of the United States government, and she was dead.
THE SORCEROR’S GHOST Sean Ellis
The Sorcerer raised his fist, pointing the barrel of his pistol at the other man’s chest, while the two British aces circled around to stand behind him. “I saved your life, Wyatt. I saved it the first day you flew for me and I saved it two days ago… and this is how you repay that debt?”
THE GIRL WITH THE PHANTOM EYES: A SOVEREIGN CITY STORY Barry Reese
“Has he tried the police?”
“Yes. But they think he should be sent to the loony
bin, apparently.”
“And why is that?”
“The girl he’s looking for – she has glowing eyes.”
WHAT IS THE FATE OF GARY WOOTEN? – III Fuller Bumpers and John Palmer IV (COMIC STORY)
PRO SE PREVIEWS: AYM GERONIMO AND THE POSTMODERN PIONEERS – TALL TALES John Morgan Neal, Todd Fox and Sarah Beach
THE ONE TRUE GUIDEBOOK TO THE VARIED ADVENTURES OF PECULIAR ODDFELLOW Achilles Pater
“It was a Peculiar day to be introduced to the world. Even for an Oddfellow.”
FROM THE VAULT: THE PULP FILES
MOONSTONE BOOKS-THE RETURN OF THE ORIGINALS
Wow. If it were kosher to leave one word reviews, then that would be my one word. This fine compendium of fact sheets on pulp characters that will appear in Moonstone’s RETURN OF THE ORIGINALS line does not tell a story in a traditional comic sense, but it sure weaves a tale of heroes, tragedy, justice, and redemption like none you’ve ever read. From The Spider to the Green Lama to The Golden Amazon and Death Angel (Who? Why new additions to the genre of course), the breadth of pulp history that is covered in these 36 pages is astounding. The file like look of the fact sheets is awesome and the accompanying art, pretty much a pin up with each fact sheet, makes me not only want to see this line of books, but wants Moonstone to tackle ALL the pulp heroes AND villains in this format, just for informational purposes for us writers!
Five out of Five Tips of Hancock’s Hat-and if you didn’t hear me the first time…wow.
Columns / Glenn Hauman / News
Stephen Colbert, we have your writer for “The Chronicles of Amber”!
January 20, 2023
The Law Is A Ass #460: Those “For Life” Sentences Are Nonsense
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