Monthly Archive: September 2010

Review: ‘The Big Bang Theory the Complete Third Season’

1000149528brdlef1-7176949By the beginning of its third season, CBS’s [[[The Big Bang Theory]]] had crossed over from well-reviewed sitcom for geeks to a ratings blockbuster. The characters remained oblivious to this elevation in esteem while their performers and creators didn’t let the success get to their heads. Instead, the season’s 22 episodes remained sharp and funny, delving deeper into the characters, revealing back stories, and expanding on the work place dilemmas.

As seen in The Big Bang Theory: The Complete Third Season, now out from Warner Home Video, the major arc of the year was Penny and Leonard’s relationship, with her making efforts to understand his working world while he tried to socially adjust to her world. And when they broke up, the repercussions are keenly felt among the others – Sheldon, Raj, and Howard. The show nicely builds up the Sheldon/Penny relationship, which hit a dramatic point halfway through the second season and the chemistry between Kaley Cuoco and Emmy-winning Jim Parsons makes their scenes sheer delights. Penny’s romantic entanglement with Leonard also altered the roommate dynamic with Sheldon, which played out nicely throughout the season.

The four guys remain geeks that ComicMix fans recognize, for better or worse. As a result, episodes such as “The Creepy Candy Coating Corollary” and “The Wheaton Recurrence” with guest nemesis Wil Wheaton and “The Precious Fragmentation” are particularly enjoyable. But, the show begins to bring in stunt casting gimmicks such as “The Excelsior Acquisition” and the legendary Stan Lee, which is fine once a season, but can easily devolve if not kept in check. And as the third season begins, mastermind Chuck Lorre will be overseeing not only this gem, but [[[Two and a Half Men]]] and the newcomer, [[[Mike and Molly]]], so if the show jumps the shark, it could be this season.

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Happy International Talk Like A Pirate Day!

Founded by Cap’n Slappy and Ol’ Chumbucket in 1996, International Talk Like A Pirate Day is celebrated today, the 19th of September here and abroad. The two mates began talking like buccaneers one day, and thanks to some promotion from Dave Barry, we can now all share in this truly amazing holiday.

So, today, unlike any other day in the year, you’re allowed to yell “Avast, ye matey!” when you see your friend at Buffalo Wild Wings. You may refer to the waitress as “a soddy lass” or “a buxom wench”. When you order your wings, you can dust off some phrases like “Ahoy! I’ll ‘ave the cap’n’s order of yer finest wings, and a enough grog to make me loaded to the Gunwales!” And when the waitress gives you the stank eye for speaking pirate, bang your fist on the table and say “By the powers! You land-lubber lass…I said get me a plunder of wings and ale, lest I and me mates turn this table over and make you walk the plank!”

If you still need a little hint or two on how to talk like a pirate, you should double up on your adjectives. Instead of calling your last issue of Brightest Day a “waste of my time”, you can say its “a stinking, rotten waste of me time, arrrrgh!”. Another hint would be to use ‘I be’ instead ‘I am’, and drop your G’s and V’s. That way when you declare “I be throwin’ you this issue of X-Men, and I be wantin’ a refund!” the store clerk will give you a knowing glance.

Tip of our pirate hat to the the fine folks at yarr.org, for gettin’ us up to speed on this momentous day. Now if you’ll excuse us, we need to go put on our peg legs, and hoist our sails on for Ford Explorarrrrrgh!

Review: ‘Avengers: The Ultimate Character Guide’

Avengers: The Ultimate Character Guide

by Alan Cowsill
208 pages, DK Publishing, $16.99

avengers-guide1-9804420It’s a new Age of Heroes in the Marvel Universe but as always, the clarion call for champions is answered by Earth’s Mightiest Heroes, the Avengers. With the hoopla surrounding the Marvel Studios’ announcements regarding the 2012 live-action [[[Avengers]]] movie, the timing is perfect for this book from DK Publishing.

Unfortunately, the book itself is already dated because they made little effort to make certain the status quo matched what was being published in the comic books. This is, of course, an exceedingly tricky proposition but thankfully, both Marvel and DC have recently hit demarcation points where you could say the information contained in these books are concurrent. (I managed to make next month’s [[[The Essential Superman Encyclopedia]]] information reflected the end of the [[[New Krypton]]] story so it can be done.) Reading through Alan Cowsill’s text, it is largely set during he events of Siege although some information is from the subsequent Age of Heroes so its inconsistent and confusing.

A book like this, especially from DK, prides itself on clarity of information and yet organizations and events are referred to and there’s no context or explanation provided, so it’s one thing to tell readers someone belonged to the Initiative, but what was the Initiative? The book also lacks any source material so you don’t have the usual listing of first appearances which is a major factual omission. Even more grievous is that for a book called Avengers, not once is there anything about the team. I was interested to see the line-up by line-up examinations along with explanations for the West Coast and New incarnations of the team.

Instead, this book features just over 200 heores and villains with information blocks, pointless power rankings, and lots of pop-ups with additional details. Visually, the material is mostly showing us the current incarnations of the character with smaller images culled from throughout Marvel history. This, though, may be the first time a book of this nature lacks substantial images culled from the first Marvel Age so Jack Kirby, Steve Ditko, Don Heck, and John Romita are severely underrepresented. Heck, titans like John Buscema, John Romita, Jr., John Byrne, and many others are also missing in action.

Over two dozen of the entries are out of date given the end of the Siege storyline. Perhaps the most inaccurate page is the one for Ant Man which gives us the deceased Scott Lang and never mentions the current Eric O’Grady, while the callout image of Hank Pym shows him as Giant Man.

There are some other serious gaffes such as giving us Clint Barton pages, one for Hawkeye and one for Ronin, which was superfluous. Similarly, Hank Pym gets pages as both Wasp II and Giant Man. The [[[Captain America]]] page is Steve Rogers with no page for Bucky as either the Winter Solider or Captain America II. In much the same way, the Black Panther page is all about T’Challa despite his sister being the current Panther (even in comics coming out this fall) but she gets merely a brief mention.

Characters who recently died such as[[[ Hercules]]], [[[Black Bolt]]], and [[[the Sentry]]] are said to be hale and hardy and while Jessica Jones’ page tells us she and Luke Cage had a child, Luke’s page neglects that detail as does the Invisible Woman entry neglect to mention Franklin and Valeria.

Books like these are great to thumb through and make a handy reference work but this one volume is a wee bit too all over the place to be anything more than a pretty picture book.

NEWSDAY SATURDAY!!!!

It appears that although there may not be tons of other material today, ALL PULP is having a decent day for news! Check out the announcement on the first ever Pulp Themed Restaurant and the announcement of writing/art teams on a Moonstone Project! And coming later today, convention news even!!!  You got pulp news and want to be a part of the Saturday rush?  Send it to allpulp@yahoo.com

Neil Gaiman to Appear on Arthur

In the continuing saga of comic book writers appearing anywhere they can, author Neil Gaiman has been animated as part of the PBS series Arthur. Gaiman, whose illustrious career includes the acclaimed Sandman series and Marvel’s 1602, as well as the Newbery Award-winning The Graveyard Book and a number of picture books, is lending his proto-goth façade to the popular kids’ show. His episode is set to debut on October 25. Gaiman isn’t the first comic creator to get himself animated into a popular cartoon, however. We here at ComicMix enjoyed the Simpsons episode where Alan Moore, Daniel Clowes, and Art Spiegelman do a signing at the new Springfield comic shop, Coolsville,  and later fly away (literally) as the League of Independent Comic Creators. We wanted to embed that clip here so you could relive it, but sadly Hulu skipped seasons 11–19 in their listings.

So, as we were saying, be sure to set that ol’ DVR to tape Arthur on October 25th, and catch Neil “The Cat” Gaiman’s appearance. We’ve no idea what the show will be about, but we assume Arthur and his pals attend a book signing where Neil will say something that will enrapture the kids in comic book fever. And all will be right with the world.

We hope this is a continuing trend. Our bet? Look for Brian Michael Bendis on the next season of Yugi-Oh.

The Point Radio: Super Powers On The Family Plan

From DAWSON’S CREEK to the GREEN LANTERN film, families and super people are familiar territory to Greg Berlati. Now with NO ORDINARY FAMILY, her gets the best of both. Plus NEIL GAIMAN morphs into….?

And be sure to stay on The Point via iTunes - ComicMix, RSS, MyPodcast.Comor Podbean!

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Review: ‘Forbidden Planet’

Last week, Warner Home Video released six of their science fiction films on Blu-ray for the first time. While all were greatly appreciated by genre fans to one degree or another, it can be safely said that the most eagerly awaited one is also the best one of the set. MGM’s Forbidden Planet is clearly a class act and the loving restoration is evident in just how fabulous the movie looks in high definition.

The 1956 was one of the studio’s last major releases before its decline in quality, and it was also their first real attempt at science fiction. All the resources that made their musicals shine brightly were brought to the feature production and as a result, this is the single best science fiction movie made that decade. Its influences go far beyond imagination considering the enduring popularity of Robby the Robot and how much the film’s look and feel influenced young producer Gene Roddenberry when he conceived Star Trek only eight years later.

Sure, some of the science remains implausible, but it was a terrific story inspired by William Shakespeare’s The Tempest transplanted to an alien world. The strong cast was anchored by Walter Pidgeon’s Morbius and Leslie Nielsen as Commander John Adams. Filling out the ensemble was Anne Francis as Morbius’ innocent daughter Altaira and familiar genre vets Richard Anderson and Warren Stevens.  The Bellerophon expedition had gone silent and Adams’ crew was sent to investigate, discovering two survivors and the remnants of an incredible alien civilization, the Krell. Morbius’ genius is evident in the robotic servant, Robby, he designed and built, but Adams is troubled by the man’s reluctance to leave the world and rejoin humanity. Menacing them, though, was an unseen horror that had to be stopped before anyone could leave the world.

The sets and costumes were unlike any science fiction film previously made and the scope and spectacle to the matte paintings and special effects also raised this film beyond so many of the low budget atomic horror films that categorized the genre that decade. Everyone took the film seriously, playing things straight, and making it a tale of humanity among the stars. Also helping us consider this something different was the electronic score, credited in the release as “electronic tonalities”, a dramatic departure from what had been used before.

Warner had previously released this in a nifty package designed for the now defunct HD-DVD format, so this has been an eagerly awaited release. The care that went into restoring it in 2007, especially boosting the fading Eastman Color stock, has been preserved here and the film has never looked better.

The disc is packed with plenty of special features, making this a true celebration of the film and its legacy. All are carried over from the HD release and none were prepared for Blu-ray so appear in standard format. Still, they are all worth your time and attention. Kicking things off is the TCM special, “Watch the Skies!” as you spend nearly an hour listening to Steven Spielberg, George Lucas, James Cameron, and Ridley Scott discuss what SF films were like prior to Forbidden Planet. Nice perspective, terrific clips and a solid Mark Hamill narration make this a strong entry.

There’s also “Amazing!” a well-produced 27 minute feature talking to the surviving cast and crew of the film, talking about its production. Great archival drawings are unearthed to illustrate this piece. Robby gets his due in the 14 minute “Engineering a Sci-Fi Icon”.

There are plenty of deleted scenes all of which comes with captioning to introduce each one and explain what was changed or why it was dropped from the final print. Some are missed, but most are interesting from a historic perspective only.

The robot’s popularity is demonstrated by the inclusion of the 1957 quickie, The Invisible Boy, a feature about a young boy and his robot. When the robot’s programming is altered, he becomes a threat to the Earth and Timmy, who can somehow turn invisible, is the only one who can stop it. Robby also guest starred on countless television series and The Thin Man episode from 1958 is included as an example.

Walter Pidgeon appears in two excerpts from the prime time MGM Parade series when he appeared to promote the film.

No fan of the genre can be without this wonderful film that has been well-preserved and endures the passage of time. If you haven’t seen it lately, now is the time to rediscover the marvels of intelligent science fiction at a time when paranoia ruled the day.

Kevin Conroy Discusses his Return to the Batcave

bat-dog-3968726That loud sound you hear in the distance is the echo of fanboys cheering the return of Kevin Conroy to his benchmark role as the voice of the Dark Knight for the highly-anticipated Superman/Batman: Apocalypse, the ninth entry in the popular, ongoing series of DC Universe Animated Original PG-13 Movies coming September 28, 2010 from Warner Premiere, DC Entertainment, Warner Bros. Animation and Warner Home Video.

Conroy, the voice behind the title character of the landmark Batman: The Animated Series, set a standard that has yet to be contested over the past 20 years. Conroy had already been seen on soap operas and television series like Dynasty and Tour of Duty when he aced his first audition for an animated voiceover role in 1991 – earning the title character role for Batman: The Animated Series. It was a casting decision that sounds as good today as it did back then.

Conroy will share that voice in person as the featured guest when Warner Home Video, UGO.com and The Paley Center for Media proudly present the East Coast premiere of Superman/Batman: Apocalypse in New York on September 23. The West Coast premiere will be hosted in Los Angeles on September 21.

The bi-coastal premieres are just part of the ongoing festivities in conjunction with the release of the film. Included in the activities is “Destination Apocalypse,” an interactive online promotion that allows fans to get even deeper into the mythology of Superman/Batman: Apocalypse.  Fans can access “Destination Apocalypse” at http://DestinationApocalypse.com and explore the many sections including games, quizzes and information about film. Fans can even send Kryptonian messages to their Facebook friends.  In each section, participants virtually “check in” and earn badges to unlock an exclusive video clip from the movie.  In addition, earning badges for participating in the various activities in each section help to unlock exclusive movie poster downloads.

Conway helps lead a Superman/Batman: Apocalypse cast that includes fan favorite Tim Daly (Private Practice) as Superman, as well as Andre Braugher (Men of a Certain Age) as the daunting Darkseid, sci-fi heroine Summer Glau (Serenity/Firefly; Terminator: The Sarah Connor Chronicles), and multi-Emmy Award winner Ed Asner (Up) as Granny Goodness.

Based on the DC Comics series/graphic novel Superman/Batman: Supergirl by Jeph Loeb, Michael Turner and Peter Steigerwald, Superman/Batman: Apocalypse is produced by animation legend Bruce Timm and directed by Lauren Montgomery (Justice League: Crisis on Two Earths) from a script by Academy Award-nominated screenwriter Tab Murphy (Gorillas in the Mist).

Conroy will speak quite a bit during pre-premiere interviews and a post-premiere panel discussion on September 23. But for those fans who can’t attend the sold-out event, here’s some thoughts the actor offered after a recent recording session.

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Review: ‘The Black Cauldron’

blackcauldron25thanndvd-1979969Fantasy author Lloyd Alexander was beloved for his imaginative series, the [[[Chronicles of Prydain]]] so anyone who read the series, originally released between 1964 and 1968, were no doubt apprehensive to see the entire story collapsed into an 80 minute animated feature from Walt Disney.

The filmmakers decided to focus on the second book, [[[The Black Cauldron]]], and substantially altered characters, settings, and events so when it opened July 24, 1985, fans of the material were not happy. Worse, people unfamiliar with the source material were not particularly entertained leading to a box office collapse. That this film came at the tail end of a period where creativity was clearly lacking meant that it looked and felt like a generic Disney animated film. Jeffrey Katzenberg arrived on staff just prior to the film’s release and he could merely nip and tuck sequences, but recognized their most expensive feature to date, and the first to use computer-generated animation, was not working.

Now released in a standard DVD 25th Anniversary edition, the movie has been cleaned up a bit but still lacks suspense and imagination. Rather than visually embrace the Welsh mythology that Alexander mined for his novels, Disney made everything look fairly bland.

In short, the Horned King (John Hurt) is attempting to find the legendary Black Cauldron which would give him the power to rule the world. According to a trio of witches, no one had been looking for the magical artifact in over 2000 years, but now the time seemed ripe. What the tall, shadowy figure did not count on was the plucky band of adventurers to stand in his way towards global domination. Leading the charge was the teenaged Taran (Grant Bardsley), who we meet as he laments his having just missed out on participating in the last war. Instead, he works as the assistant pig keeper to a wizard, unaware the prize pig, Hen Wen, can conjure up images of the future. When the pig goes missing, Taran goes in search only to encounter a talking creature named Gurgi (John Byner), followed by a dim-witted princess Eilonwy (Susan Sheridan) and Fflewddur Fflam (Nigel Hawthorne), a broken down balladeer.

The movie barely resembles the book with characters altered beyond recognition and the Horned King a possible threat, as opposed to the malevolent force he is in the books. Instead, the standard quest story and coming of age for Taran are inserted much to the disappointment of the readers. Comical elements are there for the children but overall there’s no spark to ignite the imagination.

The new edition comes complete with a deleted scene, “The Fairy Folk”, that would have added to the exposition and you see it in semi-complete and pencil form with the soundtrack. A scene Katzenberg ordered cut, is not here. Also new to this set is “The Witches’ Challenge”, a trivia game for the youngsters. “The Quest for the Black Cauldron” game and art gallery are preserved from the previous release along with the 1952 Donald Duck short “Trick or Treat” included merely because it featured a witch.

Webcomics You Should Be Reading: “The Gutters”

gutters-8361843Gentle reader, I know it’s been an eon and a half since last I told you to dust off that bookmark button. But to be honest, I’ve been buried in the same set of webcomics for a long time now, with nothing piquing my interest as such… until now. Found literally by happenstance, I bring to you today a webcomic that is not like any other I’ve brought to you thus far. I bring to you… The Gutters.

Produced and written by Ryan Sohmer, the same dude that puts out a former Webcomic You Should Be Reading, Least I Could Do, The Gutters is truly a unique webcomic beast. Instead of a singular cast, The Gutters uses today’s comic books as fodder for content. Expressing a gripe about “One More Day” or “Blackest Night,” or offering a more general comics in-joke, the strip skewers just about everyone in the industry… fictional or not! Instead of a single artist, The Gutters employs the services of a multitude of industry pros. Past strips has been drawn by the likes of Eugene JjAR, cartoonist Chris Jones, comic book guru Bill Sienkiewicz, and webcomic god Scott Kurtz. Even Least I Could Do‘s Lar deSouza lends his hand on occasion. At the end of the day, the combination of a rotating art cast with Sohmer’s wit and criticism of the comic industry equals a damn funny webcomic that had the Unshaven Comics crew doing spit takes while we roamed through the archives. Although the comic is only 40 strips old, it offers a gold mine of jokes.

Normally, I peruse the wikipedia of the “About Us” page to pick up a little backstory. Sadly, The Gutters is far too new and awesome to have garnered an entry yet. From what I can glean from the blogs, though, the project is pretty straightforward. According to Sohmer:

“In brief, Gutters is a series of standalone pages that parody the
comic book industry and the heroes and characters that dwell within.
Think of it as an editorial cartoon targeting comic books, and you’ll
understand where we’re going with it.

While I’ll be writing Gutters, Lar will be the art director with Ed
Ryzowski serving as colorist. As for who will be doing the actual art,
well, that’s where things get interesting (and slightly different).
Rather than have one artist pencil each page, we elected to have a
rotating roster of professional artists, among them some giants in the
comic book industry alongside new and emerging talent. This way, in
addition to what I hope will be a humorous comic, Gutters will also be
an ongoing showcase of art.”

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