Monthly Archive: May 2011

Stanley Kubrick Slideshow Celebration

In celebration of the May 31st release of A Clockwork Orange 40th Anniversary Blu-ray Edition and the Stanley Kubrick: Limited Edition Collection on Blu-ray Warner Home Video provided us with a Stanley Kubrick slide show we wanted to share with you.

BookExpo America, Day 0

BookExpo America is in town, and there are a few obvious themes, but a lot of it seems to be “more of the same”. Sales efforts seem to be going to the same old licensed properties and celebrity products– I was surprised that IDW didn’t even have any of Darwyn Cooke’s Parker adaptations on display, for example. (And don’t tell me it’s not because the next one is a while off, there’s a nice omnibus edition coming, it’s still one of the more prestigious properties they publish, and there’s a decent amount of backlist titles on display, although not complete by any means.)

E-pub  and blogging seems to be a much bigger deal here, with healthy showings from Google, Overdrive, and Amazon (both Kindle and their new print line) and the concurrent BlogWorld convention going on downstairs. Somehow, I think a lot more people are going to being migrating there over the course of the show.

We expect to be at the CBLDF party later tonight, and we hope to see you there.

Preview: ‘Torchwood: Miracle Day’

Well, this will make Mike Gold happy:

Torchwood: Miracle Day starring John Barrowman, Mekhi Phifer, Eve Myles, Bill Pullman, Lauren Ambrose, Alexa Havins, Arlene Tur, and Kai Owen, premieres July 8th at 10 PM Eastern on Starz and will be endlessly rerun during the week. For more info, visit http://www.starz.com/torchwood

Monkeys & Mayhem In HANGOVER 2

This weekend, HANGOVER2 hits theaters – can the most successful R-rated movie ever top itself? Bradley Cooper, Ed Helms and Zach Galifianakis talk about days on the set with bad food, good monkeys and Mike Tyson. And this summer, The BBC gives us another new fantasy series and we’ve got the scoop.

Can the HANGOVER be topped?  Drop us a comment below!

MOONSTONE MONDAY-BULLOCK ANNOUNCES ORIGINAL NOVEL

MIKE BULLOCK-NEW PULP AUTHOR/CREATOR
AP:  Mike, Welcome once more to ALL PULP.  Catch us up on what you’ve been doing since the last time you sat in the interview chair.
Mike Bullock: Hi, thanks for having me back. Let’s see, since last time we met I’ve pitched four New Pulp ideas and I can thank God that all four have been accepted by the publishers I pitched ‘em too. That ‘depths of the gut’ feeling I get when waiting for a publisher to reply to a pitch really sucks… even more so when they don’t come back with a “yes”. One pitch I was even able to blow wide open and turn it into four new books, by yours truly and three other writers far more talented than myself, that will pit some enduring pulp heroes against some equally enduring monsters in this Octobers RETURN OF THE MONSTERS from Moonstone Books. I’ve also plotted out four short stories for my original New Pulp character Totem’s new anthology coming in 2012 from Pro Se and written the first five thousand-ish words for my first full-length novel, coming in 2012 from Airship 27 featuring my original New Pulp hero Runemaster. Somewhere in all that, I’ve proofed the first Black Bat graphic novel (yes, it’s the first of many to come, never fear!), worked on my all-ages series Lions, Tigers and Bears and a few other comic projects I have going. Somewhere in all that, I’ve found time to hang with my beautiful wife and awesome son as we prepare to move cross country once again in June.
AP:  You have a very special project coming up for Moonstone that deals with one of your original characters.  What is that?
MB: One of the aforementioned pitches was for the first ever full-length Death Angel novel, coming in the new Moonstone Books New Pulp novel line. I plotted out the story a few weeks back and just ironed out the agreement with Moonstone last week. Hopefully, this time next year, I’ll have three prose books featuring Runemaster, Totem and Death Angel sitting on my bookshelf… and hopefully on your bookshelf, too.
AP:  For readers who don’t know, can you share some background on Death Angel, who she is, what inspired you, the whole kit and caboodle?
MB: Death Angel is my take on the dark vigilante type, with a twist. Years ago I developed a slightly different character I’d dubbed Revenant. He was pretty much just a vehicle for me to tell stories I would rather tell while writing Moon Knight comics, I’m ashamed to admit. Sadly, doing that meant Revenant wasn’t really fully-fleshed out as his own man, so to speak. I worked with an artist to try to pitch some Revenant comics, but it just didn’t work out. I shelved the character for a bit, then brought him back to insert into a team of heroes I was commissioned to develop for an upstart comic publisher in 2005 that never got off the ground. Once again, Revenant was put back on the shelf.
Then, when I’d convinced Moonstone to roll with the pulp stuff, I revisited Revenant, scrapped just about everything I’d developed about him except the mask, belt and cape and reinvented him as Death Angel. However, Death Angel was anything but a Moon Knight clone, as I found myself in one of those writing modes where I could barely type fast enough to keep up with all the ideas for the character that sprang up from a show I watched on science fiction technology and some recent world news I’d read. I gave DA a suit that enhanced strength, based on technology first dreamed up in the 1940s and finally proven to work in the early years of the 21st century. Then, I spent some time studying photon and aural pulse effects and how they could create hypnotic states in living things – another “fringe science” thing brought up by a sci-fi writer in the early 20th century and proven to work at the end of the millennia.
Once I had all that worked out, Rebekah Killian came to life, battered soul and all. Revenant had gone from a two-dimensional guy beating up goons in a dark alley to a fully fleshed out female bringer of vengeance striking terror into the entire underworld.
Death Angel debuted in the back of Phantom: KGB Noir #1 and the fan response was overwhelming. The amount of comments I received stating people wanted more of Death Angel actually outweighed the amount of feedback I received for the Phantom part of that issue, which blew me away.
That’s when Moonstone agreed to let Death Angel be the flip-side of the Black Bat coin in the Return of the Originals books. I wrote a five-part story, the first four parts from each hero’s point of view and the fifth, the story’s climax, would bring the two together. The first three chapters in that saga appear in the Black Bat graphic novel #1 with the remaining chapters coming in #2.
But, all that is just a build-up to putting Death Angel in a spotlight all her own, which is the goal of the new novel.
AP:  Death Angel has graced the pages of both comics as well as some text/image based widevision fiction, but what made you want to bring her to life in a novel?  What about that medium compliments the character and her story?
MB: Well, the New Pulp movement has really excited me. I’ve been reading pulps since I was an adolescent and that style of story-telling has always cranked up my adrenaline levels. Several people I know, most notably my lovely wife, have been pushing me for years to concentrate more on writing prose than comics. The people who know me best think I’m better suited to write prose than comics, so the thought has intrigued me. I dabbled in prose with a handful of Phantom stories, then I did the wide-vision tales for the Pulp Fiction magazine starring Black Bat, Captain Future and Death Angel. It seemed a natural progression from there to start doing novels. I’ve ghost written a few so far and I really wanted to sit down, now that I have the confidence I can do it, and write my own characters in my own stories. I’m feeling really honored that Airship 27, Pro Se and Moonstone all have the confidence in my ability to let me write these tales, too.
AP:  Does the fact that Death Angel is a female underneath all the costume and weapons change how you approach writing her?
MB: Absolutely. I mean, anyone who writes a female character the same way they write a male character shouldn’t be writing. Rebekah Killian is a tough woman, but underneath the wings, fangs and claws of Death Angel is a battered young girl who drives all of Angel’s decisions and actions. She is at once a mother tigress, defending her young and an intelligent woman seeking to make the world a safer place for those she cares about. Unfortunately (for the bad guys at least), somewhere in there is a little mental instability brought on by years of child abuse.


AP:  You’re obviously a writer and creator influenced by the whole ‘Pulp’ style.  What aspects of that style have had the most impact on you, maybe favorite authors and/or characters from the classic days of Pulp?
MB: I’m an adrenalin junkie. Period. Always have been. Princess of Mars from Edgar Rice Burroughs, all the Conan tales from Robert E. Howard, the original Phantom, Black Bat and Captain Future stories and all the rest are all adrenalin charged story-telling at its best. A roller coaster never lets up until the ride is over and the same can be said for just about every pulp tale I’ve ever read. Once I hit the words “The End” I’m a little worn out, but in a good way. If a story can actually make me feel a little physical exhaustion when I’m finished with it, then it sticks with me. A well written pulp scene leaves me with clenched shoulder muscles and a quickened pulse. Those are the kinds of stories I aspire to write, the kind that make the reader respond on levels much deeper than surface consciousness. I realize I still have a really long way to go before I can write something at the elevation of the John Carter or Black Bat or Conan tales, but I’m having fun trying.
AP:  Noting the influences of classic Pulp on you, You’re also one of the movers and shakers behind what has recently become termed The New Pulp Movement.   What, in your view, does that term actually mean and why are you throwing your hat into the movement concept?
MB: For me, New Pulp is just modern day talent creating stories with the same adrenalin-charged story telling that the original pulps exuded. I feel honored to be named alongside guys like Ron Fortier, Barry Reese, Scott Eckert, Martin Powell and so many other extremely talented minds and that feeling brings with it a sense of responsibility to hold up my end. So, it only seems like the right thing to do to toss my hat full in and do whatever I can to push this thing up the hill. I’ve always been an all or nothing kinda guy, and pulp has been “all-in” in me since I was watching black and white Flash Gordon serials on Saturday afternoon when I was five. It’s just who I am…
AP:  Some may have concern that New Pulp’s intent is to change the basic structure and classic ways Pulp is written.  It’s been made clear by others that that isn’t the case at all.  What is your thought on this and if not change, what does New Pulp bring to the table that can’t be found in reprints of old pulp magazines?
MB: To me, if what’s created veers from the basic structure, it’s no longer pulp. I mean, if I write a heavily character development laden romance story that has zero action and takes place entirely within the confines of a bedroom, then I call it New Pulp, I’m only fooling myself. I can’t create something that’s not pulp and make it pulp anymore than I can write a horror story and call it a comedy. It just won’t happen and I’ll look delusional when I’m done. That being said, if men like Burroughs, Doc Smith and Howard never wrote anything, instead satisfying themselves with re-reading The Curse of Capistrano forever, we wouldn’t have John Carter and Conan. The same can be said for authors from Lester Dent and Edmond Hamilton to Barry Reese and Van Allen Pelixco. I love the old stuff, but there’s only so many times I can ride the same ride before I know it so well it loses a little luster and I start wanting to take a new ride. But, that new ride has to thrill me the same way the old one did, or it just isn’t worth it.
AP:  You are a very religious man.  How, if at all, do your beliefs influence your creative process and most notably, how did your religious convictions influence your creation of Death Angel?
MB: I’m not religious at all. Religion is a set of rules and edicts created by men to control one another. I do, however, firmly believe in Jesus Christ, the Holy Spirit and God Almighty. I have a personal relationship with them that no amount of rules and regulations can equal. One thing that boils my blood is supposed religious people doing acts of evil under the guise of religion, as we’ve seen in growing frequency lately, most notably the number of priests found guilty of child abuse. To me, that’s a whole new form of evil that’s not just plain wrong, but duplicitous and deceitful, bringing harm to far more than just the immediate victims and their families. When religion goes wrong, bad things happen every time without fail.
Death Angel is a product of religion gone wrong. A young girl raised in a religious orphanage, under the auspices of being protected by pious men and women who actually took advantage of the children in every way imaginable, and some unimaginable. The disconnect between Rebekah’s spiritual belief and her childhood experiences is what birthed Death Angel. While the character in no way is meant as a vehicle to voice socio-political views, those views do shape who she is and where she’s going.


AP:  What does the future hold for Mike Bullock? More than one Death Angel novel?  Anything else?
MB: Well, Eric Johns is already turning in some pretty sweet pages for the RETURN OF THE MONSTERS tale starring Black Bat and Death Angel versus Dracula entitled ANGELS AND THE UNDEAD. I’m also working on the Runemaster novel, a new comic book series that should be announced real soon with Fernando “KGB Noir” Peniche doing the line art and three novels at once. I found out the other day that Doug Klauba will be painting the cover for the Death Angel novel, which really excites me as not only am I huge fan of Doug’s work, but I consider him to be one of my indispensably great friends. Going forward, I have a handful of other New Pulp and comic works coming including a Black Bat/Spider crossover from Moonstone I just finished up last week. Next month brings the release of Black Bat graphic novel #1 and Lions, Tigers and Bears volume III. Oh, and in all that I’m also penning a Black Bat novel for Moonstone that I don’t think has been announced yet, so there’s the All Pulp exclusive for the day. And, I’m also in talks to take the writing lead on an massive story created by a popular musician that can only be described as utterly epic in scale. Look for news on that in July.
AP: Mike, it’s been a pleasure as always!
MB: Right back atcha!

Monday Mix-Up: Droids Against Smoking

In honor of the new smoking bans going into effect today across New York City, we present this clip featuring C-3PO and R2-D2:

And yes, we know they misspelled “galaxy”.

DC Revamps Again! And Again! And Again!

article-1041243-00f92f4000000191-180_468x521-8761712Hey, kids! Guess what? DC is revamping their line again, for what seems like the 1,000th time since Crisis On Infinite Earths. What a shock! How original!

O.K. Here’s the poop. DC honchos Geoff Johns and Jim Lee, both exceptionally talented comics creators, are going to make “bombshell announcements about the future of Superman and the entire DC Universe” on Saturday, June 11th at the Hero Complex Film Festival. Maybe this time they’ll stick to it: if Geoff and Jim are behind it, there’s some cause for hope. If they stick to it.

Even though control of DC Comics has passed through several hands since the first Crisis, perhaps the concept of leaving well enough alone will grab somebody this time. The DC Universe has gone through so many needlessly confusing transformations a roadmap to the place would give M.C.. Escher vertigo. With a small “v.”

Good grief, I’m getting tired of writing this story. I’m going to link to the Los Angeles Times so you can get what’s passing for news here.

MOONSTONE MONDAY-WHAT’S COMIN’ IN SEPTEMBER!!!

MOONSTONE SEPT ’11 RELEASES
Moonstone Pulp Fiction Magazine #1
Story: CJ Henderson, Mike Bullock
Art: misc
Cover: Doug Klauba
96pgs, grayscale, 8” x 11.5”, $7.99
A “Return of the Originals” MEGA event!
New comic and prose stories, of classic pulp characters like The Spider, The Black Bat, The Phantom Detective, Secret Agent X, G8, and so many more!
*Plus a special new crime fiction prose story of the Green Hornet only available here!
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Airboy/G8 Limited Edition HC
Story: Chuck Dixon
Art: Ken Hooper
Cover: Tom Grindberg
50pgs, grayscale, 7” x 10”, HC $14.99
ISBN: 978-1-936814-11-4
Join us for this very special “Return of the Originals” event!
A once in a lifetime aerial extravaganza!
Two high-flying ace legends meet for the very first time in a brand new all out adventure by action-master Chuck Dixon!
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Savage Beauty- limited Edition HC
Story: Mike Bullock
Art: Jose Massaroli
Colors: Bob Pedroza
Cover: Paul Gulacy
70pgs, color, 7” x 10”, $29.99
ISBN: 978-1-936814-09-1
Collecting issue #1 and the never-before-published issues #2 and #3!
Ripped from today’s world news comes a re-imagining of the classic jungle girl genre debuting a new hero for the modern age!
Join the Rae sisters, recent UCLA grads, as they travel across modern-day Africa finding their place and making a difference. Guided by the mysterious Mr. Eden, they assume the identity of a mythical goddess and reveal their Savage Beauty.
     Mike (The Phantom) Bullock presents a fresh new spin on the genre, featuring real-world conflicts in Africa and beyond.
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Buckaroo BANZAI #2
Story: Earl Mac Rauch/Paul D. Storrie
Art: David Daza
Colors: Patrick Williams
Covers: Malcolm McClinton, Kyle Henry
32pgs, color, $3.99
Rated: PG-13
The man, the marvel, the human achievement, is back!
From the cult movie starring Peter Weller, John Lithgow, Ellen Barkin, and Jeff Goldblum!
The creators/film makers are telling NEW stories!
Your favorite neurosurgeon/rock star/adventurer returns, along with his Hong Kong Cavaliers, in: TEARS of a CLONE!…where a Death’s Head tank squad lurks in suburbia, talking bouncer-robots attack, expensive love wants to erupt, and Lectroids run with scissors, and then… shotguns! The world may never be the same.
(————————————————————————-
The Spider: Satan’s Seven Swordsmen GN
Story: Norvell W. Page
Art: Gary Carbon
80pgs, 7” x 10”, grayscale, $9.95
ISBN: 978-1-936814-10-7
A Wide-Vision Graphic Novel!
The Spider—cloaked, fanged nightmare in black— delivers swift justice with a pair of .45 automatics! Set against a world at war, this epic adventure is laced with great over-the-top action foreshadowing James Bond!
The Spider battles the sinister Dr. Fuji and his deadly ring of assassins spearheading a large-scale terror attack on  America! 
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The Spider #3/4
Story: Martin Powell, Gary Phillips
Art: Hannibal King, Jay Piscopo
Cover: Dan Brereton
56pgs, grayscale, $5.99
The never-offered issue #3 and #4 together in one brand new book!
The Spider faces a monstrous flesh-eating evil that attacks invisibly from the
filthy shadows, leaving doomed New York City in a panic-stricken state of
hysteria and gruesome sudden death. None are immune to the plague of the
Creeping Hell, not even
Nita Van Sloan, the Spider’s beloved.
PLUS: more Operator5
DOC SAVAGE: Python Isle – Unabridged Audiobook
Written by Will Murray, based on a concept by Lester Dent Narrated by Michael McConnohie Produced and Directed by Roger Rittner Cover Art by Joe DeVito
8 CD’s, $25.98
ISBN: 9781610814010
The greatest pulp fiction hero of the 1930s returns in the first of a new series of audiobooks! Doc Savage, the legendary Man of Bronze, captivated adventure readers of the 1930s and 1940s in his own pulp magazine and in the 1960s, 1970s, and 1980s in the million-selling paperback series for Bantam Books. In 1990, Will Murray, heir apparent to Doc Savage originator Lester Dent, revived the famous Street & Smith superhero in a new series of exploits based on Dent’s unfinished works. Writing as Kenneth Robeson, Murray brought Doc Savage back with “Python Isle”, a dramatic account of a long-lost pioneer flyer who returns to civilization with an exotic woman who speaks a lost tongue. From his towering skyscraper headquarters in New York, through a dangerous Zeppelin journey to Cape Town, climaxing on a serpent-haunted island in the forbidden reaches of the Indian Ocean, Doc and his iron comrades race to untangle a weird puzzle so deep the only clues can be found in the Bible!
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RES: Honey West #5
Story: Elaine Lee
Art: Ronn Sutton
Colors: Ken Wolak
Covers: Marat Mychaels
32pgs, color, $3.99
The ALL NEW adventures of the first female private eye continue!
Join Vertigo’s (“Vamps”) writer Elaine Lee for the conclusion of “Murder on Mars” as Honey goes undercover on the set of the sci-fi film Amazons of Mars to investigate the mysterious death of Zu Zu Varga, queen of the B-movies. It looks like murder, but who had motive? Was it the scheming ingénue, the down-on-his luck director, the jealous agent, or the ageing teen heartthrob? Robots, aliens and murder in 1960s CA!
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RES: KOLCHAK: the Night Stalker Files #3
Story: Chris Mills
Art: Jaime Martinez
Cover: Woodrow Hinton III
32pgs, grayscale, $3.50
New format! Cheaper price!
Deep in the heart of the wild Everglades, a bloodthirsty swamp beast is on
the hunt for human prey. But, when reporter Carl Kolchak sets out with a
U.S. Marshall to find the creature, he learns – the hard way – that not all
monsters are what they seem to be.
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RES: Airboy Presents: AIR VIXENS#1
Written by Mike Bullock
Art: Ben Hansen
Colors by: Bob Pedroza
Cover A : Ben Hansen
Cover B, C :Franchesco!
32pgs,grayscale, $3.50
More story pages than ever before!…new format, cheaper price!
From the pages of Air Fighters comes the first issue of Air Vixens starring Black Angel, Bald Eagle and Valkyrie.
     When Der Furher sent Valkyrie to smuggle secret weapons and intelligence across Europe in a zeppelin, he didn’t expect Black Angel and Bald Eagle to crash the party, and neither did they.
     Tune in for the first issue featuring the high flying femme fatales of the Air Fighters in this oversized, bombastic first issue!

Alex Pettyfer Discusses Being Number Four

Alex Pettyfer was director D.J. Caruso’s first pick for the title role in DreamWorks’ adaptation of I am Number Four. The film, coming to home video tomorrow from Walt Disney Home Entertainment, the role propelled the 20-year-old actor onto the global stage. Here, he talks about the film’s production and his life up to now.

What can you tell us about your new movie?

I Am Number Four is an action-packed adventure entwined with a romantic story – and I play the role of John Smith. John wants to be a normal kid, but he is from a different planet and he has been given this destiny of becoming a warrior. John tries to find out who he is and what he wants to do with his life, but he has a bit of a tough time with it all. I think a lot of people are going to relate to what he goes through in the story because it’s about an outsider trying to fit in. We’ve all been there.

When were you an outsider?

Well, I think we’ve all been in that scenario where we’ve felt like we were alone or different. Everyone goes through that.

What was it like to work with Dianna Agron on the movie?

It was great. Dianna has an old-school movie star quality to her and I had an amazing time working with her, but I also had a great time working with the rest of the cast. Everyone on the set was amazing.

Who else stars in the movie with you?

An actress called Teresa Palmer is a young ball of energy and we also have a guy called Callan McAuliffe who is great. Working with everyone on the movie was phenomenal. We all fit together really well. (more…)

A Clockwork Orange

What Literature Should Become Comics?

A Clockwork OrangeBookExpo America, the largest industry convention for publishers, booksellers, librarians, and other folks in the industry, runs at the Javits Center in New York this week. It’s often used as a stalking ground for movie and TV studios to snap up properties for adaptations, so one wonders– what books should be adapted into comics form, and by who?

There have been a number of interesting translations over the years. The biggest success story of the past few years have included Darwyn Cooke’s adaptations of Richard Stark’s [[[The Hunter]]] and [[[The Outfit]]] and Marvel’s adaptations of Stephen King’s [[[The Dark Tower]]] by Peter David and Jae Lee, but there have been many others, from the recent adaptations of Ayn Rand’s [[[Anthem]]], Marvel’s [[[Wizard of Oz]]] and [[[Ender’s Game]]], Dynamite’s adaptations of Robert Jordan’s [[[The Wheel Of Time]]], BOOM!’s [[[Do Androids Dream Of Electric Sheep]]], longevity champion [[[Conan The Barbarian]]] which has been adapted and extended for over forty years, and reaching all the way back to [[[Classics Illustrated]]], which was your parents’ version of Cliffs Notes and Sesame Street.

More tantalizing are the versions that haven’t been made yet. Phil Foglio and Matt Howarth did their own version of the introduction to Neil Gaiman and Terry Pratchett’s [[[Good Omens]]], and Phil had already adapted the first book of [[[Myth Adventures]]] by Robert Asprin. Now we have Kevin Colden ([[[Fishtown]]]) showing his proof-of-concept for his version of Anthony Burgess’s [[[A Clockwork Orange]]]. Click through to see the first few pages.

What adaptations would you like to see? And by who? [[[American Psycho]]] by Bill Sienkiewicz, or maybe Howard Chaykin? [[[Catcher In The Rye]]] by Dean Haspiel or Evan Dorkin? [[[The Great Gatsby]]] by P. Craig Russell? John Ostrander writing [[[The Thin Man]]], or Mike W. Barr writing [[[Ellery Queen]]]? Personally, I’d love to see Grant Morrison and Frank Quitely take a crack at [[[Brave New World]]]