Monthly Archive: July 2011

HANCOCK TIPS HIS HAT TO ‘THE WAY THEY WERE’!!

TIPPIN’ HANCOCK’S HAT-Reviews of All Things Pulp by Tommy Hancock



(I would like to extend a personal apology to Jeff Deischer, author of the book reviewed below.  I intended to have this review posted last week, but due to issues far beyond my control, I could not.  Doesn’t mean it’s right to break a promise, My sincerest apologies, Jeff.)

THE WAY THEY WERE: The Histories of Some of Adventure Fiction’s Most Famous Heroes and Villains

By Jeff Deischer


Published 2011 by Westerntainment





thewaytheywere-6430513One of the many fantastic things about literature in general and about Pulp specifically is the richness and variety woven into the novels, stories, and tales that make up the genre.   Not only are heroes good and larger than life and villains evil and over the top, but there is a depth to these characters and the events creators thrust them into, a depth that over years has been explored in a myriad of ways. 


One of the most fun of these, in my opinion, is the work of creators and scholars to not only establish timelines for these fictitious creations and their marvelous escapades.   Although many people might find actual history boring, there’s something inventive and exciting about taking a literary character and matching their exploits to a particular year or event, tying our fantasy into our reality.  And an even cooler step beyond that is finding connections between one character and others, connections that given the right phrasing and tweaking become familial or uncover possible links that could lead to here to yet untold adventures.   Several works of this type have been written in the last several decades, including chronologies, timelines, or just full on stories bringing characters you’d never imagine being drawn together into the same realm.


Jeff Deischer, author THE WAY THEY WERE, is one of those writers and creators who not only imagines the possibilities, but sets out to establish them, not simply by telling tales, but by providing thought provoking articles and essays.  Drawing first from his own interest as a fan and reader, Deischer adds in research and analysis as he takes on several questions that have plagued Pulp fans for years and, in other articles, he poses brand new theories and brings characters to mind that at least I as a reader hadn’t given much thought to in a while.


Deischer tackles well-traveled ground by covering points various and sundry about Doc Savage and The Avenger.  He also takes on famous characters from horror literature, tying Dracula and Frankenstein and the Phantom of the Opera to timeframes and situations.  Surprises lurk within these pages as well, including a multi article study of the works of Jules Verne and a most excellent essay about the use of Antarctica and Mars in early Pulp fiction.   Regardless of it being James Bond or Gullivar of Mars, Deischer brings new life to old characters, breathing into them questions and theories that show a different light on them.   One of Deischer’s strongest points is his willingness to present ideas that run totally the opposite of established concepts and then go on to back them up.   Add to that a writing skill that is both engaging and entertaining, THE WAY THEY WERE reads as much like a multi chapter pulp tale as it does a collection of essays.


FOUR OUT OF FIVE TIPS OF HANCOCK’S HAT-Insight and detail add to the education into these fantastic characters that THE WAY THEY WERE provides.

PULPFEST-MUNSEY WINNER, NEW PULP, AND MORE!

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Pulpfest 2011 has been another rousing success according to reports from many creators attending.  The winner of the 2011 Munsey has also been announced.  Congratulations to Anthony Tollin of Sanctum Books, the man responsible for reprints of THE SHADOW, THE AVENGER, and THE WHISPERER being available to fans today.  For full Pulpfest coverage on the Munsey this year, go to

http://www.pulpfest.com/2011/07/31/munsey-goes-to/

And for a bit more on the floor coverage from the viewpoint of one of the leading creators of New Pulp, Artist Rob Davis, Partner and Co-Publisher of Airship 27 Productions stated-

“Hey, to all our pals who aren’t in Columbus, Ohio for PulpFest. We are having a blast selling books and greeting people who come by the table. We had our best Friday ever sales-wise and Saturday was a very good day as well. Some old pals and new dropped by the table. I’d try to list them all, but I’m sure I’ll miss someone– Ron’s much better at remembering who he chatted with than I am. I’d venture to guess that this show is pulling bigger attendance than Windy City (no mean feat!) and sales are brisk for the dealers. Ron and I attended the “What is SteamPunk” panel Saturday night and couldn’t find seats! “

And from Win Scott Eckert-
I’m at the airport now, ready to head home. What a great show!

Friday night, although it was late, folks hung in there for FarmerCon’s Philip Jose Farmer/Wold Newton panel/presentation. Technology willing, we’ll have some video up on YouTube soon.

Ron did a fantastic job moderating the New Pulp panel on Saturday (thanks Ron!), and Duane, Bill, Greg, Wayne, and Art added a lot of insights to the writing process and why we love writing pulp, which the audience seemed to appreciate. My New Fictioneering reading was nerve-wracking, but fun.

The rest of the programming was great, with several presentations on the Shadow for the 80th anniversary, a presentation on steampunk, and on legendary pulp writer C.L. Moore.

The dealer room was excellent, and Meteor House did quite well with THE WORLDS OF PHILIP JOSE FARMER, volumes 1 & 2.

Although I made the list of final nominees for the Munsey Award, I knew I had no chance against the other great nominees, and the award went to a very deserving Anthony Tollin for his work on The Shadow, Doc Savage, Whisperer, and Avenger reprints. Anthony joined us for dinner a couple nights and regaled us with many stories. :-)

I brought a bunch of back stock of my various books, and they went like hotcakes. The PulpFest attendees were very gracious and extremely interested and supportive. I’ll definitely be back.
CONGRATULATIONS TO ANTHONY TOLLIN AND TO ALL THE VENDORS AND CREATORS FINDING SUCCESS AT PULPFEST 2011!  AND A TIP OF THE ALL PULP HAT TO THE ORGANIZERS OF THIS SEMINAL FANTASTIC PULP EVENT!

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Crazy Sexy Geeks: Tim Gunn vs. Green Lantern, Part 2!

crazy-sexy-geeks-jennifer-ewing-alan-kister-tim-gunn-300x166-6567715Tim Gunn, well known his appearances for Project Runway and The Smurfs (seriously) continues his look at the Earth-born Green Lanterns, with actress Jennifer Ewing and actor/writer Alan Kistler (columnist of “Agent of S.T.Y.L.E.” on Newsarama).

Also check out weekly Crazy Sexy Geeks Podcast, available on iTunes. Feel free to donate to CSG via paypal to SizzlerKistler at gmail dot com.

A few seconds of music from “Ring Capacity” by Kirby Krackle was used in this video, out of love not out of a need to steal.

JOHN OSTRANDER: How Piracy Made Me A Comic Book Writer

ostrander-art-110731-5068582One of the questions I’ve been asked most frequently over the years has been “How do you break in to comics?” – usually by someone looking to break into comics themselves. My standard answer is, “Through the roof with crowbar in the dead of night.” The true answer is – I don’t know. I got into comics because Mike Gold, who was then starting up First Comics, was my friend and liked my work as a playwright and knew I really loved comics and wanted to see what I would do given a chance. So I guess my answer is, “Make friends with someone who will someday become an editor and give you a shot. And then don’t screw up.” Not the easiest advice to follow.

The main reason Mike gave me a shot was one particular play – Bloody Bess – that was co-written by myself and my long time friend, William J. Norris, with Stuart Gordon on plotting assist. The play was performed first by the legendary Chicago theater company, The Organic Theater, and you may know some of the people involved back then. Stuart was founder and director and, if you know him for nothing else, you must know him as the director of the film, [[[Re-Animator]]]. You may know some of the actors who were involved such as Meschach Taylor (Designing Women), Dennis Franz (NYPD Blue), and Joe Mantegna (Criminal Minds, Fat Tony on The Simpsons).

The play was begotten because Stuart wanted to stage a Jacobean revenge tragedy but he couldn’t find an actual one that he liked. It was the height of Watergate and Stuart claimed you could smell the desire for revenge in the air. So he decided to commission a new one. It was about pirates because we were also aware of two actual female pirates – Anne Bonny and Mary Read.

Mike liked the play a lot and came more than once to see the show. All of which brings us to the real reason to write this particular column – to re-tell one of Mike’s favorite stories from my theater days.

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If I rebooted Aquaman

For at least a summer, Aquaman was my favorite comic. It was the only comic I subscribed to, and the only reason I stopped subscribing was because as I was such a fanboy that I wanted to be able to pick out the best copy of each issue from the spinner.
I loved everything about Aquaman. I loved his weird underwater world. I loved his relationship with Mera, his girlfriend and then wife who could do everything he could, and could manipulate water as well. I loved his orange and green costume with the scales. I loved his conflict with his half-brother.
Okay, I didn’t love his sidekick, Aquaboy in his stupid shorts. But annoying teen sidekicks were the price of DC superheroics.
So, what would I change?
Make him Polynesian.
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Aquaman and Green Arrow appeared at the same time, in More Fun Comics #73 (Nov.1941). Like DC’s Big Three, they slid from the Golden Age into the Silver with few physical changes: Green Arrow was briefly a brunet; Aquaman’s gloves were often yellow before they settled on green.
This is the Aquaman DC is rebooting:
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I don’t mind the neckline, though I prefer the boatneck collar of the ’40s and ’50s. But the trident is just a stupid thing to have to carry around. If you want to give Aquaman a gimmick, give him a harpoon gun.
Also, ditch the gloves. He doesn’t have a secret identity or any reason to protect his hands.
Here’s an early appearance of Mera:
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I wouldn’t change a thing about her. Superhero comics could use an interracial marriage. If you have to give someone a trident, let it be hers.
Aquaboy? Aquagirl? Heroes should be unique. Forget them, and Topo the Octopus too.
PS. I don’t know how many Aryan heroes DC needs, but really, they can spare a few blond guys.

MARC ALAN FISHMAN: X-Men – Built By The McMansion of Ideas

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Wikipedia (truly the only place to learn stuff these days) defines McMansion as “a pejorative term for a large new house which is judged as pretentious, tasteless, or badly designed for its neighborhood.” When I read that term, one comic franchise comes to mind. Color me snarky this morning, kiddos, but I feel the need to rant about those kooky carnival clowns known as the X-Men. Let me go tape up my fists and put in my mouth guard. This one’s gonna get ooogly.

I’ve little doubt when Stan and Jack (I’ve no right to call them that, but screw it…) created the titular teens with wonky talents, it was done for a reason. More than DC, Marvel’s characters come pre-baked with personal turmoil. Peter Parker, the every-nerd… Bruce Banner, the mild-mannered man who can’t get mad… and who would not list Hank Pym, the small-then-big-then-small-then-big wife-beating man-of-science? The X-Men were no different. Here we had basically innocent kids being picked on and ostracized for being not normal. Make any parable of that you want. Black? Gay? Bi-sexual? Transgendered? Jewish? OK, probably not Jewish. More to the point though… in the beginning, the X-Men were a fantastic concept, anchored by amazing art. Of course they were a direct rip-off of the Doom Patrol, but let’s not get into that argument. Since their humble start in the funnies, the X-Men have since become a continuity-hampered, impossible to follow nightmare.

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LOOK INTO WHITE EYES THIS WEEK WITH DOC SAVAGE AND RADIO ARCHIVES!

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July 29, 2011

It’s the Radio Archives Newsletter!
* New Doc Savage Audiobook: “White Eyes”
* New in Pulp Fiction: The Spider Volume 20, Doc Savage Volume 49, and The Shadow Volume 51
* New in Digital Downloads
* Deal of the Day
* The Critics Love “Python Isle”
* New in Classic Radio: Claudia, Volume 5

New Doc Savage Audiobook: “White Eyes”
The place: New York City. During the depths of the Great Depression, in the shadow of streamlined skyscrapers, reporters scramble for clues about an insidious wave of bizarre deaths – everyday citizens struck dead, the eyes in their lifeless bodies turned a sightless and ghastly white. The Blind Death has the teeming city paralyzed with fear; in desperation, civic leaders turn to the one man who can discover who or what is behind this gruesome series of murders: Doc Savage, the Man of Bronze.

From his offices high above the city, Doc and his band of trusted colleagues soon uncover a terrifying scheme to gather together all of the city’s criminal elements as a single and seemingly undefeatable force. Their intent: to seize the wealth of the Man of Bronze and destroy him once and for all!

“White Eyes”, the second in a new line of audiobook adventures from RadioArchives.com, is an epic tale of crime from the pen of Will Murray, heir apparent to Lester Dent, creator of Doc Savage. Featuring dramatic narration by Richard Epcar, “White Eyes” is a roller coaster ride of action and excitement that will leave you on the edge of your seat. Produced and directed by Roger Rittner, who joined with Will Murray to bring you both “The Adventures of Doc Savage” radio series and the thrilling audiobook “Python Isle”, “White Eyes” brings you ten hours of engrossing entertainment. Now available as both a ten audio compact disc collection priced at Just $31.98 and a ten hour digital download priced at Just $21.98, this new release from RadioArchives.com also features evocative cover art by Joe DeVito and two fascinating and exclusive audio interviews with the author.

Join the Man of Bronze for a suspenseful tale of action and adventure in “White Eyes”, the new Doc Savage audiobook now available from RadioArchives.com!

New in Pulp Fiction: The Spider Volume 20, Doc Savage Volume 49 and The Shadow Volume 51sp20-250-4865556If you’re a fan of pulp fiction, you know that, in the 1930s and 1940s, there were three heroes who dominated the newsstands of America: the mysterious enemy of the underworld known as The Shadow, the tall and muscular Doc Savage, and a troubled and vengeful vigilante known as The Spider. Here at RadioArchives.com, we’re delighted to carry a full line of double novel reprints featuring all three of these iconic supermen – including three new books that have just been released:

sh51-250-2379536“The Spider Volume 20” features two thrill-packed adventures written by Norvell Page and Wayne Rogers under the pseudonym of Grant Stockbridge. First, in “The Devil’s Candlesticks”, a mystic murder spell falls over Manhattan, transforming America’s moneyed aristocracy into ruthless fiends and criminals. Only The Spider can battle a horror league that has turned America’s most wealthy citizens into lawless butchers! Then, in “Revolt of the Underworld”, America’s most ruthless criminals declare war on the Spider. Organized by the Fox, this tireless and devious band have succeeded in framing Richard Wentworth for the apparent murder of his fiancé Nita Van Sloan. Can the Spider successfully clear his name while also searching for the whereabouts of his beloved fiancée?

Then, in “Doc Savage Volume 49”, you’ll thrill as the Man of Bronze and his daredevil cousin Patricia Savage battle deadly menaces in two classic pulp novels by Lester Dent, writing as Kenneth Robeson: “The Terror in the Navy” and “Waves of Death”.

Finally, in “The Shadow Volume 51”, the Knight of Darkness battles strange supercrime in two thrillers by Walter Gibson: “The Living Joss” and “Judge Lawless”.

These beautifully formatted issues, priced at Just $14.95 each, feature classic cover art, interior illustrations, full-length stories reformatted for relaxed reading, and many special features to add to your enjoyment. Radio Archives carries the latest issues of these exciting publications, plus all of the back issues as well, ensuring you hours of edge-of-your-seat entertainment. Be sure to stop by RadioArchives.com and pick up your copies of these new releases right away!
New in Digital Downloads
ra050-200-3204047For years, entertainment on the go meant a transistor radio or a portable 8-track or cassette player. But nowadays, thanks to the new digital technologies, you can travel the world and take a world of entertainment with you to enjoy along the way!

ra198-200-2718113Whether you enjoy your entertainment on your laptop, your cell phone, or one of the many small portable devices now available, when you’re on the go, be sure to take the great sounding radio shows and audiobooks from Radio Archives right along with you. All of our digital downloads offer the same impressive audio fidelity as our compact disc collections and are available to you around the world around the clock at RadioArchives.com. And, best of all, with digital downloads, you’ll pay no postage or delivery charges!

This week, we’re excited to feature our new line of audiobooks for digital download – including the Doc Savage adventures “Python Isle” and “White Eyes”. “The Adventures of Doc Savage” radio series is downloadable, too, as well as radio classics like the long-lost daytime serial “Claudia”, the mystery whodunits of “Philo Vance”, the bizarre tales of “The Unexpected”, and the hilarious misadventures of “Fibber McGee and Molly”. Whether you’re a fan of drama, westerns, comedy, detectives, or musical variety, you’ll find it on the Digital Downloads page at RadioArchives.com. Place your order, download your shows and, within minutes, you’ll be enjoying some delightful audio entertainment.

Digital downloads from Radio Archive give you the best of everything: great shows, great selection, great sound quality, and all at great prices, too! Stop by RadioArchives.com today and see what’s waiting for you!Deal of the DayLooking for a great deal in entertainment? Then you can’t go wrong with the Deal of the Day, a new feature now available at RadioArchives.com!

When you visit our home page, look for the bright yellow Deal of the Day tag on the top right hand side. Click on it and you’ll see today’s special deal. Sometimes a pulp reprint, other times a book, a DVD, or a compact disc collection, these limited time bargains are available at a fraction of their regular price – and there’s no minimum purchase required! Whether you want just that day’s special deal or whether you add it to the rest of your order with RadioArchives.com, the price you see is the price you’ll pay – and that price will reflect a discount of 10, 20, or even 50 percent off the retail price!

But remember: the Deal of the Day may change at any time! If you like what you see, order it right away; wait and it may be gone!

Visit RadioArchives.com often and check out the Deal of the Day. It’s a great way to stretch your budget, add to your personal library, and enjoy some timeless entertainment!
The Critics Love “Python Isle”For well over a decade, Radio Archives has maintained only the highest standards of quality, making our reputation by offering the very best audio fidelity, packaging, and customer service. So, when we decided to begin producing our own line of audiobooks, we wanted to make sure that they were the very best you could get anywhere at any price – and, thanks to the impressive talents of producer/director Roger Rittner and the skills of our world-class narrator Michael McConnohie, “Python Isle” had not only met but exceeded our standards and expectations.

But don’t take our word for it! Here are some reviews that have recently appeared:

In “Mass Movement Magazine”, Tim Cundle writes:
“It’s an incredible tale of an ancient tribe of Solomon, a queen and a sorcerer locked in political struggle, pirates, New York gangsters, undiscovered islands, lost explorers, hijacked zeppelins and much, much, much more. Michael McConnohie’s narration is nothing short of breath taking, capturing Dent and Murray’s frantic pacing perfectly whilst bringing each and every character to glorious life. ‘Python Isle’ is an astonishing accomplishment that I can’t recommend highly enough. Brilliant. Just…Brilliant.”

In “Comics Bulletin”, Penny Kenny writes:
“The skillful use of language and vocabulary is one of the delights of the story, and narrator Michael McConnohie’s smooth, rich voice is more than up to the task of bringing it to life for the listener. Without overdoing it, McConnohie brings out the humor in lines that could easily be glided over, and he creates tension simply by the way he reads a passage. I don’t think I’ll ever be able to read a Doc Savage book again without hearing McConnohie’s interpretation in my head. If you’re looking for a fun action-adventure story, or if you want to try some of the original pulp fiction, you need to give the ‘Python Isle’ audiobook a try.”

“Python Isle”, written by Will Murray and directed and produced by Roger Rittner, is available as an eight audio compact disc collection priced at Just $25.98 and as an eight hour digital download priced at just $17.98. Join the thousands of excited listeners who are now thrilling to the audio exploits of the Man of Bronze. Visit RadioArchives.com and order your copy of “Python Isle” and our latest audiobook “White Eyes” right away !
New in Classic Radio: Claudia, Volume 5ra215-200-9566907If you were a stay-at-home housewife in the 1930s and 1940s, you were most likely a fan of the soap operas. Ever-present on radio, and later on television, these daytime dramas of romance, heartbreak, mother love, sacrifice, and somewhat overdramatized family life became a staple in the lives of millions of avid listeners – many of whom planned their daytime chores around the five-times-a-week adventures of “Our Gal Sunday”, “Ma Perkins”, “Stella Dallas”, and the other dramas that dominated the airwaves between 10 AM and 5 PM.

But, in 1947, a new soap opera debuted that was far more quiet and gentle and down-to-earth than its strife-ridden neighbors on the radio dial. “Claudia”, based on the best-selling novel and play by author Rose Franken, told the tale of Claudia and David Naughton, two newlyweds just beginning their married life. Young, enthusiastic, and very much in love, they weren’t suffering from any of the crises or tragedies that were the common plot points of most daytime dramas. Instead, they were two people simply facing the many challenges of marriage and learning to live together as husband and wife. Thanks to insightful scripting, as well as charming performances by Kathryn Bard and Paul Crabtree in the leading roles, “Claudia” remains one of the unsung classics of radio’s golden age – as well as one of the most entertaining soap operas ever aired.

In “Claudia, Volume 5”, you’ll enjoy 24 more consecutive broadcasts that were first heard in April and May of 1948. Priced at Just $17.98 for the six audio CD set and Just $11.98 for the six hour digital download, this charming series is one you’ll want to share at home with your family – or keep it in the car and play one episode a day as you drive to or from work. Either way, we know you’ll be delighted by the endearing adventures of “Claudia”, now available from RadioArchives.com !

radioannouncer-9578474Listen to this Newsletter!


Sit back, relax, and enjoy this newsletter as an Audio Podcast! Click anywhere in the colorful banner at the top and you’ll automatically hear the Radio Archives Newsletter, enhanced with narration, music, and clips from our latest collections! This audio version of our regular newsletter is a pleasant and convenient way to hear all about our latest products, as well as the newest pulp fiction reprints, special offers, and much, much more!

NEW PULP ORGANIZES, EXPANDS AND TAKES OFF RUNNING!

Readers of ALL PULP saw it announced here first.  An initiative to bring creators and publishers of what many consider the modern version of Pulp fiction together under one banner, a branding plan that would make Pulp publishers and creators easily identifiable, regardless if it was a Western pulp tale or a sci fi pulp opus, something that would link these various modern Pulpsters together.  A way to advertise, to unite, to push what Pulp is today without concerns of competition, sales, and who writes what for who.  A true recognition of ‘If it helps one of us, it can help all of us.’ that was first expressed in a statement on ALL PULP and not only gained quick support, but led to a brand that is now sported on books from various publishers, including Moonstone, Airship 27, Pro Se Press, Pulpwork Press, and others.  A brand and an idea that has grown quickly into a Movement.

New Pulp.

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In an effort to capitalize on the support and involvement New Pulp has garnished since the man who initiated the organization of the Movement, Tommy Hancock, announced it, Hancock announces today a next step in the evolution of New Pulp.  While in many ways nothing will change, in other areas, improvements are being made and plans moving forward to insure that the New Pulp Movement isn’t just something among like minded fans, but a major part of literature and social consciousness.

“New Pulp is still New Pulp,” Hancock states, “just as it was outlined in my original statement and just as its sort of organically developed since then.   It’s that development, that growth, that has sort of spurred the next step.  We could let New Pulp basically remain this open source thing that just anybody can pick up and use as a brand on their products and have a ‘New Pulp’ project here and there and most likely it would limp along forever and be okay that way.  But that’s not what this whole thing was about, jsut sort of doing it halfway.  It’s about getting recognition for creators and publishers of modern Pulp.  It’s about increasing awareness, readership, and involvement in New Pulp, so creators can get their stories told, publishers and producers can get their product sold, and society as a whole can experience some of the best durned literature for the masses anyone could read.

“What’s going to be happening as far as the Movement is concerned is some extra hands have been brought on and given formal positions within New Pulp to help facilitate more exposure, more material, more chances for New Pulp and all of us involved to get noticed, and more ways to make any creator’s or publisher’s association with New Pulp a positive and successful experience.  One thing New Pulp is committing to is that New Pulp will attend all three major Pulp Cons next year-Pulp Ark (The only official New Pulp Convention’Conference), Windy City, and Pulpfest.  Also, since people pretty much have already been asking me before they can use the New Pulp logo, that’s a practice we’re going to formalize for a couple of reasons.  One, so we can keep up with everybody who is involved in New Pulp and two, so we can at least have a say in quality control and make sure that the New Pulp logo is being applied appropriately.  It’s still free and being a part of the whole New Pulp Movement still doesn’t require you to take on extra work (unless you want to help out) or to sign your first born away.   This is just part of the evolution.”

Provided below is the roster of Staff of the New Pulp Movement.  Hancock points out that, “This list is incomplete, although that’s only by one or two spots.  And there can be more of almost everything on here as well, so if you want to help out, we can put you somewhere.  But remember, even when we start selling merchandise or producing books or whatever, that money doesn’t go into anyone’s pockets.  It goes back into New Pulp or to a charity New Pulp has partnered with.”

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NEW PULP STAFF-
Tommy Hancock-Coordinator
Megan Smith-Coordinator’s Assistant
Sean Ali-Design/Advertising
Barry Reese-Online Promotions
Joshua Reynolds-Recruitment
Derrick Ferguson-Recruitment
Andrew Salmon-Merchandising
Mike Bullock-Editor in Chief, www.newpulpfiction.com
Columns Editor – Hank Brown
Columnists –
Michael May “Pulptacular”
Jim Garrison “Pulp Magnet”
Sean Ellis – Title to be determined
Reviewers –
Andrew Salmon

The New Pulp Movement also has a Staff of Advisors, a board of three that will provide advice and insight to Hancock as needed and provide a vital support in that fashion.   Two of the three positions have been selected and accepted.

NEW PULP BOARD OF ADVISORS
Ron Fortier
Wayne Reinagel

“New Pulp is about the creators and publishers that make it up,” Hancock states.  “We’re just trying to make it something they benefit from and are glad they are a part of.”

Anyone interested in helping out with New Pulp or using the New Pulp logo can email Hancock at proseproductions@earthlink.net

Steve Carell Is Crazy And Joel McHale Quits

We’re back from the madness that is ComicCon and there is plenty to talk about. Steve Carrel, Julianne Moore, Ryan Gosling and Emma Stine all weight on in their version of CRAZY STUPID LOVE. Then we give you “rapid fire celeb chat” from ComicCon as we talk to Kate Beckinsale, Adam West, Katee Sackhoff, Anna Torv, John Noble, Piper Peabo and even Joel McHale who claims he is quitting – but we know it’s a joke!

Check out The Point Radio for constant pop culture updates – and please check us out on Facebookright here & toss us a “like”.