FORTIER TAKES ON ‘HELL IS EMPTY’!
I’m honestly not sure why these Planet of the Apes prequels work so well. On paper they’re a disaster: a trilogy of prequels to a movie that while historically significant is not relevant in the modern era except for having a famous twist ending everyone knows. Every movie sets itself up as a conflict between…
Graphic Classics, Vol. 16: Oscar Wilde Edited by Tom Pomplun Eureka Productions, February 2009, $11.95 Graphic Classics has been adapting the work of famous dead authors – from H.P. Lovecraft to Rafael Sabatini – for at least five years, mostly focusing on the more popular (rather than literarily classy) writers. And that’s a good thing,…
For years now, James Cameron has been toiling on some form of the film we now see as AVATAR. In our exclusive interview, Cameron shares how he learned to both love and let go of his latest creation. Plus Marvel gives it up for the girls and Singer talks early X-Men. PRESS THE BUTTON to…
It used to be, Tom Hanks was the everyman who took us into one film after another, giving us a chance to experience the mundane to the fantastic. That role in many ways has been ceded to George Clooney, who displays in one film after another, a charismatic vulnerability that makes you root for him…
Alex Robinson, creator of the new Too Cool and Box Office Poison, writes on his blog about Comic-Con, though it has pretty much nothing to do with comics or movies. (And haven’t we all had enough of that anyway?) Instead, the subject is cards: One proud note: on Saturday night, my wife and I played…
For years, I have railed against how often Paramount Pictures demonstrates their lack of understanding their Star Trek fans. One misguided decision after another dating back to the 1970s builds a fairly convincing case. The latest misfire is the release pattern to Star Trek Into Darkness, out on disc this week. In case you missed…