JOLSON, RAPID FIRE RADIO, THE SPIDER, THREE PLANETEERS, AND MORE FROM RADIO ARCHIVES!




During the Golden Age of Science Fiction, one writer towered over all others. The legendary Edmond Hamilton was the pulp pioneer who took over where Jules Verne and H. G. Wells left off. Hamilton wrote on a scale that dwarfed anything that had come before. Where other writer’s imaginations saw only expeditions to the Moon and Mars, Hamilton envisioned a future filled with an interplanetary police force, space pirates and fearsome weapons capable of destroying whole planets. Among readers of his early fiction in magazines ranging from Amazing Stories to Weird Tales, this penchant for galaxy-spanning space opera soon earned him the nickname of “World-Wrecker” Hamilton.
Although NASA has all but debunked the possibility of humanoid life on Mars and Venus—not to mention the frigid, inhospitable outer planets—21st century readers still thrill to Hamilton’s infectiously enthusiastic yarns, which influenced both Star Trek and Star Wars.
One of the most intriguing is The Three Planeteers, which ran in the January, 1940 issue of Startling Stories. Inspired by Alexandre Dumas’ classic adventure tale, The Three Musketeers, Hamilton’s reinterpretation of the concept brings together an Earthman, John Thorn, allied a pair of friendly aliens, Sual Av of Venus and hulking Mercurian, Gunner Welk, who are out to stop a sinister despot from shifting the balance of power from the peace-loving Alliance of Inner Planets to the planet-hungry League of Cold Worlds. When the resourceful trio are branded interplanetary outlaws, their only hope is to ally themselves with the renegade Companions of Space, led by the bewitching pirate princess, Lana Cain.
This swashbuckling space opera was the type of pulp Hamilton did best, and set the stage for his legendary Captain Future series, also from the publisher of Startling Stories. In that series, as in The Three Planeteers, Hamilton postulated a future Solar System inhabited by distinct races of aliens, each with their own characteristics and cultures. Against this backdrop, the non-stop action races from the inner worlds to the outer regions, with atom-pistols and ray-blasters frying combatants on both sides.
On the next long trip you owe it to yourself, whether you are a fan of comics, movies or just good storytelling, to give one of Will Murray’s Pulp Classic Audiobooks a try. With well over a dozen adaptations already available for download or on CD sets, Radio Archives http://www.radioarchives.com is now offering what may be their best work yet in the series, The Spider: The Flame Master.
Thundering far beneath Manhattan’s thronging streets came the Death Express — a crack New York Central train bearing a gruesome cargo of lifeless men, women and children — their bodies stripped of valuables, naked and mutilated! A grim warning of the terror-reign that threatened America — at the hands of Twentieth Century land-pirates, whose weapon was neither gun nor sword, but the stunning, body-shivering force which lies in electricity! Can the Spider, using mortal weapons, fight the numbing power of the thunderbolt — and survive? Another epic exploit of America’s best-loved pulp-fiction character of the 1930s and 1940s: The Spider — Master of Men! As a special Bonus, Will Murray has written an introduction: “Meet the Spider” especially for this series of eBooks.
1 cent Spider eBook!

I found one passage that seemed significant: “It was not surprising that he had passed notice. Cranston had a way of remaining quietly in the background, when he came upon a situation such as this.” This describes the same ability to render oneself virtually invisible by remaining motionless, both physically and mentally, that was related to readers three months earlier in “The Golden Master.”
And you can get The Hooded Circle and another full length Shadow Adventure for only $12.95 in The Shadow Volume 22 from Radio Archives!











