Box Office Democracy: “Spy”

I wonder how many excellent movies weâve been cheated out of by Melissa McCarthyâs commitment to Mike & Molly. I understand the appeal of a regular paycheck and the success of the show has led to McCarty being the highest paid actress in Hollywood but Spy is such a good movie and couldnât she be doing two or three of these per year instead of one and a season of bad television? Spy is the funniest movie Iâve seen in years and it isnât close. I laughed so often and so hard Iâm sure that I laughed over important dialogue and even other jokes. Itâs the kind of movie that can shift the paradigm of movie comedy in the way the Judd Apatow movies of the early 2000s did and it can even be the movie you throw in your idiot friendâs face when he starts going on about how women just arenât funny.
It is easy to praise McCarthyâs work in Spy. Sheâs effortlessly funny, she hits her dramatic moments, and she has an amazing physicality. I think sheâs literally perfect for this role and Iâm still worried Iâm underselling her here. Iâm also impressed at how competent they were willing to let her character be, itâs very easy to get cheap laughs out of someone being bad at their job but Susan Cooper is a good spy because sheâs smart and because sheâs trained very hard. A weaker movie would have been a string of pratfalls and idiot bungling. This movie doles out the bungling much more sparingly and is much better for it.
The buzz I had heard going in to this film was that Jason Statham was the breakout comic performance of the film and I didnât think that was possible. I knew Jason Statham was funny, I had seen his work with Guy Ritchie, I has enjoyed his work in the Crank films, I thought he couldnât surprise me in this way and I was 100% wrong. Jason Statham is funny for pretty much every second heâs on screen. I donât think he has more than a couple lines that arenât punchlines. His delivery is impeccable. I canât decide if I think this is just incredible direction from Paul Feig, or if working with McCarthy brings out the best in people, or maybe weâve all been deprived of years of work from the most unlikely comic star since it turned out Channing Tatum could steal 21 Jump Street from Jonah Hill.
I could write a gushing paragraph about every actor in Spy, the cast is so consistently amazing, but I donât really have the space or inclination so letâs cover a bunch of people right here. Rose Byrne is terrific, between this and Bridesmaids I would be quite content to have her, McCarthy, and Feig just do movies together forever. She doesnât have the most original comedic voice in the world but she does what she does so well. I was not familiar with Miranda Hartâs work in the UK so itâs an awful lot like a fully mature talent just sprung up at me from the ether. Sheâs a scene-stealer and, this might not seem remarkable, but a very big out-of-the-ordinary character that Iâm never unhappy to see on screen. Jude Law looks great in a suit and is very handsome and thatâs all this movie asks of him. Bobby Cannavale should really work more because Iâve never not liked him in something. I was very sure Morena Baccarin was going to be an important part of this movie when she was introduced and was very sad when she was used only sparingly.
There were a few things I thought worked less well. They go to the âYou look likeâ joke construction a few times too often. It seems to be a McCarthy staple at this point and in a vacuum theyâre all funny but at the end of a two-hour movie they arenât hitting as hard. Peter Serafinowicz plays an aggressively flirty Italian agent that I thought was deserving of maybe 20% of the screen time he was allotted and I ended up cringing through most of his work. There are a couple jokes that use slurs for seemingly no reason other than to shock and thatâs not a style of comedy I prefer. I thought a moment at the end where Cooper and Rayna Boyanov make nice was unearned and is just trading on the fact that we know the two actresses have a history. These are very small marks on an otherwise fantastic movie and nothing is ever going to connect with all of their jokes.
Paul Feig is on quite a roll with his third consecutive very funny McCarthy-led hit. In a more cynical time I would wonder if one or the other of this pairing is leaning too hard on the other, if perhaps the success of one is a smokescreen created by the supreme talent of the other but thatâs just not how I want to think about things anymore. This collaboration is something special and we ought to cherish it before one of the nefarious forces in Hollywood that destroys all good things comes for this one. I thought I couldnât be more excited for Feig and McCarthyâs Ghostbusters remake but it appears I was wrong. Hell, Spy was so good you might even be able to get me to see The Peanuts Movie, God help us all.
