Yearly Archive: 2016

Ed Catto: How To Turn 80 In Comics

phantom-issue-6-cover_72-dpi-2250440A business magazine recently featured a story about the astoundingly short average life span of today’s companies, brands and product leaders. They noted that the average life expectancy of a modern company is something like 15 years. I think about a brand like PalmPilot, where one of my college buddies made a fortune, and how that name is practically a trivia question for this year’s MBA graduates. (“Is it a helicopter operator in Palm Beach?”) Likewise, cool companies they want to work for include Google and Lululemon – brands that didn’t exist 15 years ago.

So with all that in mind, let’s explore the opposite: the challenges of working with an 80-year-old brand in such a fickle climate.

Created in 1936, Lee Falk’s The Phantom was the first costumed comic hero. Bridging the gap of the masked vigilantes of the pulps (The Shadow, The Spider, etc.) and comic book superheroes, the Phantom enjoys a comfortable, ongoing popularity domestically and a rabid international fandom.

In fact, in occupied countries during World War II, the Phantom became a symbol of hope and resistance. And in Australia and New Zealand, seat at the pop culture table today is much closer to the head of the table than it is in the US.

So how does a domestic publisher best manage, and bring to life, this 80-year-old brand? I reached out to Dan Herman of Hermes Press, one of the US companies who license the Phantom from King Features.

hermes-crew-2014-2813896Dan is a fast talking lawyer, but don’t hold that against him. He’s also a super-passionate fan, dedicated to creating top quality books and comics to spotlight his favorite characters and artists. And his knowledge of comic book history and geek cred runs deep.

Hermes Press offers a wide variety of books. They reprint classic characters like Brenda Starr and Pogo. They just created art books focusing on Jim Davis and Alex Raymond. At their San Diego Comic-Con booth last year, author Max Allan Collins was touting their new Mike Hammer collection.

Dan Herman is not afraid to zig while other publishers zag, either. While IDW has published reprints of Milt Caniff’s Terry and the Pirates, Dan publishes the later adventures by George Wunder. Following in the footsteps of the legendary Milt Caniff was difficult, but Wunder did it for an impressive 27 years. “I always felt that Wunder was not as bad as they said,” noted Dan.

Angst Free Zone

Dan feels The Phantom is a character that occupies a unique spot in heroic fiction. “In his own universe, he’s a myth. He’s only tangible in his own country. And part of the charm and power is that he ‘never dies’,” explained Dan.

phantom-avon-cover-1_72-dpi-2686104After watching WB’s blockbuster Batman v. Superman: Dawn of Justice movie, Dan’s next observations seem all the more striking. The publisher explained that The Phantom is free of angst.

“He’s not really a revenge myth,” said Dan. “He’s a myth of the commitment to good.” In fact, noted Dan, The Phantom employs two icons. One is his dreaded Skull Ring, a symbol of punishment, and other is his Good Mark, a symbol of protection and hope.”

“The Phantom knows who he is, where he comes from and what his job is,” said Dan.

Hermes Phantom Comics

Hermes has embarked on an impressive quest to reprint The Phantom comic strips and The Phantom comics, but also wanted to add to the mythology with new comic book adventure. Dan explained he was asked, “Why don’t you create a new Phantom?”

His answer was clear and unwavering – he believes in the essence of the brand. “The Phantom is a myth and you have to keep the myth,” said Dan.

Hermes just published a Phantom series written by Peter David and drawn by Sal Velluto. It was an exciting period piece that delivered on the action and also cleverly tied up decades-old continuity questions.

Dan revealed that next up is another Phantom comic book series. In this new adventure, John F. Kennedy reaches out to the Phantom to send him on a secret assignment. And while the Phantom isn’t an American, he did attend school in the states and his wife is an American.

alex-raymond-page-12_72-dpi-2015999Industry veteran Ron Goulart is the writer, but the artist is new to comics. “We loved Sal Velluto’s art, but for this we wanted something different,” said Dan.

The new illustrator is a Hollywood artist, and he will be creating matte paintings in the style of the legendary Alex Raymond. “His work is on par with the best of George Wilson,” teased Dan. But he wasn’t ready to reveal the artist’s name to me at this time.

The Prose Phantom

In the 70s, Avon published a series of prose Phantom adventures. There were 15 paperbacks in all, many written by Phantom creator Lee Falk and all with excellent George Wilson covers.

To further develop this 80-year-old brand, Hermes will be reprinting these prose stories. And these tales are a treat for longtime fans, as they expand upon many of the adventures and settings in the classic mythology. “These stories filled in a lot of the blanks,” said Dan.

The new series will be published in the 5 x 8 paperback standard, and will be smyth sewn on a higher quality paper. A new one will be offered every other month for 30 months. Look for the solicitations in the upcoming May/June Previews.

Looks like busy times ahead for publisher Dan Herman and this particular 80 year-old hero.

Mix March Madness 2016 Webcomics Tournament Final Four!

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Semifinal time! Elite Eight eliminations now leaves us with the Comicmix April Armageddon 2016 Webcomic Tournament’s Final Four. Left to battle it out in this free for all frenzy is Erfworld, The Whiteboard, Girl Genius, and Unsounded. Which one of these fabulous competitors will be joining the ranks of previous winners like Shotgun Shuffle (2015), Paranatural (2014), Bittersweet Candy Bowl (2013), and Gunnerkrigg Court (2012)? Will Erfworld become the first repeat winner in our history?

To insure your web-horse wins, in addition to your votes, we also take donation bribes. Donations to the Hero Initiative in Round 5 from people like you brought in $270 (!) We appreciate your passion for your favorites, and your desire to help comic creators!

Let’s take a look at the final contestants!

(more…)

John Ostrander: Radical TV Surgery

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It was announced this week that Stana Katic, who plays Detective Kate Beckett on the ABC series Castle, was not going to be asked back IF the series is renewed for a ninth season. The reason cited was cost cutting which also accounts for the shortened 13 episode season planned IF the show comes back.

The premise of the show is that mystery writer Richard Castle, played by Nathan Fillion, worms his way onto the NYPD and helps the detectives solve actual murder mysteries rather than the fictional ones he creates. Central to the series has also been his relationship with Beckett; he started by annoying her but, after as many complications and delays that the writers could conceive, they fell in love with each other, acknowledged they were in love, and finally married.

Which makes the loss of Katic/Beckett difficult to understand for me. The show may have been titled Castle, but its core was that relationship between the two leads. Yes, I originally tuned in the show because I had really enjoyed Fillion on Firefly (and the movie that concluded that series, Serenity) but it wasn’t the sometimes predictable mysteries or the often interminable story arcs that made me a big fan of the show. It was the relationships between the characters and central to it all was that relationship between Castle and Beckett. That WAS the show so far as I was concerned and has been since the first episode.

Look, I get the idea that the longer a show is on the more it costs to produce and ways need to be found to cut those costs. I would think that going to a 13 week season would do that but evidently not enough to suit the suits at ABC. However, it’s a big risk.

ABC and Fillion have both expressed confidence that the show can continue without Katic/Beckett but I’m not sure. One thing I have learned in comics over the years is that every time you make a big change in a title you run the risk of alienating the fans. The general reason for the gamble is that, hopefully, you will gain more new readers by making the change than the ones you will most certainly lose by making it. You don’t want to give readers a reason to stop reading.

Some titles seem immune to this for some reason. It almost doesn’t matter which creators are doing Superman, for example. The title is going to be there so long as DC keeps publishing. That’s less true for most comics, however, and even less true for most TV shows.

Could it work? Could ABC drop Katic/Beckett from Castle and hope for it to go on? Conceivably. There will be a curiosity value for some fans, at least for a few episodes. Might that bring in new viewers and/or old viewers who have been away? Conceivably. Much will depend on how they handle it starting with how they explain and then deal with the loss of Beckett. I don’t know how they’ll do it. I’m not privy to their thinking. It seems likely to me, however, that they will kill off the character. I suppose they could put her in an off screen coma but I suspect there will be a desire to close the door.

Given this great love the show has established between Castle and Beckett, Castle would have to grieve her death as part of Season 9. If they have him just go out and start romancing and/or bedding a flock of new ladies, that will be a problem for many viewers, myself included. I personally know what it’s like to lose someone you deeply love and that doesn’t get resolved in an hour minus commercials. That takes time. Castle himself would be changed by Beckett’s loss and, if he isn’t, that just trivializes the love affair that has been at the center of the show for eight seasons. It might even undercut the revenue that the reruns of the show generate on other channels.

ABC hasn’t definitively announced one way or the other if Castle is even renewed for that ninth year. My suggestion – don’t. If in order to bring the show back even for a shortened season they have to destroy the central relationship in the show, then don’t do it. Do something else. Let everyone involved go on to other work.

When Tom Mandrake and I were doing The Spectre at DC, we knew about a year ahead of time that the series would be ending due to slowly eroding sales. DC gave us the opportunity to end the book on our own terms and we were able to put a cap on it that made the entire run one story. The ending completed it.

Right now, the ones still watching Castle are the fans. Do the right thing, ABC. Don’t piss all over them. End the show and do it with some style.

It’s not always about the money.

Pearl Mackie Boards the TARDIS

pearl-mackie-e1461435149272-1779988Pearl Mackie was named today as the Doctor’s newest companion. The announcement was embedded during the half time during the FA Cup semi-final match between Everton and Manchester United.

Who?  She was not even on the oddsmakers’ list of potential candidates.

Mackie, 28, is an actress currently seen in the Nation Theater production of The Curious Indicdent of the Dog in the Night Time and was previously seen, opposite Ben Whishaw, in a Years & Years music video.

Mackie graduated in 2010 from the Bristol Old Vic Theatre School, and played Anne-Marie Frasier in Doctors in 2014.

She replaces Jenna Coleman who asked to leave the show in order to play Queen Victoria in a new BBC drama.

“I’m incredibly excited to be joining the Doctor Who family,” she said. “It’s such an extraordinary British institution, I couldn’t be prouder to call the TARDIS my home,” Mackie said in a release.

Mackie’s character of Bill was introduced on the half time show and immediately seen in a short teaser video, which the BBC released to the media. She will debut in the 2016 Doctor Who Christmas Special and then join Peter Capaldi for the current version’s next season which debuts in 2017. The season will be producer Steven Moffat’s final season and he will be succeeded by Broadchurch creator Chris Chibnail.

Marc Alan Fishman: “Beware My Bubbles…” Green Lantern’s Plight!

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It’s been no surprise to my readers (hey everyone!) that I’ve been on something of an animation jones, something fierce. Well, with Young Justice successfully binged on, Netflix suggested I check out a little known show… Justice League. Bruce Timm’s multi-parter masterpiece was the first time the significant seven (pre New52, Flashpoint, Final Crisis, but post Crisis, ya dig?) were assembled to face off against the biggest baddies of the DCU. Mongul, Despero, Faust and Hades, Gorilla Grodd, and yes: Ocean Master (sorta). To be clear: I’ve seen the show. Often. But something has always troubled me about it. That trouble? John Stewart… the milquetoast affirmative action Green Lantern.

Bruce Timm, Paul Dini, and their well-crafted production staff assembled an amazing septuplet. The holy trinity: Batman, Superman, and Wonder Woman. The best B-Listers money can buy: Green Lantern and the Flash. And for clean up… Martian Manhunter and Hawkgirl. On paper, it all makes sense. Deuces are wild; Supes and J’Onn are the aliens adopting Earth, Diana and Shayera rep all of lady kind, Flash is choas to GL’s order, and Batman is Batman. I’m only going to focus on our representative Lantern for the sake of clarity.

I fully acknowledge, welcome, and love that Timm “went to the bench” to recruit Stewart. Hal Jordan is, was, and will likely always be the poster child of the corps. But in addition to not being another white hero, John Stewart as depicted in the animated series was inherently the anti-Jordan. Where Hal is a known hot-headed cocky flying codpiece, Stewart is a level-headed jarhead who fills out the ranks of the League to make plans and execute them. It’s fun to denote that our Flash in this series is also Wally West. Fitting then that Timm and team flips the script on the original Brave and the Bold. Where Hal was the cocky to Barry Allen’s careful, Wally is clearly the team’s impulsive recruit. But I digress.

What pains me to no end are the continual choices made throughout the show in regards to John Stewart’s character, both in and out of the space pajamas. We’re given no intro to him. He merely shows up, starts barking orders, and firing bubbles and beams (which I’ll be dedicating a whole block of prose to momentarily). With apparently less personality than anyone else on the team, the post-pilot reintroduction of the ring slinger offers us up a civilian Stewart: in a three-quarter length leather trenchcoat, walking through an urban neighborhood, while light funk/jazz twinkles away in the background score. You can practically hear the honkies checking off each box on the black character checklist. The episode in question (“In Blackest Night”) riffs on the destruction of Xanshi from 1988’s Cosmic Odyssey, but swaps Stewart’s pulpy pride for a soldier’s guilt for wanton destruction. Spoiler alert: it was all a plot by the Manhanters. Big robot fight. The day is saved when John recites the oath of the Green Lanterns really heroically. Guilt? Gone.

From here, Stewart was an also-ran. Aside from the now-quippy Caped Crusader, Stewart was often relegated to wet-blanket status. Torn between constant chiding of Wally, or hitting on Shayera. Late in the series, Stewart will have dated Vixen (because, black people, natch), but ultimately land Hawkgirl as his bae. They fight a lot. But, you know. They make a cool mixed-race Hawk-kid in the Batman Beyond universe. All this lovey-dovey stuff? It’s what they passed for dynamic character development. Whereas every other original Leaguer would eventually get a truly deep and amazing moment (Batman with Ace on the swings, Superman vs. Anti-Life Darkseid, Shayera’s betrayal, et al) John’s mostly left to knock boots and make bubbles.

And what of those bubbles?! For the life of me, I’ll never understand if Timm and company had budget issues or something. Because John Stewart, in ownership of the most powerful weapon in the universe, would only muster beams and bubbles to serve his purpose. In the comic, Stewart ring slings with the best of them – with Hal once describing his constructs being literally built from their interior structures out due to Stewart’s civilian life as an architect. But in his animated life, John is relegated to clearly the simplest solution, always. They even make a latent potshot at it during Unlimited where a de-aged Stewart (donning Kyle Rayner’s crabmask) builds intricate and cool constructs to battle bravely with. Obviously in the future, he loses his imagination. It’s a low-down dirty shame, kiddos, I tell you what.

Ultimately, this is one of the nittiest picks I could have droned on about, but it was on my mind. The opportunity to break the mold came and went with John Stewart in Justice League. It’s a shame that over the course of five seasons, they simply couldn’t aspire to do more than the absolute basics. And now, with a new League being formed for film… I can’t help but be worried.

In brightest day, or blackest night,
I expected more from John Stewart’s light.
Let those who disagree flame me bright…
Beware my comments, Marc Fishman’s right!

The Point Radio: 12 MONKEYS Twists Time & Time Again

12 MONKEYS is back with another season of time twisting. Stars Aaron Stanford and Amanda Schull return to give us a peek at what’ s ahead. Then we look at what happens to comedians after the show when the lights go out and they go back home. LIVING WITH FUNNY gives you a different view of some funny folks.

Follow us here on Instagram or on Twitter here.

The Law Is A Ass

Bob Ingersoll: The Law Is A Ass #386

DAREDEVIL IS GIVEN THE FINGER

Truer words were never spoken; or put into a first-person narrative caption.

You may recall that attorney – I mean I hope my old columns are at least a little memorable – Matt Murdock, who is secretly the super hero Daredevil, was recently disbarred in New York state after circumstances forced Matt to reveal publicly that he was Daredevil. When New York realized the number of ethical infractions Matt had committed to keep his secret identity secret, it barred him from its bar. Matt then moved to San Francisco, because he was still a licensed attorney in California. Well, that was then. This is now.

Now, everyone has forgotten that Matt is Daredevil, Matt is back in New York City, and his license to practice law in New York State has been reinstated. Don’t ask how.

Seriously, do not ask how, because I literally do not know. The current run on Daredevil simply dropped us in the middle of Matt’s new life without telling us how it happened. The only No explanation we’ve been given as to how Matt ignored Nat King Cole and proved his secret identity was forgettable is “unspecified circumstances.” Although I think we can safely rule out a deal with the devil though. Marvel tried this trick before; it had Mephisto make everyone forget Peter Parker was Spider-Man in “One More Day.” That bit of Faustian forgetfulness proved so unpopular Marvel retconned the Abaddon amnesia angle out of existence in One Moment in Time.” (And you know what, don’t ask me about that either!)

All we know is what no one else knows, that Matt is Daredevil, that he can practice law in New York again, that he’s back in New York City, and that he’s working for the New York City District Attorney’s office. Considering Matt’s recent record is rife with a lack of legal ethics, some of us were taking bets on how long it would be before Matt breached legal ethics again.

Well, if you had five issues in the pool, you’re a winner.

For the first four issues of the new Daredevil run, Matt was fighting Tenfingers; a new crime lord in Chinatown who, true to his name, has a double dose of digits on each hand and some magic mojo he stole from the ninja assassin organization, the Hand. (Fingers? Hand? I’m sensing a theme here. I’m amazed we didn’t have guest appearances by Iron Fist or Mitt Romney.)

Anyway, Matt had been fighting Tenfingers in both his identities. Daredevil battled Tenfingers and his underlings in the streets. While ADA Matt tried to assemble a case against Tenfingers so he could be prosecuted. In both endeavors, Matt failed miserably. Not only could he not stop Tenfingers, he couldn’t even get Tenfingers to paws.

Because Matt had such spectacular lack of success, he was demoted from heading up the Tenfingers taskforce to the District Attorney’s E.C.A.B. or Early Case Assessment Bureau; meaning Matt will be spending a lot of time in Night Court. (Yes, the same night court where Harry Stone was a judge, but probably a different court room. Although this being a court room in the Marvel Universe, I’ll bet it has just as many crazies.)

images-1-9448364In Daredevil v5 #5, Matt was heading to what was, I think, his first night in night court, when he got an alert that Daredevil should come to the temple in Chinatown where Tenfingers had his headquarters. Matt told his assistant, Ellen King, to cover for him in court. Ellen protested that she was a paralegal, not an attorney. Matt left anyway and narrative captioned those aforementioned truer words, “This is gonna bite me in the ass.”

I see one of three results from Matt’s actions. First, Ellen did the proper thing and told the judge that the attorney who was supposed to be in court skipped out and that she was only a paralegal, so couldn’t proceed. The judge was understandably upset with Matt then continued the court’s docket until either another day or until the DA’s office sent another attorney to cover for Matt. Either way both the judge and District Attorney Ben Hochberg were going to be pissed at Matt for this. (Can I say “pissed here at ComicMix? I guess we’ll find out.)

And I don’t mean a little bit pissed, I mean massively, Matt-gets-fired-and-brought-up-on-disciplinary-charges pissed. Cause in the real world, that’s what would probably happen to an attorney who was just reinstated after being disbarred for ethical violations and who then intentionally skipped a court date and left an unlicensed paralegal to handle his caseload.

The second possibility is that Ellen still did the correct thing and told the judge she couldn’t go forward. The judge then did the incorrect thing and forced Ellen to prosecute the cases in that night’s docket. Unlikely. This possibility would also result in Matt’s being fired and brought up on disciplinary charges, but it would also result in the judge being brought up on disciplinary charges for forcing an unlicensed paralegal to act as an attorney. It would probably also require all of the people who were arraigned that night to be arraigned again, when someone learned that a paralegal was operating as an attorney without a license. So I doubt the judge would do that.

The third possibility is that Ellen did the stupid thing and didn’t tell the judge she was only a paralegal and actually handled Matt’s caseload. This result is also unlikely. It would still result in Matt being disciplined and still force the court to re-arraign everyone who appeared in night court that evening. It would also probably result in Ellen’s being fired. She couldn’t be disbarred, because she wasn’t an attorney, but the DA’s office would fired her and possibly bring her up on criminal charges for practicing law without a license. I don’t see Ellen doing that to herself.

You may have noticed that in all three of my possible scenarios, Matt gets disciplined for skipping out on court and leaving an unlicensed paralegal to cover for him. No matter what the judge and Ellen did, Matt is going to take it on the chin. And considering he’s a super hero, that’s a pretty prominent chin.

So, yeah, I guess you could say it’s gonna bite Matt in the ass. I think it’s going to do a few more things to him, too, but I know I can’t say what those are here in ComicMix.

Martha Thomases: Happy Holiday!

Passover Comics

Today marks the beginning of Passover, the Jewish festival that celebrates our freedom from slavery in Egypt. It is also Earth Day, which means that zillions of rabbis have a head start on their sermon topic this week.

The first (and sometimes second) night of Passover is marked by the ritual meal, the seder, in which adults entertain children with the story of the escape from Egypt and the ensuing forty years in the desert. There are special foods that are supposed to bring to life the suffering of the slaves, and silly songs about goats and stuff to keep the kids engaged.

There is a special prayer book for the seder called the haggadah. Because Jews like nothing more than to argue with each other, there are zillions of different versions. There are haggadahs that are entirely in Hebrew, and some that are Hebrew and English … or Spanish or whatever language your family speaks. There are many that are only in English. There are some with overtly political agendas. There are short haggadahs and long haggadahs. There are some that aren’t published by real publishers but rather copied and handed around, like spies do with covert information.

Each of us thinks our favorite haggadah is the best. That’s the way we are.

Kyle Paper King DavidBecause this is my business, I wondered if there were any comic book haggadahs. A quick Google search revealed two, both aimed at young children. I’m sure these are fine, but they seem to be produced for the comic book reader who used to read Dell Comics and Harvey.

I would like to see someone do a graphic haggadah or, barring that, a graphic novel about the Passover story. There are so many episodes that would benefit from a smart combination of words and pictures — 12 plagues, the suffering of the slaves, the escape from Egypt (with the parting of the Red Sea), the Golden Calf, the 40 years of wandering until all the kvetch-y old people died off. It would be exciting, action-filled, with lots of fascinating characters and drama.

Part of the reason I know that this tale would work in a graphic story format is that it is, essentially, the part of the Bible that inspired Jerry Siegel and Joe Shuster when they created Superman. A young child ripped away from his parents, raised by a kindly family, who grows up to lead his people because of his special powers and abilities.

There is no reason to aim these stories specifically to very young children. For one thing, most very young children who can read are smart enough to tell when someone talks down to them. For another, kids are much more sophisticated in their abilities to unravel complex story lines than I was as a child. Finally, the stories work because, like fairy tales, they reach into our primal fears and primal hopes, which we share throughout our lives.

Need another example? Kyle Baker’s King David pretty much nails it. Or, if you’re feeling feisty, Robert Crumb http://www.amazon.com/Book-Genesis-Illustrated-R-Crumb/dp/0393061027/ref=la_B001IU0DRQ_1_1?s=books&ie=UTF8&qid=1461086374&sr=1-1.

I wish you a joyous holiday, full of tasty matzoh and freedom.

New “Doctor Who” companion to be revealed during Match of the Day

panicmoon-300x268-4611725The BBC have announced that the identity of the newest Companion for the record-breaking science fiction series Doctor Who will be announced Saturday, April 23rd, live on BBC One’s Match of the Day. During half-time of the FA Cup semi-final between Everton and Manchester United, the BBC will announce the name of the new actor to join Peter Capaldi on the TARDIS.

With the return of the series in 2005, each new face to join the series has been met with an increasing sense of occasion.  Peter Capaldi’s announcement, for example, was announced in a global simulcast. Each castmember has been shrouded in secrecy previous to their introduction.  When Karen Gillan was auditioning for her role, she was told to use the code name “Panic Moon”, an anagram of “Companion”. Jenna Coleman had to tell people she was auditioning for “Men on Waves”, an anagram for “Woman Seven”.

Things have changed greatly for Who-lumni in the modern era — typecasting is largely a thing of the past. Like the role of The Doctor, a spot as Companion can have an amazing effect on an actor’s cache. Karen Gillan has landed roles in numerous series on both sides of the proverbial (forgive me) Pond, including Nebula in Guardians of the Galaxy.  Jenna Coleman will soon be playing Queen Victoria, and Noel Clarke (Morty Mickey Smith in series one) has become an established director with films like Kidulthood.

With Match of the Day‘s kickoff scheduled for 5:15, half-time is expected at about 6PM. The BBC will also share the news on their various social media sites, followed immediately by a worldwide flurry of Googling and IMDBing the new actor for their resume, to see how long ago they showed up on Eastenders.

Doctor Who will be making only one dramatic appearance this year, the Christmas special, followed by a proper season 10 in 2017, which has already been announced to be showrunner Steven Moffat’s last.  Rumors still abound as to Peter Capaldi’s future with the series after said season.

iZombie S2 to DVD, S1-2 to Blu-Ray on July 12

izombiesecondseasonblu-e1461192209459-9775009BURBANK, CA (April 20, 2016) From executive producers Rob Thomas (Veronica Mars, 90210, Party Down) and Diane Ruggiero-Wright (Veronica Mars, The Ex List), Warner Bros. Home Entertainment and DC Entertainment’s Vertigo bring iZOMBIE: The Complete Second Season to DVD on July 12, 2016. iZOMBIE, The CW’s hit series, that over 2 million people are tuning into weekly*, stars Rose McIver (Once Upon a Time, Masters of Sex), Malcolm Goodwin (Breakout Kings), Rahul Kohli (Eastenders), Robert Buckley (One Tree Hill) and David Anders (Once Upon a Time, The Vampire Diaries).  The 4-disc DVD set includes all 19 episodes from the second season, plus deleted scenes and the 2015 San Diego Comic-Con panel. iZOMBIE: The Complete Second Season is priced to own at $39.99 SRP.

*Source: Nielsen Galaxy Explorer L+7 US AA%; excluding repeats, specials & <5 TCs; Season to Date = 09/21/15-01/17/16. 

Additionally, due to overwhelming fan demand, iZOMBIE comes to Blu-rayTM courtesy of Warner Archive as individual Season 1 and Season 2 offerings. The Blu-rayTM releases of iZOMBIE will include all bonus features on the DVD versions of Season 1 and Season 2, respectively. Also available on July 12, 2016, the Blu-ray releases will be found at Amazon.com and all online retailers.

Power up with your favorite brain food, and prepare for more fun and thrills! iZOMBIE stars Rose McIver as Olivia “Liv” Moore, a medical resident on the fast track to a perfect life … until she’s turned into a zombie. But Liv finds her calling — and an endless supply of food — working at the Seattle coroner’s office, helping to solve crimes with her “visions,” while her boss and sole confidante, Dr. Ravi Chakrabarti, works on a cure for her unthinkable condition. As season two begins, Liv’s ex-fiancé and love, Major, is reeling from recent events and the knowledge that Liv is a zombie. Meanwhile, Blaine — now human — struggles to maintain his zombie world; Clive searches for Blaine and suspects Major’s involvement in the Meat Cute massacre; and Ravi remains devoted to finding an antidote to the zombie virus. Unlikely alliances will be struck, relationships will be challenged and the line between good and evil will blur for both zombies and the fully living.

In only its second season on the air, it’s a no brainer that iZOMBIE continues to be a fan-favorite with its compelling characters and visionary plotlines,” said Rosemary Markson, WBHE Senior Vice President, Television Marketing. “We are delighted to bring iZOMBIE: The Complete Second Season to DVD.”

iZOMBIE is based upon characters created by Chris Roberson and Michael Allred for Vertigo from DC Entertainment. The series was developed for television by Thomas and Ruggiero-Wright, who executive produce along with Danielle Stokdyk (Veronica Mars, Party Down) and Dan Etheridge (Veronica Mars, Party Down). iZOMBIE is produced by Bonanza Productions Inc. in association with Spondoolie Productions and Warner Bros. Television.

19 ONE-HOUR EPISODES

  1. Grumpy Old Liv
  2. Zombie Bro
  3. Real Dead Housewife of Seattle
  4. Even Cowgirls Get the Black and Blues
  5. Love & Basketball
  6. Max Wager
  7. Abra Cadaver
  8. The Hurt Stalker
  9. Cape Town
  10. Method Head
  11. Fifty Shades of Grey Matter
  12. Physician, Heal Thy Selfie
  13. The Whopper
  14. Eternal Sunshine of the Caffeinated Mind
  15. He Blinded Me…With Science
  16. Pour Some Sugar, Zombie
  17. Reflections of the Way Liv Used to Be
  18. Dead Beat
  19. Salivation Army

DVD BONUS FEATURES

  • iZombie: 2015 Comic-Con Panel
  • Deleted Scenes

BASICS

4 DVD-9s
$39.99 SRP
Street Date: July 12, 2016
Audio:  English (5.1) and Portuguese (2.0)
Subtitles: English SDH, French, Spanish, and Thai
Aspect Ratio:  Presented In 16×9 Widescreen Format
Approx running time: Feature – 800 minutes, Enhanced Content – Approx. 42 minutes