Cinamon Hadley, whose appearance inspired the look of Death in the Sandman comic series, passed away today according to Sandman co-creator Neil Gaiman.
The body-piercer and goth icon whose portrait was immortalized as the second eldest in a family of anthropomorphized forces called the Endless, Hadley was described as extremely tall, extraordinarily thin, with bone-white skin, impeccable make-up and thin, black hair.
According to Gaiman in The Sandman Companion, he imagined the character as looking like ‘60s singer Nico as she appeared on the cover of Chelsea Girl. But the comic’s artist, Mike Dringenberg, had other ideas, and thought of a good friend in Salt Lake City. Gaiman writes, “He sent me a drawing based on a woman he knew named Cinamon—the drawing that was later printed in Sandman 11—and I looked at it and had the immediate reaction of, ‘Wow. That’s really cool.’”
Cinamon was diagnosed with the advanced stages of small cell neuroendocrine carcinoma of the colon in 2017. After a brief remission, the cancer returned and spread.
Our condolences to her family, friends, and fans. We hope she’s well met by someone who looks a lot like her.
Is Tom Gauld our most erudite cartoonist? From the evidence of his work, he well could be — there’s a parade of authors both classic (Shakespeare, Austen) and genre (Ballard, Gaiman) and modern literary (Franzen, Mantel), and a dazzling awareness of tropes and ideas and genre furniture in his work, and it’s hard to think of any other cartoonist who has worked so much with this material.
Naysayers might point out that all of this material originally appeared in the book section of the British newspaper The Guardian, and so one could thus expect that bookishness would be baked into the premise. That’s true, but, still Teh Grauniad asked Gauld to be their cartoonist in the first place for a reason, and it’s not because of his amazing facility at drawing likenesses of famous writers.
(Just in case: Gauld does not have an amazing facility for drawing likenesses of famous writers. At least, I’ve never seen such from him, and his minimalist style would tend to go in the opposite direction. But there I go explaining the jokes again.)
Baking With Kafka
is a collection of Guardian cartoons. Some of them may have appeared elsewhere, before or instead of or also, because this book, like so many others, doesn’t explain where it’s contents appeared previously. (Cue my standard if-I-ruled-the-world complaint.) They are all about books, in some way or another, or, at least, about the kinds of things that bookish people care about.
It contains such awesome works as “The Four Undramatic Plot Structures” and “My Library” (with books color-coded as to whether or not they have or will be read), “The Nine Archetypal Heroines” and “How to Submit Your Spy Novel for Publication,” “Jonathan Franzen Says No” and “Niccolo Machiavelli’s Plans for the Summer.” All of those are a single page in size; no one must keep a thing in memory from page to page — except, perhaps, a sense of object permanence and the ability to read the English language.
Some people will hate this book. Perhaps they hate it because they hate literature, or books in general. Perhaps they hate it because Gauld’s style is too simple and illustrative for them. Perhaps they hate it because they are hateful people full of hate who live only to hate. There are many reasons, none of them, I insist, good ones.
All of the smart readers will love it. And you consider yourself a smart reader, don’t you? There you go.
(For those unsure as to how smart they are: the cartoons here are much like those in You’re All Just Jealous of My Jetpack
. You might also want to consider Gauld’s recent full-length graphic novel Mooncop
.)
BURBANK, Calif. (Jan. 4, 2018) — This February, Disney’s cherished animated classic, Lady and the Tramp, joins the highly celebrated Walt Disney Signature Collection. Every member of the family will treasure this timeless tale—loaded with three versions of the film, classic bonus material and three all-new features—when it heads home on Digital and on Movie Anywhere Feb. 20 and on Blu-ray on Feb. 27.
The Walt Disney Signature Collection edition offers three exciting ways to watch Lady and the Tramp—the original theatrical version, sing-along mode and Walt’s story meetings—both Digitally and via the Multi-screen Edition (formerly the Blu-ray Combo Pack). The Multi-screen Edition includes Blu-ray, DVD and a Digital copy, giving in-home consumers the flexibility to watch the film on different devices. In addition to classic bonus features, all-new extras invite viewers to enter Walt Disney’s original office suite on the Studio lot, discover Walt’s personal passion for pups, and receive a celebrity-hosted spaghetti and meatballs cooking lesson.
As one of the greatest love stories ever told, Lady and the Tramp is sure to melt the hearts of generations with its beloved characters, brilliant animation, memorable music and sweet sentiment. The animated treasure tells the story of Lady, a lovingly pampered cocker spaniel, and Tramp, a freewheeling mutt with a heart of gold. Through the Signature Collection edition, viewers can relive the pair’s thrilling adventures, sing along with the film’s unforgettable songs like “Bella Notte,” and swoon over one of the most memorable movie moments of all time—the iconic scene in which Lady and Tramp share a plate of spaghetti and an accidental kiss.
Lady and the Tramp is the sixth title to join the Walt Disney Signature Collection, which includes groundbreaking films created or inspired by the imagination and legacy of Walt Disney, featuring timeless stories and characters that have touched generations. The film takes its place alongside Snow White and the Seven Dwarfs, Beauty and the Beast, Pinocchio, Bambi and The Lion King.
Bonus Features:
BLU-RAY & DIGITAL*:
Film Versions
Original Theatrical Edition – Enjoy this cherished Disney classic that captivates audiences of all ages.
Sing-Along Mode – Sing along with all your favorite songs as you watch the movie.
Inside Walt’s Story Meetings – As you view the film, hear reenactments of Walt’s story sessions with animators and see how their ideas were realized on-screen.
New Signature Bonus
Walt & His Dogs – Through archival recordings and photos, hear the tales of the dogs Walt Disney owned and loved over his lifetime.
Stories from Walt’s Office – Take a tour of Walt’s office suite on the Studio lot, carefully re-created to look just as it did when he occupied it.
How to Make a Meatball and Other Fun Facts About “Lady and The Tramp” – Watch a delicious lesson on how to make perfect meatballs with teen chef Amber Kelley and Oh My Disney Show Host Alexys Gabrielle.
Songs
“Peace on Earth”
“What Is a Baby/La La Lu”
“The Siamese Cat Song”
“Bella Notte”
“He’s a Tramp”
Classic Bonus Features
Diane Disney Miller: Remembering Dad – Walt’s daughter shares memories of her father and Disneyland’s early days, as well as a look at his apartment above the firehouse.
Never-Recorded Song – “I’m Free as the Breeze” – Take a listen to a song originally meant to be sung by Tramp.
Deleted Scenes
Introduction of Boris – Tramp wasn’t always meant to be Lady’s only suitor. Meet Boris the aristocrat and Homer the peasant in this deleted scene.
Waiting for Baby – Lady watches as Jim Dear plans out his new son’s future in this early storyboard.
Dog Show – See the storyboards for this deleted scene in which Lady and Tramp unexpectedly find themselves in the middle of a dog show.
Classic Bonus Features on Digital Only*
Lady’s Pedigree: The Making of “Lady and the Tramp” – A behind-the-scenes look at the making of Walt Disney’s first feature-length animated film based on an original story.
Finding Lady: The Art of the Storyboard – Explore the origins of the storyboard and how they’re used by filmmakers today.
Original 1943 Storyboard Version of the Film – View a unique presentation of the original 1943 storyboards for “Lady and the Tramp.”
PuppyPedia: Going to the Dogs – Wild and wacky comedian Fred Willard takes us on an outing to the dog park to learn all about dogs and their owners.
Deleted Scenes
Turning the Tables – In this story-reel presentation, Tramp dreams of a world where dogs run the show and humans are on the other end of the leash.
The Arrival of Baby – In this alternate scene re-created from original storyboards and with original voice talent, Lady makes way for a new arrival.
Baby Arrives – Lady is baffled by the strange goings-on in the house—the arrival of a squealing bundle only deepens the mystery.
Lady’s Sweater – Lady gets a new sweater for her birthday and must figure out an ingenious way to lose it for good.
Trailers
1955 Original Theatrical Trailer – More than just a trailer, this preview features several minutes of footage from the film and introduces each major character.
1972 Theatrical Re-Issue Trailer – This trailer from the 1972 rerelease heralds Disney’s “happiest motion picture.”
1986 Theatrical Re-Issue Trailer – Released theatrically for the 1986 holiday season, this trailer highlights the love story between Lady and the handsome Tramp.
*Bonus features may vary by retailer
DISC SPECIFICATIONS:
Product SKUs: Multi-screen Edition (Blu-ray, DVD, Digital Copy), Digital HD/SD, DVD
Feature Run Time: Approximately 76 minutes
Rating: G in U.S. and Canada
Aspect Ratio: 2.55:1
Audio: Blu-ray = English 7.1 & 2.0 DTS-HDMA, Spanish and French 5.1 Dolby Digital Language Tracks
DVD = English, Spanish, and French 5.1 Dolby Digital Language Tracks, English 2.0 Dolby Digital Language Track.
Digital = English, Spanish, and French 5.1 or 2.0 Dolby Digital Language Tracks (platform dependent)
Subtitles: Blu-ray = French, Spanish, English SDH, English ESL
DVD = French, Spanish, English SDH, English ESL, English Closed Captions
Digital = French, Spanish, English SDH, English Closed Captions
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