The Spider Battles Lightning Itself In New Audiobook
Devastating lightning, aimed at the highest buildings and critical public facilities of the city. Targeted with precise malevolence by a Man from Mars – with the flowing mane and deadly claws of the king of beasts. The Lion Man! The Flame Master!
In one of Norvell Page’s wildest Spider adventures, Richard Wentworth battles not one outrageous foe, but two. The Lion Man, who can rip a man’s flesh with deadly claws and unleash lightning with devastating results at any target he chooses. And a mysterious munitions master, whose allegiance can be bought by the highest bidder.
Electric Audio Adventure
“The Flame Master” is the newest Spider audiobook from RadioArchives.com, continuing the fantastic adventures of one of the 1930s’ most relentless avengers. This audio adventure once again features stage and screen actors Nick Santa Maria and Robin Riker as Richard Wentworth, alias The Spider, Master of Men … and Nita Van Sloan, his daring companion who battles at his side despite unspeakable danger.
The Spider faces Aronk Dong, the self-proclaimed Man from Mars, who unleashes the wrath of the heavens to subjugate Earth. But what is his real purpose? And hiding behind his deadly French Apaches is Toussaints Louvaine, a mysterious dealer in death who may be on Wentworth’s side … or may not.
“In this incredible adventure, no one is who they seem, and everyone has a private agenda,” says director Roger Rittner. “Nick and Robin are at their best, portraying all the characters in this lightning-charged adventure.”
A Unique Listening Experience
“The Flame Master”, like its predecessors “Prince of the Red Looters” and “Wings of the Black Death”, is enhanced with extensive sound effects and period music score.
For a sample of the excitement, listen to a preview:

The Voice of the Spider! Nick Santa Maria
I always enjoyed voice work. When I was a kid, I’d improvise crazy comedies into an audio cassette recorder with my friends. During those days, I would try to voice as many different characters as I could as we struggled to make each other laugh. Little did I know how valuable that experience came to be.
Eventually, after becoming a professional actor, I was hired to do a great many radio commercials, utilizing some of the very same voices I’d created in my youth. Eventually I got away from voice work to concentrate on other areas of performance. But my heart still belonged in the sound studio.
Fast forward quite a number of years. One day I got a call from a friend who asked if I would take part in a radio musical comedy. I took on the task happily. It was only when I arrived that I found I was to play opposite that legendary vocal artist, June Foray.
The writer/producer/director of the project was the very talented Roger Rittner. Roger seemed to like my work, because soon afterward came a phone call that would change my life and get me happily back into the sound booth.
It turns out that Roger wanted me to be the voice of The Spider. I’d heard of the Shadow, Doc Savage, and a few other pulp novel characters. But the Spider had eluded me.
At lunch one day, Roger handed me a box containing the script for the first book I was to tackle, “Prince of the Red Looters”. After reading it, I was hooked. Being a vintage movie fanatic, I could only see an old serial excitingly playing out in my mind’s eye. The characters were rich and full, the writing was vibrant and thrilling, and Roger’s adaptation was brilliantly done. This was not to be a typical audio book; it played out like a radio adventure, complete with sound effects, music, and atmosphere.
I found that I would not only be narrating the story, but enacting all of the male characters – with Nita Van Sloan and the other female characters portrayed by the incredible Robin Riker. It was a veritable feast for an old ham like me, as I fully embraced the characters of Richard Wentworth, Police Commissioner Kirkpatrick, and especially the villains.
I’m now a veteran of four Spider adventures and look forward to many more. I certainly hope you enjoy what we’ve done with these classic stories, and that the characters are as vivid and enjoyable as they were for readers back in the 1930s.