Author: Andrew Wheeler

The Night of Your Life
By Jessie Reklaw
Dark Horse, September 2008, $15.95

For the last thirteen years, Jessie Reklaw has been turning dreams – mostly those of strangers – into comics, on his website and in a growing number of alternative weeklies nationwide. (Not to derail my own train of thought, but are there any non-alternative weeklies, to which those “alternative weeklies” are the actual alternative?)

Each comic is a four panel grid, two over two: distilling a dream to its essential elements and telling however much of a story there is to tell. The stories are all bizarre and strange – they’re all dreams, after all – but, boiled down to four panels, they also have a lot of similarities. There’s a reason people call it “dream logic;” that’s the way the human mind organizes itself, so the same kind of transitions and imagery come up in many different people’s dreams.

[[[The Night of Your Life]]] collects about two hundred and forty of those “[[[Slow Wave]]]” strips, in black and white. The strips are printed one to the page – large enough to be clear and readable, but only slightly larger than on the web, so they don’t look blown up in the book. The strips are divided into ten parts, each part named for the first line of text in the first cartoon in that part…but the strips don’t otherwise seem to be organized. It’s clearly not by theme or imagery, and the strips aren’t dated, so there’s no way to tell if they’re in chronological order.

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Aya of Yop City
By Marguerite Abouet and Clement Oubrerie
Drawn & Quarterly, September 2008, $19.95

[[[Aya]]] was one of the surprise pleasures of last year, a slice-of-life story about three young women and their families and friends in the neighborhood of Yopougon in late ‘70s Ivory Coast. The title character was actually the least involved in the plot, adding to a slight suspicion that the story was partially autobiographical. (Abouet did grow up in Ivory Coast, though she left in the early ‘80s at the age of twelve – so even Aya’s story couldn’t be directly hers. My personal theory is that Aya is based on an older sister or cousin of Abouet’s, one of her strong connections back to her homeland.)

By the end of Aya, Aya herself hadn’t been much changed, but her friend Adjoua had just given birth to a baby she claimed belonged to Moussa, the unmotivated son of local rich man and business owner Bonaventure Sissoko. But it was also clear that Moussa was not the father of Adjoua’s child, and that Bonaventure strongly suspected that.

[[[Aya of Yop City]]] begins almost immediately after the end of Aya; it’s a continuation of the same story rather than being a new, separate graphic novel. (And so the title is appropriate, like a [[[Babar]]] or [[[Madeleine]]] novel, or a line-extending superhero comic: [[[Aya]]], [[[Aya of Yop City]]], [[[The Adventures of Aya]]], [[[The Amazing Aya]]], [[[Yop Comics Featuring Aya]]], [[[The Spectacular Aya]]], and so on.) So it begins with a full-page close-up of Adjoua’s baby Bobby, who is very cute…but also looks absolutely nothing like Moussa.

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My brother was a huge Garfield fan when he was young, and my own two sons (currently ages ten and seven) have followed in his footsteps. They’re certainly not alone: as Dan Walsh writes in his foreword to [[[Garfield Minus Garfield]]], “I wanted to be just like [[[Garfield]]] – lazy, sarcastic, lasagna loving, Monday hating, cynical but under it all, a darn good guy.” There’s something about Garfield that appeal to the slob in all of us – particularly those of us who are pre-teen boys.

But most of us, I think, grow out of Garfield in time. (I could be wrong, of course – the strip runs in something like 2500 papers worldwide, so he clearly has a lot of adults reading about him every day.) We realize that there are only five or six real jokes in the strip (Garfield likes to eat, Garfield likes to sleep, Garfield hates to do just about anything else), and move on to something with a bit more depth.

Maybe I am just speaking for the coastal intellectual elite when I say that, though. And I hadn’t seriously thought about Garfield in years – if ever – so I was happy to devote some time to these two very different Garfield books when they came my way recently.

Garfield: 30 Years of Laughter & Lasagna: The Life and Times of a Fat, Furry Legend
By Jim Davis
Ballantine, October 2008, $35.00

The first book was the obvious one: a volume celebrating the 30th Anniversary of the strip (which debuted June 19, 1978) with a selection of strips from every one of those thirty years and some commentary from Garfield’s creator and cartoonist, Jim Davis. It’s a fairly superficial book, without any deep insights or thoughts – but that does suit Garfield, which has never trafficked in intellectual depth.

As always, I like looking at the early, crude form of a comic that became more sleek and streamlined later on. The scruffy, more obviously fat Garfield of the first year is simply more interesting to the eye than the sleeker, more designed creature he became later – but it was much harder, clearly, to keep that first Garfield on-model. Davis mentions that he started Garfield because there were a number of “dog” strips, but none about cats – what he doesn’t mention are B. Kliban’s cat cartoons, which look to have been a strong influence on Davis’s early drawing style. He also doesn’t mention the general explosion of cat-stuff in the market after Kliban’s massively popular book [[[Cats]]] appeared in 1975; at this point Davis obviously wants Garfield to look like the beginning of the cat boom, and not merely another offshoot of it. (Kliban is safely dead these days, and won’t be raising any fuss.) Davis does allude to the possible competition, though, when he mentions, on p.72, that the original plan was to “develop him for about a year and get a good backlog of strips. …[W]e felt a certain urgency as far as the cat idea was concerned. It would have hurt if someone else came out with a cat feature before Garfield.”

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The Dresden Files: Welcome to the Jungle
Written by Jim Butcher; Pencils by Adrian Syaf
Del Rey, October 2008, $19.95

Jim Butcher’s [[[Dresden Files]]] series is something of an anomaly in the world of contemporary fantasy – a hugely successful, bestselling series of novels set in the modern world, featuring vampires, werewolves, elves, and other beasties that go bump in the night…but also featuring a main character who isn’t an attractive young woman embroiled in love and/or sex entanglements with two or more of those aforementioned beasties.

Butcher’s hero is Harry Dresden, Chicago’s only consulting wizard – and Harry’s literary background is more from the hardboiled mystery (Always Having Bad Luck With Dames Division, rather than the racier Always Falling Into Bed With Dames Division) than from the romance novel, like so many of his high-heeled and back-tattooed fellow explorers of the supernatural. Harry’s the hard-luck kind of mystery hero: he saves the day, but doesn’t usually get the girl, or much in the way of monetary reward, either. (But that’s OK, since his heart is pure – or as pure as anyone’s heart can be, these days.)

Dresden gets called in – usually by Chicago PD’s Lt. Karrin Murphy, head of Special Investigations (which gets all of the woo-woo cases) – when something seems to be “weird.” No one but Harry actually really believes in the supernatural, of course, but he does get results, most of the time.

Welcome to the Jungle is a prequel to the Dresden Files novels, taking place just before the events of [[[Storm Front]]], the first novel. It’s written by Jim Butcher himself, and penciled by “rising talent” (which here means “someone I haven’t heard of – not that there’s anything wrong with that”) Ardian Syaf, an Indonesian artist.

The Dresden Files is like [[[The X-Files]]] (and many other series of stories about supernatural beasties, like Hellboy) in that there are “mythos” stories – ones that move forward the larger plot – and stories that are one-offs. [[[Jungle]]] is a one-off, concerning some unpleasant doings at Chicago’s Lincoln Park Zoo.

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