Review: ‘MuZz, Vol. 1’ by FSc
MuZz, Vol. 1
By FSc (Foo Swee Chin)
SLG Publishing, May 2008, $14.95
There’s a train that runs to MuZz – or, at least, it’s supposed to – carrying ideas and thoughts whose creators have lost interest in them. They’re all pretty odd and motley, as you might expect: a black whale, a phantom cat, and things I couldn’t even begin to describe.
But, on this particular train, there’s also a figure that looks like a teenage girl missing an eye. She’s Modorelin Farllee, she’s an actual human, and she’s not even dead. (Well, I don’t think she’s dead, but I don’t want to be too definite about any plot points concerning [[[MuZz]]].)
Farllee remembers nothing of her past, and wakes up on the train in such a frantic, grouchy mood that she shakes her elf guide to death and has to rely on the standard pamphlet and the advice of her fellow passengers to figure out what’s going on.
And so she quickly learns what I’ve just told you – she doesn’t believe that she’s actually a figment of someone else’s imagination, but she can’t prove that, and drops the subject. None of them are precisely sure what will happen to them in MuZz, but, for nearly all of them, it has to be better than their previous lives.

Just last week, a secret package of photocopied pages, marked “CONFIDENTIAL — DO NOT REPRODUCE” landed on my desk. Included were three books from DC’s newish manga imprint, CMX, from across the range of their titles. And so, through great personal travail — and with the assistance of someone at DC who must remain nameless, since there was no cover letter — here are the first ComicMix reviews of CMX books…


The two books this week are actually manwha rather than manga, since they come from Korea and not Japan. Other than the reading direction, both of these books are more similar to their Japanese counterparts than to American comics, which I will demonstrate, viz:
It’s generally not a good sign when a series turns from telling stories at the far end of its timeline to filling in the gaps in earlier stories and explaining all the backstory — do I need to mention George Lucas here? — so these two new collections filled me with some trepidation. They’re both reprints of older material — older even than I thought, from 1999 and 1994-95 — but were explicitly returns to even earlier stories.


This is another one of those weeks when we’re heading back over territory we’ve seen before – I’ve got three follow-up volumes today, all from Yen Press, of somewhat different manga series. So let’s take the zombies first, shall we?
