Author: Bobby Nash

DILLON AND THE PIRATES OF KINDLE

Pulpwork Press announces New Pulp Author Derrick Ferguson’s Dillon And The Pirates of Xonira is now available for Kindle from Amazon.

About Dillon And The Pirates of Xonira:
Once upon a time in the far away island nation of Xonira, Dillon was instrumental in halting a bloody revolution and handing the reins of power over to Lord Chancellor C’jai. Now, a mysterious group of international businessmen contact Dillon with evidence that Dillon’s old friend, the Lord Chancellor C’jai, is engaging in high seas piracy in the oceans surrounding Xonira. In order to discover the truth behind the matter, Dillon decides to fight fire with fire and assembles a motley crew of rogues and cutthroats aboard the diesel-powered submarine, Morgan Adams, and sails for Xonira. In Xonira, it seems, beautiful women, traitors, and tyrants are in no short supply, and Dillon’s less than triumphant return is marked by a cascade of bullets, bombs, and blood!

SGT. JANUS RETURNS

So, what has the good sergeant been up to lately, you may ask?

Plotting his triumphant return, of course!

New Pulp Author Jim Beard has recently turned his thoughts to the sequel to SGT. JANUS, SPIRIT-BREAKER, which is tentatively entitled SGT. JANUS RETURNS.

You can learn all about Jim’s plans at http://sgtjanus.blogspot.com/2012/09/sgt-janus-returns.html

You can find SGT. JANUS, SPIRIT-BREAKER on Amazon.com.

For more information on Airship 27 Productions, visit them on-line at www.airship27.com.

Press Release: First Serialized DEATH ANGEL story debuts on Amazon

Runemaster Press is pleased to announce the Death Angel: Dominion part one, eBook debuted on Amazon yesterday. 

Having been born in­to mon­ey and mar­ried to a wealthy busi­ness­man, Ellen Fromme was used to the fin­er things in life. Little did she know a trip to the local opera house was about to send her spiraling into madness…

Death Angel, the first New Pulp Fiction hero from the mind of Mike Bullock, debuted in Phantom Doubleshot #1 from Moonstone Books in 2009. Death Angel has since been met with critical acclaim from fans and fellow creators alike. Further adventures of Death Angel take place in Death Angel: Hung Jury, also available for download from Amazon and Black Bat: Black Death volume one, a graphic novel from Moonstone Books.
  
Death Angel: Dominion part two is slated for release in October, with subsequent installments  coming monthly. 
 

Baltimore Comic-Con Debuts Major Pulp Collection

At the 2012 Baltimore Comic-Con, Basement Comics began offering for the first time a new-to-market, original owner 1920s-1950s science fiction pulp collection.

“This collection is literally farm – or should I say, barn-stored fresh,” said Basement Comics’ Al Stoltz.

“We recently purchased over five hundred pulps with lots of bed sheet size and regular pulp size great reads. Fantastic early sci fi and rocket covers and some of the best writers ever presenting in some cases their first published work like Ray Bradbury, L Ron Hubbard, Alfred Bester and more,” he said.

One pulp even features a letter to the editor from a then-17-year-old Jerry Siegel, co-creator of Superman, Stoltz said. “This is really a piece of comic history!”

Also included in the offerings are the second appearance of Buck Rogers and even some John Carter covers and stories.

“We are pricing and getting ready as many as we can for the show and we hope pulp collectors will be pleased with the selection,” he said.

Thanks to SCOOP for the scoop.

HONEY WEST AND KOLCHAK! JANUARY 2013 FROM MOONSTONE!

Can’t get enough of your favorite Night Stalker or the best looking PI the Sixties had to offer? Then hang on, because in January 2013, Kolchak and Honey West are teaming up, courtesy of Moonstone!

Kolchak & Honey West #1
Story: Janet L.

Hetherington
Art: Ronn Sutton
Covers: Malcolm Mclinton, Ronn Sutton, Hayden Davis
40pgs, color, $3.99

Two top-tier investigators in one titanic team up!
High heels and Hedonism!

Young cub reporter Carl Kolchak falls into an ongoing investigation with Honey West, who is undercover at a gentlemen’s club! Disappearing women are the main course, as they both fight to just stay alive, as the violence escalates and the case gets out of control!

 

CAPTAIN ACTION STORMS THE BOOK CAVE!

Cover Art: Nick Runge

Jim Beard, author of the best selling Captain Action novel to chat with Ric Croxton and Art Sippo about the first Captain Action novel in the latest episode of The Book Cave podcast. They are joined by Airship 27 publishers Ron Fortier and Rob Davis to discuss Captain Action: Riddle of the Glowing Men.

You can listen now at http://thebookcave.libsyn.com/webpage

Learn more about New Pulp Author Jim Beard at www.facebook.com/thebeardjimbeard
Learn more about Airship 27’s Ron Fortier at www.Airship27.com
Learn more about Airship 27’s Rob Davis at http://robmdavis.com

Visit The Book Cave at http://thebookcave.libsyn.com/webpage

ARTIST TOM GRINDBERG TAKES ALL PULP ON A TOUR OF TARZAN’S AFRICA

All Pulp sat down with Tom Grindberg, artist of the upcoming Tarzan Sunday Strips about the project as well as his comic book career and love of pulps.

AP: Tell us a little about yourself and your pulp and comic book interests.

TG: Pulps in general were their from the beginning and deserve as much place if not more importance than that other medium called comics. My interests and appreciation for the Pulps was the blend of text enhanced with pictures. So many great illustrators of that era are just being discovered by today’s artists and fans and I for one am a huge fan too. I also would love to see more publishers repackage some key stories or even lessor known works to a new audience of fresh eyes. So much material could spawn and inspire this younger crop of creators coming into the business pervaded with only superheros. The pulps have so much variety and choices for any group out there looking for newer idea’s to entertain.

AP: How did you get your start as a comic book artist?

TG: I went to both Marvel and DC comics back in 1981 when I was still 19 years old and began my career in comics. I went to Marvel and met Jim Shooter who was the EIC at the time and he basically asked which rock did I crawl from under and gave me my first assignment. It was an inventory job to test me out on. That same day I went to DC’s offices and met Ernie Colon they’re art director at the time. He offered about the same thing but did mention something about illustrating Batman, which really was not as hot as the Marvel characters at the time and since I already had a commitment from Marvel I stayed put with my first offer. Never take your first offer! Sometimes it’s best to go with your gut instincts. nuff said!

AP: With Tarzan’s 100th anniversary in full swing, you’ve landed the art duties on a new Tarzan Sunday web strip along with writer Roy Thomas. What can we expect from this new strip?

TG: Well for one thing you can bank on all new plots and art! Both me and Roy have plotted roughly years worth of material. Most of that material will happen in Africa in the 1940’s before the second world war and thus allow us to bring that element if it crosses Tarzans path to be included. Tarzan, Jane as well as the Wazuri tribe are part of the cast along with La of Opar. We also want to explore as many places within the Tarzan universe that ERB created as possible. The possibilities are endless and I hope that we can entertain old as well as new readers to keep everyone interested in the strip.

AP: Will the Tarzan strip be an on-going project?

TG: Yes, we will be doing only Sundays at this moment for as long as it is feasible for us to continue a continuity strip. Essentially, its all up to you and the readers and how much of a need there is for this centennial character.

AP: Anything you can tease about the new Tarzan strips?

TG: Not to give too much away but I have been teasing the heck out of many on FaceBook lately and have stirred up enough peoples expectations and interest enough. They what to see more and more. I’ll keep posting newer images without spoiling too much of the storyline.

AP: Do you, as an artist, approach doing Tarzan as a web comic any differently than if you were doing it for a newspaper or comic book?

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TG: Not really, only thing is that if it does go to print the dimensions of the book will be more rectangular, but other than that my I approach this with the same attitude as regular comics. Though with each Sunday your more focused on keeping the readers expectations high so that they want to see next weeks installment, I think in today’s comics your allowed a bit more room to roam and not too confined. In every Sunday I am trying to give the readers as much art as possible without it looking like a pile of mini panels unless it warrants it for something narrative or cinematic. I love to create a rich and lush environment but not to overkill the entire design of each Sunday with too much or too muddy it up.

AP: There seem to be many different opinions about what can be defined as pulp. How do you define pulp and what do you look for in a pulp story as an artist and a reader? Is Tarzan a pulp hero?

TG: Initially, Tarzan was just prose written by the author with perhaps a few illustrations…In its basic form that is how I imagined pulps were then and now. I would regard pulps as text and a few pictures.

AP: Tarzan is not your first time stepping into the world of these types of pulp characters. How does working on Tarzan compare and contrast to working on Conan?

TG: Different time periods for starters. Conan world is just as dangerous as Tarzan’s. Conan’s world is full of wizards monsters and epic battles with Conan managing to come out on top with but a few scratches while Tarzan’s world is more modern and probably more realistic even if you can imagine a boy being raised by gorillas and then learning to speak there language and communicating with about every beast in the jungle which is of course both characters are based in Fantasy which is more interesting to illustrate. Action, adventure and fantasy is core reason why I love both characters so much and respect Burroughs and Howard characters and all their creations.

AP: Where do you see the comic book industry in the future? And how can we get the millions of fans that enjoy movies based on comic books to pick up the source material?

TG: I think I see comics moving more on line and less standing in lines. I believe computers have been a very important tool for us to get information from and that its much cheaper to operate and get your message out to millions across the world. I think this is next evolution in the world of comics and self-publishing. If it sells well online then by all means produce it in trade paperback form. I still like holding the finish product in my hands. If Hollywood and comics could join forces in a project it might create a whole new genre. I imagine motion comics or animatics may be this new direction. Static pictures are not enough for this American audience who wishes to be amazed and not bored.

AP: Is there a particular character out there you haven’t had the chance to work on that you would love to take a crack at drawing?

TG: I would like to illustrate Raymond’s Flash Gordon or Foster’s Prince Valiant…So far, I have a real gem on my hands right now, that being TARZAN…I’m not complaining at all!

AP: Where can readers find information on you and your work?

TG: For right now, I am on FaceBook and would encourage anyone becoming friends with me and wanting to see more of what I do this is the one stop spot for the time being. Later on, I imagine I’ll be needing my own website but that’s down the road.
 

AP: What upcoming projects do you have coming up that you can tell us about at this time?

TG: I have been offered a shot at Bruce Jones return to his book Alien Worlds and hope to be collaborating with him very soon on a few short stories produced by RAW Publications. I always, loved his collaborations in the past as well as his own art and look forward to putting both feet into something more suited to what I really like to do best which is Science Fiction Fantasy. I have been doing a few covers a year for Moonstone’s licensed character Airboy but not nearly enough of anything with Dark Horse, Marvel or DC.

AP: Do you have any shows, signings, or conventions coming up where your fans can meet you?

TG: No, but I really need desperately to get out more often and seek out my readers and art lovers. Its a funny situation when you don’t produce enough material yearly to warrant going to shows to show off a few covers but, that will change once the Tarzan strip gets up and running. I live in the Brooklyn New York area and will try to be at the next Comic Con.

AP: And finally, what does Tom Grindberg do when he’s not drawing?

TG: I spend most of my time with my wife and our little daughter Katie who is now 18 months old. They are best things in my life right now and deserve so much attention for all the joy they give me.

AP: Thanks, Tom. We’re looking forward to the premiere of the Tarzan Sunday Strips.

You can learn more about Tarzan and the Sunday Strips at www.edgarriceburroughs.com
You can learn more about Tom Grindberg at www.facebook.com/tom.grindberg

MECHANOID PRESS UNVEILS A DIFFERENT KIND OF PULP DETECTIVE

FOR IMMEDIATE RELEASE

James Palmer and Mechanoid Press  Proudly Present a Different Kind of Pulp Detective

Atlanta, GA— James Palmer and Mechanoid Press have just released another Kindle exclusive melding elements of Dashiell Hammet and H.P. Lovecraft, in the first in a series blending 30’s noir with urban fantasy and supernatural fiction.

Slow Djinn begins the adventures of Sam Eldritch: Occult Investigator for Hire. Eldritch is a private eye in 1930s New York, trying to cope with his newfound ability to see the world of magic that lies all around us, yet just beyond our reach.

Synopsis

Sam Eldritch is down on his luck. His partner was murdered by a Chinese demon, but it gave Sam a gift. Now he sees ghosts, demons, and even worse things. Things that no one else wants to know about. Kicked off the force as a laughing stock, Sam hires himself out to those who need his special “gift.”

But when a mysterious Saudi businessman hires him to retrieve a stolen ring, Sam realizes he may have bitten off more than he can chew. Haunted by the ghost of his murdered partner, his only friends a Chinese sorcerer and the ingénue of a jealous crime boss, can Sam find a force so powerful it destroys everyone it touches before it falls into the hands of the local mob? Can he learn the secret of the demon who destroyed his life?

“I had a lot of fun writing this one,” says Palmer. “And I have a few more stories in the beginning stages. If readers like Sam, there will definitely be more adventures.”

The photo cover is by the talented J.R. Blackwell (jrblackwell.com), and represents the classic pulpy noir feel of the story.

“A lot of paranormal and urban fantasy is set in the present day,” says Palmer. “And that’s great, but I wanted to take it back to its pulp roots a bit. I think fans of classic occult detective characters will really dig Sam Eldritch.”

This universe has several influences, from the gritty dime novel detectives to Carl Kolchak and The X-Files and books like Richard Kadrey’s Sandman Slim.

“All of the characters are really colorful and interesting,” says Palmer. “And there’s a twist at the end I don’t think anyone will see coming.”

Slow Djinn is available for Kindle and in PDF format from http://www.jamespalmerbooks.com/ and http://www.mechanoidpress.com/

About James Palmer
James has written articles, interviews, columns, reviews and fiction for Strange Horizons, Tangent Online, The Internet Review of Science Fiction, and New Pulp Publishers Airship 27, Pro Se Productions, and White Rocket Books. For more, visit http://www.jamespalmerbooks.com/ or follow James on Twitter @palmerwriter.

About Mechanoid Press
Mechanoid Press is a new publisher specializing in science fiction, New Pulp, and steampunk ebooks and anthologies. Their first anthology should be out by the end of the year. For more, visit http://www.mechanoidpress.com/ or follow the robot revolution on Twitter @mechanoidpress.

atearthscorecover8-2012-7579264

COVERING EARTH’S CORE!

atearthscorecover8-2012-9253109
Artwork © Jamie Chase.

Artwork © Jamie Chase.

Sequential Pulp Comics shared this first look at the cover for the new graphic novel adaptation of Edgar Rice Burroughs’ classic sci-fi adventure, AT THE EARTH’S CORE.

At The Earth’s Core is written by Martin Powell with artwork by Jamie Chase. This project is authorized by ERB, Inc., and published by Sequential Pulp/Dark Horse Comics.

You can learn more about Sequential Pulp Comics at www.SequentialPulpComics.com

You can learn more about Dark Horse Comics at www.darkhorse.com

SAVING THE COSMOS – HERE COMES LANCE STAR: SPACE RANGER

Story: Bobby Nash. Art: Jeff Austin

Check out a sneak peek at the upcoming Lance Star: Space Ranger comic book story by Bobby Nash and Jeff Austin at the artist’s blog – http://pencilbrushblog.blogspot.com/2012/08/in-outerspaceaceaceace.html

Lance Star: Sky Ranger comic #2: Strange Tales is coming soon.

For more on Lance Star: Sky Ranger, visit www.lance-star.com

Bobby