I’m going to train my hands to paint perfect letters. So after stocking up on brushes and inks I decided I needed some books, if I was to be self-taught. I hunted throughout New York City, a city I believe to have an enormous number of books per capita, and couldn’t find anything worth buying.
Enter the Internet.
Christine Ferretti covers the retrial for the Detroit News:
Barbara George was regarded as a devoted wife with no known enemies. But in 1990, the 32-year-old mother of two met a grisly fate when she was fatally shot in the back room of the Clinton Township comic book shop she co-owned with her husband.
Macomb County prosecutors say Michael George dreamed of a “McDonald’s-like” comic store empire while he kept a secret apartment and engaged in affairs behind his wife’s back. They say he wanted to be rid of his “overweight” wife and ultimately killed her to do it. […] George, now 51, is charged with first- and second-degree murder, insurance fraud, false pretenses and firearm offenses.
This is the saddest line in the story:
Prosecutors allege the then-30-year-old George dropped his children off at his mother’s home on the night of July 13, 1990, returned to the store, and slipped through the back entrance to ambush his wife. Barbara George had been at the store alone planning a surprise 30th birthday party she was hosting for her husband that night.
Well, it certainly was a surprise for somebody…
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| Cover Art: Dan Brereton |
This Halloween, Moonstone heads back to their monstrous roots with the Return of the Monsters Event. Return of the Monsters features four stand-alone tales of pulp’s mightiest heroes facing off against some classic monsters. One of those titles is Domino Lady vs. the Mummy by co-writers Nancy Holder and Bobby Nash with art by Rock Baker and Jeff Austin. All Pulp sat down with Bobby Nash about this upcoming book.
All Pulp: Tell us a little about yourself and your pulp interests.
Bobby Nash: I’m a writer of prose and comic books, many of which feature pulp characters and themes. Some of the characters I’ve written include Lance Star: Sky Ranger, Domino Lady, Secret Agent X, Ravenwood – Stepson of Mystery, the Green Hornet, and more. You can see all of my various books at http://www.bobbynash.com/. I also run the http://www.lance-star.com/ website as well.
AP: Your story, co-written with Nancy Holder, for the Return of the Monsters Halloween event is called Domino Lady vs. the Mummy. What can we expect from this titanic throw down?
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| Art: Rock Baker & Jeff Austin |
BN: Domino Lady’s adversaries tend to be more human so it was a fun experiment having her face off against a supernatural threat. Getting the opportunity to work with writer Nancy Holder, whose novels and comics I’ve enjoyed over the years was just icing on the cake. She developed an interesting plot that was fun to play with. She has Domino Lady’s character down pat. Working with the art team of Rock Baker and Jeff Austin again was an added bonus. Together, Rock and Jeff have that classic art style that really fits a character like Domino Lady and the world she inhabits. I hope we get to see them work on this character again.
Here’s a tease about the story. The Domino Lady and her police friend, Detective “Mad Dog” Vernia are targeted by an Egyptian sorceress and her mistress, a mummy hell-bent on finding the perfect mate. The mummy’s search for the perfect “parts” leaves a rail of victims all over 1930’s Hollywood and only the Domino Lady stands in her way.
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| Art: Rock Baker & Jeff Austin |
AP: Domino Lady Vs. The Mummy has a pulp hero battling a classic monster, a combination that even though done in some regards hasn’t ever really been done the way Moonstone is doing it with the Return of the Monster event. What do these genres have in common and how do they differ in ways that complement each other?
BN: When Moonstone boss, Joe Gentile first told me about this project he mentioned going for a black and white with gray tones feel I thought it was a brilliant idea that would capture the mood of both those old noir films as well as monster movies. From that point on it clicked for me and I play around with things like lurking shadows a lot in the script. Seriously, see how many you can find when the book comes out in October.
AP: The Return of the Monsters Halloween event brings back several classic monster archetypes to Moonstone’s lineup. How does this version of the Mummy compare and contrast to previous versions of the character?
BN: It compares in that it’s a mummy and that comes along with certain trappings like being wrapped in bandages, canopic jars, ritual organ harvesting, that sort of thing. Y’know, just a fun night in Hollywood. (laughs). This particular mummy isn’t based on any particular mummy we’ve seen before. Taking Nancy’s concept of the mummy as a starting point, I tried to make it as scary and dangerous a mummy as possible. The art really sells that, starting with Dan Brereton’s cover straight through the book.
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| Covers by Dan Brereton |
AP: What appeals to you about pulp heroes battling classic monsters? What was it that excited you about pitting the Domino Lady against a mummy?
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| Art: Rock Baker & Jeff Austin |
BN: I was excited for the opportunity to write the character again. I really took a liking to the Domino Lady when I was reading the original stories as research for my story in the Moonstone Domino Lady prose anthology. Since then I’d been looking for any excuse to work on the character again. The thought of dropping Domino Lady into a situation that is completely alien to her was of interest. We played up her detective skills, which I really enjoyed. All of that had me excited, but then I found out I would be co-writing with Nancy Holder and I got even more excited. Then Rock and Jeff came on board. Then I saw the cover. By that point I was over the moon.
AP: What, if any, existing pulp, monster, or comic book characters would you like to try your hand at writing?
BN: Oh, take your pick. I’ve written a few pulp characters, but would love to try my hand at the Spider, Captain Action, or maybe team up G-8 with Lance Star: Sky Ranger. That would be fun. As for monsters, I’ve written a lot of werewolves over the past year or two (not one, but two comic book projects that feature a werewolf are in process), plus I’ve written Dracula and now the mummy. I might have to go with a sea monster next. With comics, my dream gig would have to be the Fantastic Four, but I wouldn’t sneeze at Spider-man, Thor, Nightwing, or Captain America either.
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| Cover: Shannon Hall |
AP: What does Bobby Nash do when he’s not writing?
BN: I sleep. I also spend way too much time in front of the TV or with my nose in a novel. I love traveling and attend a lot of conventions, which even though not technically writing is still part of the job. I’m also a co-host for the Earth Station One podcast. We record an episode each week. Check it out at www.esopodcast.com. We always like new listeners. Other than that I’m generally doing something creative. I’ve never learned the art of sitting around and doing nothing.
AP: Where can readers find learn more about you and your work?
BN: I’m all over the web, but most of the time you can find me at http://www.bobbynash.com/, http://www.lance-star.com/, http://www.bloodyoldeenglund.com/, www.facebook.com/bobbyenash, and www.twitter.com/bobbynash.
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| Art: Rock Baker & Jeff Austin |
AP: Any upcoming projects you would like to mention?
BN: Just released: Lance Star: Sky Ranger Vol. 3 (Airship 27), Green Hornet Casefiles (Moonstone), and Golden Age Good Girls (Mini Komix). Coming soon (in no particular order): The Ruby Files (Airship 27), Domino Lady vs. the Mummy (Moonstone), Zombies Vs. Robots (IDW), Tales From The Zero Hour Vol. 4 (Blinding Force Productions), Yours Truly, Johnny Dollar (Moonstone), All-Star Pulp Comics (Airship 27), Green Hornet: Still At Large (Moonstone), and more Lance Star: Sky Ranger prose and comics. Plus a few surprises I can’t talk about yet. You can see all of my upcoming announcements at http://www.bobbynash.com/.
AP: Thanks, Bobby.
BN: My pleasure.
Domino Lady vs. the Mummy is solicited in August Previews for an October in store release.
With Thor
Sweet Christmas. Sweet White Christmas.
One is inevitably reminded of the story Harlan Ellison tells of the movie executive who wanted to remake the movie The Wiz, but recast with all white actors.
During the Bush years, Yglesias coined the Green Lantern Theory of Geopolitics to mock conservatives who believed that “[t]he only thing limiting us is a lack of willpower” in foreign policy. What he identifies here is nothing less than a Green Lantern theory of the presidency in which all domestic policy compromises are attributed to a lack of presidential will. And, like the Green Lantern theory of geopolitics, this view is nonfalsifiable.
via The Green Lantern theory of the presidency by Brendan Nyhan.
Also: The political version of Green Lanternism. And legendary Green Lantern writer Dennis O’Neil’s take on the Green Lantern Theory of Geopolitics, and his followup. And why Green Lantern matters.
This is an amazing Superman. Not totally invulnerable, can only leap mover tall buildings and not fly, defying authority, fighting criminals and corrupt politicians, on the side of the little guy – really amazing stories. What? Grant Morrison’s Superman? No, I’m not talking about that. I haven’t read his new version although I’m sure it’ll be good; Morrison wrote All-Star Superman, one of my favorite run of Superman stories.
No, I’m talking about the original run of Superman stories, by the creators – Jerry Siegel and Joe Shuster. I read them in one of the DC Archive books and I was floored when I read them. This was not the Superman I grew up on; he was actually a lot more interesting.
In one story, he gets a bad guy to talk by throwing him off the roof of a building, catching him, and then throwing him off again. He keeps doing this as he worries about whether or not he might have butterfingers. In another story, there’s a series of slums that are public housing and the buildings are in terrible shape. Supes’ solution? He pisses off the authorities to the point where they try to bomb him. He’s running in and out of the slum buildings that wind up flattened so that the authorities have no choice but to build new ones. And he’s laughing while he does it. The man’s a maniac – a Supermaniac.
In another story, an innocent man is about to be executed. Supes gets proof he’s innocent and goes to the governor. It’s almost midnight and the governor is in his pajamas and robe. There’s a storm and the phone lines go out. No way they can contact the prison in time. Supes grabs the governor and hurtles through the night, running and leaping at high speed to get the governor there in time to pardon the guy.
In another, Superman deals with a wife-beater and gives the jackass a taste of his own medicine.
Is the art a little primitive by today’s standards? Perhaps. Are the stories a little simple by today’s standards? Maybe – but they move like a speeding bullet. Superman at the start was very much a character of his time, born in the Depression, where the public’s confidence in their political institutions were low, where crime seemed rampant, and the little guy/gal seemed to have no-one on his/her side. Superman wasn’t bound by the courts or the law; he was an outlaw for justice.
Sound like today? Oh yeah. A Superman that hearkens back to his roots might be just what we need. I don’t know if that’s what Grant Morrison is doing but, from interviews he’s given and fro9m what I read in articles, it sounds to me as if he read those old stories, too, and has gleaned from them a basic, more primal Superman. Yesterday’s Man of Tomorrow written for today? I could get into that.
MONDAY: Mindy Newell
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