Author: Glenn Hauman

Far too films hold up to the test of time, their iconic nature re-evaluated through a modern prism and found wanting. Memorable performances or screen characters suddenly look one-dimensional or wanting. Then there are those that grew in stature through the years as audiences and critics catch up to the creators’ vision. Those are the ones that are hailed in retrospectives, make it to the National Film Registry and get the deluxe treatment when released on home video. The Hustler, the 1961 film about pool and people, is one such film and is this week making its Blu-ray debut courtesy of 20^th Century Home Entertainment.

It used to be, pool sharks could tour the country, play high stakes games and eke out a living of sorts. Legendary pool players had a word-of-mouth reputation every bit as powerful as celebrities made famous by ESPN. The great novelist Walter Tevis captured these players and their world in his 1959 novel, prompting Robert Rosen and Sidney Carroll to adapt it to the big screen.

“Fast Eddie” Felson is the wandering pool player, with no roots, no life beyond the end of his cue stick. He arrives in the small, dark town of Ames specifically to challenge the legendary Minnesota Fats – and loses. What happens next propels the rest of the film and becomes a study of pool players, friends, and lost souls searching for a better way.

Felson is a brilliant player but empty inside, yearning for something more but not sure what that is or how to get it. All he knows is he’s the best and wants to prove it time and again so being humbled by Fats rankles. And while he’s lost, he discovers there are others who don’t know just how lost they are, a point made when he meets the drunken Sarah Packard. (more…)

Yesterday. the future arrived.

[[[Amazon]]] announced that eBooks are now the most popular sales format on Amazon.com, outselling the joint sales of hardback and paperback books. Since April 1, 2011, for every 100 print books Amazon has sold, it has sold 105 Kindle editions. It took Amazon just about four years to make that statement come true, and it represents the tipping point.

Related to that, the Association of American Publishers released new sales figures for March 2011, and eBook sales were up from last year, but down from February 2011. March eBook sales totaled $69.9 million, compared to $90.3 million in February 2011. Still, this was a big increase from March 2010, which saw $28.1M in sales (a 145.7% increase).

And yes, they’re cannibalizing paper sales.

So far, we don’t have numbers on what it’s doing for comic sales, although Apple has stated that the most in-app purchases have come from comic book programs, although no one’s quoting hard numbers yet. But it will only be a matter of time and display technology.

As for me, I don’t feel like Kevin McCarthy screaming in traffic quite so much anymore.

Related articles

• That Was Fast: Amazon’s Kindle Ebook Sales Surpass Print (It Only Took Four Years) (techcrunch.com)

This has not been a good week for comics on TV.

On Tuesday, Fox announced that it was canceling [[[Human Target]]] (starring Mark Valley, Chi McBride, and Jackie Earl Haley and based on the DC Comics character created by Len Wein, Carmine Infantino, and Dick Giordano) after two seasons, and also declined to pick up Locke & Key, the pilot from Roberto Orci and Alex Kurtzman (the minds behind Fringe and the Star Trek reboot) based on the IDW comic from Joe Hill.

Now word has come from Deadline Hollywood that NBC will not be picking up [[[Wonder Woman]]], the series that would have been produced by David E. Kelley and starred Adrianne Palacki as the amazing Amazon.

Between these developments, and Smallville ending its decade long run tonight, we are suddenly going from a lot of comics adaptations in broadcast prime time to none at all for the first time since 1996– and that was when Sabrina the Teenage Witch first aired.

Right now, all eyes are on whether Disney’s fabled corporate synergy will mean sister companies Marvel and ABC will go ahead with a new version of Hulk with Guillermo del Toro and David Eick, and/or AKA Jessica Jones with Melissa Rosenberg– or whether they’ll be shunted to ABC Family or some such solution.

We interview the lovely Elisabeth Moss (Mad Men, The West Wing), who performs the voice of Arisia in the upcoming [[[Green Lantern: Emerald Knights]]], as well as show a preview of the film. Here, we learn of the powerful villain the Green Lantern Corps must battle to save the universe — just as new recruit Arisia is arriving to be mentored by Hal Jordan (Nathan Fillion).

[[[Green Lantern: Emerald Knights]]] comes out on June 7th, just in time for the movie.

I’ve had a very strange feeling the last few months.

I’m not talking about that feeling you get when you think that history isn’t going along the right path and that you’re living in an alternate universe where people you know and love have changed– I’ve had that feeling since December 12, 2000.

No, I’m talking about how everybody in comics is talking about Flashpoint and a changed comics universe. Because twenty-five years ago, that’s what Flashpoint meant to me– and meant to a lot of other comics fans on Long Island.

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