Insane garage mad scientist Colin Furze promised three absurd X-Men themed projects by the end of the month — and man, has he delivered. First came his..
Did you ever get the impression that escalation in cosplaying has gone a bit too far?
There are those of you who doubted he’d make it. Hah! Hah, we say!
Harlan Ellison, writer, raconteur, gadfly, screenwriter, actor, power forward for the Los Angeles Lakers, and a character in The Dark Knight Returns, Freakazoid, Concrete, The Simpsons, and Scooby Doo, celebrates his 80th birthday today. Yes, he’s been striking terror into the hearts of mere mortals for eight decades.
We don’t even know where to start with his list of accomplishments. If you’ve never read anything from him, go read his [[[Dream Corridor]]] comic collections, or [[[Phoenix Without Ashes]]], or watch some of his videos from his days on the Sci-Fi Channel here.
He even thanks you for your birthday wishes:
And here’s the cover to his Incredible Hulk #140, drawn by Herb Trimpe, who celebrated his 75th birthday yesterday! Congrats to both of you!
Mark Harris at Grantland points out that we might be hitting the mass media equivalent of the 90’s comic glut:
Even as they dominate the box office, comic-book movies are approaching a moment fraught with peril. If one definition of a bubble is that everybody with an investment to protect insists that it isn’t a bubble, then we should probably take as a warning the breezy assertion of Marvel’s chief creative officer, Joe Quesada, that “We’re not the Western … The sky’s really the limit for us, as long as we as a collective industry continue to produce great material.” But let’s give him the benefit of the doubt and try out a more specific definition: A bubble reaches its maximum pre-pop circumference when the manufacturers of a product double down even as trouble spots begin to appear.
That, I would argue, is what has happened in the last month, in both movies and television.
Late, but worth noting: nowadays, TV shows based on comics outscore the NFL. And that’s why there are seven new shows coming that are based on comics.
And among the people with real buying power, The Walking Dead won. Imagine that. We now have a new emblem of Americanness. “Oh, Cody was like the typical all-American kid in high school. Blonde hair, blue eyes, was president of the Walking Dead fan club.”
when wendy met wendy – an EXCLUSIVE look at zanker’s pencils from “the middleman – the pan-universal parental reconciliation”! http://okbjgm.tumblr.com/post/86273896951/when-wendy-met-wendy-an-exclusive-look-at
Wiley Miller won the Reuben Award this year, the major honor also known as the National Cartoonists Society award for Outstanding Cartoonist of the Year. One of the most esteemed awards in the world of comics, past winners include Charles Schulz, Hal Foster and Al Capp. The other nominees were Hilary Price, Stephan Pastis and Mark Tatuli.
Comics winners of potential specific interest to readers of this site given our coverage areas included animator/comics-maker Hayao Miyazaki for [[[The Wind Rises]]] in feature animation; Jeff Smith for Tuki as the long-form on-line strip; Andrew C. Robinson for [[[The Fifth Beatle]]] as the graphic novel of the year; Sergio Aragones for Sergio Aragones Funnies as the honored comic book. I think this may have been the first year with two categories for on-line work; the short-form version went to Ryan Pagelow for Buni.
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