Author: Glenn Hauman

Don’t Add Bells & Whistles To eBooks, says Penguin

An interesting piece from Reuters reporting that Penguin Books has found that while ebook sales are going strong, ebook apps with extra bells and whistles are really not.

Something to think about when people start talking about enhanced comics apps. Do you really need word balloons that pop up, sound effects, and the like?

For that matter, has anybody done any “motion comics” lately?

Alan Moore Talks #OWS and ‘V For Vendetta’

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We already knew artist David Lloyd visited Occupy Wall Street when he was in town for the New York Comic Con and liked what he saw– now The Guardian has asked Alan Moore, the other half of the creative team of V for Vendetta how he feels about the image of V being used as the symbol of protest and revolution in the 21st century.

“I suppose when I was writing V for Vendetta I would in my secret heart of hearts have thought: wouldn’t it be great if these ideas actually made an impact? So when you start to see that idle fantasy intrude on the regular world… It’s peculiar. It feels like a character I created 30 years ago has somehow escaped the realm of fiction.”

V for Vendetta tells of a future Britain (actually 1997, nearly two decades into the future when Moore wrote it) under the heel of a dictatorship. The population are depressed and doing little to help themselves. Enter Evey, an orphan, and V, a costumed vigilante who takes an interest in her. Over 38 chapters, each titled with a word beginning with “V”, we follow the brutal, loquacious antihero and his apprentice as they torment the ruling powers with acts of violent resistance. Throughout, V wears a mask that he never removes: bleached skin and rosy cheeks, pencil beard, eyes half shut above an inscrutable grin. You’ve probably come to know it well.

“That smile is so haunting,” says Moore. “I tried to use the cryptic nature of it to dramatic effect. We could show a picture of the character just standing there, silently, with an expression that could have been pleasant, breezy or more sinister.” As well as the mask, Occupy protesters have taken up as a marrying slogan “We are the 99%”; a reference, originally, to American dissatisfaction with the richest 1% of the US population having such vast control over the country. “And when you’ve got a sea of V masks, I suppose it makes the protesters appear to be almost a single organism – this “99%” we hear so much about. That in itself is formidable. I can see why the protesters have taken to it.”

Moore first noticed the masks being worn by members of the Anonymous group, “bothering Scientologists halfway down Tottenham Court Road” in 2008. It was a demonstration by the online collective against alleged attempts to censor a YouTube video. “I could see the sense of wearing a mask when you were going up against a notoriously litigious outfit like the Church of Scientology.”

But with the mask’s growing popularity, Moore has come to see its appeal as about something more than identity-shielding. “It turns protests into performances. The mask is very operatic; it creates a sense of romance and drama. I mean, protesting, protest marches, they can be very demanding, very gruelling. They can be quite dismal. They’re things that have to be done, but that doesn’t necessarily mean that they’re tremendously enjoyable – whereas actually, they should be.”

At one point in V for Vendetta, V lectures Evey about the importance of melodrama in a resistance effort. Says Moore: “I think it’s appropriate that this generation of protesters have made their rebellion into something the public at large can engage with more readily than with half-hearted chants, with that traditional, downtrodden sort of British protest. These people look like they’re having a good time. And that sends out a tremendous message.”

via Alan Moore – meet the man behind the protest mask | Books | The Observer.

FORTIER TAKES ON THE MERKABAH RIDER A SECOND TIME!

ALL PULP REVIEWS by Ron Fortier
MERKABAH RIDER
The Mensch With No Name
By Edward M. Erdelac
Damanation Books, LLC
218 pages
Perhaps the most popular sub-genre in the resurgence of new pulp fiction is that of the weird western. It seems everywhere one turns these days; another publisher is coming out with another anthology which combines the cowboy classic setting with all manner of bizarre and horrible trappings.  None is more effective and original than Edward M. Erdelac’s Merkabh Rider series.  In his first book, “Tales of a High Plains Drifter” we were introduced to the Rider, last of an order of Jewish mystics searching a demon infested west on the trail of his teacher, who betrayed and massacred the order known as the Sons of Essenes.  In this second volume, the Rider’s travails continue through four new adventures.
In “The Infernal Napoleon”, the Rider finds himself in an out of the way watering hole used by freight haulers.  Here, in this desolate way station he’s set upon by a vengeance seeking demonic dwarf who controls a satanic canon and is willing to destroy dozens of innocent lives to achieve his ends.  But in all things, there is a balance and the aid of a young Samson-like strongman may tilt the odds in the Rider’s favor.  The action is fast and brutal and sets the tone for the entire book.
Next is “The Damned Dingus.” During a train robbery by a group of dim witted varmints, the Rider’s unique Volcanic pistol is stolen. With the aid of the famous gunfighter, Doc Holiday, and an experienced deputy marshal, the Rider travels to an abandoned mine in the high country and encounters the savage menace of an invisible monster capable of ripping men and horses to pieces.  What is it the creature is protecting and what is its connection to his old teacher’s twisted plans?
Leaving Arizona, the Rider learns he has been labeled a wanted outlaw with a bounty on his head.  Fleeing into New Mexico, he encounters a band of Apaches battling an age old horror that dwells beneath the earth.  Here Erdelac takes a page from H. P. Lovecrafts’ canon in using the evil Old Ones from beyond the stars as the threat and only the Rider and his arcane skills can free the territory of the vile and corrupted She-Demon in the episode called appropriately, “The Outlaw Gods.” Before it is finished, the Rider will have led an army of Spanish ghosts in an epic battle across the astral plane.
Finally, still assailed by Queen Lilith’s invisible sprites that are draining away his life essence, the Rider is found by Kabede; a Merkabah Rider from a secret Ethiopian sect of the Sons of Essenes.  Kabede convinces the Rider that the answers to Adon’s diabolical plan, the meaning behind the so called Hour of Incursion, can only be answered by the Prince of Hell, Satan and they must travel to Hell in astral form.  Erdelac’s depiction of the various levels of Gehena are as evocative as Milton’s own “Paradise Lost” and deftly combine Judeo/Christian tradition with other prehistoric myths.  In the end, he weaves a complicated but amazing tapestry of mankind’s ongoing quest to explain the meaning of creation and the eternal conflict between faith and hopelessness.  By the end of this final chapter, the Rider and his new companion have set into motion actions which will either lead to their defeat at the hands of Adon and his minions, or a miraculous victory against the forces of alien damnation.  Calling this finale a cliffhanger is a major understatement.
“MERKABAH RIDER – The Mensch With No Name” is a terrific continuation of an exciting saga this reviewer imagines will culminate in a third and final volume.  This is easily some of the finest western/horror/action writing on the market today and comes highly recommended.  The Merkabah Rider is truly a pulp hero like no other.

Alice’s Restaurant, illustrated

Santa has come down Broadway, and that means it’s time to play Arlo Guthrie’s Alice’s Restaurant– this time, with illustrations accompanying the twenty-seven 8×10 glossy photos.

Part 1:

Part 2:

Peter David, Spider-Man, and the Macy’s Thanksgiving Parade

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Yes, that’s Peter David once again providing direction to Spider-Man. But this time, he’s bringing him down Broadway as part of the Macy’s Thanksgiving Day Parade in New York City (because really, where else would Spidey be, Chicago?) See if you can catch him on TV today.

Because When We Think Turkey, We Think ‘William Shatner’

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William Shatner loves deep-fried turkey, but over many Thanksgivings and Christmases he’s made mistakes, burned himself, and nearly burned down his house. In this dramatic (of course) retelling, Bill shows us how dangerous turkey fryers can be.

So be careful out there. Or better yet, try brining the turkey overnight next year.

New Pulp’s Table Talk – Get to Work!

On the eve of Thanksgiving, New Pulp Authors Barry Reese, Bobby Nash and Mike Bullock discuss how they lay out their work schedules and the little things that go into writing many people who don’t write don’t get.
New Pulp’s Table Talk – Get to Work! is now available at http://www.newpulpfiction.com/ or at the direct link: http://www.newpulpfiction.com/2011/11/table-talk-get-to-work.html

Join the conversation. Leave us a comment on the blog and let us know your thoughts on this topic. We’d love to hear your thoughts and questions.

More Muppets: It’s Not Easy Fighting Darkseid

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Okay, we admit it. We are helpless before our addiction. Jack Kirby meets Jim Henson with Kermit as Mister Miracle and Miss Piggy as Big Barda. I presume Oberon is the janitor who cleanes up backstage at The Muppet Show theater.

via My Junk Drawer – Miracle Frog and Pig Barda. Commission. 8×10”.

Muppet Doctor Who

In Honor Of Today’s 48th Anniversary of ‘Doctor Who’ and the Release of ‘The Muppets’…

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…we present to you this wonderful work by Amy Mebberson, who cut her teeth on British Muppet Mash-ups with Muppet Sherlock Holmes for BOOM! Do yourself a favor and read her charming webcomic Thorn.